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Merissa (13389 KP) rated Blue Jay (London Stories #3) in Books
Oct 28, 2019
Blue Jay is the third book in the London Stories series. Chris featured in Liam and Ali's story, but now he has his own. Alex has just come out of the prison, with secrets he doesn't want to share.
Oh my. Seriously!!! This is an amazing book and a brilliant addition to the series. Alex is most definitely a gentle giant who has made mistakes and has no intention of repeating them. Once you have a place in his heart, that's it. You're there for life. And Chris finds himself there, he just doesn't understand how. Their relationship is smooth and gentle, which considering their pasts is absolutely the way to go. The most obvious thing is it shows just how much Chris thinks of Alex, even if he won't admit it. Alex is a rock though, and isn't willing to let Chris push him away.
There are a whole host of characters in this book that you will either love or loathe. I loved Dex, but Alex's family grated on me until towards the end. The same with Chris' mum, Annette. I won't tell you how big the smile was on my face with one of the last scenes between her and Chris. You'll just have to read it for yourself, and figure out why I was smiling!
I loved how Chris' pronouns changed dependent upon their mood, and I ADORED that Alex accepted it all - no judgements, only questions to try and help him understand. This was written as first person, present tense, which isn't my favourite way of reading. It does help with getting into the mind of the character, but sometimes I wasn't ready for it to change. Even so, it was a fantastic book that I thoroughly enjoyed, and I have no hesitation in recommending it or the series as a whole. Perfect for those who like their romance a little darker.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oh my. Seriously!!! This is an amazing book and a brilliant addition to the series. Alex is most definitely a gentle giant who has made mistakes and has no intention of repeating them. Once you have a place in his heart, that's it. You're there for life. And Chris finds himself there, he just doesn't understand how. Their relationship is smooth and gentle, which considering their pasts is absolutely the way to go. The most obvious thing is it shows just how much Chris thinks of Alex, even if he won't admit it. Alex is a rock though, and isn't willing to let Chris push him away.
There are a whole host of characters in this book that you will either love or loathe. I loved Dex, but Alex's family grated on me until towards the end. The same with Chris' mum, Annette. I won't tell you how big the smile was on my face with one of the last scenes between her and Chris. You'll just have to read it for yourself, and figure out why I was smiling!
I loved how Chris' pronouns changed dependent upon their mood, and I ADORED that Alex accepted it all - no judgements, only questions to try and help him understand. This was written as first person, present tense, which isn't my favourite way of reading. It does help with getting into the mind of the character, but sometimes I wasn't ready for it to change. Even so, it was a fantastic book that I thoroughly enjoyed, and I have no hesitation in recommending it or the series as a whole. Perfect for those who like their romance a little darker.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Kim Pook (101 KP) rated The Lion King (2019) in Movies
Aug 1, 2019
Nothing will beat the original
Contains spoilers, click to show
As a lover of the original movie i was dubious about watching this one. I eventually gave in and watched it at our local independant cinema.
As soon as the first 'Naaaaa' started i felt chills as it sounded very much like the original, the whole circle of life opening scene was actually spectacular and mesmerising to watch and i thought "wow this is gonna be fantastic", but then the movie properly started............
We see a longer than neccesary scene of a mouse making his way towards scar before he captures it, again visual effects was superb but as soon as the talking started i cringed, it was spoken with no real emotion and no expression, it seemed all one tone.
Mufasas death scene was over quicker than it started. In the original there's more build up to simba realising he's dead and in all honesty i cry like a baby every single time, but in the new one nothing! They could have at least given simba some tears or lowered his ears or something but nope.
The hyenas didn't have much humour and are much darker in this than the original, they don't have the same connection with scar.
Admittedly once timon and pumbaa came on the scene i started to enjoy it, their humour is spot on and i laughed every time they were on screen. Though i was disappointed they didn't do the hula song.
The fight scene at the end was amazing to watch, it went on a lot longer than the original but it was good it showed more of a fight rather being over in a flash.
I enjoyed the songs in the movie although i did think beyonce way over sung in can you feel the love tonight, it started off lovely but there are some songs you shouldn't wail.
All in all it wasn't great but it wasn't terrible either. Would i watch it again? Not on purpose no, but maybe if it came on tv and there was nothing else on. I'll stick to the original.
As soon as the first 'Naaaaa' started i felt chills as it sounded very much like the original, the whole circle of life opening scene was actually spectacular and mesmerising to watch and i thought "wow this is gonna be fantastic", but then the movie properly started............
We see a longer than neccesary scene of a mouse making his way towards scar before he captures it, again visual effects was superb but as soon as the talking started i cringed, it was spoken with no real emotion and no expression, it seemed all one tone.
Mufasas death scene was over quicker than it started. In the original there's more build up to simba realising he's dead and in all honesty i cry like a baby every single time, but in the new one nothing! They could have at least given simba some tears or lowered his ears or something but nope.
The hyenas didn't have much humour and are much darker in this than the original, they don't have the same connection with scar.
Admittedly once timon and pumbaa came on the scene i started to enjoy it, their humour is spot on and i laughed every time they were on screen. Though i was disappointed they didn't do the hula song.
The fight scene at the end was amazing to watch, it went on a lot longer than the original but it was good it showed more of a fight rather being over in a flash.
I enjoyed the songs in the movie although i did think beyonce way over sung in can you feel the love tonight, it started off lovely but there are some songs you shouldn't wail.
All in all it wasn't great but it wasn't terrible either. Would i watch it again? Not on purpose no, but maybe if it came on tv and there was nothing else on. I'll stick to the original.
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Rural Fictions, Urban Realities: A Geography of Gilded Age American Literature
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Charlie Cobra Reviews (1840 KP) rated Love, Death & Robots in TV
Jul 7, 2020
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.
This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
