"I went to a college called the Drama Center, where we had nine main philosophies and were trained in all of them, but I still remember Mamet: “Nothing will sway me, nothing will go without me, nothing will stop me achieving what I have sworn to achieve; the repetition of this will teach in life that action is better than inaction, bravery better than cowardice, truth better than lies. Without this you add to the loneliness of an audience’s life, you add to their sadness.” I still read his books, but it’s all in this compilation."

"Again, a pretty disgusting cover. That wasn't my intention with this collection - I wasn't trying to pick the worst or most ironic sleeves I could. But I suppose a couple I did end up choosing after realising how disgusting they were. This one is horrible. Again, the record has such a magic about it... I think it's best to listen with your eyes shut. The album is really great folk. I first heard the song called 'Summer' on that Jarvis Cocker compilation The Trip. I heard it and thought there's no way the whole album is going to be as good, and it was."

"This was a gift, and I’ve passed it on and on. There seems to be much confusion over feminism and how it relates to sexual freedom and erotica. WHAT?? Check out the liberated women of the ‘60s and ‘70s who were all about their bodies, choice, freedom and sex! This is superb, erotic literature and artwork for both women and men. It is an unabashedly joyful celebration of human sexuality in all its diversity. The artwork is beautiful and the poems and text a gorgeous compilation of sex with all the excitement — but without the mistreatment and objectification of women. A luxurious erotica alternative."

"Oklahoma City was a test city for MTV, and this compilation of US and UK punk rock bands – XTC, the Cramps, the Dead Kennedys – came out around the time, and had that same spirit. One song each, blam-blam-blam. You didn’t know who was American and who was English and it didn’t matter – what did was every band was doing it themselves and looking bizarre. And in a world where you knew you could never be the Beatles, here was John Cooper Clarke performing to 50 people and being fantastic. That felt huge. Seeing the energy coming off the audience when he made that effort really did something to me."