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Bob Mann (459 KP) rated Crazy Rich Asians (2018) in Movies
Sep 28, 2021
Singapore Bling.
I’ve been catching up on films that I missed at the cinema during 2018. And this is one of the ones I most wanted to see but missed due to work commitments.
The Plot.
Rachel (Constance Wu) and Nick (Henry Golding) are young New Yorker professionals in love: Rachel is a successful economics professor and Nick… well, I’m not sure we ever find out what Nick ever does for a job, but his dress and confidence imply he’s doing well. Nick has an announcement: that his best friend Colin (Chris Pang) is getting married in Singapore and he invites Rachel to join him and meet his parents.
The trip discloses something previously hidden to Rachel: that Nick is actually heir to one of the richest families in Singapore. Indeed, as they got their money from property, the family effectively BUILT Singapore! But once in Singapore, life becomes hard for Rachel. She has to deal with the “not good enough for my Nick” disapproval of Nick’s family (led by Nick’s mother, the imperious Eleanor (Michelle Yeoh). Not only that, but thanks to Nick’s eligible-batchelor status and the pervasive nature of social media, everyone in Singapore knows about Nick and Rachel. As such, many of the ‘hens’ of Colin’s fiancee Araminta have it in for Rachel. (Araminta is played by Sonoya Mizuno, so memorable in “Ex Machina“).
Layers of rich characters.
This is not your average rom-com. Because here there’s a depth of characters within Nick’s broader family to entertain, each with their own set of quirks and issues. The dynamic of the family matriarch, grandmother (Lisa Lu), with the rest of the family is also fascinating; Friend or foe for Rachel? – it’s often difficult to tell.
Also entertaining is the introduction of Rachel’s old college room-mate Peil Lin Goh (a superbly over-the-top bonkers performance by Awkwafina) and her ‘nouveau-riche’ family. Her father (Ken Jeong) is simply hilarious in a bat-shit crazy sort of way.
But it’s the two engaging leads that impress most, particularly Henry Golding. Prior to this – his debut movie role – he was a Malaysian TV travel reporter! (He of course followed this performance up a month later with his equally impressive role as Blake Lively’s husband in “A Simple Favour“).
As sponsored by the Singapore tourist board.
Much of the action could be lifted from “My Best Friend’s Wedding”, “Meet the Parents” or “Mean Girls”. But it’s all given a refreshing asian facelift with its Singapore setting.
Singapore is one of my favourite cities: safe, clean and vibrant and with drop-dead gorgeous architecture. And I actually saw this movie while flying back out of Singapore itself. As such, I reflected on just what a great promotional flick for the tourist industry it was. From the wedding party at the Gardens by the Bay to the utterly jaw-dropping infinity pool at the “ship-hotel” (the Marina Bay Sands hotel, featured through a stunning fireworks-infused drone shot), all convey the excitement of the place.
A fun feel-good classic.
What’s impressive about the sharp writing is that this is the movie screenplay debut for co-writers Peter Chiarelli and Adele Lim. It’s a movie that makes you occasionally sit up and go ‘wow’. As an example, there’s a quirky ‘social media tsunami’ scene in the first 10 minutes. But the movie then builds with character-development stories that, while not particularly novel, are engagingly well-written and well delivered by the enthusiastic ensemble cast.
The director is John M Chu, whose less-than-stellar CV includes “GI: Joe” and “Now You See Me 2”, but here delivers a breathless momentum that lasts to the final scene.
The perfect wife and the perfect husband? Michael (Pierre Png), the boy who married well (which feels a plot borrowed from “Lost”), with the lovely Astrid (Gemma Chan). (Source: Warner Brothers).
And it’s that denouement that got to me. I don’t tend to get slushy about these sort of romantic comedies. But there’s a “reveal” in the final few minutes of the movie that completely surprised me (even though it should have been obvious!). It actually made me well-up!
It didn’t make a big dent in the awards nominations. But for fans of quirky romantic comedies it’s a recommended watch. It’s really difficult to dislike!
The Plot.
Rachel (Constance Wu) and Nick (Henry Golding) are young New Yorker professionals in love: Rachel is a successful economics professor and Nick… well, I’m not sure we ever find out what Nick ever does for a job, but his dress and confidence imply he’s doing well. Nick has an announcement: that his best friend Colin (Chris Pang) is getting married in Singapore and he invites Rachel to join him and meet his parents.
The trip discloses something previously hidden to Rachel: that Nick is actually heir to one of the richest families in Singapore. Indeed, as they got their money from property, the family effectively BUILT Singapore! But once in Singapore, life becomes hard for Rachel. She has to deal with the “not good enough for my Nick” disapproval of Nick’s family (led by Nick’s mother, the imperious Eleanor (Michelle Yeoh). Not only that, but thanks to Nick’s eligible-batchelor status and the pervasive nature of social media, everyone in Singapore knows about Nick and Rachel. As such, many of the ‘hens’ of Colin’s fiancee Araminta have it in for Rachel. (Araminta is played by Sonoya Mizuno, so memorable in “Ex Machina“).
Layers of rich characters.
This is not your average rom-com. Because here there’s a depth of characters within Nick’s broader family to entertain, each with their own set of quirks and issues. The dynamic of the family matriarch, grandmother (Lisa Lu), with the rest of the family is also fascinating; Friend or foe for Rachel? – it’s often difficult to tell.
Also entertaining is the introduction of Rachel’s old college room-mate Peil Lin Goh (a superbly over-the-top bonkers performance by Awkwafina) and her ‘nouveau-riche’ family. Her father (Ken Jeong) is simply hilarious in a bat-shit crazy sort of way.
But it’s the two engaging leads that impress most, particularly Henry Golding. Prior to this – his debut movie role – he was a Malaysian TV travel reporter! (He of course followed this performance up a month later with his equally impressive role as Blake Lively’s husband in “A Simple Favour“).
As sponsored by the Singapore tourist board.
Much of the action could be lifted from “My Best Friend’s Wedding”, “Meet the Parents” or “Mean Girls”. But it’s all given a refreshing asian facelift with its Singapore setting.
Singapore is one of my favourite cities: safe, clean and vibrant and with drop-dead gorgeous architecture. And I actually saw this movie while flying back out of Singapore itself. As such, I reflected on just what a great promotional flick for the tourist industry it was. From the wedding party at the Gardens by the Bay to the utterly jaw-dropping infinity pool at the “ship-hotel” (the Marina Bay Sands hotel, featured through a stunning fireworks-infused drone shot), all convey the excitement of the place.
A fun feel-good classic.
What’s impressive about the sharp writing is that this is the movie screenplay debut for co-writers Peter Chiarelli and Adele Lim. It’s a movie that makes you occasionally sit up and go ‘wow’. As an example, there’s a quirky ‘social media tsunami’ scene in the first 10 minutes. But the movie then builds with character-development stories that, while not particularly novel, are engagingly well-written and well delivered by the enthusiastic ensemble cast.
The director is John M Chu, whose less-than-stellar CV includes “GI: Joe” and “Now You See Me 2”, but here delivers a breathless momentum that lasts to the final scene.
The perfect wife and the perfect husband? Michael (Pierre Png), the boy who married well (which feels a plot borrowed from “Lost”), with the lovely Astrid (Gemma Chan). (Source: Warner Brothers).
And it’s that denouement that got to me. I don’t tend to get slushy about these sort of romantic comedies. But there’s a “reveal” in the final few minutes of the movie that completely surprised me (even though it should have been obvious!). It actually made me well-up!
It didn’t make a big dent in the awards nominations. But for fans of quirky romantic comedies it’s a recommended watch. It’s really difficult to dislike!
Bob Mann (459 KP) rated Moonlight (2016) in Movies
Sep 29, 2021
Waxing or Waning?
Seldom do I go to see a movie where I know so little about the plot as this one. I knew it was a “coming of age” drama about a young man growing up in a black neighbourhood in Miami. Period. That ignorance was bliss (so that’s the way this review will stay: I will avoid my usual high-level summary here). For there are twists in this story that you don’t see coming, and moments of such dramatic force that they are cinematically searing.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Playing the young man, Chiron, over three stages of his life are the actors Alex Hibbert, Ashton Sanders and Trevante Rhodes. However, Mahershala Ali, who plays Juan – the drug dealer with a heart – has been the one with all the awards visibility (having this week won the Screen Actors Guild Supporting Actor award, as well as being within the ensemble cast award for the upcoming “Hidden Numbers”). For the avoidance of doubt, Ali and all of these other actors are excellent, as is Jharrel Jerome (in his feature film debut) as Chiron’s 16-year old friend Kevin. But the performance that really spoke to me was that of Ashton Sanders, who has both an uplifting and heartbreaking role as the “middle” Chiron and delivers it supremely well. A real breakout role for him.
Also shining with a dramatic and extremely emotional performance is London’s own Naomie Harris (“Spectre“), justifiably nominated for a Supporting Actress Oscar. Unlike last year’s insipid and dull “Our Kind of Traitor“, where she was given criminally little to do, here she is blisteringly real as a caring mother spiralling down an addiction plug-hole. A career best.
Grammy-nominated musician Janelle Monáe, in her feature film debut, is also eminently watchable alongside Mahershala Ali as Juan’s girlfriend Teresa.
Above all, this powerful ensemble is the best evidence possible that the diversity arguments all over last year’s Oscars were 100% correct. These are all indisputably realistic performances by black actors that must surely move viewers regardless of their colour or creed.
The film has eight Oscar nominations, and I definitely agree with the acting nominations to Maharhala Ali and Naomie Harris. I’d also agree with the award for music to Nicolas Britell (“The Big Short”) which is astonishingly eclectic and jarringly appropriate to the story that unfolds. I could even go along with the Best Film Editing nomination, although I am hardly an expert in the subject.
The remaining nominations are for Best Picture, Best Director (Barry Jenkins), Best Writing Adapted Screenplay (also Barry Jenkins) and Best Cinematography (James Laxton). However, here my opinion diverges with the Academy and – I suspect – many critics. Yes, this is a really engrossing film with a fine and surprisingly non-standard Hollywood ending. It is certainly well worth watching, but is it a top film of the year? No, I don’t think so. There are some aspects of the film that just plain irritated me.
Firstly, the camera work is frequently of the hand-held variety, particularly in the first half of the film, that leads to a serious case of seasickness if you are sitting anywhere other than the back row of the cinema.
More crucially for me, the film introduces two fantastic and atypical characters, but then – inexplicably – the script just unceremoniously dumps them with hardly any further reference made. I found that enormously frustrating and mystifying and spent the rest of the film waiting for a closure that never came.
There is also enormously pervasive use of the “N-word”, right from the opening music track. I appreciate this is probably perfectly appropriate to the ‘hood that the characters occupy, but the continual usage is shocking (at least to a white audience). It is probably designed to shock, but after a while the shock wears off and it becomes more tiresome than offensive.
Based on all the Oscar hype then, this was a bit of a disappointment. But that view is purely relative to all of the great Oscar Best Film candidates I’ve seen in the last few weeks. It is still a very interesting film due to the story that goes off in a novel and surprising direction, and one that is worthy of your movie dollar investment.
Hazel (1853 KP) rated This Raging Light in Books
May 25, 2017
Hard to put down
This ARC was provided by the publisher via NetGalley in exchange for an honest review
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
This Raging Light is a contemporary young adult debut novel by Estelle Laure. It is a fast paced story of family, friendship and first love. Seventeen-year-old Lucille should be worrying about her senior year at school, spending time with her best friend Eden and admiring Eden’s twin brother, Digby. Instead both parents have disappeared, leaving 9-year-old Wren and a pile of bills in Lucille’s unprepared hands.
Whilst trying to keep up appearances so that no one finds out what is going on at home, Lucille struggles to maintain her friendship with words-of-wisdom-quoting Eden and curb her ever-growing fascination with Digby.
Laure’s writing style instantly connects the reader with Lucille’s personality and circumstance. Lucille is an admirable character who has already been through so much before the story even began. Her father had a mental breakdown and then disappeared from the hospital with no word of where he was going. At a time in their life when they needed as much support as possible, Lucille and Wren’s mother takes off as well. It is unfathomable how Lucille managed to cope and keep it secret for so long; readers are sure to question how they would cope in the same situation.
Toward the beginning of the book the phrases used to describe Lucille’s father and his mental health problems were a bit stigmatic. This almost made mental illness appear to be a negative problem to be avoided and shunned. Hopefully this will not fuel any reader’s prejudices about the mental ill.
Lucille and Digby’s relationship was a little confusing. It was not delved into deep enough to create any climax within the storyline. The key theme was about Lucille surviving on her own rather than her romantic experiences.
Overall, This Raging Light is so easy to read that many people will find it difficult to put down. Lucille is such a lovely character that you will want to see through to the very end to make sure she is okay and looked after.
Haley Mathiot (9 KP) rated The Better Part of Darkness (Charlie Madigan, #1) in Books
Apr 27, 2018
THE BETTER PART OF DARKNESS by Kelly Gay
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
Genre: Science Fiction, Fantasy, Crime Thriller, Romance
Rating: 5/5
My Summary: Charlie isn’t your average detective/police officer—she works for the new futuristic law enforcement department called ITF. The world has changed since the other dimensions have been discovered. Aliens (who hate being called aliens) now live on earth with humans, and some humans possess supernatural powers. Charlie and her Siren-partner, Hank, have been working on a disastrous case—trying to track down the source and destroy a new drug that is putting people all over Atlanta in comas. But after they begin digging deeper, they discover a whole new level of their assignment: one that puts Charlie, her ex-husband, her daughter whom she loves more than anyone or anything in the whole world, everyone in Atlanta, and the rest of the world, at stake… and only Charlie Madigan can save them.
The Better Part of Darkness is a fast-paces riveting debut novel that holds you by the neck until the last page. I’ve never enjoyed science fiction so much in my life.
This book had the perfect combination of sci-fi, crime, thriller, and romance to make it an addicting read to lover of any genre. The writing makes it wonderfully plausible and incredibly witty, and the characters were the kinds that you cheered for.
Charlie was my kind of girl—totally kick-butt in every way, shape, and form. She was tough as nails, rock-hard, dedicated to her job, but she had her soft spots for those that she held closest to her.
I will be sitting on the edge of my seat for the sequel of this book, titled “The Darkest Edge of Dawn.” 5 stars and two thumbs up to you, Kelly Gay: you just made my bookshelf.
Content: This book is not for the easily offended. There was language and sexual aspects of the book that make it an adult novel, though there were no sex scenes.
Recommendation: Ages 17+ to anyone who wants to read a really exceptional book.
**Thank you to Sarah from pocketbooks for supplying my review copy!**
~Haleyknitz
Acanthea Grimscythe (300 KP) rated Nail's Crossing (Bill Maytubby & Hannah Bond Mystery #1) in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="_new">The Ghastly Grimoire</a>
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
Nail’s Crossing is a fast-paced police procedural from debut author Kris Lackey. Set in Southeastern Oklahoma, the novel dips into Arkansas (my stomping grounds) and Louisiana. Some scenes take place in Oklahoma City, in neighborhoods I know well and the locales depicted in this book are precisely why when I received an email regarding it, I absolutely had to read it.
This book is in the first in a series centered around Bill Maytubby, a reservation police officer, and Hannah Bond, a sturdy, no-bullshit female officers from the county. In these two and the many side characters, Lackey proves adept at making his cast realistic and relateable – which is something I find wanting in other books far too often.
The plot of Nail’s Crossing deals with the aftermath of a young woman’s murder and a varied group of individuals that are responsible for her death. By focusing on the apprehension of the criminals, rather than the psychology behind why they killed the woman make this title a refreshing read, especially after all the books I’ve read lately that try and compare themselves to Gone Girl.
I’ve been in a bit of a slump recently, so the fact I devoured Lackey’s book in only a couple sittings speaks volumes to his ability to maintain a constant flow of action. Unlike many books I’ve read where the author refers to stereotypes to depict certain demographics, Lackey’s portrayal of poverty-stricken southerners is accurate. Considering I live in one of Arkansas’s poorest counties, this meant a lot to me. Lackey has given those without voices one within the pages of his novel that, if you’re looking for it, remind readers that we’re our own culture as well (and not by clinging to Confederate rhetoric like the ones of today seem to).
I look forward to more books in this series, that’s for sure. I’d like to thank Blackstone Audiobooks for providing me with a free copy of this book at no charge in exchange for an honest and unbiased review.
graveyardgremlin (7194 KP) rated The Madonnas of Leningrad in Books
Feb 15, 2019
For the most part, this book bored me and even though it was short, I had a hard time picking it up to read many times. I feel like the author was trying to cram too much into such a short book and I can't quite see the whole point of it. To go back and forth between the two time periods didn't allow for much substance in either era and the only thing that connected them was one person, which for some odd reason, didn't work for me. Every time it went back to present day, I was jolted from the book and wished the Ms. Dean had stuck to the past era, as the present one detracted from it. Being as it was, I felt I never really knew anyone in the book, the characters were one-dimensional and had the book been longer, that might have been remedied. I don't think the author did a very good job of interconnecting the stories, oftentimes it was boring, and the end was abrupt and a let down. I did think that when the author was describing the artwork and Hermitage, that was when she excelled, and at times, it was quite lovely. However, THE MADONNAS OF LENINGRAD, most likely won't leave a lasting impression.
A little note on the artwork, I noticed a mistake, I know that there is no such thing as Belgium Delft. My mom has a collection that started with her mom. I grew up with it, so I know a little about it. I also did some research and Belgium was once part of the Netherlands but that wouldn't make it Belgium Delft. Now, whether Belgium now has their own kind of Delft-like pottery, I wouldn't know. This detail has made me a little weary about the author's descriptions and history on other pieces of art in this book, which is unfortunate. As I said before, the descriptions of the artwork are exceptional. With that, the author shows promise with this debut, and hope that in the future, she won't try for too much. I'm sure others will like this better than I did and not be as critical. :)
A little note on the artwork, I noticed a mistake, I know that there is no such thing as Belgium Delft. My mom has a collection that started with her mom. I grew up with it, so I know a little about it. I also did some research and Belgium was once part of the Netherlands but that wouldn't make it Belgium Delft. Now, whether Belgium now has their own kind of Delft-like pottery, I wouldn't know. This detail has made me a little weary about the author's descriptions and history on other pieces of art in this book, which is unfortunate. As I said before, the descriptions of the artwork are exceptional. With that, the author shows promise with this debut, and hope that in the future, she won't try for too much. I'm sure others will like this better than I did and not be as critical. :)
graveyardgremlin (7194 KP) rated The Fruit of Her Hands: The Story of Shira of Ashkenaz in Books
Feb 15, 2019
I'm having a remarkably hard time gathering up my thoughts to review THE FRUIT OF HER HANDS. The book is a mixed bag as far as I'm concerned.
Overall, the book was informative and easy entertainment, but it lacked depth. For the most part the characters were either good or bad, with no shades of grey, which made them unrealistic and led to my feeling of detachment. Shira was a sympathetic and capable main character during the first third of the book and looked to be an interesting Medieval wife. Unfortunately, after she became married, she lost her personality. I realize that it was an accurate portrayal of Jewish wives back then, but Shira had been scholarly, while still seeing to her duties, up until this point and then turned into a boring protagonist. What set her apart and made me want to read about her was her attitude about learning the Talmud like the men. What interested Meir in the first place was Shira, who he thought unusual; not that I was shown their love, I was just told about it. The chemistry was lacking between them, but that may be in part that I didn't get a good sense of who Meir was as a person, other than he was brilliant, a revered scholar, et cetera. No one felt real in this book and that's a shame.
What was perhaps done best were the details and information about the Jewish people and their faith. Generally, it was written into the story quite well, even if Shira was conveniently placed right in the way of big events. I learned much and am grateful for the history of that time. My one problem with it was that although I felt the pain and suffering the Jewish endured, it was just a little too clean. More realism and grit would have added much to the book.
Perhaps the scope of the book did a disservice to the story as a whole, and it might have benefited a few scenes taken out. As a whole, it's a decent book and a good debut, but it still lacks that something that makes me what to say "read it".
Overall, the book was informative and easy entertainment, but it lacked depth. For the most part the characters were either good or bad, with no shades of grey, which made them unrealistic and led to my feeling of detachment. Shira was a sympathetic and capable main character during the first third of the book and looked to be an interesting Medieval wife. Unfortunately, after she became married, she lost her personality. I realize that it was an accurate portrayal of Jewish wives back then, but Shira had been scholarly, while still seeing to her duties, up until this point and then turned into a boring protagonist. What set her apart and made me want to read about her was her attitude about learning the Talmud like the men. What interested Meir in the first place was Shira, who he thought unusual; not that I was shown their love, I was just told about it. The chemistry was lacking between them, but that may be in part that I didn't get a good sense of who Meir was as a person, other than he was brilliant, a revered scholar, et cetera. No one felt real in this book and that's a shame.
What was perhaps done best were the details and information about the Jewish people and their faith. Generally, it was written into the story quite well, even if Shira was conveniently placed right in the way of big events. I learned much and am grateful for the history of that time. My one problem with it was that although I felt the pain and suffering the Jewish endured, it was just a little too clean. More realism and grit would have added much to the book.
Perhaps the scope of the book did a disservice to the story as a whole, and it might have benefited a few scenes taken out. As a whole, it's a decent book and a good debut, but it still lacks that something that makes me what to say "read it".
Amanda (96 KP) rated Two Can Keep a Secret in Books
Mar 11, 2019
I was partially right in my assumption as to who had done it, but I don't see that as a bad thing. I was a bit taken a back as to what happened and who was behind it, but I'm not counting that as a negative thing.
I talked about McManus' debut novel, but I never reviewed it. Those were back in my days before discovering reviewing books. I did read that book in a bookclub and it was fun, but I had mixed feelings about that book. I'll have to re-read the book to really get into it, so I won't do that right now.
I felt horrible for Malcolm to have to overcome the crap that he did with his older brother, Declan. I honestly do not like how much of a pushover and weak character Malcolm and Declan's mother is. I almot feel like she was put there to say that the boys did indeed have a mother. I understood WHY she was like that and the reasoning behind it, but I felt like she didn't have much of a true purpose in the story.
The twist was unexpected, but it was a twist that was not too terribly bad. The story kept me guessing and it ended well, even gave you a bit of a 'oh wow' kind of feeling.
Like I said, I liked the story better than McManus' first novel. They aren't connected, so this isn't a series that you have to start from the beginning.
As much as I found Ellery a bit of an annoyance with her questions and constant suspicions, it was hard not to like her. She paid attention and even if she is a bit obsessed with her true crime novels, they made her aware when nobody else was, or willing to be.
I did enjoy the mystery and the turn of events in this book. Each character had a role, no matter how minor or cliche, to play in the story. Nobody was tossed aside or mentioned but never seen again. It had me guessing and definitely had me not wanting to put it down even after finishing a chapter.
I talked about McManus' debut novel, but I never reviewed it. Those were back in my days before discovering reviewing books. I did read that book in a bookclub and it was fun, but I had mixed feelings about that book. I'll have to re-read the book to really get into it, so I won't do that right now.
I felt horrible for Malcolm to have to overcome the crap that he did with his older brother, Declan. I honestly do not like how much of a pushover and weak character Malcolm and Declan's mother is. I almot feel like she was put there to say that the boys did indeed have a mother. I understood WHY she was like that and the reasoning behind it, but I felt like she didn't have much of a true purpose in the story.
The twist was unexpected, but it was a twist that was not too terribly bad. The story kept me guessing and it ended well, even gave you a bit of a 'oh wow' kind of feeling.
Like I said, I liked the story better than McManus' first novel. They aren't connected, so this isn't a series that you have to start from the beginning.
As much as I found Ellery a bit of an annoyance with her questions and constant suspicions, it was hard not to like her. She paid attention and even if she is a bit obsessed with her true crime novels, they made her aware when nobody else was, or willing to be.
I did enjoy the mystery and the turn of events in this book. Each character had a role, no matter how minor or cliche, to play in the story. Nobody was tossed aside or mentioned but never seen again. It had me guessing and definitely had me not wanting to put it down even after finishing a chapter.
Neon's Nerd Nexus (360 KP) rated Searching (2018) in Movies
May 14, 2019
Look deeper
#searching #searchingmovie is an extremely intense, clever & emotionally draining film that for a directorial debut is actually quite a remarkable achievement. I like #Johncho I feel he's one of those actors that really doesnt get enough time to truly shine, so with him being the star of searching its great to see him finally get to seriously act. He's just so extremely likable & within the first 10 minutes we are introduced to him & his #family so well that an instant #emotional connection to them is formed. Told entirely through a screen searching does a great job of creating suspense & tension by using the flaws/interface of things we have all become a custom to as neat little visual cues (eg just missing a call by a few seconds, waiting for a video to buffer, seeing someone go offline while talking to them or even typing what you want to say only to delete it & type something different). This works perfectly & is never boring keeping you on edge & invested throughout while also being eerily #beautiful at times. Themes of neglect, distrust, loss & #depression are present throughout & theres also a sad look at how although we are all so connected to one another nowadays the sad fact is we have never also been more alone & afraid to show who we really are or what we are really thinking. Different sides of #Socialmedia are also explored well here too & we are shown how it can not only be used to help but also to hinder & manipulate even in a serious case like this (as well as people using the case to gain thier own fame too). Story wise its good with all the plot twists constantly shocking & unexpected with great build up too. Characters all have great back story & are all played well by the cast. My only gripe was the pacing after the final twist as it not only felt rushed but a little exposition heavy too. If your looking for a #film thats going to give your #emotions a run you'll #love Searching, while its no #nocturnalanimals its still smart, well constructed, gripping & an extremely entertaining little #drama. #instagram #apple #catfish #weekend #odeon #odeonlimitless #filmbuff #filmreview #filmcritic #internet #trending #youtube #facebook #followers #like
Neon's Nerd Nexus (360 KP) rated Hereditary (2018) in Movies
May 14, 2019
Its all in the family
#Hereditary is a strange/uncomfortable visual bombardment & for a directorial debut its almost stunningly perfect too.For those of you looking for jump scares, a scary #nun or a haunted doll you may want to avoid Hereditary as this is a different kind of horror film & its all the better for it. Sitting comfortably in between #thewitch & #itcomesatnight this is a multi layered film about loss, grieving, mental heath & loneliness & how they slowly bring about the destruction of a #family. Shot flawlessly the film sinks its teeth into your nerves instantly with #beautiful slow camera pans & rotations mixed with eerie lingering shots & overlapping scene fades. It really is a work of #art visually & every location feels like a character its self. Sound design is perfect too with great use of silence to build dread/tension, a fantastic & beautifuly somber score & great use of clicking, chopping, cracking & snapping sounds that constantly keep you feeling #anxious & on edge. Acting is also flawless with #ToniCollette absolutely knocking it out of the park as Annie a character Toni plays so well you cant help but get lost in the intricacy of her personality. While containing horror elements Hereditary plays out more along the lines of a #psychological drama with a plot so multi layered, intricate & intelligent multiple viewings will be necessary to fully understand all of what its truly about & what it really has to say (that's not to say its an easy watch however, at times the film created a tension & atmosphere so unpleasant & unnerving this accompanied by some startling & #dark imagery I found myself feeling very uncomfortable at times). My only gripe stopping it being a 10 is the strange comedy surrounding some scenes which I found immersion breaking (this may be intentional but for me it didnt work). Hereditary really is something special/unique & although not for everyone its certainly destined to win an award or become a #cultclassic. With a fresh take on its subject matter & truly #disturbing imagery this is a must for film #fans. #odeon #odeonlimitless #horror #scary #gore #terror #anxiety #mentalhealthawareness #mentalhealth #filmcritic #filmbuff #filmreview