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Kristy H (1252 KP) rated Survivor Song in Books
Jul 9, 2020
A timely & terrifying read
A viral strain of rabies is spreading across Massachusetts. It moves quickly among animals and people, with those being bitten rapidly (think hours) losing their minds and then biting others to spread the disease. Hospitals are overwhelmed. People are under quarantine, with packets of vaccine being dropped from the sky to try to control the animal population. Chaos reigns. Dr. Ramola "Rams" Sherman is a pediatrician, about to be called in to help at an overflowing hospital. Before she can, she receives a terrified phone call from her best friend from college, Natalie. Eight months pregnant, Natalie watched an infected man brutally kill her husband--and received a bite while trying to save him. She must get to a hospital--and fast--to try to save herself and her unborn child. She and Rams begin a horrifying odyssey to get Natalie help, traversing a world filled with untold dangers.
"The presentation of symptoms with this new virus is astronomically fast compared to a normal rabies virus."
Okay, first of all, I rarely read horror books like this, but this novel was offered by my Scene of the Crime group, and I had heard such great things about Paul Tremblay. Second, I am trying to avoid pandemic-type reads and, yet, I found myself reading an incredibly pandemic, virus themed book!
However, I have to say, this was a good book! I can't say I enjoyed it, because it was so incredibly stressful that I think my heart-rate and blood pressure were through the roof while reading this thing. BUT, I could not put it down. Tremblay has created an utterly spellbinding book that also happens to be incredibly timely.
The tension in this book completely crackles. There's a virus spreading across the entire Northeast, but Tremblay focuses his action mainly on just Rams and Natalie. Somehow narrowing the story down on the survival of these two (and Natalie's baby) makes the story all the more terrifying and stressful. Their journey to get to a hospital is fraught with danger and blockages at every turn, and you can totally see this as unfolding a movie, with the "zombies" popping out around every corner. It still makes me shiver even now thinking about it.
While this book is creepy and scary, it makes some amazing (and very timely) points on society and its backward viewpoint toward vaccines, fear culture, xenophobia, and more. I found myself nodding furiously so many times. And, of course, it's filled with words that are so familiar to us now--who knew that CDC, PPE, and quarantine would be such commonplace terms?
Overall, while this is a very tense book and it might resonate a bit *too* much right now, it's very well-written. I flew through it--I'm not usually a horror fan, but it was a good balance of scary and humanizing. 4+ stars.
A viral strain of rabies is spreading across Massachusetts. It moves quickly among animals and people, with those being bitten rapidly (think hours) losing their minds and then biting others to spread the disease. Hospitals are overwhelmed. People are under quarantine, with packets of vaccine being dropped from the sky to try to control the animal population. Chaos reigns. Dr. Ramola "Rams" Sherman is a pediatrician, about to be called in to help at an overflowing hospital. Before she can, she receives a terrified phone call from her best friend from college, Natalie. Eight months pregnant, Natalie watched an infected man brutally kill her husband--and received a bite while trying to save him. She must get to a hospital--and fast--to try to save herself and her unborn child. She and Rams begin a horrifying odyssey to get Natalie help, traversing a world filled with untold dangers.
"The presentation of symptoms with this new virus is astronomically fast compared to a normal rabies virus."
Okay, first of all, I rarely read horror books like this, but this novel was offered by my Scene of the Crime group, and I had heard such great things about Paul Tremblay. Second, I am trying to avoid pandemic-type reads and, yet, I found myself reading an incredibly pandemic, virus themed book!
However, I have to say, this was a good book! I can't say I enjoyed it, because it was so incredibly stressful that I think my heart-rate and blood pressure were through the roof while reading this thing. BUT, I could not put it down. Tremblay has created an utterly spellbinding book that also happens to be incredibly timely.
The tension in this book completely crackles. There's a virus spreading across the entire Northeast, but Tremblay focuses his action mainly on just Rams and Natalie. Somehow narrowing the story down on the survival of these two (and Natalie's baby) makes the story all the more terrifying and stressful. Their journey to get to a hospital is fraught with danger and blockages at every turn, and you can totally see this as unfolding a movie, with the "zombies" popping out around every corner. It still makes me shiver even now thinking about it.
While this book is creepy and scary, it makes some amazing (and very timely) points on society and its backward viewpoint toward vaccines, fear culture, xenophobia, and more. I found myself nodding furiously so many times. And, of course, it's filled with words that are so familiar to us now--who knew that CDC, PPE, and quarantine would be such commonplace terms?
Overall, while this is a very tense book and it might resonate a bit *too* much right now, it's very well-written. I flew through it--I'm not usually a horror fan, but it was a good balance of scary and humanizing. 4+ stars.
Janeeny (200 KP) rated The Constant Rabbit in Books
Jul 10, 2020
I was given an ARC of this book in exchange for an honest review.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
I’m a big fan of authors like Terry Pratchet, Robert Rankin, Jasper Fforde, and Tom Holt. Books written within the realms of the ridiculous, that make me smile, definitely get my vote. So when a new book by Jasper fforde comes out, about a society of anthropomorphised rabbits, I’m definitely on board.
The premise is really interesting. Decades ago an unexplained event led to a bunch of rabbits morphing into humanoid form. They’re still rabbits in essence, but just the size of humans and with the ability of human speech. Well these rabbits bred like the proverbial rabbit, and cut to present day where there are millions of anthropomorphised rabbits living in Britain. Still being the ‘sub-species’ though they live and work in a lesser capacity than most humans.
This book is a very intricately woven story about the prejudices that the rabbits face, their efforts to overcome it, and their ultimate acceptance that things are never going to change.
Interspersed with the usual Fforde humour, where Humans are often referred to as ‘Fudds’ (a reference to Elmer Fudd), and a detailed description of the ‘Beatrix potter’ clothing range. There are also some harsh ‘close to the bone’ observations. Our protagonist works for a certain government department as a ‘spotter’, his job is to go through the database and identify certain rabbits. It’s a special skill, as to most humans, ‘All rabbits look the same’.
At a time when the subject of racism is very much in the forefront of everyones minds and in the news every day, this is an interesting book. He’s not making light of the subject of racism, far from it. His jibes are more at the state of the UK and it’s various political and ethical issues.
For example, in the book there is a group called ‘TwoLegsGood’ a supremacist factor. This group, on finding out that a certain rabbit has committed an act that THEY consider a crime, drag him from his house in the middle of the night and ‘jug’ him! This involves upending him in a forty-gallon drum of cheap gravy that had been seasoned with bay leaves, celery, thyme, juniper berries and red wine (I see you smiling there!) It is later discovered to be a case of mistaken identity with TwoLegsGood showing no remorse, under the presumption he’s a rabbit and is bound to be guilty of something.
Funny right?
Now take out the fact the victim is a rabbit and the drum is filled with cheap seasoned gravy, and it’s not so funny anymore, it’s actually a serious and reprehensible crime.
That is the beauty of satire and the genius of this book.
A well thought out piece of satiric writing tackling the ‘hot potato’ subject of race. A light-hearted read with a serious message.
James Dean Bradfield recommended Steeltown by Big Country in Music (curated)
Kate Nash recommended track Black Is the Colour of My True Love's Hair by Christy Moore in Live in Dublin by Christy Moore in Music (curated)
Ali A (78 KP) rated How It All Blew Up in Books
Sep 8, 2020
How it All Blew Up is about Amir, a closeted, eighteen-year-old. He always knew it would be hard to come out to his Muslim family, so he hasn't. When some bullies find out and blackmail him, Amir gets scared, skips graduation, and fleas to Rome. He gets taken in by a group of new friends and he spends his summer having late nights where he can feel like himself. Until his old life comes back knocking. Now, Amir is telling the whole story, with the entire truth, to a U.S. Customs officer as his family has just been detained. Can Amir get his hard-won freedom back?
I went into this book thinking it would be a storyline I don't really see: representation of a queer Muslim in YA... I didn't really get that. Islam plays no part in this story - Amir openly admits his family isn't that religious. When asked if his parents would disapprove of him being gay, he replied:
"Yes and no. Our culture is pretty conservative, even if you're not religious."
It also went into this huge countdown leading up to what happened on the airplane and why the family is detained and when we get there... it just felt like it fell short of what it could have been. I also just didn't care much for the main character, he never really clicked with me and I honestly don't know why but I found myself rolling my eyes at a lot of his choices and reasonings.
The whole story also felt very unrealistic to me. How on Earth does an eighteen-year-old make enough money editing Wikipedia pages to get to Rome, get his own apartment, and live there a whole month? There were so many side characters that would be mentioned in passing for only a page and then never heard from again? Amir's high school boyfriend we get built up to be this whole thing, for him to just toss him aside. We had all these supposed close relationships (Amir and his sister were supposedly super close??) but everything felt surface level and not flushed out. There's an entire scene in the novel, that I won't get into because of spoilers, but it just felt wrong and had no real build up to the entire scenario besides small side remarks.
The only character I really even cared for was Amir's sister, Soraya. She was only thirteen, but she was a firecracker just waiting to be messed with. She cared for her brother, regardless of anything.
I did enjoy the back and forth of the interrogation rooms and what happened as it made it a super fast read. Apart from that though, I think the story fell short of what it could have been.
*Thank you Bookish First and Penguin Teen for a copy of this book in exchange for an honest review.
I went into this book thinking it would be a storyline I don't really see: representation of a queer Muslim in YA... I didn't really get that. Islam plays no part in this story - Amir openly admits his family isn't that religious. When asked if his parents would disapprove of him being gay, he replied:
"Yes and no. Our culture is pretty conservative, even if you're not religious."
It also went into this huge countdown leading up to what happened on the airplane and why the family is detained and when we get there... it just felt like it fell short of what it could have been. I also just didn't care much for the main character, he never really clicked with me and I honestly don't know why but I found myself rolling my eyes at a lot of his choices and reasonings.
The whole story also felt very unrealistic to me. How on Earth does an eighteen-year-old make enough money editing Wikipedia pages to get to Rome, get his own apartment, and live there a whole month? There were so many side characters that would be mentioned in passing for only a page and then never heard from again? Amir's high school boyfriend we get built up to be this whole thing, for him to just toss him aside. We had all these supposed close relationships (Amir and his sister were supposedly super close??) but everything felt surface level and not flushed out. There's an entire scene in the novel, that I won't get into because of spoilers, but it just felt wrong and had no real build up to the entire scenario besides small side remarks.
The only character I really even cared for was Amir's sister, Soraya. She was only thirteen, but she was a firecracker just waiting to be messed with. She cared for her brother, regardless of anything.
I did enjoy the back and forth of the interrogation rooms and what happened as it made it a super fast read. Apart from that though, I think the story fell short of what it could have been.
*Thank you Bookish First and Penguin Teen for a copy of this book in exchange for an honest review.
Sarah (7798 KP) rated The Muppets - Season 1 in TV
Oct 9, 2020
Intelligently funny
The Muppets is a 2015 mockumentary style series that aired for only one season, and is currently available on Disney+ . It follows the personal and professional lives of the Muppets behind the scenes of Miss Piggy's late night talk show.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.
Gareth von Kallenbach (971 KP) rated Borat: Subsequent Moviefilm (2020) in Movies
Oct 22, 2020
Sacha Baron Cohen is back as his alter-ego Borat who once again brings plenty of laughs and biting commentary in his wake.
The film opens with Borat in a labor camp as the government was not pleased with how Kazakhstan was not pleased with how they came off in the prior film. He is given a chance at redemption and asked to deliver a gift to the U.S. in order to gain favor for the ruler of the country.
Borat goes home before embarking on his trip and finds his family no accepts him save for his daughter Sandra (Irina Novak). Since women are treated worse than animals in their culture Borat is dismissive of her and heads to America to complete his mission.
Naturally things do not go as planned such as being recognized which forces him to take on various disguises. If anyone has ever seen Cohen at work before they know what is coming as various outrageous comedic scenarios are setup and then conducted in front of unsuspecting real people who are unusually candid.
While interviews of famous people are often how he operates; there are multiple instances from shops to social clubs and offices where the scenarios unfold. No matter how shocking and outrageous the scenario; people let their guards day and say some really shocking things and give their reactions unconcerned with the camera no matter how bad they come off.
Cohen reportedly had to wear a bullet proof vest at times during the making of the film as he goes into some real hotspots involving armed and radical individuals as well as Conservative hotspots in order to complete a scenario.
The humor can be very crude and shocking to the point of jaw dropping; but it is very well setup and executed and the fact that so many of the people involved have no idea they are part of a bit and their unfiltered reactions and comments shock and entertain.
The fact that regardless of his persons from Ali-G to Borat and Bruno as well as those he introduced on Who is America; shows that Cohen is truly able to alter himself and become the various characters he portrays so completely that they continue to fool some very high-ranking individuals into taking part in on camera interviews and let their guards down to give unfiltered responses.
Irina Novak is a real surprise as she is a perfect match for Cohen and she immerses herself so fully in the character that she matches Cohen perfectly no matter how outrageous the scenario and even pulls off some amazing segments by herself.
While the film does drag a slight bit towards the end, the number of jokes and the very biting political and social commentary will make the film a very controversial and for many funny film that fans of Cohen and the first film will not want to miss.
The film opens with Borat in a labor camp as the government was not pleased with how Kazakhstan was not pleased with how they came off in the prior film. He is given a chance at redemption and asked to deliver a gift to the U.S. in order to gain favor for the ruler of the country.
Borat goes home before embarking on his trip and finds his family no accepts him save for his daughter Sandra (Irina Novak). Since women are treated worse than animals in their culture Borat is dismissive of her and heads to America to complete his mission.
Naturally things do not go as planned such as being recognized which forces him to take on various disguises. If anyone has ever seen Cohen at work before they know what is coming as various outrageous comedic scenarios are setup and then conducted in front of unsuspecting real people who are unusually candid.
While interviews of famous people are often how he operates; there are multiple instances from shops to social clubs and offices where the scenarios unfold. No matter how shocking and outrageous the scenario; people let their guards day and say some really shocking things and give their reactions unconcerned with the camera no matter how bad they come off.
Cohen reportedly had to wear a bullet proof vest at times during the making of the film as he goes into some real hotspots involving armed and radical individuals as well as Conservative hotspots in order to complete a scenario.
The humor can be very crude and shocking to the point of jaw dropping; but it is very well setup and executed and the fact that so many of the people involved have no idea they are part of a bit and their unfiltered reactions and comments shock and entertain.
The fact that regardless of his persons from Ali-G to Borat and Bruno as well as those he introduced on Who is America; shows that Cohen is truly able to alter himself and become the various characters he portrays so completely that they continue to fool some very high-ranking individuals into taking part in on camera interviews and let their guards down to give unfiltered responses.
Irina Novak is a real surprise as she is a perfect match for Cohen and she immerses herself so fully in the character that she matches Cohen perfectly no matter how outrageous the scenario and even pulls off some amazing segments by herself.
While the film does drag a slight bit towards the end, the number of jokes and the very biting political and social commentary will make the film a very controversial and for many funny film that fans of Cohen and the first film will not want to miss.
Andy K (10821 KP) rated Emperor (2013) in Movies
Sep 9, 2019
A tough challenge
The end of Asian campaign of World War II is complicated. The Japanese surrender following the US dropping the pair of atomic bombs; killing hundreds of thousands, wounding many more and leaving cities in ruins. Tensions are still running at a fever pitch and many people are demanding answers and swift justice for those responsible.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
"Supreme Commander" General Douglas MacArthur is put in charge of rebuilding Japan and enlists General Bonner Fellers the nearly impossible task of investigating the involvement of Japan's emperor Hirohito and whether or not he should be tried convicted and hung as a result of his orders. Did he order the attack on Pearl Harbor? What did he know and when did he know it? Was he the one who gave the orders or were his generals in charge of the overall operations? In addition, Fellers is given only 10 days to find his ruling before MacArthur has to report back to his commanders in the US.
Sellers starts with trying to figure out the people involved, find them, interview them and find those who don't want to be found. His interviews ask more questions than answer them and he feels like he is going nowhere fast.
Intertwined are his recollections of a romance he had years earlier with a Japanese exchange student who left the US and returned to her home in Japan. His emotions are getting the better of him while he thinks about his former love and attempts to locate her or learn her fate while he does his job.
Matthew Fox is the best part of this film. As a military man, he respects the chain of command and works within in, but also is able to show his emotions when he is with the woman he loves. I loved the flashback scenes as they were able to show the man as well as just the uniform and Fox did this very well.
Tommy Lee Jones played the character he plays in most of his movies. Barking orders to his underlings and enjoying very much being in charge.
I don't know very much about Japanese culture and this film helped me understand what values they hold sacred. These values highly motivate their actions which can be very noble and traditional or unrelenting and barbaric depending on the situation.
You feel real turmoil as the investigation concludes and the results which are found (or not found) and how the situation is resolved. The characters are flawed which makes them more real. This makes the story more emotional and believable.
The Japanese countryside is beautiful in the time of peace contrasted with the desolate scarred Earth shown after the bombs fell.
Compelling historical dramas always intrigue me and this one did the same.
Emma @ The Movies (1786 KP) rated The King of Comedy (1983) in Movies
Jun 2, 2020
While I vaguely knew the name of the film I'd never seen it and didn't really get the vibe that I wanted to, after seeing the Joker though I was hit by so many comments on it in reviews that I really needed to see it.
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Rupert Pupkin dreams of a life as a stand-up comic. Almost every night he's outside the local studio to see his idol Jerry Langford to try and get the big break that will launch his career. Rupert's obsession for success starts to completely run his life and with his newfound "friendship" with Jerry he becomes even more unstable and crosses a line there's no coming back from.
Before I comment on anything specific I want to point out that the rating of the film isn't really anything to do with its quality, it's more to do with me. I absolutely hate awkward comedy and awkwardness in general on screen, it makes me uncomfortable and I would much rather just leave that awkward feeling to my everyday life than have it in my downtime too.
The story idea is a solid one (if it hadn't been then I'm sure Joke would have done more original thinking) and the idea of obsessive fan culture is something I think all generations can get along with. Because of that fact I can see it appealing to a variety of people if they can get past the dated feel to it.
Robert De Niro did a great job as Pupkin, and even in the short clip above you can see that in his behaviour changes to his environment. The dynamic with each individual character changes from confidence to anxious and irritated and you get a sense of what's going on in his head. His performance escalates nicely and when you combine his actions with those of Masha (Sandra Bernhard) you get quite an impact at the end.
I get the feeling it might be a little... bland... for modern audiences at times. That might not be quite the right way to describe it. It plods along at a good pace but there isn't any deviation from its focus on Pupkin and if that doesn't click with you then it might not be something that can keep you interested.
If this hadn't come up in my Twitter polls of films to watch then I probably wouldn't have reviewed it. It's a good film, with solid acting and everything is a perfect snapshot of its era, but it just isn't for me. If I'd watched it years ago and certainly if I'd watched it before Joker came out then I might have been able to engage more with it. I can see why so many people love it but it just isn't for me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/the-king-of-comedy-movie-review.html
Movie Metropolis (309 KP) rated Minions (2015) in Movies
Jun 10, 2019
Bright, smart and hilarious
They’re everywhere! Minions have become a worldwide phenomenon since their unveiling in 2010’s smash-hit Despicable Me and for their return in its sequel.
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/
It was only a matter of time before Universal gave their most successful animated franchise a prequel, and allowing it to focus on the cute yellow creatures was a masterstroke by the people behind the scenes. No matter where you go there is something minion related to buy.
But the question is, does a film based on them truly work? After all, it’s their evil master Gru who is the main focus of the previous features.
Minions follows the history of the loveable race from humble beginnings serving an unlucky Tyrannosaurus right up to the moment they meet their aforementioned boss in a film packed full of colour and imagination.
After a history lesson narrated by the wonderful Geoffrey Rush, we find three plucky minions – Kevin, Stuart and the adorable Bob (accompanied by teddy Tim) as they are about to embark on a mission to find the most evil boss in the world.
Stumbling across the wicked Scarlet Overkill (voiced beautifully by Sandra Bullock) along the way, the trio think they have found everything they ever wanted right here in England.
Seeing London realised in animation as excellent as that in Minions is a joy. The city is a hive of activity with every frame being filled to the brim with tiny details like stained-glass windows, bees, rats, telephone boxes and fluttering flags. It’s just a shame we don’t get to see it more.
Naturally the English stereotypes come out in full force with tea-drinking newsreaders and policemen, but they’re done in such good taste you can’t help but laugh.
This is where Minions excels. Its humour is sublime. The kids will be rolling around in the aisles one moment, with adults finding something equally as hilarious the next – this is how a family film should be. There are pop culture references abound and even some nods to previous US presidents.
Kevin, Bob and Stuart are the perfect trio to spend 90 minutes with. Each of them have rich personalities that feel like they’ve been cleverly crafted to ensure you find a bit of yourself in each – I know, it sounds ridiculous.
Unfortunately, the story runs a little out of puff towards the film’s climax. It delves into unnecessarily silly territory when it really doesn’t need to and it’s a shame that a smart kid’s movie like this feels the need to dumb it all down.
Thankfully, it picks up again in the last 15 minutes and makes for a truly memorable ending.
Overall, Minions is a funny, charming and well-paced film that confirms what we all feared – Britain is obsessed by minions. The animation and humour are both sublime with only an exhausted plot stopping it from achieving greatness.
One thing’s for sure though, that obsession your child has with the pill-shaped creatures, it won’t be going away any time soon. Minions – me ti amo (I love you in Minionese).
https://moviemetropolis.net/2015/06/28/bright-smart-and-hilarious-minions-review/