Sarah (7798 KP) rated Taskmaster in TV
Oct 9, 2018
This show is absolutely hilarious and has such a simple premise - comedians undertaking deceivingly simple or bizarre tasks to be scored by the Taskmaster himself Greg Davies. The tasks themselves vary, and so do the results which makes for very entertaining television. Watching fairly to very intelligent people come up with the silliest, stupid or downright convoluted solutions to basic tasks is so much fun. I also love Greg Davies’ very harsh wit and criticism, and how badly some of the contestants take it. Some series are funnier than others, and series 1 has so far been my favourite, but all are very entertaining to watch. Watching this show makes me think this could be what it’s like to work behind the scenes in escape rooms or the Crystal Maze experience, people trying to solve puzzles in the strangest of ways. Fair play to Alex Horne for managing to keep a straight face most of the time!
If you’re looking for something silly and lighthearted to watch, then I’d definitely suggest giving this a go.
Awix (3310 KP) rated King of Thieves (2018) in Movies
Oct 10, 2018
Initially this looks like it's going to be a slightly cosy comedy thriller about blokes who are too old be robbers any more, but - very pleasantly - it quite soon acquires some real heft and gravity to it, with the various members of the gang falling out and attempting to double-cross each other - most of these actors are well-known as comedians, but there is some proper meaty drama here and scenes with a definite tension to them.
Not quite as much Caine as you might hope for, but he is still the guv'nor as far as British film acting is concerned, and this is his best role for a while. Everyone else is good too. The film never quite gets the shifts between comedy and gangster thriller right, and the low budget keeps it from being very cinematic, but it's an engaging movie driven by great performances.
Awix (3310 KP) rated Cats (2019) in Movies
Dec 24, 2019
Alternatively, this is a quasi-Lovecraftian surreal Arabesque which, fatally, fails to consider the difference between presentational and representational performance modes inherent in the transference of a narrative between theatrical and cinematic contexts. (i.e., people dressed as singing cats in a theatre can be beautiful and moving; people CGI'd into singing cats in a big-budget movie is more disturbing than anything else.) Jennifer Hudson's maximum-Streep, maximum-volume onslaught on 'Memory' made me want to hide under my seat.
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Sarah (7798 KP) Oct 10, 2018
Andy Walker (4885 KP) Oct 13, 2018