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BankofMarquis (1832 KP) rated Guardians of the Galaxy Vol. 2 (2017) in Movies
Jul 5, 2018
Does what a good sequel needs to do
I have to admit that I really liked, but did not LOVE the first Guardians of the Galaxy film, so when I entered the local cineplex to check out Volume 2, I had lowered my expectations, figuring I'd find a film that was filled with "sequel-itis" and be just a step down from the previous film.
Boy...was I wrong.
I LOVED GUARDIANS OF THE GALAXY, VOLUME 2. This sequel succeeded in doing what a good sequel needs to do - take the premise, feel, characters and style of the first film and build on it.
And build on it, it does. Director James Gunn states that the first Guardians was about "a family coming together", and the 2nd movie is about "a family staying together" - and this is a family I want around and staying together.
Starting with the "core 5" - StarLord (Chris Pratt), Gamora (Zoe Saldona), Drax (Dave Bautista), Rocket Racoon (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel). These are all welcome characters that grow from the first movie to the 2nd, each with a purpose in this film and with something important to do. I enjoyed seeing them all again. Special notice should be paid to Bautista, who's Drax left me somewhat cold in the first film. Here he is a delight. Add to this returning characters Yondu (Michael Rooker) and Nebula (Karen Gillan) as well as newcomers Mantis (Pom Klementieff), Ayesha (Elizabeth Debicki) and Ego (Kurt Russell) and you have an ensemble that is easy and fun to watch.
At some point in the film, I thought to myself "now, THIS is a comic book film!" and I think it is because of the action and the visuals. The action moves fast and furious all the while populating a Universe (literally) that is eye-popping and interesting to watch. Director Gunn keeps things moving along, never staying too long in one place whilst avoiding the shaky-cam action. I always knew where I was in an action scene, what the characters are working on or for and what the outcomes might be. It is a refreshing change from the disorienting "shaky-cam" that the Bourne movies have wrought.
And, of course, nothing can top the soundtrack. The first film's "Awesome Mix" was a strong, joyous part of that movie. "Awesome Mix, Vol. 2" picks right up where the first one left off. The songs picked for this film did not disappoint.
Nor did much of this film. I enjoyed myself - and the antics of this gang - from start to finish, including the 5(!) extra scenes in the credits.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Boy...was I wrong.
I LOVED GUARDIANS OF THE GALAXY, VOLUME 2. This sequel succeeded in doing what a good sequel needs to do - take the premise, feel, characters and style of the first film and build on it.
And build on it, it does. Director James Gunn states that the first Guardians was about "a family coming together", and the 2nd movie is about "a family staying together" - and this is a family I want around and staying together.
Starting with the "core 5" - StarLord (Chris Pratt), Gamora (Zoe Saldona), Drax (Dave Bautista), Rocket Racoon (voiced by Bradley Cooper) and Baby Groot (voiced by Vin Diesel). These are all welcome characters that grow from the first movie to the 2nd, each with a purpose in this film and with something important to do. I enjoyed seeing them all again. Special notice should be paid to Bautista, who's Drax left me somewhat cold in the first film. Here he is a delight. Add to this returning characters Yondu (Michael Rooker) and Nebula (Karen Gillan) as well as newcomers Mantis (Pom Klementieff), Ayesha (Elizabeth Debicki) and Ego (Kurt Russell) and you have an ensemble that is easy and fun to watch.
At some point in the film, I thought to myself "now, THIS is a comic book film!" and I think it is because of the action and the visuals. The action moves fast and furious all the while populating a Universe (literally) that is eye-popping and interesting to watch. Director Gunn keeps things moving along, never staying too long in one place whilst avoiding the shaky-cam action. I always knew where I was in an action scene, what the characters are working on or for and what the outcomes might be. It is a refreshing change from the disorienting "shaky-cam" that the Bourne movies have wrought.
And, of course, nothing can top the soundtrack. The first film's "Awesome Mix" was a strong, joyous part of that movie. "Awesome Mix, Vol. 2" picks right up where the first one left off. The songs picked for this film did not disappoint.
Nor did much of this film. I enjoyed myself - and the antics of this gang - from start to finish, including the 5(!) extra scenes in the credits.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Ivana A. | Diary of Difference (1171 KP) rated Geekerella (Once Upon a Con #1) in Books
Nov 1, 2018
My review can also be found on my blog: www.diaryofdifference.com
When the typical Cinderella story meets a geeky girl, a comic con and an actor instead of a prince, you get Geekerella. A story unlike any other Cinderella like stories, full with wittiness, geekiness and style.
We have Elle, who is our Cinderella. Her father passed away and left her with her stepmom and her two stepsisters. Elle is also a vivid lover of Starfield, sci-fi series similar to Star Trek and Star Wars. She is also a blogger, where she writes all things Starfield.
On the other side, we have Darien, who is an actor and just got the main character role for the new remake of Starfield. While he deeply loves Starfield, he is not allowed to show those emotions and let everyone knows he is a fan, because it will ruin his reputation. And that is the sole reason why fans don’t like him – he is just another guy that goes for the money and ruins their favourite fan fiction (we have all been there though, haven’t we?).
When fate somehow connects Elle and Darien together, under unknown circumstances they start texting to each other, without revealing who they really are. And that is when everything changes.
A story about love and friendship, but most importantly – a story that teaches you to “Look to the stars. Aim. Ignite.” A story that reminds you to keep believing in who you are and why you are doing what you love. This is an amazing reminder to all of you – to be the people you want to be, because once you are comfortable with who you are and what you love to do – nothing can stop you in being great! And most importantly – HAPPY!
While there were bits and pieces that I couldn’t resist but to cringe on, such as the falling in love through texting, or not being able to say no to your step sisters, or being afraid to tell your fans that you are a fan, while they keep accusing you that you don’t care. (How could this ruin a reputation? It could only make it better)…
While there were things that bothered me, this story was still a great revolution to the Cinderella retelling. No other story has shown a girl to fight for what she loves as strongly as this, without the help of magic or a pumpkin – even though her best friend Sage was really the fairy in this situation.
Thank you to NetGalley and Quirk Books, for providing me with an ARC copy of the book.
If you haven’t read it already, please do! It is worth reading it, as it has a powerful message inside of it. I recommend it to all of you out there!
When the typical Cinderella story meets a geeky girl, a comic con and an actor instead of a prince, you get Geekerella. A story unlike any other Cinderella like stories, full with wittiness, geekiness and style.
We have Elle, who is our Cinderella. Her father passed away and left her with her stepmom and her two stepsisters. Elle is also a vivid lover of Starfield, sci-fi series similar to Star Trek and Star Wars. She is also a blogger, where she writes all things Starfield.
On the other side, we have Darien, who is an actor and just got the main character role for the new remake of Starfield. While he deeply loves Starfield, he is not allowed to show those emotions and let everyone knows he is a fan, because it will ruin his reputation. And that is the sole reason why fans don’t like him – he is just another guy that goes for the money and ruins their favourite fan fiction (we have all been there though, haven’t we?).
When fate somehow connects Elle and Darien together, under unknown circumstances they start texting to each other, without revealing who they really are. And that is when everything changes.
A story about love and friendship, but most importantly – a story that teaches you to “Look to the stars. Aim. Ignite.” A story that reminds you to keep believing in who you are and why you are doing what you love. This is an amazing reminder to all of you – to be the people you want to be, because once you are comfortable with who you are and what you love to do – nothing can stop you in being great! And most importantly – HAPPY!
While there were bits and pieces that I couldn’t resist but to cringe on, such as the falling in love through texting, or not being able to say no to your step sisters, or being afraid to tell your fans that you are a fan, while they keep accusing you that you don’t care. (How could this ruin a reputation? It could only make it better)…
While there were things that bothered me, this story was still a great revolution to the Cinderella retelling. No other story has shown a girl to fight for what she loves as strongly as this, without the help of magic or a pumpkin – even though her best friend Sage was really the fairy in this situation.
Thank you to NetGalley and Quirk Books, for providing me with an ARC copy of the book.
If you haven’t read it already, please do! It is worth reading it, as it has a powerful message inside of it. I recommend it to all of you out there!
Gareth von Kallenbach (980 KP) rated Killer Elite (2011) in Movies
Aug 7, 2019
It’s your friendly neighborhood freelance photographer and fellow movie junkie with my take on of the VERY late summer movie release “Killer Elite” starring Jason Statham, Robert DeNiro, Clive Owen, Yvonne Strahovski, and Dominic Purcell.
First off, I’m just going to say that the cast alone warrents giving this movie a look. If you know at least one name on this list, you also know it’s worth watching once.
“Killer Elite” stars Jason Statham (The Transporter Trilogy) as Danny Bryce. A retired speical forces soldier who is lured out of retirement when is mentor Hunter (Robert DeNiro) is held hostage by a mysterious Middle-Eastern sheik. With the help of his former comrade Davies (Dominic Purcell Of Blade:Trinity And TV’s Prison Break), Bryce must complete the task of killing three assassins who are reponsible for the deaths of all but one of the sheik’s sons. Which also means going up against retired SAS comando Spike (Clive Owen Of Sin City, Children Of Men, And The Bourne Identity).
Despite less-than-stellar buzz, when I saw this line-up amongst the cast, I knew the movie had to have some potential and for me it did NOT disappoint. Honestly, I don’t get the beef some critics have with the movie. “Killer Elite” is a an action movie. Typically, action movies concentrate on a basic plotline or little to no plot. Action movies are all about ACTION coupled with good actors/actresses. Killer Elite is not just an action movie … it’s a GREAT ACTION MOVIE.
(Sidenote: The 1975 film of the same title, starring Robert DuVall and James Cann has a similar story line, but the movies are based on entirely different events. Both movies are worth checking out though).
“Killer Elite” is based on a book entitled The FeatherMen written by Sir Ranulph Fiennes, which he claimed to be based on true events to much controversy. It follows the assassinations of members of the British Special Air Services, by a hit squad known as The Clinic. The FeatherMen was a group of retired/vigilante special forces members who went head to head with the hitmen of The Clinic to protect members of the regiment.
Look, if you like action movies, this is one for the books. Even the flashbacks with Statham and his love interest are good. There’s even a litle bit of comic relief provided courtesy of Dominic Purcell who looks alot like Lemmy from Motorhead in this movie, just 30 years younger. There is NOT a dull moment int the movie. Pay the cash. Whether it’s in theaters or DVD or other digital medium. An excellent movie for a Friday night!
First off, I’m just going to say that the cast alone warrents giving this movie a look. If you know at least one name on this list, you also know it’s worth watching once.
“Killer Elite” stars Jason Statham (The Transporter Trilogy) as Danny Bryce. A retired speical forces soldier who is lured out of retirement when is mentor Hunter (Robert DeNiro) is held hostage by a mysterious Middle-Eastern sheik. With the help of his former comrade Davies (Dominic Purcell Of Blade:Trinity And TV’s Prison Break), Bryce must complete the task of killing three assassins who are reponsible for the deaths of all but one of the sheik’s sons. Which also means going up against retired SAS comando Spike (Clive Owen Of Sin City, Children Of Men, And The Bourne Identity).
Despite less-than-stellar buzz, when I saw this line-up amongst the cast, I knew the movie had to have some potential and for me it did NOT disappoint. Honestly, I don’t get the beef some critics have with the movie. “Killer Elite” is a an action movie. Typically, action movies concentrate on a basic plotline or little to no plot. Action movies are all about ACTION coupled with good actors/actresses. Killer Elite is not just an action movie … it’s a GREAT ACTION MOVIE.
(Sidenote: The 1975 film of the same title, starring Robert DuVall and James Cann has a similar story line, but the movies are based on entirely different events. Both movies are worth checking out though).
“Killer Elite” is based on a book entitled The FeatherMen written by Sir Ranulph Fiennes, which he claimed to be based on true events to much controversy. It follows the assassinations of members of the British Special Air Services, by a hit squad known as The Clinic. The FeatherMen was a group of retired/vigilante special forces members who went head to head with the hitmen of The Clinic to protect members of the regiment.
Look, if you like action movies, this is one for the books. Even the flashbacks with Statham and his love interest are good. There’s even a litle bit of comic relief provided courtesy of Dominic Purcell who looks alot like Lemmy from Motorhead in this movie, just 30 years younger. There is NOT a dull moment int the movie. Pay the cash. Whether it’s in theaters or DVD or other digital medium. An excellent movie for a Friday night!
Gareth von Kallenbach (980 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
Charlie Cobra Reviews (1840 KP) rated Brightburn (2019) in Movies
Jul 7, 2020
Horror Twist On A Classic Comic Book Icon
Brightburn is a 2019 superhero/horror movie produced by James Gunn and Kenneth Huang. It was directed by David Yarovesky with screenplay written by Mark and Brian Gunn. The film was produced by Screen Gems, Stage 6 Films, Troll Court Entertainment, and the H Collective. The movie stars Elizabeth Banks, David Denman, Jackson A. Dunn, Matt Jones and Meredith Hagnar.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Living in Brightburn, Kansas, Tori (Elizabeth Banks) and Kyle Breyer (David Denman), a young farm couple, struggle with conceiving a child due to fertility issues. One night, a spaceship falls from the sky near their farm. A baby boy is found inside and the couple decide to adopt him and name him Brandon. Years later, it seems Brandon (Jackson A. Dunn) is a typical young boy as he has been raised without the knowledge of his true origin. However this begins to change in very dramatic ways as the spaceship that he arrived in, hidden in a trapdoor in the barn, begins to glow and affect him disturbingly.
This movie was very much horror and with the R-rating it did not disappoint in that category. However for a superhero movie, I definitely felt it could have been better, especially when it came to the storytelling. I felt like the plot wasn't structured enough and it didn't always feel like it was going somewhere except for what it had shown through the trailers. You know, like it showed in the trailers the outcome and the journey to that outcome wasn't as fun or surprising as I thought it was going to be. The kill scenes though were very brutal, which for some reason I wasn't expecting as much, I guess because the one doing them is this super-powered 12 year old. But this was an awesome concept on a very familiar story that everyone has grown up with or heard, which is basically Superman. There are comics from DC and of Superman like Red Son Superman; where it's a "what if" Superman had landed in Russia instead of United States, and there is a Justice League animated film where instead of Superman, Kal-El, the baby that escapes Krypton is Generel Zod's child and instead of landing in Kansas he lands in New Mexico and is raised by Mexican migrant farmers. But I don't think there has been a story to explore this type of different way Superman could have grown up and it was shockingly entertaining to say the least. The mid-credits scene was really cool to see as well and know that the cinematic universe for Brightburn could expand if it does well financially. I'm thinking that it won't with stiff competition such as Aladdin and John Wick 3 but who knows. I give this film a 6/10.
Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (980 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
Kristy H (1252 KP) rated The Almost Sisters in Books
Jan 23, 2018
Great story with a strong cast of characters
Leia Birch Briggs is a self-professed nerd: a graphic novelist with a penchant for comic books, Wonder Woman, and online gaming. So it's not exactly surprising that, with the help of tequila, she'd fall for a handsome man in a Batman costume at a comics convention in Atlanta. What comes next is a bit more of a surprise: Leia is pregnant from that one-night stand, and it's up to her to tell her over-protective family and very Southern grandmother. To top it off, said Batman was African American: not exactly the easiest thing to tell your Baptist family with Southern roots. But before Leia can even tell her family, she gets some disturbing news from Alabama about her paternal grandmother, Birchie. As Leia rushes to Alabama to help Birchie, she also learns that her stepsister, Rachel, is struggling. So Leia and her teenage niece, Lavender, head to Alabama to assist Birchie and break Leia's big news. But it turns out Birchie has some pretty big news of her own. News that will change everything Leia has ever known about her family.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
This is one of those ARCs that I don't remember requesting, but I'm really glad I did. It was a pleasant surprise - just a fun, warm novel, even with its serious (and extremely timely) subject matter. I warmed to nerdy Leia immediately (and not just because I have a cat named after said Princess): she's real and flawed and quite relatable. All of the women in Leia's life are well-written and their own people: sweet Lavender, trying to figure out her way in the world as her parents' marriage implodes; Rachel, Lavender's mom, a perfectionist struggling with a lot of imperfection; Wattie, Birchie's best friend, an African American woman living with her in Alabama; and then the amazing Birchie herself, written so impeccably that I could just see her stubborn, regal face pour vibrantly from every page. I fell hard for each of these women and their struggles became mine.
Sure, a lot of this book is a little predictable, but the racial tensions and struggles that Jackson writes about are not: they are real and true. Jackson captures the racial divisions so well - the sweet, kind sweet tea side of the South versus the dark, racist, segregated aspects. I could just picture Birchville and its townsfolk. The novel is excellent in that so much of the story is humorous, yet the serious side is very well-done, too.
Leia is a graphic novelist and portions of the book describe a graphic novel she'd written -- I'm not a huge graphic novel fan, so I wasn't completely into those pieces, but I was able to slide past them. The parallels in Leia's novel to the South didn't elude me, so I appreciated why that was included, even if I didn't always want to read a summary of a supposedly graphic novel. Some of the symbolism and metaphors may be a little too forced/spelled out for us at times, but I still enjoyed the novel very much. Pieces of it made me laugh out loud - Leia's sense of humor and her predicaments, Birchie's tough sensibility. Birchie and Wattie's dynamic was wonderful, and I really cared for those two.
In the end, I really enjoyed this one. There's a great story here as well a plot that doesn't gloss over racial discord. I appreciated both. The cast of characters is great -- real, funny, humorous, and heartbreaking. Certainly recommend.
I received a copy of this novel from the publisher and Librarything (thank you!) in return for an unbiased review.
Ryan Hill (152 KP) rated Doctor Strange (2016) in Movies
May 11, 2019
"Try me Beyoncé"
The 14th instalment in the Marvel Cinematic Universe marks the arrival of yet another avenger into the already crowded Marvel family while also bringing mystic arts & alternate dimensions into its ever-expanding universe. But even though it offers a kaleidoscopic journey through astral realms, infinite realities & spacetime contortions, it isn't entirely different from the norm.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.
Doctor Strange tells the story of Stephen Strange, a brilliant but arrogant neurosurgeon who loses the use of his hands after a car accident, spends all his money on experimental surgeries to regain his abilities, and travels east for a last resort treatment where he meets a powerful sorcerer who teaches him ways to harness energy & shape realities through the mystic arts.
Co-written & directed by Scott Derrickson (best known for The Exorcism of Emily Rose & Sinister), Doctor Strange marks his first stint with comic book movies and while he succeeds in delivering a sufficiently entertaining blockbuster, his latest suffers from the same issues that marred his earlier works as Derrickson begins this story on a promising note but once again loses his grip in the middle.
The screenplay features a universe that's full of imaginations & possibilities yet beneath its parallel universes, time manipulation & astral projections lies the same generic storyline following the same predictable route that we all have seen many times before. What's interesting, however, is how the arc of the eponymous character is handled, for Stephen Strange remains an intriguing character at all times.
Production Design team chips in with set pieces that brim with mystical qualities while props such as ancient artefacts & antiquated relics provide added details to the desired spiritual environment. Camerawork is fine, Editing gets carried away by letting numerous CGI-infested moments overstay their welcome due to which it feels longer than it should. And Michael Giacchino contributes with a score that's fitting yet not enthralling.
Coming to the acting department, the film features a talented ensemble in Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Benedict Wong, Mads Mikkelsen & Tilda Swinton. Cumberbatch as Strange is pitch-perfect casting and does total justice to his role by depicting his stubbornness, arrogance & ambition with precision while Swinton steals nearly every scene she's in. But the main highlight of this film is its shape-shifting & eye-popping visual effects.
On an overall scale, Doctor Strange does serve its purpose by delivering an entertaining, amusing & serviceable origin story but it isn't impressive enough to garner a spot amongst Marvel's finest features. Travelling a safe, risk-free route & sugarcoated with trippy, hallucinatory visuals, it is a typical fun-filled extravaganza that we've come to expect from Marvel Studios and is another enjoyable addition to their ever-inflating repertoire. Definitely worth a shot.