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Phillip McSween (751 KP) rated The Human Tornado (1976) in Movies
Jan 6, 2020
If You're Looking For Something New...
In blaxploitation movie The Human Tornado, Martial arts street pimp Dolemite has to dodge a racist sheriff while helping his good friend Queen Bee retake control of her nightclub.
Acting: 5
Nobody is winning any awards in this movie, but it works in certain spots. There is a certain charisma around Rudy Ray Moore who plays Dolemite that is quite hard to deny. He’s just fun to watch and, if nothing else, you know he’s giving you 100%. The rest of the actors go about their lines with the strength of dark roast coffee. They’re never really believable, but it somehow works in the grand scheme of things.
Beginning: 10
Characters: 10
Dolemite makes the movie. He’s suave, got a way with the ladies, and takes absolutely no shits from the man. His martial arts are a thing of legend and he’s even taken it up a notch from the first movie! His one-liners will leave you with quotes for days. At one point in the movie, we see Dolemite taking a woman into his room. He tells her, “You really came at a bad time. I’m very very busy. Relax, take off your things, and I’ll see ya later.” And trust me when I say that’s only one line of MANY. The other characters make for good fun as well although, I have to admit, I don’t remember most of their names.
Cinematography/Visuals: 9
Conflict: 9
Entertainment Value: 7
It’s hard not to settle in and enjoy this movie. Once it gets rolling, it's pretty consistent and nonstop with the action and the constant events that never cease to amaze you. I laughed, I clapped, and just when I thought I had seen it all, the movie gave me something new!
Memorability: 6
Pace: 5
The Human Tornado takes quite a few twists and turns that does slow the movie down in spots. There were also a few scenes where you scratch your head wondering why it had to be in there in the first place. It’s not boring, but it definitely could have been shorter.
Plot: 6
Resolution: 3
One of the most headscratching endings I think I’ve seen in film. And I’ve seen a lot of movies. I’ll just leave it at that.
Overall: 70
If you haven’t watched a blaxploitation film yet, you are missing out. They are not just comedy, but it’s also a bit empowering watching the main characters rise up against the man. You could do worse than The Human Tornado. Random Fact: This is one of Ernie Hudson’s first movie, the black Ghosbuster himself!
Acting: 5
Nobody is winning any awards in this movie, but it works in certain spots. There is a certain charisma around Rudy Ray Moore who plays Dolemite that is quite hard to deny. He’s just fun to watch and, if nothing else, you know he’s giving you 100%. The rest of the actors go about their lines with the strength of dark roast coffee. They’re never really believable, but it somehow works in the grand scheme of things.
Beginning: 10
Characters: 10
Dolemite makes the movie. He’s suave, got a way with the ladies, and takes absolutely no shits from the man. His martial arts are a thing of legend and he’s even taken it up a notch from the first movie! His one-liners will leave you with quotes for days. At one point in the movie, we see Dolemite taking a woman into his room. He tells her, “You really came at a bad time. I’m very very busy. Relax, take off your things, and I’ll see ya later.” And trust me when I say that’s only one line of MANY. The other characters make for good fun as well although, I have to admit, I don’t remember most of their names.
Cinematography/Visuals: 9
Conflict: 9
Entertainment Value: 7
It’s hard not to settle in and enjoy this movie. Once it gets rolling, it's pretty consistent and nonstop with the action and the constant events that never cease to amaze you. I laughed, I clapped, and just when I thought I had seen it all, the movie gave me something new!
Memorability: 6
Pace: 5
The Human Tornado takes quite a few twists and turns that does slow the movie down in spots. There were also a few scenes where you scratch your head wondering why it had to be in there in the first place. It’s not boring, but it definitely could have been shorter.
Plot: 6
Resolution: 3
One of the most headscratching endings I think I’ve seen in film. And I’ve seen a lot of movies. I’ll just leave it at that.
Overall: 70
If you haven’t watched a blaxploitation film yet, you are missing out. They are not just comedy, but it’s also a bit empowering watching the main characters rise up against the man. You could do worse than The Human Tornado. Random Fact: This is one of Ernie Hudson’s first movie, the black Ghosbuster himself!
Phillip McSween (751 KP) rated 2 Fast 2 Furious (2003) in Movies
Mar 11, 2020
Faster Than the Newer Films...But Also Much Worse
Brian O’Connor (Paul Walker) tries to redeem himself from the first film by taking out a gang of car enthusiasts.
Acting: 4
Beginning: 6
Characters: 0
These characters are about as interesting as an empty takeout box. Not only is there no kind of depth whatsoever, I never really liked the characters to begin with. I can usually deal with characters not growing if they’re at least interesting, but 2 Fast 2 Furious gives us neither. The cars have more characters than the characters themselves. Might has well let them do the talking instead.
Cinematography/Visuals: 4
Speaking from the future, the car chases/race don’t nearly have the same impact as the latter films. In comparison, they are boring and stale and aren’t enough to carry the movie. Overall it’s shot in gimmicky fashion with lots of slowmo and near-misses. It is painful to watch at times.
Conflict: 7
Entertainment Value: 5
Sometimes a movie can be so bad that it keeps your interest solely for the fact that you want to see what crappity crap crap is going to happen next. I fell asleep on more than one occasion which is a horrible thing to say about a movie that revolves around car chases. There was little in the way of redemption here.
Memorability: 5
One line made me give this score above a zero, a line I will always remember for the rest of my days. At one point, Walker almost put me in a casket by saying, “I said forget about it, cuh.” This line has since become the source of a number of memes and Youtube clips and I can still burst into laughter if I were to watch it right now. Regarding everything else about the movie? Forget about it, cuh.
Pace: 9
If I’m holding it to the standard of the latter movies, I do have to acknowledge that the movie gets through its plot at a fairly quick pace. It is easily one of the shortest in the franchise as almost all of the others top two hours. Yes, it still put me to sleep, but only because the content sucked.
Plot: 4
Sports a story that my six-year-old nephew could have come up with. Barely believable, it has holes inside of holes. I almost wish they had just said, “Screw it. Just look at the cool cars.”
Resolution: 5
Overall: 49
Dumpster fire. Burning poop. A fly walking on a windowsill with only one wing. These are all things that are more interesting than 2 Fast 2 Furious. Talk about a nightmare.
Acting: 4
Beginning: 6
Characters: 0
These characters are about as interesting as an empty takeout box. Not only is there no kind of depth whatsoever, I never really liked the characters to begin with. I can usually deal with characters not growing if they’re at least interesting, but 2 Fast 2 Furious gives us neither. The cars have more characters than the characters themselves. Might has well let them do the talking instead.
Cinematography/Visuals: 4
Speaking from the future, the car chases/race don’t nearly have the same impact as the latter films. In comparison, they are boring and stale and aren’t enough to carry the movie. Overall it’s shot in gimmicky fashion with lots of slowmo and near-misses. It is painful to watch at times.
Conflict: 7
Entertainment Value: 5
Sometimes a movie can be so bad that it keeps your interest solely for the fact that you want to see what crappity crap crap is going to happen next. I fell asleep on more than one occasion which is a horrible thing to say about a movie that revolves around car chases. There was little in the way of redemption here.
Memorability: 5
One line made me give this score above a zero, a line I will always remember for the rest of my days. At one point, Walker almost put me in a casket by saying, “I said forget about it, cuh.” This line has since become the source of a number of memes and Youtube clips and I can still burst into laughter if I were to watch it right now. Regarding everything else about the movie? Forget about it, cuh.
Pace: 9
If I’m holding it to the standard of the latter movies, I do have to acknowledge that the movie gets through its plot at a fairly quick pace. It is easily one of the shortest in the franchise as almost all of the others top two hours. Yes, it still put me to sleep, but only because the content sucked.
Plot: 4
Sports a story that my six-year-old nephew could have come up with. Barely believable, it has holes inside of holes. I almost wish they had just said, “Screw it. Just look at the cool cars.”
Resolution: 5
Overall: 49
Dumpster fire. Burning poop. A fly walking on a windowsill with only one wing. These are all things that are more interesting than 2 Fast 2 Furious. Talk about a nightmare.
Phillip McSween (751 KP) rated Horse Girl (2020) in Movies
Apr 13, 2020
Pacing Was One Problem of Many
In Horse Girl, Sarah (Alison Brie) finds herself confusing her dreams with reality as her visions start to become more and more real.
Acting: 10
I didn’t love this movie, but I did love Brie’s performance as Sarah. It’s an earnest performance and she did extremely well within the confines of the script she was given. With a solid supporting cast in tow, I enjoyed the acting all the way around.
Beginning: 5
Characters: 2
I wasn’t in love with Sarah’s character or at least how she was portrayed. Without giving away any of the story, I’ll just say I think her arc could have been delved into a bit more. In Horse Girl, it felt like the main issue was being skirted more than anything. I also felt like the other characters were just around for the sake of being fillers.
Cinematography/Visuals: 10
The movie is shot well from a visual standpoint. I love how the dreams blend seamlessly into reality and you have a hard time discerning what’s what at times. It’s those kind of things that keep you guessing and almost manage to salvage the movie.
Conflict: 5
Entertainment Value: 3
If I’m being honest, I was mostly bored throughout the movie. Sure there were a couple of moments that piqued my interest, but I think the movie showed it’s hand too fast by presenting the issue, then not really doing much to resolve the issue. I understand the theme of what the movie is supposed to represent, but where is the light in all of it? It felt like a movie descending more and more into darkness with no hope of getting out.
Memorability: 3
Pace: 4
Slow-moving to the point of being painful at times. I remember repeatedly checking the time hoping that things would eventually pick up. I found myself chasing storylines in my head that didn’t even matter. It felt slower overall because I continued to question the direction.
Plot: 3
The attempt to tackle this type of story could have been handled a lot better. If I compare it to another movie that comes to mind, you will automatically know what Horse Girl is about, but I will say said movie handles the topic like night and day compared to this movie. It lacked any kind of cohesiveness to keep me interested.
Resolution: 3
Ends worse than it started. It drained me of hope which is the complete opposite of a movie’s aim. It’s a shame as there were so many different directions they could have chosen.
Overall: 48
About fifteen minutes in, this movie starts to go downhill for me and never really rebounds. Instead, what happens next is a descent into madness that is neither fun nor hopeful.
Acting: 10
I didn’t love this movie, but I did love Brie’s performance as Sarah. It’s an earnest performance and she did extremely well within the confines of the script she was given. With a solid supporting cast in tow, I enjoyed the acting all the way around.
Beginning: 5
Characters: 2
I wasn’t in love with Sarah’s character or at least how she was portrayed. Without giving away any of the story, I’ll just say I think her arc could have been delved into a bit more. In Horse Girl, it felt like the main issue was being skirted more than anything. I also felt like the other characters were just around for the sake of being fillers.
Cinematography/Visuals: 10
The movie is shot well from a visual standpoint. I love how the dreams blend seamlessly into reality and you have a hard time discerning what’s what at times. It’s those kind of things that keep you guessing and almost manage to salvage the movie.
Conflict: 5
Entertainment Value: 3
If I’m being honest, I was mostly bored throughout the movie. Sure there were a couple of moments that piqued my interest, but I think the movie showed it’s hand too fast by presenting the issue, then not really doing much to resolve the issue. I understand the theme of what the movie is supposed to represent, but where is the light in all of it? It felt like a movie descending more and more into darkness with no hope of getting out.
Memorability: 3
Pace: 4
Slow-moving to the point of being painful at times. I remember repeatedly checking the time hoping that things would eventually pick up. I found myself chasing storylines in my head that didn’t even matter. It felt slower overall because I continued to question the direction.
Plot: 3
The attempt to tackle this type of story could have been handled a lot better. If I compare it to another movie that comes to mind, you will automatically know what Horse Girl is about, but I will say said movie handles the topic like night and day compared to this movie. It lacked any kind of cohesiveness to keep me interested.
Resolution: 3
Ends worse than it started. It drained me of hope which is the complete opposite of a movie’s aim. It’s a shame as there were so many different directions they could have chosen.
Overall: 48
About fifteen minutes in, this movie starts to go downhill for me and never really rebounds. Instead, what happens next is a descent into madness that is neither fun nor hopeful.
Phillip McSween (751 KP) rated Saving Private Ryan (1998) in Movies
Apr 13, 2020
One of the GOATS
At the time of this writing, Saving Private Ryan is sitting at fourteen on my all-time list. It is one of those once-in-a-lifetime movies that doesn’t come along too often. The story revolves around an army captain in WWII taking his men on a suicide mission to rescue a private before he is killed in action. Private Ryan’s three brothers have already been killed in action and the military wants to get the remaining Ryan home so his mother won’t have lost all of her children in one war.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Acting: 10
Where do I start? With Tom Hanks and his brilliant performance as Captain John Miller? Vin Diesel in probably one of his best roles as Private Caparzo. Tom Sizemore…Matt Damon…There are so many amazing performances that contributed to the greatness of this movie. You usually see it in glimpses as each character doesn’t get much in the way of their own screen time. The movie is packed with so many of those glimpse moments from these stellar actors, it’s hard to forget each of their roles.
Beginning: 10
Boasts one of the best opening twenty minutes in movie history. It’s violent, touching, and sucks you right in to the meat of the movie. There is so much intensity here, from the raucous sounds to the visceral feel of everything, that it’s hard to catch your breath afterwards.
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
If you want knock-your-socks-off action from beginning to end, Saving Private Ryan is absolutely the movie for you. The battles are amazing giving you a front row seat to World War II. Steven Spielberg relies on a number of different camera angles to give you the full effect. Every scene is heartstopping as you realize the stakes and understand that no one is safe in this ultimate battle to stay alive. This movie has more action in the first twenty minutes than most films do through their entirety.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
For the most part, the story is pretty linear. There is a mission. Go and complete the mission. The end. However, there are two existing twists within the movie that definitely make things more interesting and entertaining. Those small tweaks were enough to satisfy my craving for originality.
Resolution: 10
Overall: 100
There is a scene on the beach where the camera shoots from underwater then repeatedly rises and falls in the water showing the grit of everything happening. This is one of a number of shots that makes Saving Private Ryan one of the all-time movies to ever exist in cinema. This movie is flat out amazing.
Leading Teams in a Week: Team Leadership in Seven Simple Steps
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Leading a team just got easierWe live in a world of teams made up of all kinds of people. We see...
The Better Angels of Our Nature: A History of Violence and Humanity
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-Shortlisted for the Samuel Johnson Prize 2012 This acclaimed book by Steven Pinker, author of The...
Ross (3284 KP) rated We Ride The Storm in Books
May 18, 2021
Great Asian-inspired twisting, back-stabbing fantasy
'We Ride the Storm' is an epic fantasy book set in an Asian-inspired world, with savage tribes, in-bred empires and age-old family rivalries.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
We see the story unfold through the eyes of three characters: a princess of the Kisian empire (who is the step-daughter of the empire, so a princess in name only); an intriguing assassin and a tribal warrior forced into nomadic life. The plot revolves around a building conflict between the empire and its subjects and neighbours, largely driven by the accidental actions of the aforementioned assassin.
The princess is a well-formed character who quickly moves from plotting with her brother to take their family's rightful place at the head of the empire to siding with the crippled cruel emperor, seeking her own place. Her story is straight out of a Disney film, refused her chance to use her martial skills and forced to marry into power as her only contribution to the family's strength.
The nomadic warrior should have been intriguing, given his initial scene where he is cutting the heads off his fallen comrades and enemies, driven by a religious zeal that a person's head must be removed and properly laid to rest to release their soul. However, he quickly became flat and irritating, his zealous nature making him whiny. His story is the most exciting, though, as his tribe is forced into serving the empire (I think) and put aside their traditionally passive nature in order to secure new lands for themselves.
The final PoV character, the assassin, is by far the most original - she has an extra voice in her head (the background still a mystery), a presence who can inhabit corpses, allowing for some interesting escapes and plans. Her role is slightly comedic, dashing from one job to another across the country, often conflicting jobs, in order to try and release herself from the voice in her head.
The story involves a great amount of plotting and double-crossing, some excellent action scenes and a complex, weaving plot. The only downside for me was remembering who was who, who the empire was, their enemies etc, as different names were sometimes given and I found it hard to remember. Also, some major plot points were initially exposed in fairly throw-away style and later passages made no sense without picking up on them (specifically the voice in the assassin's head, but also aspects of the possession and other events which were easy to miss).
A great read and with a sequel already out, a series I will stick with.
I received a free copy from the publishers and netgalley in exchange for an honest review.
BankofMarquis (1832 KP) rated Nomadland (2020) in Movies
Mar 2, 2021
Pseudo-Documentary
Frances McDormand is an interesting character actress to watch, one that uses her character actress looks to disguise the fact that she is, in fact, a strong leading actress that draws our attention to her in whatever project she is in. This facet of her on-screen personae is going full throttle in her new film NOMADLAND.
And, thank goodness it is, for without McDormand on the screen, this “slice-of-life” pseudo-documentary disguised as a feature film would be almost unwatchable as McDormand’s character floats through “slice of life” after “slice of life” in what is referred to as the “Nomad Lifestyle”.
Earnestly Directed by Chloe Zao, NOMADLAND tells the tale of Fern (McDormand) who loses her life, her job and her husband during the recession of the late 2000’s and starts to float through life - and experiences - as a “Nomad”, a person with no permanent address who goes from place to place, catching on to the random odd job and living her life in her van.
Zao and McDormand spent years filming in actual Nomad communities with the others in this film often times not realizing that McDormand was an actress playing a part. For McDormand, it had to be the ultimate acting challenge - living in the real world as a character - and she brings a watchable, lost Fern to the screen and she genuinely and earnestly interacts with the real-life characters she encounters. She is very watchable and is a pleasant character to spend the time with.
Most of these real life people she encounters open up about their lifestyle and the movie took on the feel of documentary with Fern as the interviewer/narrator of the story. This made for an intriguing glimpse into a heretofore unknown world (at least to me), but not a compelling film does it make.
Zao does try to drive a narrative as the only other notable actor in this film - David Straitharn - shows up as a fellow Nomad that develops a crush on Fern and is interested in leaving the Nomad life and invites Fern to join him.
This is the only real conflict in this story as we spend an hour-forty-five watching Fern flit from place to place and person to person not really trying to find herself, but letting the wind blow her to wherever the trail takes her next.
An intriguing (enough) slice of life, with a watchable central performance by McDormand, but not substantial enough to engage me as a feature film.
Letter Grade: B (I applaud the attempt)
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
And, thank goodness it is, for without McDormand on the screen, this “slice-of-life” pseudo-documentary disguised as a feature film would be almost unwatchable as McDormand’s character floats through “slice of life” after “slice of life” in what is referred to as the “Nomad Lifestyle”.
Earnestly Directed by Chloe Zao, NOMADLAND tells the tale of Fern (McDormand) who loses her life, her job and her husband during the recession of the late 2000’s and starts to float through life - and experiences - as a “Nomad”, a person with no permanent address who goes from place to place, catching on to the random odd job and living her life in her van.
Zao and McDormand spent years filming in actual Nomad communities with the others in this film often times not realizing that McDormand was an actress playing a part. For McDormand, it had to be the ultimate acting challenge - living in the real world as a character - and she brings a watchable, lost Fern to the screen and she genuinely and earnestly interacts with the real-life characters she encounters. She is very watchable and is a pleasant character to spend the time with.
Most of these real life people she encounters open up about their lifestyle and the movie took on the feel of documentary with Fern as the interviewer/narrator of the story. This made for an intriguing glimpse into a heretofore unknown world (at least to me), but not a compelling film does it make.
Zao does try to drive a narrative as the only other notable actor in this film - David Straitharn - shows up as a fellow Nomad that develops a crush on Fern and is interested in leaving the Nomad life and invites Fern to join him.
This is the only real conflict in this story as we spend an hour-forty-five watching Fern flit from place to place and person to person not really trying to find herself, but letting the wind blow her to wherever the trail takes her next.
An intriguing (enough) slice of life, with a watchable central performance by McDormand, but not substantial enough to engage me as a feature film.
Letter Grade: B (I applaud the attempt)
7 stars (out of 10) and you can take that to the Bank(OfMarquis)
Phillip McSween (751 KP) rated Superbad (2007) in Movies
Feb 7, 2021
Hilarious From Start to Finish
Two best friends go on an adventure to get alcohol for the last big party of high school.
Acting: 10
Michael Cera and Jonah Hill couldn’t have played their roles any better as best friends Evan and Seth. Cera is nerdy and lovable while Hill is a big ball of energy that plays macho but is really insecure. Their chemistry is perfect together and sets up perfect assists for awesome side characters like McLovin’ to shine.
Beginning: 10
Right from the first line of the movie, I got sucked in. The comedy hits you and doesn’t stop in the first ten minutes as Evan and Seth discuss what porn sites to subscribe to. It’s a perfect setup for what is to come.
Characters: 10
Evan and Seth are perfect together. You almost wonder if they aren’t best friends in real life. If there weren’t any other characters in the movie but the two of them, I still would have given this category a perfect score. Hilarious characters like Fogell (Christopher Mintz-Plasse) and Officers Slater and Michaels (Bill Hader and Seth Rogen) just add to the film’s overall enjoyment.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
In one scene, we find Seth making sex impresssions in home economics behind his cooking partner’s back while Evan looks on. This is just one of a number of scenes that make this movie ridiculously entertaining. It’s amazing how many crazy antics they get into in so few settings.
Memorability: 10
Evan and Seth are in such a rush to grow up, but towards the end of the movie, there is a scene where they are laying in sleeping bags like two little kids. It’s unique little touches like this that really make this movie strong and impactful. More than just a mere comedy, but also amazing at comedy, Superbad soars to great heights with scenes that stand the test of time.
Pace: 10
Plot: 10
Such a simple story made strong with great twists and turns. It never tries to be anything more than what it is, but it also manages to have layers nonetheless. It’s a great ride overall, and the epitomy of a “less is more” concept.
Resolution: 10
Loved how they tied everything together. Beautiful final ten minutes, just as quality as the start. Definitely leaves you with a feeling of fulfillment.
Overall: 100
As a screenwriter, a movie like Superbad is what I aspire to write. Not a comedy, but a movie that fires on all cylinders and maintains consistent, perfect timing. This is a movie I can watch repeatedly and it will never get old.
Acting: 10
Michael Cera and Jonah Hill couldn’t have played their roles any better as best friends Evan and Seth. Cera is nerdy and lovable while Hill is a big ball of energy that plays macho but is really insecure. Their chemistry is perfect together and sets up perfect assists for awesome side characters like McLovin’ to shine.
Beginning: 10
Right from the first line of the movie, I got sucked in. The comedy hits you and doesn’t stop in the first ten minutes as Evan and Seth discuss what porn sites to subscribe to. It’s a perfect setup for what is to come.
Characters: 10
Evan and Seth are perfect together. You almost wonder if they aren’t best friends in real life. If there weren’t any other characters in the movie but the two of them, I still would have given this category a perfect score. Hilarious characters like Fogell (Christopher Mintz-Plasse) and Officers Slater and Michaels (Bill Hader and Seth Rogen) just add to the film’s overall enjoyment.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 10
In one scene, we find Seth making sex impresssions in home economics behind his cooking partner’s back while Evan looks on. This is just one of a number of scenes that make this movie ridiculously entertaining. It’s amazing how many crazy antics they get into in so few settings.
Memorability: 10
Evan and Seth are in such a rush to grow up, but towards the end of the movie, there is a scene where they are laying in sleeping bags like two little kids. It’s unique little touches like this that really make this movie strong and impactful. More than just a mere comedy, but also amazing at comedy, Superbad soars to great heights with scenes that stand the test of time.
Pace: 10
Plot: 10
Such a simple story made strong with great twists and turns. It never tries to be anything more than what it is, but it also manages to have layers nonetheless. It’s a great ride overall, and the epitomy of a “less is more” concept.
Resolution: 10
Loved how they tied everything together. Beautiful final ten minutes, just as quality as the start. Definitely leaves you with a feeling of fulfillment.
Overall: 100
As a screenwriter, a movie like Superbad is what I aspire to write. Not a comedy, but a movie that fires on all cylinders and maintains consistent, perfect timing. This is a movie I can watch repeatedly and it will never get old.
Ross (3284 KP) rated The Shadow of the Gods in Books
Jun 2, 2021
Superb nordic fantasy
Shadow of the Gods is the first book in a new series from Gwynne, and his first away from the world of the Faithful and the Fallen. It takes place in a viking-esque part of a world whose gods have recently died, and the world is gradually emerging from tribalism and remote settlements into wider government, at great pain to its people.
There are rumours of rare people who are descendants of the gods and under stress (or on command once they are trained) can enhance their physical abilities - strength, speed, fury etc.
We meet three characters:
- Orka, a woman with a mysterious past who just wants a quiet simple life with her husband and son, away from the ambitions of their countrymen
- Elvar, a young bountyhunter woman who, along with her fellow longboatmen are initially hunting one of the alleged gods' descendants
- Varg, a young man who has recently escaped slavery in unpleasant circumstances and wants to find what happened to his sister, seeking a magician to tell him her last moments
The three PoVs give us an excellent view of this world, and we see the beginning conflict from numerous standpoints. Varg, far from being a vehicle to deliver worldbuilding, is an excellently formed character who is trained in combat with spear and shield (and of course, Gwynne's trademark shield wall obsession).
The different PoVs also allow us to see one overall story developing, but building up from numerous subplots and quests.
The action scenes are excellent and plenty, as usual, both single combat trials and larger battle scenes against people and monsters. Where the Faithful and the Fallen had the "sword flicks sand in the eye" trope, which was overused, here we have the axe being used to hook someone's shield and yeet them out of the shield wall. This is less overused, and I believe a genuine effective battle tactic, but one that the reader notices regularly.
The mysteries of the world and the characters inhabiting it are revealed gradually enough to keep even this impatient reader satisfied. I admit to overthinking it and trying to guess how the stories might overlap/weave together and got it all completely wrong. There were times when I did mix up the quests of Varg and his boat crew, and Elvar and her boat crew, as they are very similar, but this is natural when such a large cast of characters is introduced.
An excellent thrilling adventure and one that effortlessly got me out of something of a reading slump (everything has felt like a chore for so long, but this was a delight every time I sat down to read).
I received a free copy from the publishers and netgalley in exchange for an honest review.
There are rumours of rare people who are descendants of the gods and under stress (or on command once they are trained) can enhance their physical abilities - strength, speed, fury etc.
We meet three characters:
- Orka, a woman with a mysterious past who just wants a quiet simple life with her husband and son, away from the ambitions of their countrymen
- Elvar, a young bountyhunter woman who, along with her fellow longboatmen are initially hunting one of the alleged gods' descendants
- Varg, a young man who has recently escaped slavery in unpleasant circumstances and wants to find what happened to his sister, seeking a magician to tell him her last moments
The three PoVs give us an excellent view of this world, and we see the beginning conflict from numerous standpoints. Varg, far from being a vehicle to deliver worldbuilding, is an excellently formed character who is trained in combat with spear and shield (and of course, Gwynne's trademark shield wall obsession).
The different PoVs also allow us to see one overall story developing, but building up from numerous subplots and quests.
The action scenes are excellent and plenty, as usual, both single combat trials and larger battle scenes against people and monsters. Where the Faithful and the Fallen had the "sword flicks sand in the eye" trope, which was overused, here we have the axe being used to hook someone's shield and yeet them out of the shield wall. This is less overused, and I believe a genuine effective battle tactic, but one that the reader notices regularly.
The mysteries of the world and the characters inhabiting it are revealed gradually enough to keep even this impatient reader satisfied. I admit to overthinking it and trying to guess how the stories might overlap/weave together and got it all completely wrong. There were times when I did mix up the quests of Varg and his boat crew, and Elvar and her boat crew, as they are very similar, but this is natural when such a large cast of characters is introduced.
An excellent thrilling adventure and one that effortlessly got me out of something of a reading slump (everything has felt like a chore for so long, but this was a delight every time I sat down to read).
I received a free copy from the publishers and netgalley in exchange for an honest review.