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Hocus Pocus (1993)
Hocus Pocus (1993)
1993 | Comedy, Fantasy, Horror
Halloween Classic (2 more)
Bette Middler
Sarah Jessica Parker
Witches In Town
This was the first time i ever saw "Hocus Pocus" and i thought it was great. A halloween classic. You have witches, trick or treating, candy, cat, and more. Its a classic.

The plot: After moving to Salem, Mass., teenager Max Dennison (Omri Katz) explores an abandoned house with his sister Dani (Thora Birch) and their new friend, Allison (Vinessa Shaw). After dismissing a story Allison tells as superstitious, Max accidentally frees a coven of evil witches (Bette Midler, Sarah Jessica Parker, Kathy Najimy) who used to live in the house. Now, with the help of a magical cat, the kids must steal the witches' book of spells to stop them from becoming immortal.

It was not a critical or commercial success upon its release, possibly losing Disney around $16.5 million during its theatrical run. However, largely through annual airings on Disney Channel and Freeform (formerly ABC Family), Hocus Pocus has been rediscovered by audiences, resulting in a yearly spike in home video sales of the film every Halloween season that has helped make it a cult classic.

Various rewrites were made to the script to make the film more comedic and made two of its young protagonists into teenagers; however, production was stalled several times until 1992, when Bette Midler expressed interest in the script and the project immediately went forward.

Midler, who plays the central antagonist of the film (originally written for Cloris Leachman), is quoted as saying that Hocus Pocus "was the most fun I'd had in my career up to that point.

Leonardo DiCaprio was originally offered the lead role of Max, but declined it in order to pursue What's Eating Gilbert Grape.

Like i said before its a halloween classic.
  
Alphaville (1965)
Alphaville (1965)
1965 | Mystery, Sci-Fi
7
8.3 (3 Ratings)
Movie Rating
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.

Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
  
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