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The Gardener’s Plot
5.0
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A woman helps set up a community garden in the Berkshires, only to find a body in one of the plots...
Black Rabbit Hall
6.0
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One golden family. One fateful summer. Four lives changed forever. Amber Alton knows that the hours...
Bong Mines Entertainment (15 KP) rated Suicidal Since 1995 by Ängie in Music
Jun 7, 2019
Ängie is an electric-pop singer from Stockholm, Sweden. Not too long ago, she released an explosive debut EP, entitled, “Suicidal Since 1995”.
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Ängie – “Dope”
The 7-track project begins with the boomin’ lead single, “Dope”, produced by Canto. Everything about this song is dope, down to the title. Also, it’s hypnotizing frequency is so addictive that it has clocked well over a quarter of a million views on YouTube, and that’s within a month of its release.
The artist described “Dope” as a love song where she confuses love with the rush for music and drugs. In the music video, she performs among various vices including drugs, vehicles, and animals.
The second song, “Boss”, is a flirtatious ditty about foreplay in the back of a vehicle. It’s straight to the point, hot, and steamy. Also, it’s a remake of Lana Del Rey’s “You Can Be the Boss”, from the singer’s “Unreleased” album.
Not too long ago, we covered the third track, “Here For My Habits”, which is also the second single from Suicidal Since 1995.
“Here For My Habits”
On the song, Ängie talks about her sexual-invitation experiences with dealers from her past. She explains how some of them tried to hit on her, some even falling in love with her.
The fourth track, “We Run”, is a song about a drug-induced nighttime romance, perpetrated in the dark or secrecy. But when the sun comes up, the hypnotic-tranced lovers run for cover.
The fifth track, “2013”, speaks about living young, wild, and free. Also, lyrics of hiding from cops and papa indicates a certain level of paranoia due to probably smoking too much bomb weed and drinking alcoholic beverages. Then a deep thought sinks in, “18, I can’t believe where the time’s gone?”
The sixth track, “Coke Ain’t Brain”, takes the volume up another notch. The song speaks of someone being addicted to Mary Jane (marijuana) and now they’re trapped to a ball and chain with Charlie (cocaine) stuffed in their nose.
The seventh song, “Venus in Fur”, is laidback, trancey, with a backdrop made of fluffy pillows. When the singer sings, “I am tired, I am weary. I could sleep for a thousand years,” listeners might find themselves under her spell.
Overall, “Suicidal Since 1995” is a solid debut project worth listening to. It has replay value and we highly recommend adding it to your music library.
https://www.bongminesentertainment.com/angie-suicidal-since-1995/
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
The City Always Wins
Book
'Omar Robert Hamilton brings vividly to life the failed revolution of 2011 on the streets of Cairo,...
Merissa (12363 KP) rated Drakaina's Fire (Drak Defense Co. #1) by Raven Lovelace in Books
Jun 15, 2022
DRAKAINA'S FIRE is the first book in the Drak Defense Co. series and we are introduced to a first-class group of women mercenaries who are able to pull off jobs no one else can. They charge top dollar, and the US Government is happy to pay it due to their success rate. Oh, and the fact they donate some of their money to widows and children of war charities.
Daphne is the eldest and has eleven sisters (same father, different mothers) who are all Drakaina (female pronoun). Everett is the youngest General in the military and is ordered to learn more about the mercenary crew. Both of them turn into silly putty when they meet each other.
For a debut book, this was a good start. The general concept of the world - both the normal and paranormal one - has its foundations laid. The big bad has been made known to us and the reasons behind it.
However, there are sentences and phrases that are repeated unnecessarily, words spelt correctly but used wrongly (be instead of me), and some things that just don't make sense. The supporting characters fade into the background as you don't learn much about them, the exception being Charlotte but I still don't know much about her either. Also, Daphne and Everett are supposed to be leaders! Some of the things they do - both separately and together - just don't make sense or seem physically possible. For example, if you've got members of your team going missing, you're not going to go off by yourself with no backup, especially when you know what you're up against.
And don't even get me started on Daphne's blip about betrayal! My Kindle was very nearly damaged with this one. Of course, I'll believe the man who works for the enemy, who has just admitted kidnapping and torturing my sister, who baited a trap I've just walked into, over the word of my mate who has done nothing but be there for me since we've met. And how does said man reappear later when he's supposed to be absolutely and utterly dead! D.E.A.D! Apparently, Drakaina aren't as thorough as they think they are, nor is their fire as hot as they think.
On the whole, a good debut but it will definitely need to be tightened up to go forwards.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Daphne is the eldest and has eleven sisters (same father, different mothers) who are all Drakaina (female pronoun). Everett is the youngest General in the military and is ordered to learn more about the mercenary crew. Both of them turn into silly putty when they meet each other.
For a debut book, this was a good start. The general concept of the world - both the normal and paranormal one - has its foundations laid. The big bad has been made known to us and the reasons behind it.
However, there are sentences and phrases that are repeated unnecessarily, words spelt correctly but used wrongly (be instead of me), and some things that just don't make sense. The supporting characters fade into the background as you don't learn much about them, the exception being Charlotte but I still don't know much about her either. Also, Daphne and Everett are supposed to be leaders! Some of the things they do - both separately and together - just don't make sense or seem physically possible. For example, if you've got members of your team going missing, you're not going to go off by yourself with no backup, especially when you know what you're up against.
And don't even get me started on Daphne's blip about betrayal! My Kindle was very nearly damaged with this one. Of course, I'll believe the man who works for the enemy, who has just admitted kidnapping and torturing my sister, who baited a trap I've just walked into, over the word of my mate who has done nothing but be there for me since we've met. And how does said man reappear later when he's supposed to be absolutely and utterly dead! D.E.A.D! Apparently, Drakaina aren't as thorough as they think they are, nor is their fire as hot as they think.
On the whole, a good debut but it will definitely need to be tightened up to go forwards.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Suswatibasu (1702 KP) rated Peach in Books
Jan 15, 2018
Dark, harrowing but poetic - requires a trigger warning
This is a debut novel by author Emma Glass and she has produced something extraordinary. Her writing is confident and bridges any gap between prose and poetry, with emotion portrayed often through alliteration and repetition of key phrases.
The story follows Peach, who has been brutally battered and left bruised one night, though it is never clear what has happened. Her thoughts meander over the incident and the consequences in which at one point she believes she may be pregnant.
The remainder of the book paints a graphic picture of the effect the trauma has had on Peach and how this is expressed by her in changes to her body shape, and in her perception of the ordinary things of life.
There are mythical and superstitious elements to Peach's damaged psyche, which you will need to experience yourself. I must admit that some of it escaped me, but this thin volume has such power and leaves the reader in no doubt of Peach's pain and the ultimate consequences.
It is quite unlike anything I have read before, and whilst I cannot claim to have fully understood it, it definitely is unique. Unfortunately it is an acquired taste so not everyone will appreciate the style.
The story follows Peach, who has been brutally battered and left bruised one night, though it is never clear what has happened. Her thoughts meander over the incident and the consequences in which at one point she believes she may be pregnant.
The remainder of the book paints a graphic picture of the effect the trauma has had on Peach and how this is expressed by her in changes to her body shape, and in her perception of the ordinary things of life.
There are mythical and superstitious elements to Peach's damaged psyche, which you will need to experience yourself. I must admit that some of it escaped me, but this thin volume has such power and leaves the reader in no doubt of Peach's pain and the ultimate consequences.
It is quite unlike anything I have read before, and whilst I cannot claim to have fully understood it, it definitely is unique. Unfortunately it is an acquired taste so not everyone will appreciate the style.
ClareR (5784 KP) rated In at the Deep End in Books
Mar 2, 2019
A funny, honest book
The first quote in the blurb on the cover of this book says:'Every woman should own a copy of this book' (Erin Kelly). Well. Perhaps not if you're easily shocked.
Julia lives with her best friend Alice and her boyfriend, Dave, and after yet another night of listening to their enthusiastic sex life through the wafer thin walls of their flat, Julia decides it's time to end her three year sex-drought. Except I don't think that she expects to learn that her drought might be because she has been looking in the wrong places.
After a disastrous experience with a one night stand where she's accused of 'breaking' the man's penis (!!), she meets a female artist - and learns that she's much happier and more fulfilled with a woman.
This book is sexually graphic, and definitely not for the faint-hearted. Julia is rediscovering her life, and is on a mission to make radical changes - she wants to be happy.
It's a great story. I laughed, I felt sad and sorry for Julia in some places. It illustrated complicated relationships really well.
It's a great debut, and I'll be interested to see where the author goes next.
Thanks to The Pigeonhole for choosing another great book to read along to.
Julia lives with her best friend Alice and her boyfriend, Dave, and after yet another night of listening to their enthusiastic sex life through the wafer thin walls of their flat, Julia decides it's time to end her three year sex-drought. Except I don't think that she expects to learn that her drought might be because she has been looking in the wrong places.
After a disastrous experience with a one night stand where she's accused of 'breaking' the man's penis (!!), she meets a female artist - and learns that she's much happier and more fulfilled with a woman.
This book is sexually graphic, and definitely not for the faint-hearted. Julia is rediscovering her life, and is on a mission to make radical changes - she wants to be happy.
It's a great story. I laughed, I felt sad and sorry for Julia in some places. It illustrated complicated relationships really well.
It's a great debut, and I'll be interested to see where the author goes next.
Thanks to The Pigeonhole for choosing another great book to read along to.
Billie Wichkan (118 KP) rated The Nowhere Child in Books
Mar 14, 2019
Kimberley Leamy lives in Melbourne, Australia is shocked when a man approaches her while at the college where she teaches photography. He claims that she is his sister, Sammy who had been abducted when she was two years old from Manson Kentucky USA. Stuart Went gives her irrefutable evidence as to who she really is.
The Nowhere Child is the first novel by award-winning Australian author, Christian White.
This just an amazing and powerful debut novel. Such an amazing twist on the missing child genre. This is a dark, intense and somewhat chilling psychological thriller. The author has managed to weave a dark, intense and somewhat chilling psychological thriller filled with a number of different emotional themes throughout. With all of this combined it makes for an emotional, suspense filled explosive novel.
This wonderful new author cleverly weaves the past and present so clearly and has packed so much emotion into this novel. I love how the pace of the novel flows and how the characters develop throughout.
The ending of the book is just so unexpected and I can only hope we see more to come from this author.
Thank you to Netgalley and HarperCollins for an ARC copy of this book
The Nowhere Child is the first novel by award-winning Australian author, Christian White.
This just an amazing and powerful debut novel. Such an amazing twist on the missing child genre. This is a dark, intense and somewhat chilling psychological thriller. The author has managed to weave a dark, intense and somewhat chilling psychological thriller filled with a number of different emotional themes throughout. With all of this combined it makes for an emotional, suspense filled explosive novel.
This wonderful new author cleverly weaves the past and present so clearly and has packed so much emotion into this novel. I love how the pace of the novel flows and how the characters develop throughout.
The ending of the book is just so unexpected and I can only hope we see more to come from this author.
Thank you to Netgalley and HarperCollins for an ARC copy of this book
Sam (74 KP) rated A Thousand Perfect Notes in Books
Mar 27, 2019
I was so excited to start this. To begin with, I liked Beck and I loved August and I really felt for both of the characters.
But overall, the book just didn’t feel right. The language used was very poetic, almost as if C.G. Drews was just trying to make Instagram-worthy quotes. The language seemed really forced and really out of context. I can’t understand how a story about an abused teen would use very romanticised and literary language.
In any other context, I think I would quite like her writing style, but I feel that it really didn’t fit in at all here.
And then there’s the way that every few pages the lines
are
like
this
For absolutely no reason at all, and then for about fifty pages you see no use of this writing style almost as if the author has forgotten that she was trying to use this as a feature.
I get that this is a debut, but it just seemed really amateurish and didn’t flow at all. I started off liking the characters, and I finished hating them.
The only reason that this is two stars instead of one is that I did actually manage to finish it.
But overall, the book just didn’t feel right. The language used was very poetic, almost as if C.G. Drews was just trying to make Instagram-worthy quotes. The language seemed really forced and really out of context. I can’t understand how a story about an abused teen would use very romanticised and literary language.
In any other context, I think I would quite like her writing style, but I feel that it really didn’t fit in at all here.
And then there’s the way that every few pages the lines
are
like
this
For absolutely no reason at all, and then for about fifty pages you see no use of this writing style almost as if the author has forgotten that she was trying to use this as a feature.
I get that this is a debut, but it just seemed really amateurish and didn’t flow at all. I started off liking the characters, and I finished hating them.
The only reason that this is two stars instead of one is that I did actually manage to finish it.