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Steven Sklansky (231 KP) rated The Space Between Us (2017) in Movies
Sep 6, 2017
Story (2 more)
Characters
Making you feel connected to the Movie
Zero Consequences (1 more)
Timing of events
Fun and Exciting From Start to Finish
From the start of the movie it really grabs with how the world is perceived today. The earth is becoming a place that is environmentally unfit to live. Although it seems that the time doesn't really show that there is an urgent need to move off the planet.
The story starts with a group of astronauts leaving for Mars to test the living capabilities and seeing if we can survive. What we end up getting is a story about a boy born on Mars and not being able to leave the planet because he would be able to survive earth's atmosphere. You really feel for Gardener through out the movie because of how trapped his life feels. He only has one friend that is a robot and other that lives on earth and can only chat through computer. I know you have to give this kid a love interest, but he is supposed to be a secret. I don't know how he found his way in to a chat site that would give him access to earth, but they should have tried a lot harder. He knew he was a secret but he really could have told her everything.
Once he got to earth he found her really easily. For someone who has never been to Earth I find it hard to believe he could find his way around with no help.
Once he did find her it was nothing but stealing cars and running from the cops till they found his dad. Which no one got in trouble for.
With all the unrealistic plot points and timeline that really didn't fit. The story behind it all was very well told and was very enjoyable. The chemistry between all the actors and actresses was fantastic. The movie really did grab you and pull you in and allow you to feel for these characters. I like any movie that keeps in and focused.
I recommend that everyone see this movie if you like a little tug at the heart strings.
The story starts with a group of astronauts leaving for Mars to test the living capabilities and seeing if we can survive. What we end up getting is a story about a boy born on Mars and not being able to leave the planet because he would be able to survive earth's atmosphere. You really feel for Gardener through out the movie because of how trapped his life feels. He only has one friend that is a robot and other that lives on earth and can only chat through computer. I know you have to give this kid a love interest, but he is supposed to be a secret. I don't know how he found his way in to a chat site that would give him access to earth, but they should have tried a lot harder. He knew he was a secret but he really could have told her everything.
Once he got to earth he found her really easily. For someone who has never been to Earth I find it hard to believe he could find his way around with no help.
Once he did find her it was nothing but stealing cars and running from the cops till they found his dad. Which no one got in trouble for.
With all the unrealistic plot points and timeline that really didn't fit. The story behind it all was very well told and was very enjoyable. The chemistry between all the actors and actresses was fantastic. The movie really did grab you and pull you in and allow you to feel for these characters. I like any movie that keeps in and focused.
I recommend that everyone see this movie if you like a little tug at the heart strings.
RəX Regent (349 KP) rated Fast & Furious (2009) in Movies
Feb 25, 2019
Back on track
The best way to describe Fast & Furious would be as a guilty pleasure. There's nothing to lend weight to this film as a great work, an Oscar contender or a movie worthy of critical acclaim, but there something about this, as there was with the first, The Fast And The Furious, back in 2001.
Rob Cohen has never been known for subtlety and his 2001 film was far from it, but even even though he had nothing to do with this, his stamp is well and truly on it. Fast & Furious is the fourth in this surprising successful franchise, and besides the fact that I liked the original in spite of the fact that I'm NOT a motor-head, I've avoided the intervening sequels, 2 fast, 2 Furious and Tokyo Drift, for one simple reason, besides the fact that just didn't fancy them.
No Vin Diesel. I'm not suggesting that Vin is the greatest actor in the Hollywood, nor should be treading the boards of the Royal Shakespeare Company anytime soon, but his blockhead with a heart of gold persona works for me. He's likable and suits this role down to a tee, as does his dimwitted surfer dude sidekick, Paul Walker.
Walker offers nothing significant to the film except for his relationship with Diesel. The pairing is enjoyable but little more, but isn't that the point of adrenalin films like this? This is about cars, women, cops and robbers, and great fun to boot. The tone of this movie is on par with Cohen's original and though I can't justifiably compare this to the sequels which I have never seen, I don't want too either. This is the sequel that 2 Fast should have been and I only hope that now they're back on track, that Fast & Furious 5 could be another romp worthy of a watch.
It's nice to see a franchise go off track and find its feet again after so many years and it is a testament to the original cast who, though only have a limited range, have clearly breathed life back into the franchise.
Rob Cohen has never been known for subtlety and his 2001 film was far from it, but even even though he had nothing to do with this, his stamp is well and truly on it. Fast & Furious is the fourth in this surprising successful franchise, and besides the fact that I liked the original in spite of the fact that I'm NOT a motor-head, I've avoided the intervening sequels, 2 fast, 2 Furious and Tokyo Drift, for one simple reason, besides the fact that just didn't fancy them.
No Vin Diesel. I'm not suggesting that Vin is the greatest actor in the Hollywood, nor should be treading the boards of the Royal Shakespeare Company anytime soon, but his blockhead with a heart of gold persona works for me. He's likable and suits this role down to a tee, as does his dimwitted surfer dude sidekick, Paul Walker.
Walker offers nothing significant to the film except for his relationship with Diesel. The pairing is enjoyable but little more, but isn't that the point of adrenalin films like this? This is about cars, women, cops and robbers, and great fun to boot. The tone of this movie is on par with Cohen's original and though I can't justifiably compare this to the sequels which I have never seen, I don't want too either. This is the sequel that 2 Fast should have been and I only hope that now they're back on track, that Fast & Furious 5 could be another romp worthy of a watch.
It's nice to see a franchise go off track and find its feet again after so many years and it is a testament to the original cast who, though only have a limited range, have clearly breathed life back into the franchise.
Goddess in the Stacks (553 KP) rated It's Not Like It's a Secret in Books
Jun 4, 2019
Sana is a California transplant from Wisconsin; both her parents are immigrants from Japan, so despite feeling like she's a midwesterner, none of her friends think of her as one. There's a cringe-y scene early in the book where she cheers with her friends about being "midwestern farmer's daughters" and they tell her she's cute for thinking that, but she's Japanese, obv. I felt really bad for her. When her family moves to California, suddenly she's not the only Asian girl in a sea of whiteness. It's an interesting mix of having a place with your own people but also fighting the stereotypes of sticking with your own ethnicity. It's assumed she'll be friends with the other Asian kids, which annoys her, but she also finds to be true; having not had the opportunity to have friends like her before, she finds she really likes it. But she also tries to break that mold and be friends with people she's not assumed to like - like Jamie Ramirez and her Hispanic friends, and Caleb and his white goth friends.
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
The book also explores the way racism hits races differently; the Hispanic kids get hassled by cops while the Asian kids don't - though they also have things expected of them that the Hispanic kids don't. The book gets into cultural expectations as well - PDAs are not really a thing in Sana's world, so she's reluctant to be public about her affections at school, which drives misunderstandings.
It's only in the last few chapters that all the secrets come out, and Sana struggles to put things right.
One thing I really liked about the book is the narrative structure. At the beginning of the school year, Sana's English teacher gives them a project, which is to keep a journal to transcribe poems into and talk about what they mean to you. Chapters from Sana's poetry journal are interspersed with chapters of the narrative, and give some nice insight to how she's feeling. Her love interest, Jamie, also loves poetry, and it plays a large part in their relationship.
I quite enjoyed this book.You can find all my reviews plus more at http://goddessinthestacks.com
JT (287 KP) rated Ready or Not (2019) in Movies
Mar 3, 2020
Original story (1 more)
Solid tension
White wedding goes full bloodshed
Grace (Samara Weaving) is about to marry the man of her dreams, Alex Le Domas (Mark O’Brien). But her new in-laws, as it turns out, are going to be a real nightmare.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
After a long sweeping shot through a gothic house 30-years earlier which sets up the back story to what is going to unfold, Grace is tasked with drawing a card from a mysterious mechanical box.
The premise is simple, whatever game is on the card she has to play in order to be accepted into the family – a tradition which must be accepted.
Innocently believing that it is just a harmless game of Hide-and-Seek Grace sets off to hide. The family, however, arming themselves with a variety of antique weaponry, must kill poor Grace before sunrise or they will all perish.
The family is an eclectic mix of batshit crazed parents, eccentric grandparents, troublesome daughters and drunken sons. When merged they come across as a psychopath’s answer to the Keystone Cops, all flair but no clue whatsoever.
Ready or Not manages to balance horror and comedy nicely. It is gory when it needs to be with several grotesque and humorous scenes that will leave viewers squirming in their seats.
The remainder of the film is a tense game of cat and mouse with Grace now realising what the real motives of the family are. She must hold her nerve to see out the night and make it to morning.
The setting is perfect for this type of caper and the gothic mansion provides plenty of twists and turns; from secret doors and passages to outhouses filled with decaying corpses.
Grace turns from the bride in white to the bride in blood as she battles the family – the tension rarely lets up for a second. Ready or Not gets just about everything spot on and it never suffers from horror cliches or boredom.
Weaving gives a good account of herself as a modern-day scream queen turned badass, running around in a torn wedding dress and trainers dispelling the myth ‘till death do us part‘.
JT (287 KP) rated Takers (2010) in Movies
Mar 10, 2020
The bank heist, it’s been done to death in Hollywood over the years but it still seems to be a film favourite. You’d be hard pressed to find a really bad one out there and most of the ones that I have seen have been exceptional films.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
Of course they all follow a very similar pattern. Group steals money, plan one last job which will inevitable go wrong where someone will get double crossed and not everyone walks off into the sunset with the money.Its a no brainer really and only an idiot could really mess up that style of plot.
Takers is no different from any other before it, the cast here seem to be a bit mismatched in places. There are real life rappers Chris Brown and T.I. aka Clifford Joseph Harris Jr., eye candy favourites Matt Dillon and Paul Walker with Brit Idris Elba making it the most unconventional mix of cops and robbers ever.
The film’s highlights are the well choreographed set pieces including a decent hotel gun fight, a hiest that goes wrong leading to more gun play, and an impressive chase through the city. Even the opening does well to set the story and character back grounds.
Where the film let’s itself down, through no fault of its own, is the way in which we are always one step ahead of the plot. This is just down to all the hiest films we have seen before and we’re pretty much going to make our own assumptions as to what is going to happen and who is going to get away with what at the climax.
There are a couple of wasted back stories which do little to the film such as Matt Dillon’s corrupt partner or Idris Elba’s crackhead sister. Zoe Saldana is a virtual unknown in this and pops up from time to time doing nothing but enlighten the screen with her clear beauty.
It’s never going to compete against the big boys such as Heat, Point Break or The Town, but it does well enough to hold the attention for 90 minutes or so.
The Pope of Palm Beach
7.0
Rate It
Book
From Florida's king of mayhem--"compulsively irreverent and shockingly funny" (Boston Globe) New...
mystery comedy
Peepo!
Allan Ahlberg and Janet Ahlberg
7.0
Rate It
Book
Peepo! is the much-loved picture book classic by Janet and Allan Ahlberg. Peepo! is a modern classic...
Leanne Crabtree (480 KP) rated Shelter in Place in Books
Jan 12, 2021
I bought two chucky paperbacks by Nora Roberts at the same time a few months ago, this and Come Sundown.
This one starts with Simone and her two friends going to the cinema to watch a film together. Simone goes to the toilet and minutes later hears screams and gunshots coming from the room she'd just left. She phones the police as three people go through the mall, killing as many people as they can. Simultaneously, Reed is working at one of the restaurants in the mall and as the shooters begin their killing spree he comes to the rescue of a little boy who's crying for his mum and keeps him safe until the cops arrive and take out the shooters.
Fast forward several years and survivors of the attack start to be killed off one by one and it seems Simone and Reed are on the killers list
I will start by saying that romantic suspense's are not my favourite genre. It has taken me about a month and a half to finish this. The romance definitely felt like an afterthought since it only kicked in about the half way point by which point I was just reading to see them take down the bad guy - whose POV we saw regularly throughout - and whose comeuppance felt like a bit of a disappointment. It all happened within about five pages from them making themselves known to Simone to them being incapacitated.
It's a 500+ page book! The first half was the two main survivors growing up and finding their calling in life - and I was rather bored, hence it taking me over a month to read! - the second half was a really played down romance while the killer made her way through the rest of the survivors on her meandering journey to them on Tranquillity Island.
I normally really enjoy reading Nora Roberts' books but I think I'll stick to her traditional romances and away from romantic suspense's in the future. Come Sundown and this one will be making there way to a charity shop for others to enjoy.
This one starts with Simone and her two friends going to the cinema to watch a film together. Simone goes to the toilet and minutes later hears screams and gunshots coming from the room she'd just left. She phones the police as three people go through the mall, killing as many people as they can. Simultaneously, Reed is working at one of the restaurants in the mall and as the shooters begin their killing spree he comes to the rescue of a little boy who's crying for his mum and keeps him safe until the cops arrive and take out the shooters.
Fast forward several years and survivors of the attack start to be killed off one by one and it seems Simone and Reed are on the killers list
I will start by saying that romantic suspense's are not my favourite genre. It has taken me about a month and a half to finish this. The romance definitely felt like an afterthought since it only kicked in about the half way point by which point I was just reading to see them take down the bad guy - whose POV we saw regularly throughout - and whose comeuppance felt like a bit of a disappointment. It all happened within about five pages from them making themselves known to Simone to them being incapacitated.
It's a 500+ page book! The first half was the two main survivors growing up and finding their calling in life - and I was rather bored, hence it taking me over a month to read! - the second half was a really played down romance while the killer made her way through the rest of the survivors on her meandering journey to them on Tranquillity Island.
I normally really enjoy reading Nora Roberts' books but I think I'll stick to her traditional romances and away from romantic suspense's in the future. Come Sundown and this one will be making there way to a charity shop for others to enjoy.
Grand Theft Auto: San Andreas
Games and Entertainment
App
***PLEASE NOTE: This game is officially supported on the following devices only: iPhone 4s, 5, 5s,...
Air Race Speed
Games and Entertainment
App
“Speeding is tons of fun, especially with no cops around” - Pixelated Sausage Take speed to a...