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Wow. What an amazing book and an amazing story. This book was suggested to me by my therapist, who is also a past-life regression specialist. It had been on my shelf for years, but needing to get in touch with my spiritual side, I decided to give it a read. I was hooked from the first page and was thoroughly engaged throughout. When Dr Weiss hypnotised Catherine and took her back to where her symptoms of anxiety and panic attacks, as well as the beginnings of her sensations of choking and fear of the dark and enclosed places, it brought my recurrent nightmares of drowning, dying in childbirth, being injured in an automobile accident where my abdomen was severed to my mind. I wondered about my own past lives and I desire to delve more deeply to discover the beginnings of my own issues and symptoms. I found Catherine's past lives fascinating and could see parallels between her experiences and my own memories of past lives.
The wisdom from the Masters in between her lives was incredible. Could it be that it really exists? I had a near death experience several years ago and was suspended between this life and the next in the most glorious of places; among the stars in an iolite-colored sky, being held by a golden string in the presence of the Goddess. It was the most beautiful and peaceful place I have ever known. I don't fear death anymore.
I have always said that the difficulties I'm going through in this life are just something I need to experience and learn this time around. I've always said it in an offhand way, semi-believing it, but could it be true? I would like to think that it is and that if I learn the truth about my previous lives that the problems in my current life could be resolved or at least understood and I could experience a cessation of my emotional and psychological issues.
This book inspired me to look deeper inside myself and at humankind. I don't doubt it does the same for whoever reads it. You will be moved and will grow from reading it
The wisdom from the Masters in between her lives was incredible. Could it be that it really exists? I had a near death experience several years ago and was suspended between this life and the next in the most glorious of places; among the stars in an iolite-colored sky, being held by a golden string in the presence of the Goddess. It was the most beautiful and peaceful place I have ever known. I don't fear death anymore.
I have always said that the difficulties I'm going through in this life are just something I need to experience and learn this time around. I've always said it in an offhand way, semi-believing it, but could it be true? I would like to think that it is and that if I learn the truth about my previous lives that the problems in my current life could be resolved or at least understood and I could experience a cessation of my emotional and psychological issues.
This book inspired me to look deeper inside myself and at humankind. I don't doubt it does the same for whoever reads it. You will be moved and will grow from reading it
Sassy Brit (97 KP) rated Let The Dead Keep Their Secrets in Books
Jun 5, 2019
Let The DEAD Keep Their Secrets by Rosemary Simpson brings to life New York City during the 1880s in a historical mystery. It is rich in the culture of the time with a riveting Colombo type crime. Readers know who has done it and seek clues with the characters to find the proof.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
The plot opens with New York opera singer Claire Buchanan calling on the investigative services of Prudence MacKenzie and her partner, Geoffrey Hunter. Claire shows up at their door begging them to find out exactly how her twin sister, Catherine, and newborn daughter died, believing it was not from natural causes. Catherine’s husband, Aaron Sorenson, is a scoundrel and appears to be marrying women, getting them pregnant, and then having baby and mother die in childbirth. Prudence and Geoffrey find that childbirth can be dangerous to one’s health as they realize that Sorenson’s current wife may also be in danger. His motive, both the late wife and the current wife would inherit a substantial estate, which will go to him upon their death. Sorensen seems to always be in need of money to pay mounting gambling debts. As the tension mounts the investigative team is putting themselves at risk in attempting to expose the murder-for-inheritance scheme.
The author noted, “Catherine was emotionally abused. Women during that time period did not have much choice. In the Gilded Age in New York women were still property of their husbands. They were very limited to what their husbands wanted.”
One of the important clues is a photograph of the late mother and child. Simpson weaves into the story a Victorian Era custom, post-mortem photography. During these scenes readers learn of the spiritualists who believe “about the possibility of capturing an image of the soul leaving a body at the moment of death.” It was during this time that Claire senses something from her twin sister. The author commented, “During my research, I read how twins separated by birth and raised by different families still have the same likes and dislikes and can sense how each other feels.”
Through the characters people learn of the Gilded Age era, with a fascinating description of the homes, the period clothing, and the city of New York. Unlike many women of the time, Prudence is very unconventional, desiring to take the bar exam and become a litigator. For now, she is content to be an amateur sleuth to her partner, ex-Pinkerton agent Geoffrey Hunter, as she learns on the job. “I wrote Prudence being raised by a widowed father who looked at her as a replacement for a son. He did not make an exception for her being a girl and made sure she had a very well developed sharp legal mind. She is determined to make her own way even though she inherited wealth. I read that the Pinkerton Agency hired a lady detective during the Civil War and knew I wanted to make my heroine an investigator who is constantly challenged by Geoffrey.”
The hero and heroine also have flaws. The author uses events that happened during the Gilded Age paralleling them with what is happening today. Simpson explained, “Geoffrey has left his southern roots, abandoning his culture and family. He has a lot of contradictions. Prudence must struggle with her addiction to the drug laudanum. She was given it by her family doctor to help her cope with her father’s passing and then her fiancé’s death. She overcame the reliance on laudanum but not without a terrible struggle and the knowledge that she would never be entirely free of it. I parallel it with the opioid epidemic today. People became accidental addicts because they were given the drugs legally to cope with physical and emotional pain.”
The antagonist, Simpson has no redeeming qualities. He is a cold and calculating thief, a swindler, and bigamist who victimizes rich women. “I wanted to write an absolute villain. He is unscrupulous, uncaring with no conscience. He had every vile habit known. I do not write cozy mysteries, but historical noirs. My bad guys are really, really bad who cause awful things to happen.”
The author definitely had done her homework. “I want to feel I live in this world for awhile and to get the reader to feel that also. I read the New York Times Archives and fall into the rhythm of the language used, how they spoke, wrote and thought. It puts me in the mindset of the character I am writing about.” With her detailed descriptions and gripping story Simpson has also drawn the reader into the time period through an exciting and action-packed mystery.
Sam (74 KP) rated Handle with Care in Books
Mar 27, 2019
Willow O’Keefe suffers from osteogenesis imperfecta, meaning that her bones break easily. Just doing simple daily tasks can cause her a catastrophic break. But other than that, she’s like every other 5 year old – well, one with an amazing IQ for her age. Charlotte is Willow’s mum, and she’s running out of money, fast. So when she gets the chance to sue for wrongful birth, she takes it, desperate for any money she can get to help Willow’s well-being.
It was definitely a beefy book, with major questions on morality. Throughout the book I couldn’t work out whether I was on Charlotte’s side or not, as to sue for wrongful birth, she is basically saying she wishes Willow had never been born, and I found it really hard to understand how a parent could say that.
I did struggle reading this book. It took me two weeks to read 2/3 of it, and everyone who regularly reads this blog knows that’s not like me at all. I ended up skimming the last 1/3 to just get it finished because I was too far in to DNF in but felt that the plot was starting to become a little drawn out and a bit repetitive.
It’s very similar to Picoult’s Small Great Things, and I think that’s why I liked it so much to begin with. It covers the issues in childbirth and raising a child.
I felt so much empathy for Amelia, Willow’s half-sister. Throughout the novel she feels forgotten about because all of the focus is on Willow and to see her fighting her own battles with nobody to help was hard. Her mental health took a battering on behalf of her sister, but she still didn’t say anything. She suffered in silence for too long and were one of the few things that made me start to shift over to Charlotte’s side of the argument over Willow’s birth.
This novel is definitely not lighthearted, so if you like reading books that aren’t dealing with serious subjects, this probably isn’t for you. It was a tough read for me, which is why I only gave it 3/5. However, if you like Jodi Picoult’s other books, I definitely think you’ll like this one.
It was definitely a beefy book, with major questions on morality. Throughout the book I couldn’t work out whether I was on Charlotte’s side or not, as to sue for wrongful birth, she is basically saying she wishes Willow had never been born, and I found it really hard to understand how a parent could say that.
I did struggle reading this book. It took me two weeks to read 2/3 of it, and everyone who regularly reads this blog knows that’s not like me at all. I ended up skimming the last 1/3 to just get it finished because I was too far in to DNF in but felt that the plot was starting to become a little drawn out and a bit repetitive.
It’s very similar to Picoult’s Small Great Things, and I think that’s why I liked it so much to begin with. It covers the issues in childbirth and raising a child.
I felt so much empathy for Amelia, Willow’s half-sister. Throughout the novel she feels forgotten about because all of the focus is on Willow and to see her fighting her own battles with nobody to help was hard. Her mental health took a battering on behalf of her sister, but she still didn’t say anything. She suffered in silence for too long and were one of the few things that made me start to shift over to Charlotte’s side of the argument over Willow’s birth.
This novel is definitely not lighthearted, so if you like reading books that aren’t dealing with serious subjects, this probably isn’t for you. It was a tough read for me, which is why I only gave it 3/5. However, if you like Jodi Picoult’s other books, I definitely think you’ll like this one.
Ivana A. | Diary of Difference (1171 KP) rated The Yellow Wallpaper and Selected Writings in Books
Dec 29, 2018
The Yellow Wallpaper - Charlotte Perkins Gilman [BOOK REVIEW]
Read this review and more on www.diaryofdifference.com
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
I haven’t read much classic reads this year, and a few days before the end of 2018, I decided to go for a classic short story, and I chose The Yellow Wallpaper by Charlotte Perkins Gilman.
This classic has been written by a woman in the 19th century. A time when women weren’t treated the same way as today. A difficult time, where women couldn’t express their opinion as they wished, but they were suppressed by the male authority in the family.
When The Yellow Wallpaper came out, it was considered a Gothic Horror Tale. It is hard to believe for me, knowing the world we live in today, and how we, as women can express our opinions openly. But back in the days, this is how it was. It wasn’t easy for the woman, and I am glad we have a lot of brave women from that time, that gathered the courage to tell stories for the next generations.
This is a story about a woman, who seems to suffer of post-partum depression (a type of mood disorder associated with childbirth). She has been forced by her husband and doctor to stay in her room until she is ”mentally capable” again to take care of her baby. I am not a mother, but I can imagine the pain and suffering of not being allowed to see and hold your unborn child. And people thought this was okay?
The woman is constantly staring at the yellow wallpaper and the window, constantly reassuring herself that this is all happening for her own good, and that the husband and doctor know best, until a point where we are not actually sure if she is in her right mind anymore.
She starts to see a woman inside the wallpaper, and believes the woman is struggling to break free. I loved the metaphor used, as her subconscious knows she is trapped, and the end is so painful to read, but oh, so powerful.
Even though such a short read, The Yellow Wallpaper is an impressive view on cultural traditions, and the position of women in the family. A classic and a must-have for every woman!
Lee (2222 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 26, 2020
Based on the famous and beloved novel by Charles Dickens, Armando Iannucci (Veep, The Thick of It, The Death of Stalin) brings us this fresh new take on David Copperfield. And it’s like no other Dickens adaptation you’ve ever seen before.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
Dev Patel stars as Copperfield, the star and narrator of the story which charts his personal rise from rags to riches during Victorian England. We begin though with Copperfield as an adult, recounting his life story to a small theatre audience as he steps into a painted backdrop behind him on stage, transporting him, and us, to the location of his birth. He enters the family home and continues to narrate from within the scene as his mother struggles with labour. It’s just one of a variety of wonderfully inventive storytelling devices that the movie employs throughout.
While the chaos of childbirth plays out, the first in a long line of star-studded supporting characters arrives, David’s eccentric Aunt Betsey (Tilda Swinton), and we immediately get a glimpse of the kind of humour Iannucci has brought to the story as she sets about upsetting Peggotty, the family housekeeper, and declares that the baby will definitely be a girl.
From there, the storyline is fast paced, weaving between locations as David grows up - from an overturned boat house in Yarmouth, to the chaos of London and the difficulties of working in a bottle factory, and on to the Kent countryside. Along the way we meet yet more big names, including Peter Capaldi, Ben Whishaw, Hugh Laurie, Paul Whitehouse and Benedict Wong. Not to mention countless other recognisable faces.
The Personal History of David Copperfield is a real mixing pot of beautiful visuals, quirky humour and larger than life characters. Realism has been ditched in order to deliver a whimsical tale that is accessible to all ages. Unfortunately though, it just didn’t work for me. Aside from the opening scenes, and the occasional moment later on, the humour didn’t land at all. In fact, I got more laughs from the incredible movie Parasite that I saw just the night before seeing this.
Dev Patel, always impressive and enjoyable in everything he does, is charming as David Copperfield and is definitely the standout. Benedict Wong and Hugh Laurie were both enjoyable, but I felt the others all suffered from a script that just wasn’t strong enough. A beautifully shot movie, bold and bright and vibrant, but instantly forgettable.
The concept of an anchorite, or in this case an anchoress, has fascinated me ever since I googled the term when my dad sent me a CD by someone called The Anchoress (she’s very good, by the way!). So when this book popped up on NetGalley, I was all in. And to be fair, the front cover would pretty much mean an insta-buy for me (it is gorgeous).
This novel imagines, what the autobiography of Julian of Norwich would be like. Julian was born in the mid-1300s, and after some serious losses during periods of pestilence - her father and then husband and daughter - she decides that she doesn’t want to remarry.
When she becomes very I’ll and almost dies, Julian experiences visions of God, and decides that she will devote her life to prayer. When a position as an anchorite in Norwich Cathedral becomes available, Julian Starts to prepare.
I found this an absolutely fascinating read. Basically, as an anchorite, you become dead to the world. You go to your own funeral wearing a shroud, and then you’re taken into a room where the door is bricked up. Your only contact with the world is through two small windows: one is for contact with a servant (you need to be able to afford one - they feed and clothe you, and pass cleaning materials as well through hole), the other opens on to the altar in the church. You pray, you listen to penitents or people wanting to confess, and your speak to your confessor (how on earth would you be able to sin?!). And then you pray more.
Ok, I admit that this review may not sell the book (I hope it does!) to its best advantage, but I really did find it fascinating! The fact that Julian’s faith was so strong that she could lock herself away from the world entirely was so alien to me. To be honest, I would imagine that devoting yourself to the cloistered life as a nun might be more favourable to dying young in childbirth as so many women did then. However, I very much doubt that the life of an anchorite was easy!
This is a thoroughly believable, well-written book. One to be savoured. I loved it.
This novel imagines, what the autobiography of Julian of Norwich would be like. Julian was born in the mid-1300s, and after some serious losses during periods of pestilence - her father and then husband and daughter - she decides that she doesn’t want to remarry.
When she becomes very I’ll and almost dies, Julian experiences visions of God, and decides that she will devote her life to prayer. When a position as an anchorite in Norwich Cathedral becomes available, Julian Starts to prepare.
I found this an absolutely fascinating read. Basically, as an anchorite, you become dead to the world. You go to your own funeral wearing a shroud, and then you’re taken into a room where the door is bricked up. Your only contact with the world is through two small windows: one is for contact with a servant (you need to be able to afford one - they feed and clothe you, and pass cleaning materials as well through hole), the other opens on to the altar in the church. You pray, you listen to penitents or people wanting to confess, and your speak to your confessor (how on earth would you be able to sin?!). And then you pray more.
Ok, I admit that this review may not sell the book (I hope it does!) to its best advantage, but I really did find it fascinating! The fact that Julian’s faith was so strong that she could lock herself away from the world entirely was so alien to me. To be honest, I would imagine that devoting yourself to the cloistered life as a nun might be more favourable to dying young in childbirth as so many women did then. However, I very much doubt that the life of an anchorite was easy!
This is a thoroughly believable, well-written book. One to be savoured. I loved it.
Guy Garvey recommended Glory Hope Mountain by The Acorn in Music (curated)
Roxanne (13 KP) rated Midwife on Call: Tales of Tiny Miracles in Books
Nov 14, 2018
This is the memoir of Agnes Light, a woman with a very strong passion for her working life. It's a story of her journey through life as a community midwife. This isn't the usual sort of book that I would pick up as I've never really thought about childbirth or the jobs of doctors and midwives. Since I am expecting my first baby I thought I would try and get some information, I've been trying self help books but have found them a bit too clinical and impersonal so I thought I would give this memoir a go. I was pleasantly surprised when I finished this...I really enjoyed it. I found the attitudes towards patients and staff within the NHS in the 60s to be fascinating compared to what it is like now. I knew it was different but just not how different. Agnes' journey was a brilliant read as it was like being in the room with these women as they gave birth, I felt really involved, emotionally and mentally. Some of her stories were heartwarming and filled with joy yet others were devastating and full of heartbreak. The reader is taken to both sides of the spectrum of midwifery, no stone left unturned. I like Agnes' attitude and outspokenness, she wasn't afraid to speak up for the rights of her patients. The only thing that grated on me a little bit was that she kept mentioning how open minded she is, how supportive and non-judgemental she is yet at one point she spoke about a certain scenario and explained how she wouldn't do it that way and she didn't understand why these women did the opposite to her...I wouldn't say that's very open minded as she wasn't aware of all the facts. I believe if she knew fully the circumstances of some of these women then she would of understood their reasoning for doing what they did. This is why I chose to give the book 4 stars instead of 5...I had a bit of a grumble. Overall, the book is fascinating and very descriptive, it doesn't sugarcoat things and it doesn't spoon feed you excess amounts of medical jargon so a pretty easy read. I found it very emotional in some places due to the trauma some of these women had to go through, it was always fully expressed and explained in great detail and so I wouldn't recommend this book to really sensitive readers, it could be quite overbearing at times, however, I found this was necessary in order to get the reader emotionally involved. I borrowed this from the library and am very glad that I did, I will be looking for other similar stories to read.
In a world where everything can be bought and sold, even pregnancy has a value in The Farm by Joanne Ramos. Make no mistake: this isn’t dystopian fiction. In fact it’s probably closer to what is actually happening than we could imagine.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Jane (a Filipino immigrant to the USA) has been persuaded by her aunt, that the easiest way to provide for her infant daughter is to become a surrogate for someone else’s baby. Mae runs Golden Oaks (nicknamed The Farm by Lisa, another of the surrogates), a luxury resort set in woodland, far from prying residents of Golden Oaks are all young women. And they’re all pregnant with the babies of wealthy parents. It came as no surprise to me that the vast majority of these women were immigrants from The Philippines or Eastern Europe. Mae has just started to look at a more ‘luxury’ host: women who have very good educations. The future parents are willing to pay a premium rate for women like Reagan. Not that it could make any difference, because all of the surrogates are merely incubators (referred to by their numbers, not their names, when staff are talking about them out of earshot), and carry embryos made from their parents sperm and eggs. These are mainly people who don’t want to waste their time with pregnancy, childbirth and recovery. This part really didn’t sit well with me: pregnant women reduced to numbers, and parents who didn’t have time to be pregnant (how could they have time to be parents? Would their babies be like a new designer handbag?). The other thing, was that they largely speaking didn’t have time to even visit the women who were carrying their children. At one point in the book, an ultrasound technician doesn’t even acknowledge the pregnant woman that she’s seeing (or isn’t!), angles the screen away from her as she shows the picture of the baby to its parent who isn’t even in the room. The pregnant woman is a non-person - merely a walking incubator.
Make no mistake, this is a pretty damning insight in to class and race. I felt so sorry for Jane. She is cut off from her daughter. None of the women have regular contact with friends or family on the outside. And seeing foetuses and babies being used as commodities and benchmarks of profit really made me uncomfortable.
I did really enjoy this though. I liked the women who were the main characters - they all had valid reasons for their choices. And I liked that this wasn’t written as an alternative dystopian novel à la Handmaids Tale. It’s all so frighteningly plausible.
Shelle Perry (66 KP) rated Murder at Sea Captain’s Inn in Books
Jul 23, 2021
The Lane women are so genuinely interesting, I keep coming back for more.
The Book Magic Mystery series is such a splendid way to spend a couple of hours. It starts with a curse; the women in the family are doomed to die in childbirth and their men doomed to be taken by the sea. Add in the special power the women sometimes have as bibliomancers, that in itself makes this series intriguing. What avid reader wouldn’t want to be able to do that?
In Murder at Sea Captain’s Inn, Pippin and her brother Grey are the latest descendents of the Lane family. Pippin is desperate to find a way to break the family curse if only to save her brother from his seemingly preordained fate. She has turned the house they inherited from their parents into a bed and breakfast and she has her hands full with the grand opening. It is bad enough that one of her guests has turned up dead, but as Pippin gets pulled into investigating, it turns out that the woman may have known something about the curse that has been following the Lanes for the past two millennia.
Melissa Bourbon knows how to tell a story. Honestly, that is all that needs to be said.
There is so much going on in the 250+ pages of this book. Pippin has picked up her father’s investigation into her lineage and is learning to have confidence in her role as a biblimancer. That narrative alone is fascinating. I could read a 500 page book on that aspect of the story alone. The Lane women are so genuinely interesting, I keep coming back for more.
I truly enjoyed the tidbits of archeology and history laced into the plot. With a budding archaeologist in the house, I admit to being just a little too excited to read about optically stimulated luminescence in the course of a mystery novel. I mean that doesn’t just pop up in a typical conversation. I also love that I didn’t see whodunnit until it was explained. When Pippin figured it out, I was hoping she was wrong because I just didn’t want to believe it, but of course it was there in the clues the whole time. How did I miss it? Simply put, the clues are so subtly woven into the story that it is easy to forget that we, as readers, are here to help Pippen solve a mystery.
I do think this reads well as a stand alone if this is your first experience with the series. Still, book 1 and its prequel are so worth the effort. The story isn’t all told yet, so I will be back for more.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily
In Murder at Sea Captain’s Inn, Pippin and her brother Grey are the latest descendents of the Lane family. Pippin is desperate to find a way to break the family curse if only to save her brother from his seemingly preordained fate. She has turned the house they inherited from their parents into a bed and breakfast and she has her hands full with the grand opening. It is bad enough that one of her guests has turned up dead, but as Pippin gets pulled into investigating, it turns out that the woman may have known something about the curse that has been following the Lanes for the past two millennia.
Melissa Bourbon knows how to tell a story. Honestly, that is all that needs to be said.
There is so much going on in the 250+ pages of this book. Pippin has picked up her father’s investigation into her lineage and is learning to have confidence in her role as a biblimancer. That narrative alone is fascinating. I could read a 500 page book on that aspect of the story alone. The Lane women are so genuinely interesting, I keep coming back for more.
I truly enjoyed the tidbits of archeology and history laced into the plot. With a budding archaeologist in the house, I admit to being just a little too excited to read about optically stimulated luminescence in the course of a mystery novel. I mean that doesn’t just pop up in a typical conversation. I also love that I didn’t see whodunnit until it was explained. When Pippin figured it out, I was hoping she was wrong because I just didn’t want to believe it, but of course it was there in the clues the whole time. How did I miss it? Simply put, the clues are so subtly woven into the story that it is easy to forget that we, as readers, are here to help Pippen solve a mystery.
I do think this reads well as a stand alone if this is your first experience with the series. Still, book 1 and its prequel are so worth the effort. The story isn’t all told yet, so I will be back for more.
⭐⭐⭐⭐⭐
Rating: 4.5 out of 5.
I received an advance review copy for free through Great Escapes Virtual Book Tours, and I am leaving this review voluntarily