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Mark @ Carstairs Considers (2099 KP) rated Caramel Pecan Roll Murder in Books
Mar 4, 2022 (Updated Mar 4, 2022)
Hannah Goes Fishing for a Killer
A fishing tournament has come to Lake Eden, which is great news for Lake Eden Inn since it is located on the shores of Eden Lake. Hannah Swensen is out at the inn filling in for their pastry chef, who is out for a family emergency. That’s how she first meets Sonny Bowman, the celebrity face of the contest. Sonny is as arrogant as he is handsome, but Hannah is still surprised when she finds his dead body. Can she figure out what happened?
If you haven’t picked up a book in this series before, don’t start here. Not only are there some spoilers about what has gone on in Hannah’s life recently, but the earlier books were stronger. Go back then to see why people got hooked on the books. For fans, they’ll find this book is a mixed bag. It’s definitely stronger than the last few in the series were, with a little less cooking and baking talk and more time spent on the mystery. I didn’t figure out who the killer was until the end, and there were some decent twists along the way. Since the action takes place at the Inn, we only get cameos from some of the usual characters, which is okay. The characters continue to be a bit thin, but fans will love spending time with them anyway. My biggest issue was the lack of editing. There were several times that a character contradicted something that had happened just a few pages before. It wasn’t related to the mystery; it was just lazy writing and editing. By my count, there are twenty new recipes to enjoy once you’ve finished the book, and they made my mouth water as always. If you’ve stuck with the series, you’ll be glad you picked up the latest entry.
If you haven’t picked up a book in this series before, don’t start here. Not only are there some spoilers about what has gone on in Hannah’s life recently, but the earlier books were stronger. Go back then to see why people got hooked on the books. For fans, they’ll find this book is a mixed bag. It’s definitely stronger than the last few in the series were, with a little less cooking and baking talk and more time spent on the mystery. I didn’t figure out who the killer was until the end, and there were some decent twists along the way. Since the action takes place at the Inn, we only get cameos from some of the usual characters, which is okay. The characters continue to be a bit thin, but fans will love spending time with them anyway. My biggest issue was the lack of editing. There were several times that a character contradicted something that had happened just a few pages before. It wasn’t related to the mystery; it was just lazy writing and editing. By my count, there are twenty new recipes to enjoy once you’ve finished the book, and they made my mouth water as always. If you’ve stuck with the series, you’ll be glad you picked up the latest entry.
Lindsay (1706 KP) rated The Lady Who Cried Murder (Mac Faraday Mystery #6) in Books
Apr 16, 2022
If you are looking for murder or mystery to enjoy, Lauren Carr will not disappoint. I read almost all of her books. Her books will have you lured in for more than you are expecting. Each book or audiobook can be read as a standalone though you can read them in series. This one is about a girl who wants to be a celebrity but will see get it all and easy money. Will she get it all, or will she pay the price?
There seem to be more secrets and murders than one person can handle. We meet a mother who thinks her daughter has stood abducted. The daughter shows up at a press conference and has set up her mother. Her mother is angry and does some things and changes her will. Whatever happens to her daughter Khole?
David does not want to stand up once more, so he does the interviewer something by checking it out. But do they listen to him when he wants to make sure it is not a setup to make it a circus of the Spenser police department?
Does David find Khole killed and cut up? Who had done it and why? What is Khole's big announcement about what she would tell the interview? We seem to be working with David and Mac and Cameron and Joshua. The team appears to be paired up and works out who the killer is? Guess who gets pulled into these are their girlfriends. You will not guess who is behind all the murders. This one ended up having me guessing until the end. I still did not know who it was up to until the end.
There seem to be more secrets and murders than one person can handle. We meet a mother who thinks her daughter has stood abducted. The daughter shows up at a press conference and has set up her mother. Her mother is angry and does some things and changes her will. Whatever happens to her daughter Khole?
David does not want to stand up once more, so he does the interviewer something by checking it out. But do they listen to him when he wants to make sure it is not a setup to make it a circus of the Spenser police department?
Does David find Khole killed and cut up? Who had done it and why? What is Khole's big announcement about what she would tell the interview? We seem to be working with David and Mac and Cameron and Joshua. The team appears to be paired up and works out who the killer is? Guess who gets pulled into these are their girlfriends. You will not guess who is behind all the murders. This one ended up having me guessing until the end. I still did not know who it was up to until the end.
Fun & engaging read
Allison and her family move to New York City from Dallas for her husband, Michael's, job. At first, Allison is excited--ready for the glitz and glamour of the city. Instead, she finds herself and her family (including her three children) living in a cramped small apartment within a high-rise building. She has no friends and no one to confide in and shortly after moving, she loses her job. Things go from bad to worse when she hits an empty parked car outside her son Jack's school--right in front of the judgemental eyes of all the other mothers. The note Allison leaves leads her to a fancy penthouse, which she finds occupied by young pop star, Carter Reid. Allison doesn't see Carter as a pop star, however: she sees an abandoned kid, friendless, without parents, and about to ruin his career by backing out of the Broadway musical in which he agreed to star. Somehow, Allison becomes involved in Carter's life and as she does, she finally finds a reason to embrace New York.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
This was such a fun book and such an engaging read. Now, at first, Allison is adrift in New York and in the beginning of the book, I was so frustrated with the abuse she took from Carter that I was a bit annoyed with the story. But Poeppel gets you past that pretty quick. The entire book is humorous, as it's filled with funny moments with Allison, her family, and the cast of supporting characters. Howard, a security guard Allison helps tutor, particularly shines, as does Owen, Carter's butler. Poeppel is very adept at capturing the individual voice of each of her characters. I loved Allison's kids, too. I fell for her eldest daughter, Charlotte, because I could have been her 20 years ago (geez I'm old), but teenage Megan and funny, quirky Jack were awesome too. The characters truly become like family.
Even if Allison frustrated me at times, with her coddling of Carter, I certainly found her relatable. The fact that she wasn't a morning person, her love for her children yet inability to always know what was happening in their lives, and her closeness with her own mom. She comes across as a real person, and I was incredibly impressed at how well she handled Carter and the celebrity world. The theme of family runs across the book--not just Allison's family, but how the disparate characters in the novel become their own family, and you really find yourself rooting for Carter because of it.
And, indeed, the magic of the book is how it transforms Carter. In the beginning, I couldn't believe anyone would like this kid, but as you read on... well, let's just say you will be rooting for Carter Reid. Poeppel captures Carter so precisely--his mannerisms, his dialect, his voice--it's amazing. It's easy to picture him, and he grows on you, for sure. By the end of the novel, you may feel a little misty. Sure, it's sometimes easy to see where things may be going, but that's OK, because it is such a rather enjoyable ride to be on. Plus, you never know exactly what wrench Carter is going to throw in Allison's carefully laid plans.
Overall, I really enjoyed this one. It started off a little slow, and I was initially frustrated with Carter's behavior (and Allison's acceptance of it). However, the book then takes off, and I was quickly immersed in the well-written characters and the arc of the story. It's such a fun book in so many ways--and touching too--plus there's a celebrity aspect that gives it an enjoyable twist, and you often feel like you're in NYC on a Broadway set. Definitely an enjoyable read.
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
Gareth von Kallenbach (971 KP) rated Bruno (2009) in Movies
Aug 9, 2019
Life is good for Austrian fashonista Bruno (Sacha Baron Cohen). As the star of the top Austrian fashion show, he is a fixture at all of the social events and is the flamboyant highpoint of any event he graces.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
That is until things go awry and Bruno finds himself on the outside looking in and is blacklisted from the European fashion industry he lives for.
Undaunted, Bruno sets out to become a star and take America by storm in the shockingly outrageous and sure to be controversial “Bruno”. The film is a follow up to “Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan” which took the box office by storm when it was released three years ago.
Upon arriving in America, Bruno sets out to be a star, but soon runs into trouble when his first day on a television set goes out of control. If this was not bad enough, Bruno’s pitch for a variety shows scores badly with a focus group who are dismayed at the very graphic depiction of the male form and other outrageous humor.
Undaunted even when his attempts at celebrity interviews crash and burn around him, Bruno sets out to get tabloid attention by adopting a baby from Africa. This leads to a daring and outrageous segment on a Texas talk show where Bruno is verbally chastised by the predominately African American audience.
Unable to catch a break, Bruno travels to locales as diverse as Israel, Alabama, and Los Angeles hoping to get a break, but only finds failure. Despite his horrible luck, Bruno has the adoration of his assistant Lutz (Gustaf Hammarsten), which sadly for Gustaf is unrequited.
Desperate for acceptance, Bruno decides to become straight and sets off to the South to learn what being a straight man is all about which sets up some outrageous encounters ranging from a swingers party to a hilarious macho man event hosted by Bruno as “Straight Dave”.
While there are those who will see only the nudity and crude humor of the film and dismiss it, those who are more open minded will see the genius of Cohen who is a master of improvisational. It is fascinating to see how much he throws himself into a scene and literally becomes his characters. No matter how outrageous the scenario, Cohen is not afraid to push the boundaries and get people to expose their true selves.
While his scenarios shock, they also educate and enlighten as he gets his unsuspecting co-stars to show sides of themselves and human nature which people try to hide and ignore. Despite thinking we are an enlightened society, there are those that are shocked by a person who is so flamboyant and open, even swingers whose very lifestyle is considered by most to be out of the norm and for others to be unordinary.
Numerous celebrity appearances also grace the film, which I will refrain from spoiling but suffice it to say add to the enjoyment of the film.
The movie does not have much in the way of plot and character development, but that is not the intention of the film, as the plot is a framework to connect the segments which work well in my opinion.
Unlike a Saturday Night Live sketch turned into a movie, “Bruno” works well within the films run time without overstaying its welcome and losing momentum.
In the end, you will either love or hate the film, and much of this will depend on your tolerance for very mature, bawdy, and controversial humor. For my taste, this was one of the funniest films I have ever seen and I could not stop laughing.
Mandi S (1 KP) rated Anatomy of a Scandal in Books
Jan 23, 2018
WOAH. This book was a rush. I flew through it and I can tell this is one that will stick with me for a while. Anatomy of a Scandal by Sarah Vaughan is set in London and follows a cast of characters, Sophie, James, Kate, Holly, and Alison. After owning up to an affair, prominent government worker James gets accused of rape and must face trial for his supposed actions. Told in both present day and flashbacks, the reader soon realizes that there are more ties that bind this group together than originally thought, and that everyone is not always who they seem to be.
This novel deals very heavily with sexual assault and rape. As this is a prominent topic in our society today, I think this book is both timely and necessary. Revealing how deeply a rape can impact an individual, how celebrity and prominence can play a role in prosecution, and how easily someone's guilt can be questioned, it speaks to the deep set issues that for many years our society has ignored that are finally coming to light.
While this was a tough topic to swallow, I loved everything about this book. I loved the characters, especially Kate. The plot was fast moving and interesting, and even though there were flashbacks it was very easy to piece together. The ending was so satisfying as well, even if it isn't what you initially expect it will be, and there are a few plot twists along the way that keep you engaged. Each character's section was the perfect length, enough to let you know what was happening and what they were thinking but not too long to get bored of them before moving on, and I really enjoyed Vaughan's detailed yet simple writing style.
Overall Rating: 5 out of 5 Stars
A huge thanks to Atria and Goodreads for allowing me early access to an ecopy of this fantastic read.
This novel deals very heavily with sexual assault and rape. As this is a prominent topic in our society today, I think this book is both timely and necessary. Revealing how deeply a rape can impact an individual, how celebrity and prominence can play a role in prosecution, and how easily someone's guilt can be questioned, it speaks to the deep set issues that for many years our society has ignored that are finally coming to light.
While this was a tough topic to swallow, I loved everything about this book. I loved the characters, especially Kate. The plot was fast moving and interesting, and even though there were flashbacks it was very easy to piece together. The ending was so satisfying as well, even if it isn't what you initially expect it will be, and there are a few plot twists along the way that keep you engaged. Each character's section was the perfect length, enough to let you know what was happening and what they were thinking but not too long to get bored of them before moving on, and I really enjoyed Vaughan's detailed yet simple writing style.
Overall Rating: 5 out of 5 Stars
A huge thanks to Atria and Goodreads for allowing me early access to an ecopy of this fantastic read.
Sean Astin recommended Patton (1970) in Movies (curated)
Bong Mines Entertainment (15 KP) rated Something New - Single by Ollie Gabriel in Music
Jul 10, 2019
Ollie Gabriel is a talented soul singer and songwriter based in Los Angeles, California. Not too long ago, he released an adorable music video for his “Something New (From “Songland”)” single.
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”
“We’re living in a world so fast. Not a lot of things that last. But there’s one thing that’s gon stay. I still got that old kind of loving. The kind that don’t leave, that don’t bend, that don’t break. I still got that old kinda loving.” – lyrics
‘Something New’ tells an evergreen tale of a young guy who cherishes an idealistic moment shared between him and his significant other.
While looking into her beautiful eyes, he reveals that his love for her will remain until they are old and grey. Therefore, they should close their eyes, take their time, and hang on to every second like it’s their last.
Later, he admits that a love like theirs doesn’t come around every day, so that’s why they should try something new and bring back that old thing again.
‘Something New’ contains a timeless love story and ear-welcoming vocals. Also, the lovable tune possesses lush instrumentation flavored with R&B and classic soul ingredients.
Ollie Gabriel, a Louisiana native, was introduced to the American public by way of NBC’s new groundbreaking series, entitled, Songland.
During the show, five songwriters competed and performed their original song for the chance to have it recorded by a celebrity artist.
Long-story-short, Gabriel performed and pitched his original song to John Legend, and the rest is history.
Ollie Gabriel’s inspirational debut single, “Running Man”, has over 22M streams online via Spotify.
He has performed around the world, televised to millions and to concert audiences of 40,000+ fans. Also, he’s a talented producer with over 500 sync placements in film and tv since 2009.
His music has been featured on Grey’s Anatomy, Ray Donovan, Shameless, and Deadliest Catch to name a few.
“In 2017, Ollie Gabriel married his longtime girlfriend who inspired the song he performed on NBC’s Songland.”
Laura Doe (1350 KP) rated The Man Who Died Twice in Books
Jul 31, 2022
Another fantastic book by Richard Osman, sometimes sequels fall a bit flat and have lost the magic of the first book, but not this one.
We start not long after the last book finished, the following Thursday in fact. Elizabeth has been invited round to a flat in the retirement village, but the letter inviting her has been signed off by a dead man. All becomes clear as soon as Elizabeth goes to meet him, and it her ex-husband, Douglas. He tells her he is in trouble and needs her help. Elizabeth being Elizabeth agrees to help, but only if she can enlist the help of The Thursday Murder Club.
Elsewhere, Ibrahim is happily going about his business when he is violently mugged. This leads to the book touching on agoraphobia and how people deal with things after a violent attack, whilst pretending to everyone around them that they are perfectly fine.
Donna and Chris are back, with Chris dating Donna’s mum and making Donna a little uncomfortable. She also begins to question her own loneliness and it is interesting to watch how she tries to combat it, without succeeding.
As the book goes on, the situations get more and more ridiculous (but this never had me questioning if it could really happen, as I just enjoyed the ride) and once one mystery is solved, two or three more crop up! I definitely didn’t guess the ending, and 70 pages from the end I was sure that I knew how it ended, but I was extremely wrong.
I also didn’t guess where the money would end up either, but I’m extremely pleased with the ending and I feel that it changed the ending from something a little obvious to something no one would guess.
I have been enjoying this series so much, that the next release cannot come soon enough for me! I very rarely understand the hype around books, especially ones written by celebrity authors, but this one has lived up to the hype and more in my eyes.
We start not long after the last book finished, the following Thursday in fact. Elizabeth has been invited round to a flat in the retirement village, but the letter inviting her has been signed off by a dead man. All becomes clear as soon as Elizabeth goes to meet him, and it her ex-husband, Douglas. He tells her he is in trouble and needs her help. Elizabeth being Elizabeth agrees to help, but only if she can enlist the help of The Thursday Murder Club.
Elsewhere, Ibrahim is happily going about his business when he is violently mugged. This leads to the book touching on agoraphobia and how people deal with things after a violent attack, whilst pretending to everyone around them that they are perfectly fine.
Donna and Chris are back, with Chris dating Donna’s mum and making Donna a little uncomfortable. She also begins to question her own loneliness and it is interesting to watch how she tries to combat it, without succeeding.
As the book goes on, the situations get more and more ridiculous (but this never had me questioning if it could really happen, as I just enjoyed the ride) and once one mystery is solved, two or three more crop up! I definitely didn’t guess the ending, and 70 pages from the end I was sure that I knew how it ended, but I was extremely wrong.
I also didn’t guess where the money would end up either, but I’m extremely pleased with the ending and I feel that it changed the ending from something a little obvious to something no one would guess.
I have been enjoying this series so much, that the next release cannot come soon enough for me! I very rarely understand the hype around books, especially ones written by celebrity authors, but this one has lived up to the hype and more in my eyes.
Movie Metropolis (309 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jun 10, 2019
I'm a celebrity... Get me out of here
It’s been 22 years since Joe Johnston thrilled cinemagoers with a little film called Jumanji. Starring the late, great Robin Williams, it has amassed a huge following over the years and has become nearly as loved as its leading star.
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/
What’s surprising given the film’s success is the lack of a sequel. For over 20 years the non-franchise stayed completely dormant until now. Jumanji: Welcome to the Jungle sees Columbia Pictures resurrect this classic property for a high-action, CGI-filled blockbuster. But is it actually any good?
Four high school kids discover an old video game console and are drawn into the game’s jungle setting, literally becoming the adult avatars they chose. What they discover is that you don’t just play Jumanji – you must survive it. To beat the game and return to the real world, they’ll have to go on the most dangerous adventure of their lives, discover what Alan Parrish left 20 years ago, and change the way they think about themselves – or they’ll be stuck in the game forever.
Considering the overwhelmingly negative response to the film’s first trailer, it’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces. The problem is, it really doesn’t feel anything like Jumanji and regularly feels like the producers down at Sony had dollar signs in their eyes more than anything else.
There’s only one reference to its now classic predecessor, an homage to Robin William’s Alan Parrish but this is such a fleeting indication of any connection to the 1995 film, it’s barely noticeable. The film may as well lose the Jumanji tag from its name and be done with it: of course that wouldn’t sell half as many tickets now would it?
Of the school-age characters, none of them make any impact before being sucked into Jumanji, now a video game, and director Jake Kasdan (Bad Teacher) wisely focusses on their avatar characters instead. Dwayne Johnson is always reliable and plays the fish-out-of-water nerd surprisingly well. He also has great chemistry with Kevin Hart and the two share some of the film’s best sequences.
Jack Black is hilarious as his inner female tries to break through at numerous points throughout the movie and Karen Gillan shows particular warmth as the awkward Martha. Nick Jonas also stars in a role originally destined for Tom Holland and continues to prove what a versatile actor he has become.
It’s a pleasant surprise to see an enjoyable romp that has likeable characters and some nicely filmed set pieces.
Jake Kasdan films the action confidently and with visual panache but the CGI at times is left wanting, disappointing in this day and age. A helicopter ride across a rhino-infested canyon is particularly fun to watch and the way in which the writers write the film around video game lore is exciting and makes for a pleasant distraction from an otherwise mediocre script.
What the film does have in abundance however is laughs. Indeed, they are of the Dairylea variety, cheesy, but sometimes that’s exactly what you need. Jumanji: Welcome to the Jungle is a very funny film that knows how to squeeze every last drop of humour from its writing.
It’s also very well paced. Apart from a few lapses in judgement where the screenwriters desperately try to make us feel emotion towards the characters – we don’t – the film really doesn’t have a boring moment to its name and at 119 minutes, that’s a real achievement.
Overall, Jumanji: Welcome to the Jungle is a film that is fun to watch, if a little lacking in originality. All the lead actors perform their roles well, with Jack Black being a particular highlight. Unfortunately, while I’m not usually one for sickly nostalgia, the film really needed to provide a few more tasteful references to its predecessor, especially considering its link to the wonderful Robin Williams.
https://moviemetropolis.net/2017/12/10/jumanji-welcome-to-the-jungle-review-im-a-celebrity-get-me-out-of-here/