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Animated Knots by Grog HD
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Named the best knot-tying app by Outside Magazine! Learn to tie knots the fun and easy way from the...
Think Dirty – Shop Clean
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Think Dirty is the easiest way to learn about the potentially toxic ingredients in your cosmetics...
Whatchareadin (174 KP) rated Don't You Cry in Books
May 10, 2018
Quinn wakes up on Sunday morning to discover that her roommate, Esther, is gone. Quinn isn't sure what she should do. The window to the fire escape was left open, but there is no note or sign of where Esther could be. Should she go to the police or wait for Esther to return? When Quinn starts to find things that make her question the integrity of her roommate, she's not sure if she wants her to be found.
A few hours away on the shores of Lake Michigan, Alex, an 18 year old boy is on his way to work at the local diner. He's cleaning dishes, when the most beautiful girl he has ever seen walks in. It's all he can do to concentrate on his work and not watch her watching whatever it is she is looking at outside the window. Who is she and where did she come from? Alex is determined to find the answers to those questions.
This is the first book I have read by Mary Kubica. I have heard nothing but great things about all of her books. Recently, I won a copy of her most recent book, [b:Every Last Lie|32735394|Every Last Lie|Mary Kubica|https://images.gr-assets.com/books/1486762991s/32735394.jpg|53325365], and wanted to read something else of hers to get a feel for her writing style. When I first started the book, I dove in head first, I was very intrigued from the start and wanted to know what was going to happen.
I will say, that I found out what was going to happen about a third of the way through the book, although I was surprised at the end that I wasn't completely right. That is why I gave the book 3 stars.
What would you do if you found your roommate missing? A girl who you thought was one of the sweetest people you had ever known. Then you found evidence that maybe she wasn't so sweet after all, and maybe it was a good thing she was now gone. Quinn enlists the help of her friend and co-worker, Ben, who also knows Esther to help her get to the bottom of the mystery. When stranger and stranger details start to emerge, Quinn has no choice, but to go to the police for help. But will they help, or will they just assume, Esther has gone of her own free will and doesn't want to be found.
For Alex his motive is quite different. His life is not filled with much excitement, so when a new face appears in town and can shake up his boring world a bit, he's all for taking a chance on getting to know this girl. She is quite a change from dealing with his alcoholic father and the agoraphobic woman, Ingrid, who he frequently brings food to from the diner. But this girl won't tell him her name(he calls her Pearl because of her bracelet) or where she came from or why she is here. So he makes assumptions and tries his best to get to know her and find out who she is.
Are Esther and Pearl the same person? That is the question that plagues us through the whole book. You will have to read it to find out!
A few hours away on the shores of Lake Michigan, Alex, an 18 year old boy is on his way to work at the local diner. He's cleaning dishes, when the most beautiful girl he has ever seen walks in. It's all he can do to concentrate on his work and not watch her watching whatever it is she is looking at outside the window. Who is she and where did she come from? Alex is determined to find the answers to those questions.
This is the first book I have read by Mary Kubica. I have heard nothing but great things about all of her books. Recently, I won a copy of her most recent book, [b:Every Last Lie|32735394|Every Last Lie|Mary Kubica|https://images.gr-assets.com/books/1486762991s/32735394.jpg|53325365], and wanted to read something else of hers to get a feel for her writing style. When I first started the book, I dove in head first, I was very intrigued from the start and wanted to know what was going to happen.
I will say, that I found out what was going to happen about a third of the way through the book, although I was surprised at the end that I wasn't completely right. That is why I gave the book 3 stars.
What would you do if you found your roommate missing? A girl who you thought was one of the sweetest people you had ever known. Then you found evidence that maybe she wasn't so sweet after all, and maybe it was a good thing she was now gone. Quinn enlists the help of her friend and co-worker, Ben, who also knows Esther to help her get to the bottom of the mystery. When stranger and stranger details start to emerge, Quinn has no choice, but to go to the police for help. But will they help, or will they just assume, Esther has gone of her own free will and doesn't want to be found.
For Alex his motive is quite different. His life is not filled with much excitement, so when a new face appears in town and can shake up his boring world a bit, he's all for taking a chance on getting to know this girl. She is quite a change from dealing with his alcoholic father and the agoraphobic woman, Ingrid, who he frequently brings food to from the diner. But this girl won't tell him her name(he calls her Pearl because of her bracelet) or where she came from or why she is here. So he makes assumptions and tries his best to get to know her and find out who she is.
Are Esther and Pearl the same person? That is the question that plagues us through the whole book. You will have to read it to find out!
Gareth von Kallenbach (980 KP) rated WALL-E (2008) in Movies
Aug 14, 2019
To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
WHEN golden banded honeybees, so often likened to summer and honey sweetness, become the metaphor of a dystopian version of British Government and the Monarchy, what is one left to think?
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Established British playwright Laline Paull’s debut novel, The Bees, represents just that. I may just be reading too much into the buzz, but the Oxford alumni who has had two plays performed at the Royal National Theatre must have some of the country in her subconscious as she writes.
The novel follows the life of worker honeybee Flora 717, born of the lowest class of bee society. In a world where mutation and difference is destroyed on sight, the larger-than-average Flora is saved from destruction by opportunities born from austerity in the hive, where ‘the season is deformed by rain, and the flowers shun’ the bees, so they need every available worker.
The life of the honeybee turns out to be symmetrical of Plato’s Republic and his utopia, where children are told what role they will have in life based on their ‘blood’. Plato divided the bronze craftsman, silver guardians and golden philosophers, and Paull divides bees in their ‘kin’ groups, named after flowers, and are priestesses to police, foragers who can fly outside the hive to the sanitation Flora, the lowest, and are given ‘no flower’. ‘A Flora may not make Wax for she is unclean, nor Propolis for she is clumsy, nor ever may she forage for she has no taste, but only may she serve her hive by cleaning,’ but the talented Flora 717 wants more.
Throughout the novel, Paull shows the same attachment to characters as George R R Martin, author of the Game of Thrones novels; the frequent loss deepens the heartbreak Flora must overcome as she fights to defy her set fate and claim the most illegal of desires. No reader will escape the anguish that concludes each new adventure.
The hive is akin to a cult, with leaders keeping their inferiors in check, with fear, intoxication and just a little hypnosis. The cult is complete with its own religion, mantra and even a parody of the Lord’s Prayer, ‘Hallowed be thy womb’, arguably my favourite part. This made the story really exciting, being on the ‘outside looking in’ as the reader, I wanted to encourage Flora to defy, but felt the fear of going against her sisters (this isn’t a cult bond word, they are all blood sisters, for only ‘the queen may breed’).
Paull’s scriptwriting has nurtured the ability to make the reader visualise her words exactly how she writes them, and that is clear within The Bees. I can see the wax panels that Flora 717 scuttles across as she travels around her hive, I can imagine the wax cribs in the nursery and know the deadly yellow and fine lines of the enemy wasp. In the ‘glass cage’ when Flora discovers the Venus Fly Trap, Paull never mentions the plant by name, but speaks only of their ‘red mouths’ with ‘white filaments’ on each ‘inner lip’, they ‘bore no pollen, the only nectar a viscous slick at the join of the petals’. But for all her beautiful imagery seeping off the pages, The Bees was not a book I have felt submerged in.
Full review on <a href="http://www.natari-himi.com">natari-himi.com</a>;
Gareth von Kallenbach (980 KP) rated Cruella (2021) in Movies
May 26, 2021
Back in 1961; Disney adapted the 1056 Novel The Hundred and One Dalmatians and in doing so; crafted a beloved animated classic and introduced the world at large to Cruella De Vil. The film has not only endured but has spawned television series, a direct to video sequel, merchandise, and two live-action versions.
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Despite being delayed due to the Pandemic; Disney has scheduled the much-anticipated “Cruella” for release and I am happy to announce that the film is a Wickedly Delicious new entry into the series.
The story follows young Estella as she and her mom plan to start a new life in London in the 1960s. When tragedy strikes, the young girl finds herself on the streets and working a life of crime and grift with fellow street kids Jasper and Horace.
Flash forward to the 1970s and Estella (Emma Stone) toils away in a store cleaning while hoping for her shot in the world of fashion. When fate arrives and places Estella in the path of vain, self-centered, and vicious fashion magnate The Baroness (Emma Thompson); who hires Estella to begin her career in fashion.
The savage way The Baroness treats those around her intimidates Estella but her friends Jasper (Joel Fry) and Horace (Paul Walter Hauser); see this as an opportunity to rob from The Baroness and this places them at odds with Estella as her designs start to gain traction.
When situations clarify and things begin to evolve into a mission of revenge; Estella transforms into Cruella which had long been the name associated with the darker side of her personality.
Cruella takes the fashion world by storm for her innovative looks, bold designs, and theatrical events which upstage the Baroness at major fashion events.
With her sales and reputation in decline, The Baroness declares war on Cruella which sets a dark and sinister series of events into motion which drives the film into darker content then one may expect from a Disney film.
The cast is very strong as Stone and Thompson are amazing as they are both wicked and captivating without ever going to far over the top or extreme with their characters. The supporting cast is great as well as Fry who was hysterical in the series Plebs brings a depth to Jasper which takes him above just being a stumbling sidekick.
Mark Strong also does great work and elevated all the scenes in which he was in with his strong presence. While at first I wondered if we really needed to have this part of Cruella’s life told; the story is engaging and the cast is fantastic which makes this movie dark and delightful.
While elements of it may not be ideal for younger viewers; the story was captivating and the performances were amazingly engaging.
The film ran about two hours and 10 minutes and seemed a bit long in one segment but the film does regroup brings the story home. There is a mid-credit scene audiences will want to stay for as it was an unexpected and very charming nod to what is to come and is not to be missed.
It will be interesting to see if the film is the hit that I expect it to be if Disney will consider more films in the series as it would be amazing to see this cast return for further wickedly dark adventures.
4 stars out of 5
Darren (1599 KP) rated Welcome To Happiness (2016) in Movies
Aug 28, 2019
Verdict: Strange and Quirky
Story: Welcome to Happiness starts as young man Woody (Gallner) a children’s author who welcomes strangers into his apartment to help them go through his erase their mistakes, this makes his life complicated when he starts becoming friendly with a fellow tenant Trudy (Thirlby). Meanwhile Nyles (Sexton III) a man that is cleaning up after his father’s death, learns that he has valuable baseball cards, which sees him getting drawn into a big adventure around the people who want in on the business.
When Woody sees the full effect of the visits, he starts to question why he can’t change moments from his past, which soon starts to put a strain on his relationship with Trudy, while his landlord Moses (Offerman) is encouraged with his work.
Thoughts on Welcome to Happiness
Characters – Woody is a children’s author that has just moved into an apartment which sees strangers visit, answer a string of questions before putting them in a closet where they vanish. He doesn’t know what happens next until he meets one of the visitors, which leaves him wondering why he can’t change his past, which only makes him out to be going crazy to his girlfriend. Trudy is the new neighbour to Woody who strikes up a relationship with him, she does question him about the visit and doesn’t believe him when he tells the story. Moses is the landlord that knows about the closet, he knows how it helps people and who should be the one that guides people through it. Nyles is a depressed man that learns about the treasure in his father’s attic, he ends up follow a string of instructions, which will sees him visiting the closet.
Performances – Kyle Gallner does well in the leading role, it shows us just how difficult being an author with pain in his life can be difficult to get through. This does have a big cast, with each actor doing their thing to make us understand figures they are playing.
Story – The story here follows a young man that finds himself in the unusual position of having to deal with strangers looking to answer questions, which would see them disappear in his closet, over time he wants to know more, which will soon start to push him to his limits. This is an interesting little story, it does show us how difficult living in despair could be on the people in life, they will need to learn to move on, because once you break down everything, you never know what could have been in the world. We do have to meet a lot of characters, which do seem to have moments of randomness, though it does all make sense by the end of the film.
Comedy/Fantasy – The comedy in the film comes from just how far out there certain ideas are, mixed in with certain characters too, the fantasy shows us how the closet works and just how life can be seen differently if people come into it.
Settings – The settings for the film does try to put everything into a position of everyday, leading down the same plan as people you see in life will have stories you might not always get to know.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Certain characters don’t seem needed at times.
Final Thoughts – This is a very strange movie, it does have an important message, that does need to help us reflect our own lives, even if it does lean away from it at times.
Overall: Interesting throughout.
Story: Welcome to Happiness starts as young man Woody (Gallner) a children’s author who welcomes strangers into his apartment to help them go through his erase their mistakes, this makes his life complicated when he starts becoming friendly with a fellow tenant Trudy (Thirlby). Meanwhile Nyles (Sexton III) a man that is cleaning up after his father’s death, learns that he has valuable baseball cards, which sees him getting drawn into a big adventure around the people who want in on the business.
When Woody sees the full effect of the visits, he starts to question why he can’t change moments from his past, which soon starts to put a strain on his relationship with Trudy, while his landlord Moses (Offerman) is encouraged with his work.
Thoughts on Welcome to Happiness
Characters – Woody is a children’s author that has just moved into an apartment which sees strangers visit, answer a string of questions before putting them in a closet where they vanish. He doesn’t know what happens next until he meets one of the visitors, which leaves him wondering why he can’t change his past, which only makes him out to be going crazy to his girlfriend. Trudy is the new neighbour to Woody who strikes up a relationship with him, she does question him about the visit and doesn’t believe him when he tells the story. Moses is the landlord that knows about the closet, he knows how it helps people and who should be the one that guides people through it. Nyles is a depressed man that learns about the treasure in his father’s attic, he ends up follow a string of instructions, which will sees him visiting the closet.
Performances – Kyle Gallner does well in the leading role, it shows us just how difficult being an author with pain in his life can be difficult to get through. This does have a big cast, with each actor doing their thing to make us understand figures they are playing.
Story – The story here follows a young man that finds himself in the unusual position of having to deal with strangers looking to answer questions, which would see them disappear in his closet, over time he wants to know more, which will soon start to push him to his limits. This is an interesting little story, it does show us how difficult living in despair could be on the people in life, they will need to learn to move on, because once you break down everything, you never know what could have been in the world. We do have to meet a lot of characters, which do seem to have moments of randomness, though it does all make sense by the end of the film.
Comedy/Fantasy – The comedy in the film comes from just how far out there certain ideas are, mixed in with certain characters too, the fantasy shows us how the closet works and just how life can be seen differently if people come into it.
Settings – The settings for the film does try to put everything into a position of everyday, leading down the same plan as people you see in life will have stories you might not always get to know.
Scene of the Movie – Behind the door.
That Moment That Annoyed Me – Certain characters don’t seem needed at times.
Final Thoughts – This is a very strange movie, it does have an important message, that does need to help us reflect our own lives, even if it does lean away from it at times.
Overall: Interesting throughout.
Any.do: To-do list & Calendar
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Make Everyday Mother's Day With Our Simple, All-In-One Pocket-Sized Organizer!...
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