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LeftSideCut (3776 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 2, 2019 (Updated Dec 27, 2019)
The future is bright for the MCU
Contains spoilers, click to show
Far From Home is in a tricky position, coming out a couple of months after Avengers Endgame, having to deal with the fallout out of the Infinity story arc, and also having to follow up a great first entry into the MCU Spider-Man franchise, and it's does a damn fine job.
Tom Holland continues to be a near perfect Peter Parker, and he's surrounded by a charming cast - Zendaya is great as MJ, Jon Favreau is always welcome as Happy, and Samuel L. Jackson does his usual broody Nick Fury, this time going up against the more cooky humour of Peters classmates, and it all works - the humour all lands for the most part (and as Curb Your Enthusiasm fan, I couldn't help but enjoy JB Smoove).
But the shining star in Far From Home is of course Jake Gyllenhaal. His portrayal of Quentin Beck/Mysterio is great - watching him go from a sad and scarred man, looking to save the world and be Peters friend, to the eventual (and of course expected) reveal that he's actually a calculating-genius-maniac is pretty great.
The set pieces to begin with are standard Marvel fun, but the first time Spider-Man goes head to head with Mysterio and his illusions is ok another level (zombie Iron Man anyone!?) - it feels lifted straight from the comics, and is a visual treat, knocking down Doctor Strange in terms of crazy hallucinating sequences. It's perfect!
It's also a lovely touch just how much Tony Stark has to do in this film - his character may be gone but his presence is constant throughout.
And to top everything off - the first post credit scene includes a unexpected come back that made me grin from ear to ear, and then the second one, well that was just nuts - needless to say, I'm truly excited for what comes next in the MCU.
Far From Home is fun, visually thrilling, with great cast, and for me, is up there with the top tier MCU films.
Tom Holland continues to be a near perfect Peter Parker, and he's surrounded by a charming cast - Zendaya is great as MJ, Jon Favreau is always welcome as Happy, and Samuel L. Jackson does his usual broody Nick Fury, this time going up against the more cooky humour of Peters classmates, and it all works - the humour all lands for the most part (and as Curb Your Enthusiasm fan, I couldn't help but enjoy JB Smoove).
But the shining star in Far From Home is of course Jake Gyllenhaal. His portrayal of Quentin Beck/Mysterio is great - watching him go from a sad and scarred man, looking to save the world and be Peters friend, to the eventual (and of course expected) reveal that he's actually a calculating-genius-maniac is pretty great.
The set pieces to begin with are standard Marvel fun, but the first time Spider-Man goes head to head with Mysterio and his illusions is ok another level (zombie Iron Man anyone!?) - it feels lifted straight from the comics, and is a visual treat, knocking down Doctor Strange in terms of crazy hallucinating sequences. It's perfect!
It's also a lovely touch just how much Tony Stark has to do in this film - his character may be gone but his presence is constant throughout.
And to top everything off - the first post credit scene includes a unexpected come back that made me grin from ear to ear, and then the second one, well that was just nuts - needless to say, I'm truly excited for what comes next in the MCU.
Far From Home is fun, visually thrilling, with great cast, and for me, is up there with the top tier MCU films.
LeftSideCut (3776 KP) rated Stranger Things - Season 2 in TV
Jul 6, 2019 (Updated Jul 7, 2019)
Back into the Upside Down
The second season of Stranger Things wisely doesn't steer too far away from what made the first season so great.
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
We're swiftly re-introduced to all the engaging characters from before, all living a pretty normal life since the events of season one, but of course it doesn't take too long for weird shit to start kicking off.
From the moment poor Will (again) starts having visions in episode 2 - its business as usual, and I was caught up once again in the mystery and intrigue of what was plaguing Hawkins.
We are introduced to several new characters - Max fits in naturally alongside the other younger actors, and her older brother Billy - what a jackass. But one that you love to hate, and on the rare occasion, even feel sympathy towards.
And of course, Sean Astin is a welcome face as Bob (Super Bob to you and me).
The plot itself takes a little while to get going, but once it does, it's a whirlwind. At the end of episode 6, I found myself physically exhaling in exhaustion once the credits started rolling - which brings me to the one big faceplant of season 2.
After the crazy cliffhanger of episode 6, episode 7 takes a real left turn.
A whole episode takes place outside of Hawkins, with a completely different cast (to the point that if you skipped this episode entirely, it wouldn't matter to the rest of the plot)
It's easy to see what the writers we're trying to do here - introducing us to others who have powers not to dissimilar to Eleven, she's not alone in the world.
But the characters are hugely unlikable, and so so cringey, it took a lot of effort to get through the whole episode.
It's plain to see that the writers we're almost testing the waters for a potential spin off, buts it's an idea that I really hope doesn't happen, and I really really hope we don't get more of these characters in future seasons.
The last two episodes are back in Hawkins and are pretty solid!
Overall, another fantastic series, worth your time and attention (just skip episode 7!)
Scott Tostik (389 KP) rated Dead Shack (2017) in Movies
Jan 29, 2020
Storyline... Dialogue... Hilarious (1 more)
The kids killed it... No pun intended
Lmfao.... What a great little flick
So I'm going through TubiTv yesterday and i come across this little dynamo.
Side note. Tubi has over 1000 horror movies on it... So this was after careful deliber... Oh who the fuck am I kidding... I closed my eyes, flicked thee mouse wheel... And this is what I landed on... So much to my surprise... It was actually good for once.
The story starts out with 3 kids and a pair of parents... Even though one parent is a mich younger mail order asian bride... She's still a parent... Sort of... Ish... Anywhore... They are headed out for a week long getaway to a cabin in the woods( yeah... I went there)...
With out spoiling it... The film gets going in the first 15 minutes... Which is what you want in a good horror film.
I have yet to figure put what exactly the antagonist creatures in this film are though... Undead... Sorta dead... Not dead and just crazy... But in all honesty... Who the fuck cares.
The kids talk like kids do... Using swear words out of context... Blaming their folks... Bringing up pop culture references... It was honestly one of the best teenage speak films i have seen in a long time... With the exception of IT Chapter 1... Those kids were on fucking point.
The best part of the movie... And this made me laugh my proverbial ass off... Was the kids are confronting the big bad near the climax of the film... Big bad asks"What are you going to do about it?".
14 year old responds with,"We're gonna tell on you,".
His two friends just stop what they are doing and give him the best WTF look I have seen since my daughter gave me one when she was 5... And I missed a chair when going to sit down... I was sober... *hangs head in shame*
If you want to have a genuine good time... And like a few laughs mixed in with your blood soaked insanity... Then this is a flick for you...
I mean fuck, what do you have to lose?? Besides 1hr and 44 minutes of your life...
Side note. Tubi has over 1000 horror movies on it... So this was after careful deliber... Oh who the fuck am I kidding... I closed my eyes, flicked thee mouse wheel... And this is what I landed on... So much to my surprise... It was actually good for once.
The story starts out with 3 kids and a pair of parents... Even though one parent is a mich younger mail order asian bride... She's still a parent... Sort of... Ish... Anywhore... They are headed out for a week long getaway to a cabin in the woods( yeah... I went there)...
With out spoiling it... The film gets going in the first 15 minutes... Which is what you want in a good horror film.
I have yet to figure put what exactly the antagonist creatures in this film are though... Undead... Sorta dead... Not dead and just crazy... But in all honesty... Who the fuck cares.
The kids talk like kids do... Using swear words out of context... Blaming their folks... Bringing up pop culture references... It was honestly one of the best teenage speak films i have seen in a long time... With the exception of IT Chapter 1... Those kids were on fucking point.
The best part of the movie... And this made me laugh my proverbial ass off... Was the kids are confronting the big bad near the climax of the film... Big bad asks"What are you going to do about it?".
14 year old responds with,"We're gonna tell on you,".
His two friends just stop what they are doing and give him the best WTF look I have seen since my daughter gave me one when she was 5... And I missed a chair when going to sit down... I was sober... *hangs head in shame*
If you want to have a genuine good time... And like a few laughs mixed in with your blood soaked insanity... Then this is a flick for you...
I mean fuck, what do you have to lose?? Besides 1hr and 44 minutes of your life...
JT (287 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Mar 10, 2020
John Wick: Chapter 3 – Parabellum picks up where chapter 2 left off, with young Johnathan running for his life as the clock ticks down until the $14 million bounty on his head is activated. With man’s best friend in tow, he searches for a place to patch himself up before he is finally made excommunicado – flipping a gold coin as a rite of passage.
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
It seems funny that we have got to this point in the story which involved a murdered puppy and a stolen car, but we needn’t dwell on that for too long before the carnage starts to unravel at a frenetic pace. Not since the Raid 2 has there been fight sequences choreographed with such vicious aplomb, it leaves you breathless.
The stunt coordinators give us a range of unique locations for John Wick to dispatch his enemies; including a room packed full of antique ceremonial knives and a glass room displaying a variety of crystal skulls – it isn’t just bones getting shattered here. Not forgetting a horse chase that is simply spectacular.
On paper the action genre might be one of the simplest to execute, add some elaborate set pieces, crazy stunts and a pumping score and you have a recipe for success – you can even drop the odd plot hole without notice.
Director Chad Stahelski has helmed all three films and is able to give Wick the tools needed to off anyone he comes into close contact with. Is there no end to his talents – as he uses a library book to kill off a 7ft assassin and handle weaponry around a Moroccan bazaar with seamless precision.
He is aided in his quest to reach the High Table (a place to atone for his sin of killing on Continental grounds) by Sofia (Halle Berry) who begrudgingly agrees to help him. Despite her minimal screen time she does more than enough to leave a lasting impression – if not her, then most definitely the pair of vicious K-9s complete with snug fitting Kevlar vests that accompany her.
As an action film this is what I crave, something that is relentless from start to finish – I can only lick my lips in anticipation of the inevitable Chapter 4!
Kristy H (1252 KP) rated Big Lies in a Small Town in Books
Mar 19, 2020
Morgan Christopher is shocked when she's plucked from prison and told she will be released early, as long as she perform a certain task: restore an old mural from the 1940s. Morgan, an art school dropout, has no restoration skills, but she is desperate to leave prison, where she is imprisoned for a crime she didn't commit. Once released, she finds herself captivated by the mural and what she finds underneath the layers of grime. Meanwhile, in 1940, young Anna Dale, an artist from New Jersey wins a contest to paint a mural for the post office in Edenton, North Carolina. She travels there to learn more about the town that she needs to capture. But once there, Anna is confronted both by kindness and deep-set prejudice.
I've never read a book by Diane Chamberlain before, and I really enjoyed this one. It's oddly captivating for centering on a painting from the 1940s. The point-of-view switches between Morgan and Anna and each are compelling narrators in their own right. This was one of those books where I found myself desperately wishing I could read faster, as I wanted to find out what happened to Anna (we're told early on she "went crazy").
I applaud Chamberlain for her original plot. It's odd, but not in a bad way, as it had me interested the entire time. She does a wonderful job of creating two completely different worlds: Anna's in the 40s and Morgan's in near present-day. She deftly weaves in art aspects; Morgan's drunk driving conviction and her past in prison; Anna's possible mental illness; and Morgan's benefactor, so to speak, Lisa, who springs her out of prison to fulfill the wishes of her late father, Jesse, a famous artist.
While this novel is mainly fiction, there are some great twists and turns, especially as we learn what happened to Anna. Chamberlain delves into race relations, as Anna confronts the prejudices of the south in the 1940s. Her writing style is easy, making you want to keep reading, and overall, I quite enjoyed this one. 4 stars.
I've never read a book by Diane Chamberlain before, and I really enjoyed this one. It's oddly captivating for centering on a painting from the 1940s. The point-of-view switches between Morgan and Anna and each are compelling narrators in their own right. This was one of those books where I found myself desperately wishing I could read faster, as I wanted to find out what happened to Anna (we're told early on she "went crazy").
I applaud Chamberlain for her original plot. It's odd, but not in a bad way, as it had me interested the entire time. She does a wonderful job of creating two completely different worlds: Anna's in the 40s and Morgan's in near present-day. She deftly weaves in art aspects; Morgan's drunk driving conviction and her past in prison; Anna's possible mental illness; and Morgan's benefactor, so to speak, Lisa, who springs her out of prison to fulfill the wishes of her late father, Jesse, a famous artist.
While this novel is mainly fiction, there are some great twists and turns, especially as we learn what happened to Anna. Chamberlain delves into race relations, as Anna confronts the prejudices of the south in the 1940s. Her writing style is easy, making you want to keep reading, and overall, I quite enjoyed this one. 4 stars.
Kristy H (1252 KP) rated The Other Mrs. in Books
Mar 19, 2020
Sadie and her husband inherit a house in Maine after the death of Will's sister, Alice. So they move their two sons from Chicago to chilly Maine, hoping for a fresh start. Moving to Maine means living with Alice's broody sixteen-year-old daughter, Imogen. Will is convinced she's just grieving the loss of her mother, but Sadie isn't so sure. Then their neighbor, Morgan Baines, is found murdered--a death that rocks their small community. Sadie no longer feels safe in her own home, so she starts looking into Morgan's death. But soon she realizes that suspicion is pointed at her own family and that the more she discovers about Morgan's death, the more she has to lose.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
This was a great twisty thriller from Kubica. It started off a little confusing, but once it got going, it was completely mesmerizing. It's told from three points of view, and each has you riveted, wondering how they all fit together and what on earth is going on in this small Maine town. Who murdered Morgan Baines--and why?
The gloom of Maine and the creepiness of Sadie's new house comes across quite clear; the book can be downright spooky at times. You're never quite sure who to trust or what to believe, either. I found myself frantically flipping the pages, wanting to find out what was happening. There are a lot of pieces to fit together--angry Imogen, unreliable Sadie, supposedly perfect Will, angsty Otto (Sadie's eldest son), and the Baines and their marriage. I loved trying to piece everything together.
There are a ton of twists and turns and while some seem a little crazy, it made for a wild ride. I guessed a few and gasped at others, so that was fun. I must note, though, that there is a suicide trigger (not a spoiler, as it's Alice's death). There's a lot of detail about her death and as someone who lost someone in that same manner, I found it very hard to read about. So just keep that in mind. However, overall, this was a really captivating and dark thriller. 4 stars.
Phillip McSween (751 KP) rated Midsommar (2019) in Movies
Mar 22, 2020
Can't Deny it's a Solid Movie
Typically when I write a review, I try to watch the movie as I’m writing to bring back any lost memories to mind. Now, as I watch Midsommar on Prime, I’m trying to type as fast as I can so I can move on from this movie. It’s not that the movie is bad, not in the least. It’s just unsettling as hell, a movie that leaves you with an eery feeling that’s undeniable. The plot: Trying to escape a family tragedy, Dani (Florence Pugh) escapes with her boyfriend to a Swedish village for a midsummer festival. What she finds is the furthest things from what she expected.
Acting: 10
Beginning: 10
Characters: 10
Here’s what I loved most about the characters in Midsommar: They are, all of them, true to form. When situations arise, they act just like you expect them to act based on their personality traits. If it weren’t for these main characters, the movie never would have played out the way it did as they all experienced their doubts about the village at one point, but continued to stay for one personal reason to the next. As a result, shit hits the fan and things get juicier by the minute.
Cinematography/Visuals: 10
Conflict: 7
Entertainment Value: 1
Memorability: 10
Pace: 8
Plot: 9
Resolution: 5
It was…an ending to say the least. Bananas. Crazy. Threw me for a loop. Did I love it, though? Meh.
Overall: 80
Thankfully, it’s only taken me about eleven minutes to get all this typed so I’ll be shutting Midsommar off real soon. In my overall opinion, the movie falls short a few paces of being in the classic category because it gets a bit humdrum after awhile. However, I applaud it’s bold originality and its desire to be like nothing else that’s out there right now. That is something I ultimately respect whether or not I loved the movie. It won’t have universal appeal, but I definitely recommend it if you are a movie buff and have yet to see it.
Acting: 10
Beginning: 10
Characters: 10
Here’s what I loved most about the characters in Midsommar: They are, all of them, true to form. When situations arise, they act just like you expect them to act based on their personality traits. If it weren’t for these main characters, the movie never would have played out the way it did as they all experienced their doubts about the village at one point, but continued to stay for one personal reason to the next. As a result, shit hits the fan and things get juicier by the minute.
Cinematography/Visuals: 10
Conflict: 7
Entertainment Value: 1
Memorability: 10
Pace: 8
Plot: 9
Resolution: 5
It was…an ending to say the least. Bananas. Crazy. Threw me for a loop. Did I love it, though? Meh.
Overall: 80
Thankfully, it’s only taken me about eleven minutes to get all this typed so I’ll be shutting Midsommar off real soon. In my overall opinion, the movie falls short a few paces of being in the classic category because it gets a bit humdrum after awhile. However, I applaud it’s bold originality and its desire to be like nothing else that’s out there right now. That is something I ultimately respect whether or not I loved the movie. It won’t have universal appeal, but I definitely recommend it if you are a movie buff and have yet to see it.
Gareth von Kallenbach (980 KP) rated Whiskey Tango Foxtrot (2016) in Movies
Aug 6, 2019
Based on “The Taliban Shuffle: Strange Days in Afghanistan,” a memoir by Kim Barker, “Whiskey Tango Foxtrot” follows the journey of a copy writer turned war reporter (Tina Fey).
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
One day Barker is called into a meeting where, because she is unmarried and without children, she is asked to cover the war in Afghanistan. Seeming hesitant, but pulled by a desire to escape her mundane life, she decides to go for it.
When Barker arrives in Afghanistan the journalists that are stationed there basically just party most of the time, which speaks volumes about the ways people may try to avoid the emotional intensity of their surroundings.
Other than that, Barker hangs out with some very calm troops, gets ballsy and captures some crazy footage, and seems to get very wrapped up in the thrill of getting a lead story. It doesn’t seem that Barker ever has any actual interest in the politics of what she is covering. Realizing that it is a comedy, this may be totally fine. But the film is an odd mix. It portrays Barker’s character as somewhat numb to the tragic reality she is immersed in, while at the same time making a joke wherever it can.
I’m not quite sure what genre “Whiskey Tango Foxtrot” fits into. It gets close to drama, and it gets close to comedy but it isn’t that funny and it isn’t that touching. It leaves the impression of a dull and desensitized view of war and the challenges reporters face abroad. Perhaps the film is staying true to the memoir, but it is definitely a different approach to describing such an experience.
That being said, it’s not a bad film or a bad story. It’s interesting. It has funny moments, and it makes you want to know what will happen in the end. A few scenes even get close to developing the characters in a way that might make the audience care about them. But overall, there is really no emotional substance to the film and it leaves no big impression.
Worth a watch on Netflix, I give “Whiskey Tango Foxtrot” 2.5 out of 5 stars.
Find Adventure, Alfie Atkins
Education and Games
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In "Find Adventure, Alfie Atkins", children can create, play, and explore a world filled with small...
Nyan Cat: Lost In Space
Games, Entertainment and Stickers
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** The most popular and most appreciated Nyan Cat game on iPhone/iPad! "Awesome!" - prguitarman,...