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He’s the Unicycle Champion of the 3rd Northern District, the world record holder for “ice cream...
LeftSideCut (3778 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
Gareth von Kallenbach (977 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jul 11, 2019
Alpha, the inter-universal coalition of a thousand planets that has evolved to support millions of life forms, is under attack. Valerian and his partner, Laureline are assigned to find the culprits and destroy them. Based on the main characters in the 1967 French comic book series Valerian and Laureline. Luc Besson sends us out into the vastness of the universe and shows us how wondrous it can be.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
The director of The Fifth Element has been working on this film for about ten years. Besson has mentioned he had wanted to work on this project for years and it would not have been made before the technology used in James Cameron’s Avatar. The film is a eye-gasming smorgasbord of star systems, planets and five hundred different alien species. The story itself does not hold many surprises. Heroes looking for villains, lasers pew-pewing across time and space. Goal to save the world as they know.
Valerian (Dane DeHann) and Laureline (Cara Delevingne) have a cool/electric repartee of partners who know each other well and are working to combat the underlying…tensions. We learn that Valerian, quite confident in his abilities does not work as well without Laureline by him. Not as the sidekick, but equal. Throughout the film, we see the humor in their relationship with the push and push of their personalities trying to gain the upper hand. The film has some visual and physical comedic moments that tip the hat to screwball, buddy comedies.
The movie is such an incredible visually dazzling event throughout, there’s so much going on that at times I wondered what I could have been missing . The characters are striking: Rhianna’s performance as Bubble was an ocular delight. The costuming and makeup were fanciful, artistic and offbeat. All the CG work in this movie truly makes me wonder what it is like to live in Luc Besson’s mind. I can see the inspiration taken from the comic books which give us the characters and storyline, but the imagination that illustrates Valerian and Laureline’s universe on the big screen is absolutely mind-blowing.
If you are a fan of the Fifth Element, you will enjoy this film. However, you don’t need to be a fan to enjoy this adventure. I highly recommend that you view this in 3D, it enhances the vision created by Besson.
LeftSideCut (3778 KP) rated Bloodshot (2020) in Movies
Jul 27, 2020
Contains spoilers, click to show
Man, I expected this to be absolute gutter trash based on some of the reviews I've seen here and there, but honestly, found this to be a pretty passable dumb comic book origin story.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
Andy K (10821 KP) rated Batman: The Killing Joke (2016) in Movies
Dec 27, 2017
Visuals on par with the comic (2 more)
True to the source material
Superb voice talent
Using R rating incorrectly (1 more)
Batgirl
Missed opportunity
Contains spoilers, click to show
I remember reading the source graphic novel when it was first released in 1988 thinking "this would make a cool movie". This was even before the 1989 Michael Keaton-Tim Burton film in 1989.
In the modern world of the R rated Logan and Deadpool, it's now possible to push the envelope; however, not sure about an animated film. The character of Batman certainly is very dark and some of his emotional issues and those of the Joker could venture into those realms, but the tone of this film seem wrong.
The character of Batgirl seemed to be a victim rather than the strong character she is normally, and the "sex" scene between them seemed a little unusual. The brutality inflicted upon her at the hands of the Joker also was a bit much.
The highlight of the experience was listening to Kevin Conroy and Mark Hamill reprise their now infamous Batman and Joker characters once again.
Overall, the film may have been better off to take "inspiration" from the novel rather than trying to reproduce it 100%.
In the modern world of the R rated Logan and Deadpool, it's now possible to push the envelope; however, not sure about an animated film. The character of Batman certainly is very dark and some of his emotional issues and those of the Joker could venture into those realms, but the tone of this film seem wrong.
The character of Batgirl seemed to be a victim rather than the strong character she is normally, and the "sex" scene between them seemed a little unusual. The brutality inflicted upon her at the hands of the Joker also was a bit much.
The highlight of the experience was listening to Kevin Conroy and Mark Hamill reprise their now infamous Batman and Joker characters once again.
Overall, the film may have been better off to take "inspiration" from the novel rather than trying to reproduce it 100%.
BobbiesDustyPages (1259 KP) rated The Girl from the Other Side: Siuil, a Run: Vol. 1 in Books
Dec 29, 2017
Sometimes you just need a simple but intriguing story.
I'm not usually a fan of manga's, I have no idea why but I always have a really hard time getting into them compared to comic books and when I bought The Girl from the Other Side I didn't know it was a manga until it arrived but damn am I glad I still decided to read it.
The story isn't very complicated and for a book so short they covered some of the world building and backstory quickly but at the same time, it didn't feel like it was rush at all. The characters are so interesting that I can't wait to read the next Volume.
My favorite part though and honestly the main reason I even bought this book was the art, the cover just drew me in and I knew I had to have it, the style really goes with the story so well the lights and darks just represent Shiva and "Teacher" so well and the art style is gorgeous and that alone is enough to have me already ordering the next book.
The story isn't very complicated and for a book so short they covered some of the world building and backstory quickly but at the same time, it didn't feel like it was rush at all. The characters are so interesting that I can't wait to read the next Volume.
My favorite part though and honestly the main reason I even bought this book was the art, the cover just drew me in and I knew I had to have it, the style really goes with the story so well the lights and darks just represent Shiva and "Teacher" so well and the art style is gorgeous and that alone is enough to have me already ordering the next book.
Dean Connelly (17 KP) rated Batman: Return to Arkham in Video Games
Jan 10, 2018
You get to be Batman (3 more)
Voices of Kevin Conroy and Mark Hamill
Both storylines are worthy of any comic book or movie
Just everything about it
I’ll get committed to this Asylum any day.
Contains spoilers, click to show
I was never a fan of these sort of games but it came out and I love it. You’ve got the best Batman and the best Joker in 2 of the best games I’ve ever played. Asylum you are stuck to Arkham Island and there isnt much you can do, City I feel is the best, more characters, more gadgets, more abilities, bigger environment, bigger bad guys to fight, loads more trophies. There also is side missions ranging from helping Bane to facing off against Deadshot. What I really love is that no character is the same from previous movies or TV series, I mean Poison Ivy is seriously fit, Freeze looks futuristic, Catwoman looks like a prostitute, you can play as Catwoman, challenges on both Games are good, city’s is tougher though. If you love a good game or a fan of the Dark Knight like me, you won’t be disappointed
Chris Hooker (419 KP) rated The Lamp (the Lamp Series, Book 1) in Books
Jan 12, 2018
I received this book as a member giveaway through LibraryThing for an honest review. I received the Omnibus so read all four books together. I recommend that since you will want to know what happens next.
I was amazed by the characters in this series. They were so real but also had a uniqueness to them. [Jason Cunningham] did a magnificent job of taking you into the struggle between good and evil and showing you the shades of grey most of us get caught up in. [The Lamp Series Omnibus] as the name suggests is four complete novels that follow Violet, Levi, Jenny and Micah as they try to come to terms with what is right and wrong. Also they must decide how best to protect those they love.
As a comic book fan and someone who loves to read about struggles of conscience this series kept me coming back for more. I was vaguely reminded of [The Stand] except this was focused on one city.It is never made clear if it goes beyond. They mystery involved also keeps you on your seat.
[Cunningham] has written a must read for fans of many types of genres.
I was amazed by the characters in this series. They were so real but also had a uniqueness to them. [Jason Cunningham] did a magnificent job of taking you into the struggle between good and evil and showing you the shades of grey most of us get caught up in. [The Lamp Series Omnibus] as the name suggests is four complete novels that follow Violet, Levi, Jenny and Micah as they try to come to terms with what is right and wrong. Also they must decide how best to protect those they love.
As a comic book fan and someone who loves to read about struggles of conscience this series kept me coming back for more. I was vaguely reminded of [The Stand] except this was focused on one city.It is never made clear if it goes beyond. They mystery involved also keeps you on your seat.
[Cunningham] has written a must read for fans of many types of genres.
LeftSideCut (3778 KP) rated 30 Days of Night (2007) in Movies
Jun 6, 2019
I recently re watched 30 Days of Night for the first time in years - it's not quite as good as I remember it being, but it still holds up pretty well.
The isolated, snowy setting is unsettling and reminiscent of The Thing, and when the vampires turn up, the violence is all the more shocking against the white background of Alaska.
The vampires themselves are pretty horrible (in a good way). The blacked out eyes, the demonic language they speak in, and the desire to just slaughter rather than necessarily feed, set them apart from the more romanticized vampires we've been subjected to over recent years (looking at you Twilight), and Danny Huston makes for a sinister leader.
Elsewhere, the rest of the cast are so so - I found myself not particularly caring about any of them too much. The story could have done with some more build up for sure. The feeling of dread is quickly established and almost immediately taken away when the vampires turn up 15 minutes in, reducing their initial impact.
The ending is a little silly as well, but overall, a pretty good watch for fans of horror comic books!
The isolated, snowy setting is unsettling and reminiscent of The Thing, and when the vampires turn up, the violence is all the more shocking against the white background of Alaska.
The vampires themselves are pretty horrible (in a good way). The blacked out eyes, the demonic language they speak in, and the desire to just slaughter rather than necessarily feed, set them apart from the more romanticized vampires we've been subjected to over recent years (looking at you Twilight), and Danny Huston makes for a sinister leader.
Elsewhere, the rest of the cast are so so - I found myself not particularly caring about any of them too much. The story could have done with some more build up for sure. The feeling of dread is quickly established and almost immediately taken away when the vampires turn up 15 minutes in, reducing their initial impact.
The ending is a little silly as well, but overall, a pretty good watch for fans of horror comic books!
Awix (3310 KP) rated The New Avengers in TV
Mar 5, 2018
Polyester-era sequel to The Avengers has an ostensibly more serious approach than the parent show - 'a straight show with comic undertones, rather than a spoof with serious overtones' was how Brian Clemens compared the two. Somehow the same magic isn't quite there - it's customary to blame Gareth Hunt as Gambit for being a spare wheel, but it's not Hunt's fault that he isn't Patrick Macnee. You could also argue that the stories are often formulaic and repetitive, but then so were the ones in the original series too. Some of the shows filmed abroad - 'The New Avengers in Canada!' - are definitely a mistake, though.
The worst episodes are dull, but the best ones are at least within spitting distance of the original series and have some of the same kind of offbeat charm - an automated shooting range (where the targets fire back) is infiltrated by enemy agents to lethal effect, a chemical spill causes sewer wildlife to grow to giant size, a enormous knock-out gas bomb is dropped on the centre of London. Still very watchable in a campy sort of way.
The worst episodes are dull, but the best ones are at least within spitting distance of the original series and have some of the same kind of offbeat charm - an automated shooting range (where the targets fire back) is infiltrated by enemy agents to lethal effect, a chemical spill causes sewer wildlife to grow to giant size, a enormous knock-out gas bomb is dropped on the centre of London. Still very watchable in a campy sort of way.