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Cassie Osbourne (6 KP) rated The Hazel Wood in Books
Nov 9, 2018
Alice and her mother, Ella, have been on the road for as long as she can remember, constantly followed by some kind of freak bad luck. When word reaches them that Ella’s mother, famous fairytale author Althea Proserpine, has died, they think they’re safe...until Ella gets kidnapped by the Hinterlands. To save her, Alice must venture into the Hazel Wood.
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
I LOVE fairy tales, the darker, the better as far as I’m concerned. So when I’m told about a book that is based around dark, original fairytales, naturally I wanted to read it as soon as I could get my hands on it. However, it wasn’t quite what I expected.
Although this is a book about fairy tales and their characters being real, we are only told two stories: ‘Alice Three Times’ and ‘The Door That Wasn’t There’. This means that when we meet the Nightwalkers, Twice-Killed-Katherine, the Briar King and Hansa the Traveller, we don’t know what to make of them because we don’t know their stories. Now, I am all for discovering more about characters and their motivations as the story unfolds, but we never get that with these characters - it’s almost just assumed that we know who they are. I even checked online to see if I was reading the second book in the series by mistake! There is a book being written called ‘Tales From The Hinterland’ which is the collection of stories that these characters are from, but it is set to be published in 2020 when really it should have come first. Having said all of that, I did really like the ‘real world’ characters, and I thought that Janet and Spinner were super cool.
The atmosphere was really good throughout, even in the middle section when I found it hard to read because I couldn’t connect were really atmospheric. I loved the strange surrealness and dreamlike writing that was very fairy tale-ish, and it was brilliant. I also really enjoyed the writing style. I don’t think that I’ve properly ever read a book with so many current references and I quite like it. It makes the book feel very contemporary (after all it was only published in January) and in our world, while still having the other world, the Hinterland, mixed in which gives it a slight feeling of invasion and overlap. It also really suits Alice’s character and voice since she is narrating the story and was brought up very much in our world.
The plot was good on the whole. My main issue, once again, comes down to the fact that the stories weren’t told - or rather that the wrong one was. ‘Alice Three Times’ was great because it became relevant but ‘The Door That Wasn’t There’ seemed not to have any purpose. Surely if there was one story that Finch would have told Alice, it would have been ‘Twice-Killed-Katherine’ as she is following them for most of the first half of the book (and then just disappears for no real reason).
While the beginning and end of the book are really great and really gripping, I found most of the middle section really difficult to read because, guess what, we didn’t know the stories! When I started reading this book, I thought that I would finish it in the same week I started it...that was two weeks ago. The middle of the book is when Alice actually enters the Hinterland, but since we don’t know anything about the characters or the world, it feels like we’re constantly playing catch up. Whenever I decided what I was going to sit down, grit my teeth and get through it, it felt like it was a chore and I could only manage one or two chapters at a time. It gets very gripping again from chapter twenty-eight when Alice starts to get sucked into the story, but that’s because we’ve already been told ‘Alice Three Times”.
Although I did like ‘The Hazel Wood’, a middle did take a lot of the enjoyment out of reading it. Maybe when ‘Tales From The Hinterland’ comes out, I’ll read that then give this book another shot when I am more informed.
Characters: 6/10
Atmosphere: 8/10
Writing Style: 8/10
Plot: 7/10
Intrigue: 6/10
Logic: 7/10
Enjoyment: 7/10
Gareth von Kallenbach (980 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Jun 19, 2019
The eagerly anticipated next chapter in the Star Wars saga; “Star Wars: The Last Jedi” has arrived and it is by far one of the best films in the series and a significant upgrade over “Star Wars: The Force Awakens”. The film picks up where the last film concluded as Rey (Daisy Ridley), has located the long in hiding Luke Skywalker (Mark Hamill), and attempts to recruit him to return to fight the evil First Order and train her in the ways of the Force.
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
At the same time, the First Order has commenced an assault on the retreating forces of the Resistance and this has caused a rift when key members of the command staff are lost/injured leaving Vice Admiral Holdo (Laura Dern) in charge. Her style does not mesh well with the impulsive Poe Damron (Oscar Isaac), and in a move of desperation, he oversees a mission for Finn (John Boyega), and Rose (Kelley Marie Tran), to make a desperate move to allow the forces to escape the relentless assault and pursuit of the First Order.
For many films, the above scenario would be enough to comprise the bulk of the movie but in the case of The Last Jedi, it is simply part of a much larger and far more intricate storyline that is at times much deeper and darker than one would expect from a Star Wars film.
Rey finds Skywalker a broken and bitter man who is consumed with his past failure regarding his Nephew Kylo Ren (Adam Driver), and wants no part of his former glory and praise believing the best thing for the Universe would be for the Jedi to end.
Ren at the same time is a conflicted mess as he is eager to win the approval of his brutal master Snoke (Andy Serkis), while being drawn to Rey who believes he can be redeemed. It is this conflict as well as the tug of war between Snoke, Ren, and General Hux (Domhnall Gleeson), that shows a much more dynamic and complicated connection between the characters as well as drives home their complexity of their relationships and the situations they find themselves in.
The late Carrie Fisher is captivating as General Leia and her presence lifts the scenes she is in. She portrays Leia with a calm yet feisty and determined edge which shows that she is always in control no matter the situation.
The action in the film comes in waves and when it arrives, it is a wonder to behold as the lavish visuals and complex action sequences are dazzling but unlike the Prequels, never once overwhelm the cast as this is first and foremost a character driven story.
The film does put more of an emphasis on the new characters vs the old, but as this was always the plan, it is nice to see that older characters are not shoved aside or given a token cameo, they are still central to the plot just let the younger cast do more of the heavy lifting, but still get plenty of moments to shine.
Writer/Director Rian Johnson has done a masterful job in crafting a new entry into the series that not only entertains, but gives a deeper and dark look at the universe which makes the film easily one of the best Star Wars films ever made. There are sequences that will delight and surprise fans, and when it was over and I could catch my breath and reflect upon what I had just seen, I found myself saying that I could not have asked for a better sequel as it not only entertained thoroughly, but provided plenty of unexpected moments that makes me all the more anxious to see how the new trilogy concludes in 2019. “Star Wars”: The Last Jedi” is the film that fans have been waiting for as it contains all of the best elements of Star Wars and boldly moves the franchise ahead.
http://sknr.net/2017/12/12/star-wars-last-jedi/
Gareth von Kallenbach (980 KP) rated The Hobbit: The Desolation of Smaug (2013) in Movies
Jun 19, 2019
The much anticipated second film in Peter Jackson’s Hobbit Trilogy has arrived in time to reap box office gold much the way the previous films based on Tolkien’s works have. The film continues the adventure started in the previous film and finds the band of adventurers chased by a pack of Orcs and faced with the deadly and dark Mirkwood Forest as they attempt to reach The Lonely Mountain in time.
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
Lucy Buglass (45 KP) rated A Star Is Born (2018) in Movies
Jun 20, 2019
A haunting look at fame, love and addiction
As a fan of both Lady Gaga and Bradley Cooper, I was intrigued when a new remake of A Star Is Born was announced. Despite not having seen either of its predecessors, I vaguely knew what the story was about and was interested by the chosen pairing, especially since this is Cooper’s directorial debut. I went into this film with an open heart and mind.
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Gareth von Kallenbach (980 KP) rated Casino Royale (2006) in Movies
Aug 14, 2019
In an effort to breathe life into franchises, Hollywood, has looked to remaking franchises instead of adding sequels. This is a stark contrast to remaking a film 10-20 years after the original film appeared, rather the new trend is to start series anew, in effect wiping away the previous history and continuity of the past films in the series.
The idea is that rather than let several years pass in a series, or creating another sequel, filmmaker will go back to the beginning and start anew, in order to propel the franchise forward.
While remakes are nothing new in Hollywood, the idea to revamp series that recently had sequels is gaining ground. With the classic Horror film “Halloween” about to be remade, it seems that Hollywood is taking a long hard look at this new trend.
Perhaps the biggest example of this trend is in the new James Bond film Casino Royale, which introduces Daniel Craig as the new 007. The film takes the controversial twist to show the first mission of Bond and how he earned the rank of 00.
The twist is that the film takes place in the modern day and for the most part, casts aside all previous history and continuity that has been established by decades of Bond films.
The story involves bond on the trail of a Le Chiffre (Mads Mikkelsen), a man who makes his living laundering money for various insurgents thus providing them cash for their terrorist and military missions.
In exotic locales ranging from the Caribbean to Montenegro Bond soon finds himself facing off against Le Chiffre in a high-stakes poker game in order to defeat Le Chiffre and thus cripple him and his network.
Of course there are plenty of subplots, and some great action sequences especially a thrilling chase in a construction site and a break neck chase in an airport that underscores that the series still have plenty of life in it and always sets the standards for stunt work in action films.
That being said the film has its issues. First, it is to long, and lengthy sequences past without action or dynamic tension. I know this is a film based on a card game, but I come to a Bond film expecting action, sex, and thrills, not a series of poker games that cover nearly 30 minutes with precious little action between them.
In addition, there is precious little romance in the film. Sure there are gorgeous women and Bond never fails to charm them, but, how many times has Bond ever passed up spending the night with a woman, simply to get out of town fast to pursue a lead. I am sure Sean Connery’s Bond would have found the time to do both with his typical style.
This is not to say that Craig is bad in his role as he does a darker and much grittier Bond than we have previously films which will serve the franchise well in the future.
What concerns me most is that from the books and all previous history, Bond is an orphan of noble birth and is a member of upper society and radiates class, sophistication and nobility, and this was evident from his early years all through his recruitment from the Royal Navy into the ranks of espionage.
Craig’s Bond does not show these qualities but rather comes across as a common Joe who is playing the part of a heavy. The appeal of Bond is underscored by the fact that he is a suave individual who can bend a person to his will as easily as he can kill without mercy or regret.
While I do not like the decision to remake the franchise, I will say that the film was much better than I expected it to be and is one of the better Bonds in recent years. Here is hoping that for the next time out, the reigns are loosed on Craig so we can allow him to interpret Bond in a way that is original and fresh, yet stays true to the source material and history of the character.
The idea is that rather than let several years pass in a series, or creating another sequel, filmmaker will go back to the beginning and start anew, in order to propel the franchise forward.
While remakes are nothing new in Hollywood, the idea to revamp series that recently had sequels is gaining ground. With the classic Horror film “Halloween” about to be remade, it seems that Hollywood is taking a long hard look at this new trend.
Perhaps the biggest example of this trend is in the new James Bond film Casino Royale, which introduces Daniel Craig as the new 007. The film takes the controversial twist to show the first mission of Bond and how he earned the rank of 00.
The twist is that the film takes place in the modern day and for the most part, casts aside all previous history and continuity that has been established by decades of Bond films.
The story involves bond on the trail of a Le Chiffre (Mads Mikkelsen), a man who makes his living laundering money for various insurgents thus providing them cash for their terrorist and military missions.
In exotic locales ranging from the Caribbean to Montenegro Bond soon finds himself facing off against Le Chiffre in a high-stakes poker game in order to defeat Le Chiffre and thus cripple him and his network.
Of course there are plenty of subplots, and some great action sequences especially a thrilling chase in a construction site and a break neck chase in an airport that underscores that the series still have plenty of life in it and always sets the standards for stunt work in action films.
That being said the film has its issues. First, it is to long, and lengthy sequences past without action or dynamic tension. I know this is a film based on a card game, but I come to a Bond film expecting action, sex, and thrills, not a series of poker games that cover nearly 30 minutes with precious little action between them.
In addition, there is precious little romance in the film. Sure there are gorgeous women and Bond never fails to charm them, but, how many times has Bond ever passed up spending the night with a woman, simply to get out of town fast to pursue a lead. I am sure Sean Connery’s Bond would have found the time to do both with his typical style.
This is not to say that Craig is bad in his role as he does a darker and much grittier Bond than we have previously films which will serve the franchise well in the future.
What concerns me most is that from the books and all previous history, Bond is an orphan of noble birth and is a member of upper society and radiates class, sophistication and nobility, and this was evident from his early years all through his recruitment from the Royal Navy into the ranks of espionage.
Craig’s Bond does not show these qualities but rather comes across as a common Joe who is playing the part of a heavy. The appeal of Bond is underscored by the fact that he is a suave individual who can bend a person to his will as easily as he can kill without mercy or regret.
While I do not like the decision to remake the franchise, I will say that the film was much better than I expected it to be and is one of the better Bonds in recent years. Here is hoping that for the next time out, the reigns are loosed on Craig so we can allow him to interpret Bond in a way that is original and fresh, yet stays true to the source material and history of the character.
Jesters_folly (230 KP) rated Joker (2019) in Movies
Oct 21, 2019
Contains spoilers, click to show
Joker follows Arthur Fleck’s descent from a somewhat mentally troubled comedian to becoming the Joker, arch Batman villain and force for chaos.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
Joker is not a superhero film, there are no super powers, no gimmick arrows, no trained fighters like Black Widow and, most defiantly NO batman. Arthur is a normal, if somewhat strange man who is slowly pushed to breaking point by the world around him. He doesn’t even fall into a vat of acid ala Jack Nicholson or Jared Leto’s characters. There is little to link this film to anything DC when it starts except the fact that it is set in Gotham as the film focus mainly on Arthur, the troubles he has working as a clown and the society around him. As the film continues we hear that Thomas Wayne (Bruce’s dad) is running for mayor and we do meet Bruce which helps the viewer know when the film is set although it does cause a slight problem in that the Joker would be around 60+ when he finally fights Batman (Something that doesn’t happen in this film) but the problem may be sorted depending on how you translate the final scene, but that’s something I’ll get to later.
The tone of Joker is dark, probably darker than the latest Batman/Superman films due to the fact that is a lot more ‘real’. As I said there is no ‘falling in acid’ or any other type of super villain/hero origin, just the tale of a man pushed over the edge. The film is, in style part ‘Falling Down’, part ‘Taxi Driver’ and part ‘V for Vendetta’ with a bit of DC (comics) law sprinkled on top and you can see why Jared Leto’s Joker was not used. I have nothing against the Jared Joker, I think It fit the feel ‘Suicide Squad’ but it was cartoony for this gritty version that was based more in reality, this Joker would have fit better as a villain in one of the earlier films like Batman v Superman.
There are Major Spoilers from this point on
There are a couple of odd things in this film, one is who is Arthur’s dad, the film could have worked without this storyline but I think it was added for two reasons; 1 to help tie the movie into the DC universe and 2 to keep a bit of mystery about the Jokers origin.
I have already mentioned that the Jokers age doesn’t seem to fit with the traditional Batman story but the film gives us two ways this could be handled. DC comics have (sometimes) said that there is more than one Joker, this is a way of the comics explaining the number of different origin stories, time lines and other contradiction caused by over 60 years of comics and this could also happen in this movies universe, many citizens of Gotham are seen in clown makeup so it’s would be easy for other people to take on the mantel.
The other solution ties into the last odd thing about the film. The last scene has the Joker in Arkham Hospital (probably Arkham Asylum in the comics), we don’t know how he got there and he is being interviewed by a nurse, he smiles and when asked what’s funny he replies ‘I just thought of a joke’. The nurse asks him tell her the joke and he replies ‘You wouldn’t get it’. I’ve read a lot of people say that this shows that the whole film is just happening in Arthur's imagination but I feel that it’s more likely to be him remembering what happened especially as it’s shown over the murder of Thomas and Martha Wayne. This means that the events of the film are what led up to the shooting in the ally (not by Arthur), so, if the film is just in Jokers imagination then the shooting wouldn’t have happened so there would be no Batman and we have to remember that this is a DC movie.
Emma @ The Movies (1786 KP) rated Joker (2019) in Movies
Dec 8, 2019
Contains spoilers, click to show
Had this been released on any regular week I'd have seen Joker the day it came out and not been overly bothered by the Twitter frenzy that happened in the aftermath of the opening... but, Joker came out two days into the London Film Festival and that meant I couldn't see it straight away. I ended up taking a day off in the middle of it and going out to have a regular cinema outing, it was only 6 days after release but the barrage of feedback online was enough to make me bored at the thought of seeing it.
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
I do not know how to do this review. It's not that I don't have things to say about it, because I do, but there's a lot of grumbling. I'm going to try bullet pointing it as it covers things that cross audience feedback with moaning.
• What is real? We see the Sophie shots replayed without her in them and we realise he imagined it but we also know that he's imagined other things... everything could be a twist on reality.
• I did not assume that the man with Bruce at home was Alfred.
• I would not have found it unbelievable had Arthur and Sophie been a couple.
• This film could easily have been a pre-origin story for the Joker character.
• I know Arthur needs every push to make the story progress but I don't see that Thomas Wayne needed to be that aggressive.
• Wouldn't it have been good if this film made no reference to anything Batman/Joker related and the first time we're actually shown the connection is in that iconic alley scene?
So there are the things I had thoughts, they all have me waffling on for ages when I voice them out loud.
Joaquin Phoenix really commits to the journey of Arthur and it's an incredible depiction. I'm not so bothered about the violence in the movie, what disturbed me more was how Phoenix manages to laugh without it showing on his face... that was chilling. Everything crafted around him really shows his life, the way he's captured in the shots, the way you see the darker side taking over him, you can see it in every scene. It's uncomfortable to watch him sometimes, but that's the way it needs to be.
As an environment you can feel the dirt and the story of the city really comes through in everything you see. There's a very clear divide between rich and poor and I really thought the sets and costumes worked perfectly.
I'm going to mention the song... it worked perfectly in the scene, it had the right tone for it and I thought it was very effective. As you look down the rest of the tracklisting it was nice to see that everything had a very theatrical leaning.
When we get to the point where Arthur, now under the guise of Joker, appears on Murray's talk show there's an element of uncertainty about what's going to happen. The escalation is chilling and when he starts his speech you can feel the change in him. That speech had a moment of understanding in it before you remember everything we've just seen. I would happily have seen the film end with that test card.
What happens after this is a big piece that feels like hallucination moments rather than real ones. I really didn't need that... BUT... it did bring us to that iconic alleyway scene. It was perfectly captured and would have been amazing if we saw the clown slip into the alleyway and then... no pearls. I groaned when I saw that. I'm fed up with it, it took that tense moment and could have left you with that sense of knowing without hitting you with that now rather common slap in the face of an image.
Unlike other films I still don't have a very clear idea of how I feel about this film, there are lots of issues I had with it but then there's that brilliant performance from Joaquin Phoenix. I'm sure this needs another viewing, but even then I'm not sure I'd be totally certain about how I felt.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/joker-spoilers-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated The Young Elites in Books
Jan 23, 2020
Well, here's to my first audio book review (because napping on the bus for an hour isn't exactly productive and I'm one of those who gets a bit woozy if I read in motion). Bear with me if I fail, and feel free to criticize me away without actually being Rundus and calling me an ugly or dirty Communist in the process (apparently our friendship/cobloggership is a level 3: <span style="text-decoration: line-through;">insult</span> make fun of each other relentlessly).
The Young Elites, no matter how impressed I am that Marie Lu actually wrote from a villain's point of view instead of a hero's/heroine's point of view, is a book that I'm not too fond of and I'm not too sure <i>why</i> exactly. It's not entirely the narration – there's something amazing having someone else "reading" a book to me instead of me reading it myself (because I'm half asleep and I still manage to know what's being said). Of course... I had the misfortune <span style="text-decoration: line-through;">fortune</span> of actually being able to snag an ebook copy of this particular book on Overdrive, which eventually resulted in me wondering if I should continue on with ebooks... or if I should just stick with being unproductive (as Lupe suggests) for an hour every morning on the bus.
The starking contrast in having an audiobook is the mere fact that there were some parts of the book that changed. <i>Completely</i> changed – some were taken out and replaced with something entirely different, or some had a few additions. Sadly, I'm not exactly a big fan of changes between the two. There's something highly annoying with an unabridged audiobook not following the book (though I totally understand the audiobook is probably a recording of an almost final draft).
I did have other problems though. For some reason, I can't stand Adelina, or the majority of the characters aside from maybe a few side characters. Problem? I don't really know why I can't stand Adelina. There's something about her that I don't like. Adelina seems to be extremely open-minded and dark, too dark.
I also can't stand the plot, no matter how interesting and complicated (because nothing can get more complicated than two or more potential villains) it is – both are absolutely ironic. Spoilers behold, but for an Inquisitor who's not only a Young Elite himself and totally "welcomed" Adelina into a deal/trap/whatever, Teren apparently hates Elites and wants to rid the world of Elites.
Let's just say the mean side of me wants to tell Teren to screw off because that's pretty much saying he wants to get rid of himself as well... after ridding the world of Elites. (Read: Should I find out the plot of future books of the series being anything like this, I'm tucking my tail between my legs and hightailing it straight out of here.)
I just feel as though the main point of the plot is Adelina trying to decide which side is right and being the mole of the Elites. In the long run though... she just chooses to go on a completely different path. Whether it's darker or not I'm not too sure I want to find out.
On a similar note, I don't think I can stand the common people either. The "Young Elites" are people who are survivors of a deadly plague that swept through the nation and have powers that aren't exactly normal. They also have scars, which are called "markings," and they're also called "malfettos." Of course, as soon as someone who can do some mind-blowing healing comes around, the people might actually be on board with the Elites and start kissing their shoes... right?
I liked <i>The Young Elites</i>, but I don't like it as much as I wish I could have liked it.
<a href="https://bookwyrmingthoughts.com/audiobook-review-young-elites-by-marie-lu/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The Young Elites, no matter how impressed I am that Marie Lu actually wrote from a villain's point of view instead of a hero's/heroine's point of view, is a book that I'm not too fond of and I'm not too sure <i>why</i> exactly. It's not entirely the narration – there's something amazing having someone else "reading" a book to me instead of me reading it myself (because I'm half asleep and I still manage to know what's being said). Of course... I had the misfortune <span style="text-decoration: line-through;">fortune</span> of actually being able to snag an ebook copy of this particular book on Overdrive, which eventually resulted in me wondering if I should continue on with ebooks... or if I should just stick with being unproductive (as Lupe suggests) for an hour every morning on the bus.
The starking contrast in having an audiobook is the mere fact that there were some parts of the book that changed. <i>Completely</i> changed – some were taken out and replaced with something entirely different, or some had a few additions. Sadly, I'm not exactly a big fan of changes between the two. There's something highly annoying with an unabridged audiobook not following the book (though I totally understand the audiobook is probably a recording of an almost final draft).
I did have other problems though. For some reason, I can't stand Adelina, or the majority of the characters aside from maybe a few side characters. Problem? I don't really know why I can't stand Adelina. There's something about her that I don't like. Adelina seems to be extremely open-minded and dark, too dark.
I also can't stand the plot, no matter how interesting and complicated (because nothing can get more complicated than two or more potential villains) it is – both are absolutely ironic. Spoilers behold, but for an Inquisitor who's not only a Young Elite himself and totally "welcomed" Adelina into a deal/trap/whatever, Teren apparently hates Elites and wants to rid the world of Elites.
Let's just say the mean side of me wants to tell Teren to screw off because that's pretty much saying he wants to get rid of himself as well... after ridding the world of Elites. (Read: Should I find out the plot of future books of the series being anything like this, I'm tucking my tail between my legs and hightailing it straight out of here.)
I just feel as though the main point of the plot is Adelina trying to decide which side is right and being the mole of the Elites. In the long run though... she just chooses to go on a completely different path. Whether it's darker or not I'm not too sure I want to find out.
On a similar note, I don't think I can stand the common people either. The "Young Elites" are people who are survivors of a deadly plague that swept through the nation and have powers that aren't exactly normal. They also have scars, which are called "markings," and they're also called "malfettos." Of course, as soon as someone who can do some mind-blowing healing comes around, the people might actually be on board with the Elites and start kissing their shoes... right?
I liked <i>The Young Elites</i>, but I don't like it as much as I wish I could have liked it.
<a href="https://bookwyrmingthoughts.com/audiobook-review-young-elites-by-marie-lu/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Chris Sawin (602 KP) rated the PlayStation 4 version of Little Nightmares II in Video Games
Apr 9, 2021
The incredible story. (3 more)
Great visuals and interactions with items both in the foreground and background.
Brilliant score.
Its gameplay and controls are mostly entertaining.
Some puzzles are difficult to solve without cheating. (2 more)
It is ridiculously difficult at times. Expect to die. A lot.
It is longer than the first game, but still feels short.
A Visually Creepy Masterpiece with a few Minor Flaws
Little Nightmares II is a vast improvement over the original game that still has a few flaws that could be ironed out in a sequel. The first game was creepy and a lot of fun, but it felt incredibly short. It was the type of game you bought, played through quickly, and traded in because it didn’t seem to have much replay value. Although I'm just now reading about the DLC for the game and the hidden ending to Little Nightmares II, but I digress.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.
Little Nightmares II has you playing as Mono, a young boy that wears a paper bag over his head; not unlike Ugly Bob from the Terrance & Phillip In Not Without My Anus on the first episode of the second season of South Park. The game is a lot like Limbo with more color. Mono is thrown into a world of bleak surroundings and even darker outcomes. Thankfully, you have Six from the previous game to assist you. However, Little Nightmares II is only one player which seems like a missed opportunity for this to be a two player game.
The format of each level is pretty similar other than the last one. You typically flee a major boss character that chases you while you search for the key to a locked door. Stealth is involved throughout the game. If you make too much noise, run too fast, or walk into the light from the shadows in view of a boss’s eyesight then you get eaten or killed. You use your surroundings to thwart the boss, which usually involves killing them yourself. The chase element is the same near the end of the game, but you're thrown into more surreal and dreamlike surroundings.
It does seem like you interact more with the background in comparison to the previous game. You can almost always run into the background on any level. It may result in you falling off a cliff, but that kind of exploration ability in a side-scroller is really cool. I played Little Nightmares II on a PS5 despite the game being for PS4. What’s cool is you can feel Mono’s heartbeat through the controller when situations are tense and seeing little dust particles float through the air as you explore is a nice addition.
The highlight of the game is the story. The world Little Nightmares and Little Nightmares II takes place in is so deliciously dreary with what feels like no hope for survival. You root for Mono and Six to stay together as friends, but that outcome seems less and less likely as the game progresses. You also gain powers as Mono later on; the most noteworthy one being able to use televisions as portals. All of the major bosses are fantastically terrifying, as well. You’re chased by a hunter with a shotgun, a teacher with a stretchy neck and an appetite, twitchy mannequins that only move in darkness, viewers obsessed with television, and The Thin Man who kidnaps Six.
The game can be frustrating at times. Not only is it difficult and will result in you dying over and over again, but certain puzzles are almost impossible to solve without looking up how to solve them first.
According to the internet, it seems as though this may be the end of the Little Nightmares franchise since the creators are moving on to something new and will focus less on sequels in the future. It’s unfortunate since Dave Mervik’s writing with the story of the game is so well done and the game as a whole is mostly very fun and entertaining to play while providing legitimate thrills and chills. Tobias Lilja’s musical score is a frightening delight. However, despite Little Nightmare II’s flaws, it’ll be impossible not to be invested in anything Tarsier Studios is involved with in the years to come.
Kara Skinner (332 KP) rated War Bride in Books
Sep 10, 2019
Genre: Medieval, Fantasy, Adult
Goodreads rating: 3.7 out of 5 stars
My rating: 4.5 out of 5 stars
I’m going to earn your trust, Emery Toustain, he thought as he released her hand. Perhaps, if you let me, I’ll earn more than that.
The first time I read War Bride was several months ago. It was so good I actually missed a call from my boss because I was so busy reading it. No, really. I didn’t even “ignore” the call. The fact that my phone was ringing didn’t even register because I was so absorbed in the book. I ended up finishing it in less than a day.
I just finished it for the second time today, and it’s still incredible.
Emery Calliot kicks ass.
Emery will never be like other noble ladies. She always preferred wearing men’s clothing to dresses and learning archery to needlepoint. She has a tendency to ramble when she’s nervous and she can’t tame her hair for the life of her. But she had always wanted to marry eventually.
That is, until the night of King Rowan’s Treason, when she had been unspeakably hurt beyond repair. Now the idea of marriage makes her blood curdle.
But with the peace treaty between Dinasdale and Daleria shaky as it is, she doesn’t have any choice but to marry Dinasdalian lord, Leofred Toustain, a man she’s never met before, who looks terrifies her.
Yes, he was quite magnificent with skin like polished ebony and glittering eyes akin to chunks of onyx. Hawkish features were made more prominent by the absence of the beard most Dinasdalian men favored. His sharp jaw, slashing cheekbones, and arrogant nose made his hooded eyes darker and more mysterious. Leofred was beautiful in the way a panther might be—nice to look upon from a distance, but quite frightening up close.
Leofred isn’t looking forward to marriage any more than his bride-to-be is. He had always hoped marry for love, not someone had never met before. But he sees his new bride as a challenge, and he’s determined to break through her barriers and make her trust him.
“Nonsense. Everyone is capable of love. Right now, you are not capable of physical intimacy, but that is only a small part of what love between a man and a woman is. For the nonce, I would be happy if you would let me become your husband in other ways. Let me be your confidant and your friend. Let me hold your hand when we walk, and tell you I think you’re beautiful every day. Let me prove to you just how capable of love you are, and when you are ready, I will show you how beautiful making love will be between us. Only when you are ready, Emery. Not before.”
Leofred is incredibly sexy, and completely perfect for Emery. He’s gentle, nice, and very patient with her, which is exactly what she needs. They have a great story and the dialog between them is fantastic.
Before the wedding yesterday, I took the liberty of procuring a lady’s maid for you. However, if you want, I will send her away.”
“No, don’t do that. Please, send her in. As you can see, I need the help.”
He smiled at her again. “No, you don’t.”
The only thing I didn’t like was how he dealt with Caden at the beginning of the book. Caden knows what happened with Emery and wanted to warn Leofred to be patient with her. Leofred brushed him off and told him to mind his own business.
Later he blames Caden for his awkward and tense wedding night because Caden didn’t tell him what was wrong with Emery.
Whatever (Caden) knew and would not speak about had ruined his wedding night.
This is a bit of a dick move on Leofred’s part. But this is honestly the only time that he’s not a perfect gentleman. And he never mistreats or disrespects Emery.
I love the Chained series, and War Bride did not disappoint. It’s definitely worth the read.
Goodreads rating: 3.7 out of 5 stars
My rating: 4.5 out of 5 stars
I’m going to earn your trust, Emery Toustain, he thought as he released her hand. Perhaps, if you let me, I’ll earn more than that.
The first time I read War Bride was several months ago. It was so good I actually missed a call from my boss because I was so busy reading it. No, really. I didn’t even “ignore” the call. The fact that my phone was ringing didn’t even register because I was so absorbed in the book. I ended up finishing it in less than a day.
I just finished it for the second time today, and it’s still incredible.
Emery Calliot kicks ass.
Emery will never be like other noble ladies. She always preferred wearing men’s clothing to dresses and learning archery to needlepoint. She has a tendency to ramble when she’s nervous and she can’t tame her hair for the life of her. But she had always wanted to marry eventually.
That is, until the night of King Rowan’s Treason, when she had been unspeakably hurt beyond repair. Now the idea of marriage makes her blood curdle.
But with the peace treaty between Dinasdale and Daleria shaky as it is, she doesn’t have any choice but to marry Dinasdalian lord, Leofred Toustain, a man she’s never met before, who looks terrifies her.
Yes, he was quite magnificent with skin like polished ebony and glittering eyes akin to chunks of onyx. Hawkish features were made more prominent by the absence of the beard most Dinasdalian men favored. His sharp jaw, slashing cheekbones, and arrogant nose made his hooded eyes darker and more mysterious. Leofred was beautiful in the way a panther might be—nice to look upon from a distance, but quite frightening up close.
Leofred isn’t looking forward to marriage any more than his bride-to-be is. He had always hoped marry for love, not someone had never met before. But he sees his new bride as a challenge, and he’s determined to break through her barriers and make her trust him.
“Nonsense. Everyone is capable of love. Right now, you are not capable of physical intimacy, but that is only a small part of what love between a man and a woman is. For the nonce, I would be happy if you would let me become your husband in other ways. Let me be your confidant and your friend. Let me hold your hand when we walk, and tell you I think you’re beautiful every day. Let me prove to you just how capable of love you are, and when you are ready, I will show you how beautiful making love will be between us. Only when you are ready, Emery. Not before.”
Leofred is incredibly sexy, and completely perfect for Emery. He’s gentle, nice, and very patient with her, which is exactly what she needs. They have a great story and the dialog between them is fantastic.
Before the wedding yesterday, I took the liberty of procuring a lady’s maid for you. However, if you want, I will send her away.”
“No, don’t do that. Please, send her in. As you can see, I need the help.”
He smiled at her again. “No, you don’t.”
The only thing I didn’t like was how he dealt with Caden at the beginning of the book. Caden knows what happened with Emery and wanted to warn Leofred to be patient with her. Leofred brushed him off and told him to mind his own business.
Later he blames Caden for his awkward and tense wedding night because Caden didn’t tell him what was wrong with Emery.
Whatever (Caden) knew and would not speak about had ruined his wedding night.
This is a bit of a dick move on Leofred’s part. But this is honestly the only time that he’s not a perfect gentleman. And he never mistreats or disrespects Emery.
I love the Chained series, and War Bride did not disappoint. It’s definitely worth the read.