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David Hyde Pierce recommended A Midsummer Night's Sex Comedy (1982) in Movies (curated)

 
A Midsummer Night's Sex Comedy (1982)
A Midsummer Night's Sex Comedy (1982)
1982 | Comedy
9.0 (1 Ratings)
Movie Favorite Watch

"Last one is A Midsummer Night’s Sex Comedy. I don’t think it’s up there on most people’s lists. I just think it’s so beautiful. It’s very funny, but very gentle, and it also deals with issues of life and death in a very serious way. I can remember every time I saw it crying at the end. And part of it, too, is [Woody Allen] makes this incredibly good use of Mendelssohn’s music. I think the entire score is — I’m not sure about the soundtrack — but the score is Mendelssohn. I just think it’s a really exquisite piece of filmmaking."

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Emily Mortimer recommended Edie: American Girl in Books (curated)

 
Edie: American Girl
Edie: American Girl
Jean Stein | 2021
(0 Ratings)
Book Favorite

"A boy I had a crush on gave this to me to read at university. In a way, it was my first taste of America and of New York, where I now live. It really affected me. A tragic tale of the life and death of Edie Sedgwick, the charming, broken, sophisticated, naive, sexy, innocent muse for a generation of geniuses—Andy Warhol, Bob Dylan and the Velvet Underground. The Queen of the Scene and its victim, too. I couldn’t stop looking at the photo of her on the cover in all her eye make up, and trying to work her out."

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Hossein Amini recommended L'Avventura (1960) in Movies (curated)

 
L'Avventura (1960)
L'Avventura (1960)
1960 | International, Classics, Drama
(0 Ratings)
Movie Favorite

"My favorite among Antonioni’s trilogy of alienation (La notte and L’eclisse are the other two). For me, these films capture the slow and painful death of love with astonishing intuition and almost no dialogue. There is nothing to be said between lovers when they fall out of love, but the silent agony of their dying relationships is captured in heartbreaking glances and body language. A shoulder turn or look away speaks volumes. Antonioni is a master of blocking actors. They move up close, far away, and out of shot in long single takes that reveal more about their emotions than any confession."

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