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Lee Ronaldo recommended This Year's Model by Elvis Costello / Elvis Costello & The Attractions in Music (curated)
Annie Chanse (15 KP) rated Fallout: Lois Lane in Books
May 25, 2018
I LOVE this book.
I absolutely loved this book. I read an uncorrected proof copy, so there were a few errors, but I am sure those will be fixed before actual publication. But the book was AMAZING. Lois Lane is and always has been one of my greatest heroes. And this book definitely did the teenage Lois justice. In fact, she is pretty perfect. I also love how the author incorporates Clark Kent into the story in such a way that he is important to the story, but he is still secondary to Lane's character. A lot of times, trying to write a story told from the point of view of another character from a story as popular as the Superman mythos, the central character being written about loses her voice in favor of the more well-known hero. Not the case in this novel. I loved it. It was perfect. I hope DESPERATELY that the author continues to write more Lois Lane books in this fashion.
David McK (3600 KP) rated I am Number Four (Lorien Legacies #1) in Books
Jan 28, 2019
In the early-00s (well, 2001 - 2011), there was a TV show called 'Smallville' aka - and unofficially - also known as 'Superman: The Teenage Years', in which a large part of the early runs were to do with Clark Kent discovering his powers.
Now, take the same basic idea - that of an alien developing powers on Earth, and change it slightly so that there's nine of them, all teenagers growing up seperately, all refugees from a planet that has itself been invaded/destroyed by *other* aliens and most with their own flesh-and-blood protector with them, and you more or less have the plot for this.
I'd seen the movie a while back and, while it wasn't great, I still thought I would give the source material a shot.
It's not great either.
I don't know whether it the insipid romance between the central characters of John and Sarah, the clunky dialogue or the fact that the writer seems to follow a 'tell, don't show' method of writing (instead of the opposite), but this just did not do it for me at all :-(
Now, take the same basic idea - that of an alien developing powers on Earth, and change it slightly so that there's nine of them, all teenagers growing up seperately, all refugees from a planet that has itself been invaded/destroyed by *other* aliens and most with their own flesh-and-blood protector with them, and you more or less have the plot for this.
I'd seen the movie a while back and, while it wasn't great, I still thought I would give the source material a shot.
It's not great either.
I don't know whether it the insipid romance between the central characters of John and Sarah, the clunky dialogue or the fact that the writer seems to follow a 'tell, don't show' method of writing (instead of the opposite), but this just did not do it for me at all :-(
Superman the Silver Age Newspaper Dailies: Volume 3: 1963-1966
Book
* The third volume of the Superman Silver Age daily newspaper strips presents the never-before...
Fallout: Lois Lane
10.0
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Book
Lois Lane is starting a new life in Metropolis. An Army brat, Lois has lived all over—and seen all...
lois lane superhero superman clark kent young adult
The Man Of Steel
8.0
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Genre-defining author Brian Michael Bendis makes his triumphant debut at DC Comics, as an alien...
David McK (3600 KP) rated Superman: Red Son in Books
Jan 28, 2019
"For Truth, Justice ... and the Soviet Way"
I must admit, this has an intriguing premise: what if the spacecraft carrying the infant Kal-L crash-landed in Russia, instead of in rural USA?
What if, in other words, Clark Kent had been brought up in a Communist society instead on in a Democratic one?
Reading that, you might think that Mark Millar would go down the route of making Superman and out-and-out villain, but that's not the route he chose. Instead, we still have a Superman who is doing what he believes to be the 'right thing': the only difference is in his view of just what that is.
You also might think that the story might concentrate on his upbringing. That, however, is barely touched upon with the story starting roughly 30 years after his arrival just as he comes onto the world scene. It also has Superman and other major characters interacting with actual historical characters such as Stalin or J.F.K., alongside showing his (Superman's) own-going battles with Lex Luthor, and also brings in other comic-book characters such as Wonder Woman, Batman, Brainiac and Hal Jordan.
I have to say, also, that I didn't see *that* link at the very end coming ...
I must admit, this has an intriguing premise: what if the spacecraft carrying the infant Kal-L crash-landed in Russia, instead of in rural USA?
What if, in other words, Clark Kent had been brought up in a Communist society instead on in a Democratic one?
Reading that, you might think that Mark Millar would go down the route of making Superman and out-and-out villain, but that's not the route he chose. Instead, we still have a Superman who is doing what he believes to be the 'right thing': the only difference is in his view of just what that is.
You also might think that the story might concentrate on his upbringing. That, however, is barely touched upon with the story starting roughly 30 years after his arrival just as he comes onto the world scene. It also has Superman and other major characters interacting with actual historical characters such as Stalin or J.F.K., alongside showing his (Superman's) own-going battles with Lex Luthor, and also brings in other comic-book characters such as Wonder Woman, Batman, Brainiac and Hal Jordan.
I have to say, also, that I didn't see *that* link at the very end coming ...
BookwormLea (3034 KP) rated Brightburn (2019) in Movies
Mar 14, 2020 (Updated Mar 14, 2020)
Contains spoilers, click to show
Wow... I've always loved anti villains but this was just fab! Very gory but who doesn't love some blood and guts in a horror!?? The whole movie plays along like Clark Kent: SuperVillain... and that credits scene with Micheal Rooker was amazing too. Hinting at possible sequels and/or a Injustice Leauge style group.
Back to the movie. The kid himself is terrifying, like seriously. If I seen him irl I would know he was a criminal or something. The actors themselves play the scared townsfolk very well. If I had to be disappointed at anything, it would be how stupid they are. I don't necessarily hate it but it annoys me in films when the characters can't put 2 and 2 together... everyone except the mother pretty much knew it was the kid and she was still in denial until she went upstairs and found visual evidence. 'No way! My son from another planet could no way have lifted a car or murdered people. Especially not after he smashes my husband backwards into a wall' 🙄
But apart from that, this could be one of my new horrors! I hope there is at least a second film, possibly featuring the anti-aquawoman or anti-wonderwoman featured in the credits scene.
Back to the movie. The kid himself is terrifying, like seriously. If I seen him irl I would know he was a criminal or something. The actors themselves play the scared townsfolk very well. If I had to be disappointed at anything, it would be how stupid they are. I don't necessarily hate it but it annoys me in films when the characters can't put 2 and 2 together... everyone except the mother pretty much knew it was the kid and she was still in denial until she went upstairs and found visual evidence. 'No way! My son from another planet could no way have lifted a car or murdered people. Especially not after he smashes my husband backwards into a wall' 🙄
But apart from that, this could be one of my new horrors! I hope there is at least a second film, possibly featuring the anti-aquawoman or anti-wonderwoman featured in the credits scene.
LeftSideCut (3776 KP) rated Man of Steel (2013) in Movies
Aug 29, 2019 (Updated Oct 25, 2019)
At the time of it's release, I was absolutely buzzing for Man of Steel. One of the most iconic comic book characters of all time, being overseen by the man who directed 300 and Watchmen (I've even got a huge soft spot for Zack Snyder's Dawn of the Dead).
This first entry into the DCEU was a pretty enjoyable spectacle for the most part, and as it stands, is my personal highpoint of the up and down franchise.
The first half carries a more serious tone, as we're given the most brooding Superman to date. I actually enjoyed watching Clark Kent go about his life, and don't find it as boring as a lot of people.
The second half is pretty much all action. I'll start off here by saying that the CGI and effects used in MoS are pretty solid - definitely better than any of the DC movies that have followed.
It's an absolute spectacle for sure, although the climatic battle does tread dangerously close to Transformers levels of dumb destruction.
It just about gets away with it though, and tops off a gorgeous looking movie nicely.
Not too bad at all, it's a damn shame the quality didn't stick. (Fingers crossed for Joker though!)
This first entry into the DCEU was a pretty enjoyable spectacle for the most part, and as it stands, is my personal highpoint of the up and down franchise.
The first half carries a more serious tone, as we're given the most brooding Superman to date. I actually enjoyed watching Clark Kent go about his life, and don't find it as boring as a lot of people.
The second half is pretty much all action. I'll start off here by saying that the CGI and effects used in MoS are pretty solid - definitely better than any of the DC movies that have followed.
It's an absolute spectacle for sure, although the climatic battle does tread dangerously close to Transformers levels of dumb destruction.
It just about gets away with it though, and tops off a gorgeous looking movie nicely.
Not too bad at all, it's a damn shame the quality didn't stick. (Fingers crossed for Joker though!)
