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Movie Metropolis (309 KP) rated Harry Potter and the Deathly Hallows - Part 2 (2011) in Movies
Jun 11, 2019
The moment has come for every budding witch and wizard to say goodbye to the cash cow that has been the Harry Potter franchise and what a send-off he’s been given.
David Yates has once again returned to helm the final instalment in the most profitable movie franchise in history and whilst he has created a near perfect film technically, it falls down on a few points like a lack of character development and overly rushed script.
Deathly Hallows Part 2 picks up immediately from the 1st chapter with a quick reminder of what preceded it. This is a welcome start as the film feels a little disjointed in parts and if you’re not a loyal Harry Potter fan; chances are you won’t understand what’s going on.
Voldermort is gaining power as Harry, Ron and Hermione search for the missing horcruxes in order to destroy them and cripple the fearsome villain. Their travels bring them back to where it all started; Hogwarts school of witchcraft and wizardy; which has changed since we saw it last. Hogwarts has been rendered fabulously and is perhaps the best use of the 3D technology in the entire film. The sweeping shots of the lush, yet foreboding landscape surrounding the iconic castle are given new depth as we literally fly through the sky and smash through castle windows.
The decision to convert the film into 3D was met with mixed reviews from critics who said it would spoil a film which didn’t need it. To some extent this is true, there is a definite lack of focus throughout the film as the eye tries to focus on too many things at once, but it is far from the worst 3D conversion I’ve seen.
Performance wise, everyone has upped their game. The main trio have developed strong bonds with each other in real life and this really shows in the film as they battle against near certain death to protect one another. Daniel Radcliffe (Harry) is perhaps the weakest of the three in this film with Emma Watson (Hermione) and Rupert Grint (Ron) tied in first place. Their quiet demeanour is excitingly suffocating and brings a sense of claustrophobia to the film.
Of our veteran stars, Maggie Smith and Alan Rickman who play Professor McGonnagall and new headmaster Severus Snape are by far the standouts in a cast which are given a much greater chance to shine in this film. For a woman of Smiths age (76), she is exceptional and her performance really shows why Chris Columbus thought she would be perfect for the role all those years ago. Alan Rickman has been a favourite throughout the series and hasn’t let Potter fans down here, his final scenes are heart-breaking and worthy of a few tears.
Most of the other favourites make a welcome return, though all of them feel like cardboard cutouts, because their speech is limited to a couple of lines. Jim Broadbent (Horace Slughorn), Emma Thompson (Sybil Trelawny), Miriam Margolyes (Pomona Sprout) all make cameos in the film which is both a lovely and disappointing sight to see.
Ralph Fiennes does a lot of shouting throughout the film as vicious enemy Lord Voldermort but he performs well and does the role justice.
The only real flaw in the characters is that many of them aren’t given enough screen time. Helena Bonham Carter’s fabulous Bellatrix Lestrange is unfortunately lost as the army of Death Eaters grows and many other brilliant characters are only seen, not heard. (David Thewlis – Remus Lupin is the most prominent example of this.)
Being just over two hours in length means that this film is by far the shortest of the bunch and this shows in its pacing. Unfortunately, cutting the running time to this length has meant that certain scenes feel a little disjointed and certain parts, which were gut-wrenching in the book aren’t given enough time to digest in the film, which is disappointing seeing as an extra 10 or 20 minutes would’ve improved things greatly.
The climatic battle of Hogwarts as it’s been titled is fabulous and the special effects come into their own here as giants, acromantulas, death eaters and students pit themselves against one another with terrifying results. It’s a real treat to behold.
Yates’ cinematography is superb and every single shot he uses is beautiful in its own way. In one particular scene, located in the never before seen boathouse at Hogwarts, Yates manages to get around the 12A certificate which has blighted the last 4 films by shooting through frosted glass. I won’t spoil the scene for you, but it’s an emotional part of the film.
Moreover, the limbo scenes between Harry and Dumbledore, which were a low point in the novel, have been pleasingly shortened so that enough time is given to the main storylines. Unfortunately, the much talked about epilogue is too short and is a slightly anti-climatic send off for a film franchise that has been around for 10 years.
Overall, Harry Potter gets the send-off he deserved in a film which returns the magic and sparkle lost as the movies got darker. Yates has crafted a beautifully shot movie which doesn’t forget the action packed nature of its source material. Coupled with brilliant special effects and excellent performances by everyone involved, it’s a winning formula all round. The Harry Potter film franchise may have had a few lapses and a couple of disappointing outings, but thankfully the Deathly Hallows has made sure it ends on a high note. It may finish here, but when it ends this well, it most certainly won’t be forgotten.
https://moviemetropolis.net/2011/07/18/harry-potter-the-deathly-hallows-part-2-2011/
David Yates has once again returned to helm the final instalment in the most profitable movie franchise in history and whilst he has created a near perfect film technically, it falls down on a few points like a lack of character development and overly rushed script.
Deathly Hallows Part 2 picks up immediately from the 1st chapter with a quick reminder of what preceded it. This is a welcome start as the film feels a little disjointed in parts and if you’re not a loyal Harry Potter fan; chances are you won’t understand what’s going on.
Voldermort is gaining power as Harry, Ron and Hermione search for the missing horcruxes in order to destroy them and cripple the fearsome villain. Their travels bring them back to where it all started; Hogwarts school of witchcraft and wizardy; which has changed since we saw it last. Hogwarts has been rendered fabulously and is perhaps the best use of the 3D technology in the entire film. The sweeping shots of the lush, yet foreboding landscape surrounding the iconic castle are given new depth as we literally fly through the sky and smash through castle windows.
The decision to convert the film into 3D was met with mixed reviews from critics who said it would spoil a film which didn’t need it. To some extent this is true, there is a definite lack of focus throughout the film as the eye tries to focus on too many things at once, but it is far from the worst 3D conversion I’ve seen.
Performance wise, everyone has upped their game. The main trio have developed strong bonds with each other in real life and this really shows in the film as they battle against near certain death to protect one another. Daniel Radcliffe (Harry) is perhaps the weakest of the three in this film with Emma Watson (Hermione) and Rupert Grint (Ron) tied in first place. Their quiet demeanour is excitingly suffocating and brings a sense of claustrophobia to the film.
Of our veteran stars, Maggie Smith and Alan Rickman who play Professor McGonnagall and new headmaster Severus Snape are by far the standouts in a cast which are given a much greater chance to shine in this film. For a woman of Smiths age (76), she is exceptional and her performance really shows why Chris Columbus thought she would be perfect for the role all those years ago. Alan Rickman has been a favourite throughout the series and hasn’t let Potter fans down here, his final scenes are heart-breaking and worthy of a few tears.
Most of the other favourites make a welcome return, though all of them feel like cardboard cutouts, because their speech is limited to a couple of lines. Jim Broadbent (Horace Slughorn), Emma Thompson (Sybil Trelawny), Miriam Margolyes (Pomona Sprout) all make cameos in the film which is both a lovely and disappointing sight to see.
Ralph Fiennes does a lot of shouting throughout the film as vicious enemy Lord Voldermort but he performs well and does the role justice.
The only real flaw in the characters is that many of them aren’t given enough screen time. Helena Bonham Carter’s fabulous Bellatrix Lestrange is unfortunately lost as the army of Death Eaters grows and many other brilliant characters are only seen, not heard. (David Thewlis – Remus Lupin is the most prominent example of this.)
Being just over two hours in length means that this film is by far the shortest of the bunch and this shows in its pacing. Unfortunately, cutting the running time to this length has meant that certain scenes feel a little disjointed and certain parts, which were gut-wrenching in the book aren’t given enough time to digest in the film, which is disappointing seeing as an extra 10 or 20 minutes would’ve improved things greatly.
The climatic battle of Hogwarts as it’s been titled is fabulous and the special effects come into their own here as giants, acromantulas, death eaters and students pit themselves against one another with terrifying results. It’s a real treat to behold.
Yates’ cinematography is superb and every single shot he uses is beautiful in its own way. In one particular scene, located in the never before seen boathouse at Hogwarts, Yates manages to get around the 12A certificate which has blighted the last 4 films by shooting through frosted glass. I won’t spoil the scene for you, but it’s an emotional part of the film.
Moreover, the limbo scenes between Harry and Dumbledore, which were a low point in the novel, have been pleasingly shortened so that enough time is given to the main storylines. Unfortunately, the much talked about epilogue is too short and is a slightly anti-climatic send off for a film franchise that has been around for 10 years.
Overall, Harry Potter gets the send-off he deserved in a film which returns the magic and sparkle lost as the movies got darker. Yates has crafted a beautifully shot movie which doesn’t forget the action packed nature of its source material. Coupled with brilliant special effects and excellent performances by everyone involved, it’s a winning formula all round. The Harry Potter film franchise may have had a few lapses and a couple of disappointing outings, but thankfully the Deathly Hallows has made sure it ends on a high note. It may finish here, but when it ends this well, it most certainly won’t be forgotten.
https://moviemetropolis.net/2011/07/18/harry-potter-the-deathly-hallows-part-2-2011/
Lee (2222 KP) rated The Nun (2018) in Movies
Sep 6, 2018 (Updated Sep 7, 2018)
Disappointing
I'm a big fan of The Conjuring movies. The original is one of my favourite scary movies, and while I enjoyed the sequel, for me it just didn't live up to the very high bar set by the first. Creepy doll Annabelle from the first movie landed her own disappointing outing, followed by a surprisingly enjoyable sequel/prequel in Annabelle: Creation. Now, next up in The Conjuring Universe is the turn of The Nun. After a brief, but very effective appearance in The Conjuring 2, The Nun movie looks to expand the universe even further, providing us with an insight into how the demon nun came to be.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
We're in Romania, 1952. A large, remote, creepy looking convent is having trouble trying to contain something dark and evil, resulting in one of the nuns hanging herself. The body is discovered by Frenchie, a local farmer bringing supplies from the nearby village. When word gets back to the Vatican, priest Father Burke (Demián Bichir) is sent, along with Sister Irene (Taissa Farmiga) to investigate.
They learn that the convent was built in the middle ages by the Duke of St Carta who, while being possessed, also created a gateway from hell somewhere within its basement. Religious figures were able to seal the gateway using the blood of Christ, but during the second world war bombings resulted in the seal being broken, releasing the demon Valak. Since then, the nuns have engaged in constant prayer in an attempt to keep evil at bay.
As you'd expect, the whole tone of this movie is very dark, and very gloomy. It takes a while to get going, and there is nothing of interest to keep you hooked. Aside from Sister Irene, the characters are dull, and occasional attempts at humour fall flat. The tense expectation of chills and scares soon fizzles out when you're realise that there really aren't any. Just plenty of prolonged periods of quietness, followed by LOUD NOISE!! Which may work for some people, but I just found it annoying.
The characters wander around dark corridors, playing on the whole creepy castle vibe, and shadowy nuns are everywhere. Valak himself occasionally appears, but it's nothing more than an attempt at a jump scare. The whole thing just seems like such a wasted opportunity and I found myself looking at my watch even during the climactic scenes where they're trying to seal the gateway once more. Not good for a movie that's only 96 minutes long.
The one thing I did like is how they managed to link everything back to The Conjuring movies, in particular the opening scenes of the original movie where the Warrens are giving their lecture, and the consequences that brings for the rest of the movies. Aside from that I just found the whole thing disappointing.
Debbiereadsbook (1449 KP) rated Beautiful Beast in Books
Nov 30, 2018
bloody awesome read!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
SO!!! Now I've come down a bit, I *might * be able to write a coherent review! Let's see, shall we?
Axis doesn't like to be confined, but needs must. He just needs a get away for a while, to get something to help him deal. Layna is on a mission to interrupt the supply of that *something* and Axis puts her in terrible danger. So, he saves her the only way he knows how, he takes her home, where the secrets have secrets and more secrets. Then Layna's headaches begin. And those secrets begin to unravel. And it is not gonna be a picnic!
It seems, (correct me if I'm wrong but I can't find anything else by this author) that this is Ms Knight's FIRST novel. And Lord if that IS the case, I so wanna be on the end of the next one!!
Because I loved this! Bloody LOVED it!
Yes, its very obviously a Beauty and the Beast kinda retell, but who cares?? Axis' beast is of a nature that doesn't become clear immediately, and I was left second guessing what kind of beast he was. Layna isn't such the good little girl she portrays, what with trying to blow up buildings and all. And deep down, she knows that something isn't quite right in the castle, with everyone whispering and keeping her out the way all day. She KNOWS what she is hearing is a pained animal, but why would there be an animal in the lower levels? And what calls to her from the wood.
When the whole story begins to unravel, when the secrets start to become clear, it moves fast!! You gotta pay attention, take in every little detail, because you will need it! I had to double back a couple of times, and it made me slow down to really concentrate. And if a book makes ME slow down, it's gotta be a good one!!
It's dark, Axis is in so much pain since The Making and he deals with how best he can. He knows what he is doing might well kill him, but he doesn't let the others know. He just deals with it. But Layna in his home, his bed, indeed, his HEART makes him want to not have to deal with it anymore, he wants it to go away. And if that means him giving up his life to free the others from his pain, Axis will do that.
It's sexy. Axis and Layna have instant and powerful attraction, and it isn't long before they are getting up close and personal. But it's Axis' giving control over to Layna that I particularly liked. I'm a sucker for an alpha male tied to the bed, I really am!
OH!!! It's just so good! So very bloody good!! Can't wait to see what Ms Knight comes up with next!
5 excellent stars!
**same worded review will appear elsewhere**
SO!!! Now I've come down a bit, I *might * be able to write a coherent review! Let's see, shall we?
Axis doesn't like to be confined, but needs must. He just needs a get away for a while, to get something to help him deal. Layna is on a mission to interrupt the supply of that *something* and Axis puts her in terrible danger. So, he saves her the only way he knows how, he takes her home, where the secrets have secrets and more secrets. Then Layna's headaches begin. And those secrets begin to unravel. And it is not gonna be a picnic!
It seems, (correct me if I'm wrong but I can't find anything else by this author) that this is Ms Knight's FIRST novel. And Lord if that IS the case, I so wanna be on the end of the next one!!
Because I loved this! Bloody LOVED it!
Yes, its very obviously a Beauty and the Beast kinda retell, but who cares?? Axis' beast is of a nature that doesn't become clear immediately, and I was left second guessing what kind of beast he was. Layna isn't such the good little girl she portrays, what with trying to blow up buildings and all. And deep down, she knows that something isn't quite right in the castle, with everyone whispering and keeping her out the way all day. She KNOWS what she is hearing is a pained animal, but why would there be an animal in the lower levels? And what calls to her from the wood.
When the whole story begins to unravel, when the secrets start to become clear, it moves fast!! You gotta pay attention, take in every little detail, because you will need it! I had to double back a couple of times, and it made me slow down to really concentrate. And if a book makes ME slow down, it's gotta be a good one!!
It's dark, Axis is in so much pain since The Making and he deals with how best he can. He knows what he is doing might well kill him, but he doesn't let the others know. He just deals with it. But Layna in his home, his bed, indeed, his HEART makes him want to not have to deal with it anymore, he wants it to go away. And if that means him giving up his life to free the others from his pain, Axis will do that.
It's sexy. Axis and Layna have instant and powerful attraction, and it isn't long before they are getting up close and personal. But it's Axis' giving control over to Layna that I particularly liked. I'm a sucker for an alpha male tied to the bed, I really am!
OH!!! It's just so good! So very bloody good!! Can't wait to see what Ms Knight comes up with next!
5 excellent stars!
**same worded review will appear elsewhere**
Carma (21 KP) rated Just For Fun (Just Everyday Heroes: Day Shift, #4) in Books
Jun 17, 2019
Erin Nicholas incorporates Lori Foster, Castle and Pretty Woman, 3 of my favorite things, into this 5 star novel. Can it get any better? #WhatWouldRichardGereDo
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Douglas Dooley Miller was a total ladies man, he didnt do commitment and he liked regular girls. Morgan James was no regular girl. He knew he was in trouble the moment he paid her bail and left her in the jail cell.
Morgan James couldnt believe she was searching out Doug Miller again after he left her to rot in the jail cell. Ok so it was only for 30 more minutes after he left and they didnt charge her or make her pay bail money but still. She needed his help, and it needed to be him and only him to help her out with a problem.
Dooley isnt one that his friends go to first for help or advice so when Morgan tracks him down and asks for a favor he has no idea what to do. I mean who doesnt want to help a gorgeous woman asking for a favor but he is still unsure he wants to accept this task.
Morgan likes Dooley and knows he is just the man to help. Their attraction is undeniable so there shouldnt be an issue in him helping her out for a few days. She just needs him to come with her on a business trip, and maybe keep her nights entertained. She doesnt know who else to ask, and honestly doesnt want anyone else for the job.
Dooley takes Morgan up on her offer and tries his best to not get involved. Dont get to know her, according to Sam and his buddies, or youll never want to let go. Too bad he has felt like that for the month hes already known her. Could she ever feel the same?
Once again the author takes us on a trip with the Bradford family and their friends. Each book references past characters but it never really totally involves them unnecessarily. That is one of the things I love about this author, funny enough following in the steps of the referenced Lori Foster who does the same. You get involved and invested in these characters and want to know all about them. Dooley was already a favorite of mine with his quick wit and passing advice. Knowing he needed a good match to keep up with him had me wondering who could possibly fill those shoes. Enter Morgan, his opposite on paper (so it seemed), but perfect to keep up with Dooley and all hes about.
It was nice getting to know Dooleys family dynamic and more about Kevin (who is the next book in the series) and I cant wait to continue on with my Bradford adventure.
Deborah (162 KP) rated Richard III: The King in the Car Park in Books
Dec 21, 2018
I quote from the final page of this publication: "The writer of this book will face similar virulent criticism. It will be savaged in the book reviews on Amazon, mainly by non-readers, to take its ratings and thus popularity down." In fact, this is the last, but by no means the only rant by the author who appears to have a definite chip on his shoulder for some reason. Since he subjects Thomas Penn's work, 'The Winter King' to such virulent criticism, one can only suspect that he was turned down by Penn's publisher. One can hardly be surprised. I have read this book, despite wanting on a number of occasions to give up in disgust. It is full of errors of spelling (e.g. youngest for younger, now instead of not), so has evidently not had either a proof reader or an editor. There are also many factual errors with names and titles becoming hopelessly confused. On one page we're told that Sir James Tyrell was hanged and a couple of pages later we're told that Henry Tudor was so kind as to merely condescend to cut his head off!
I will admit that with pro-Ricardian sympathies I was probably never going to like this book, but it is a bit of a mess and feels like another case of jumping on the bandwagon. There is no index, no footnotes/endnotes and only a partial list of sources, which is enough to raise questions about academic rigour. If you are going to publish opinions, particular in The Great Debate, these really should be backed up by factual evidence. I think I am most irked by the hypocrisy of Mr Breverton telling us at one point that he is going to take a fresh impartial look at the subject and then immediately showing us exactly which colour he prefers his roses.
His list, near the back of the volume, of all the 'crimes' he thinks Richard III was guilty of really does teeter on the brink of blindness and absurdity. Apparently he is guilty in the case of the Earl of Warwick, son of Richard's older brother, George of Clarence, but whose claim to the throne was barred by his father's attainder (always reversible, but Warwick was then only a child of about 8 years). I'm pretty sure this Warwick was sent to Sheriff Hutton Castle to be brought up with other young persons, as befitted his status by Richard. Of course, as soon as Henry Tudor usurped the throne, this boy was locked up in the Tower only to be executed later on a trumped up charge. I think I know who the guilty party is in that case.
That is my frank opinion on this volume; I will now expect said author to savage me as he has everyone else on Amazon who has pointed out the self-evident shortcomings in this work.
I will admit that with pro-Ricardian sympathies I was probably never going to like this book, but it is a bit of a mess and feels like another case of jumping on the bandwagon. There is no index, no footnotes/endnotes and only a partial list of sources, which is enough to raise questions about academic rigour. If you are going to publish opinions, particular in The Great Debate, these really should be backed up by factual evidence. I think I am most irked by the hypocrisy of Mr Breverton telling us at one point that he is going to take a fresh impartial look at the subject and then immediately showing us exactly which colour he prefers his roses.
His list, near the back of the volume, of all the 'crimes' he thinks Richard III was guilty of really does teeter on the brink of blindness and absurdity. Apparently he is guilty in the case of the Earl of Warwick, son of Richard's older brother, George of Clarence, but whose claim to the throne was barred by his father's attainder (always reversible, but Warwick was then only a child of about 8 years). I'm pretty sure this Warwick was sent to Sheriff Hutton Castle to be brought up with other young persons, as befitted his status by Richard. Of course, as soon as Henry Tudor usurped the throne, this boy was locked up in the Tower only to be executed later on a trumped up charge. I think I know who the guilty party is in that case.
That is my frank opinion on this volume; I will now expect said author to savage me as he has everyone else on Amazon who has pointed out the self-evident shortcomings in this work.
Phillip McSween (751 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 5, 2020
Start-to-Finish Entertainment!
Princess Snow White finds herself on the run from her evil stepmother the Queen when the Queen finds out that Snow White is the prettiest girl in the land. First released in 1937, I’ve gotta say this movie still holds up today! Snow holds it down as the first Disney princess to grace the big screen.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Isle of Skye: 2016
Book
Are you planning a visit to the Isle of Skye? Do you enjoy a walk in the country or a leisurely...