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The Winter Mystery
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THE WINTER MYSTERY by Faith Martin Discover a new series of whodunits by million-selling author...
Contemporary Fiction Crime Mystery Whodunit
Gareth von Kallenbach (980 KP) rated Motherless Brooklyn (2019) in Movies
Oct 31, 2019
With all the recent big action blockbuster movie releases recently, there is a genre that has been overlooked for some time, a good detective story. Most movies that take place in the 50’s tend to focus more on mob related backdrops and ruthless hits to draw in audiences. Motherless Brooklyn written, directed and starring Edward Norton looks to tell a story that harkens back to the day where gumshoes spoke to key individuals and followed the clues to get to the bottom of the case. This is long before forensics was a thing, and there were no fancy computer databases or DNA matching to utilize to narrow down the suspect pool. This was when it took the skills and abilities of the individual themselves to follow the clues and piece them together like a puzzle to solve each and every case.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Lionel Essrog (Edward Norton) is a private detective who works at a small P.I. firm trying to eek out a living in the streets of New York back in the late 50’s. Lionel along with his fellow gumshoes grew up in a Catholic orphanage that cemented the bond between them all as both friends and family. Lionel suffers from Tourette’s syndrome causing him to tick and burst out in unusual statements which only gets worse as he gets nervous or excited, however he also possesses a photographic memory, able to recall specific conversations and repeat them verbatim when asked.
On what begins as a seemingly routine job, things quickly turn deadly when Frank Minna (Bruce Willis) the lead private investigator (and owner) of the firm is gunned down in an alley. With very little information to go on and forced to confront each suspect while attempting to maintain his composure, Lionel must use his smarts and the help of his friends to piece together what Frank was involved in and unravel the mystery before anyone else gets hurt. His investigation will take him throughout the streets of New York at a time where racial tensions were bubbling over, and the lure of power and money was more than folks could ignore.
Edward Norton does an outstanding job with his portrayal of an average Joe who must overcome a debilitating mental condition to find those who killed his friend. He does such a believable job with his portrayal of Tourette’s that at times it’s hard to believe that he doesn’t suffer from it in his real life. Much the same way Jack Nicholson brought Obsessive-Compulsive Disorder into the public conscious in As Good as it Gets, Norton portrays his Tourette’s in a somewhat comical, but still respectable manner. In a way, his condition disappears into the background allowing his skills and smarts to come across first.
Norton is joined by a star-studded cast featuring Bruce Willis as his best friend Frank Minna, a seemingly well-intentioned man who has stood up and protected Lionel since child-hood. Alec Baldwin portrays a powerful and ruthless city official, looking to extend his power in the city while making a small fortune in the process. Willem DaFoe, fresh off of another Oscar worthy performance in The Lighthouse, once again brings his acting pedigree to the mix and last, but certainly not least Gugu Mbatha-Raw brings a smart and extremely strong female character with what should be an Oscar winning performance.
Motherless Brooklyn is a long movie (chalking in a bit over two and a half hours) and does take some time to gather its footing. This is a detective movie after all, and much of the action takes place speaking with suspects and researching in the library. It certainly brings an authentic feel to detective work in the 50’s and is a surprisingly refreshing detour from the onslaught of action and superhero movies which have dominated the screens in 2019. New York in the 50’s comes to life with the incredible costumes, vehicles and just overall feel of what the city must have been like back in the day. It’s a testament to how much wardrobe and attention to detail can take the viewers back in time. For those who lack the sort of patience that this movie will certainly require, it may seem a bit overwhelming to consider, however once the viewers settle in, they are in for a treat as they join Lionel in piecing the puzzle together, to sort out what led to the death of his friend.
Motherless Brooklyn was exactly the type of movie I was hoping for, a gritty detective movie that isn’t overly concerned with outrageous plots or frantic gun play. It’s a movie about gathering the clues, investigating the leads, and seeing where it takes you. The star-studded cast is outstanding, and I certainly cannot over emphasize the pivotal role that Norton brings to the screen. If old crime novels and private investigator stories are your cup of tea, you’ll find that Motherless Brooklyn checks off all the boxes. In a sea of superhero movies and high action thrillers, it’s refreshing to come across a film that brings some realism back to the cinema.
Billie Wichkan (118 KP) rated The Killer in Me (Frankie Sheehan, #2) in Books
May 22, 2019
Detective Chief Superintendent Frankie Sheehan does not wish to linger on the grisly scene before her eyes. Two mutilated corpses. In a church. In Clontarf. Her profiling background screams one fact: this is just the beginning of a sickening message.
Meanwhile, a 17-year-old case is playing out on a TV documentary, the convicted professing his innocence and historical police errors being exposed daily in the media. Frankie's superior, commissioner Donna Hegarty, makes no bones about who she expects to clean things up - both in terms of past mishandlings and the present murders.
But not everyone working the cases wants the truth to come out. And the corridors of power have their own vested interest. Soon Frankie pinpoints just what is making her so nervous: the fact that anyone could be the next victim when justice is the killer.
The Killer In Me is a fast-paced thriller in which lies are safer than the truth, the past is never far from the present, and the ability to kill could well, it seems, live in everyone.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me.
The Killer in Me is the second novel to feature Dublin based Detective Chief Superintendent Frankie Sheehan of An Garda Síochánas Bureau for Serious Crime.
I could use a lot of words to describe this book and how much I liked it, but I want to summarize it in few words: it's amazing and gripping.
This novel is fast paced and full of twists and turns which just ramp the suspense level up.
I was gripped from the start and read this book in one go. It is really well written and very cleverly thought out.
Dark and intense, this story is told wonderfully well.
I found the characters very interesting and also full of depth.
Lot of red herrings about to keep you guessing all the way to the end.
Highly Recommend.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me; this is my honest voluntary review.
Meanwhile, a 17-year-old case is playing out on a TV documentary, the convicted professing his innocence and historical police errors being exposed daily in the media. Frankie's superior, commissioner Donna Hegarty, makes no bones about who she expects to clean things up - both in terms of past mishandlings and the present murders.
But not everyone working the cases wants the truth to come out. And the corridors of power have their own vested interest. Soon Frankie pinpoints just what is making her so nervous: the fact that anyone could be the next victim when justice is the killer.
The Killer In Me is a fast-paced thriller in which lies are safer than the truth, the past is never far from the present, and the ability to kill could well, it seems, live in everyone.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me.
The Killer in Me is the second novel to feature Dublin based Detective Chief Superintendent Frankie Sheehan of An Garda Síochánas Bureau for Serious Crime.
I could use a lot of words to describe this book and how much I liked it, but I want to summarize it in few words: it's amazing and gripping.
This novel is fast paced and full of twists and turns which just ramp the suspense level up.
I was gripped from the start and read this book in one go. It is really well written and very cleverly thought out.
Dark and intense, this story is told wonderfully well.
I found the characters very interesting and also full of depth.
Lot of red herrings about to keep you guessing all the way to the end.
Highly Recommend.
I would like to thank Netgalley and Quercus Books for an advance copy of The Killer in Me; this is my honest voluntary review.
Matthew Krueger (10051 KP) rated the Xbox One version of The Evil Within in Video Games
Oct 30, 2019
Psychological Within
Contains spoilers, click to show
The Evil Within- is a fantasic horrorfying, thrilling, psychological terrorfying, scary game. That was published by Bethesa. Yes that Bethesa who did Skyrim and Fallout. So lets talk about it...
The game centers on protagonist Sebastian Castellanos as he is pulled through a distorted world full of nightmarish locations and horrid creatures. Played in a third-person perspective, players battle disfigured nightmare-like enemies, including bosses, using guns and melee weapons, and progress through the levels, avoiding traps, using stealth, and finding collectables.
Sebastian Castellanos, the protagonist, needs to make use of the environment and things he may find in order to survive. The game world can transform during scripted events and as a result of player actions, altering locations and creating new paths or teleporting the player to new areas.
Players have a safe house called 'Safe Haven' that can be accessed during scripted events and by finding mirrors. The safe house is a mental hospital and has several accessible areas such as a save point, an upgrade room (where the player may upgrade Sebastian's skills), and the safe room where keys are used to open storage safes which contain useful items such as green gel and ammunition. These keys are collected by finding and breaking 'Madonna' statues hidden throughout the game's levels. There is a nurse called Tatiana who greets Sebastian when he teleports to the safe house.
Lets talk about the plot/story:
While investigating the scene of a gruesome mass murder at Beacon Mental Hospital, Krimson City police detective Sebastian Castellanos (Anson Mount), his partner Joseph Oda (Yuri Lowenthal), and Junior Detective Juli Kidman (Jennifer Carpenter) find themselves suddenly thrown into an unreal world, after hearing a high-pitched noise.
Their are two DLC and their are called The Assigment and The Consequence. Which I havent played yet.
The player unlocks several bonuses for completing the game. Extra weapons, character models and bios, 'AKUMU' difficulty (the game's hardest difficulty level), and New Game+ are some of the unlocks.
It is a must play game, it will twist and turn your mind until the end credits.
Lastly shout out to @LeftSideCut for getting the hints/clue to this review correct.
The game centers on protagonist Sebastian Castellanos as he is pulled through a distorted world full of nightmarish locations and horrid creatures. Played in a third-person perspective, players battle disfigured nightmare-like enemies, including bosses, using guns and melee weapons, and progress through the levels, avoiding traps, using stealth, and finding collectables.
Sebastian Castellanos, the protagonist, needs to make use of the environment and things he may find in order to survive. The game world can transform during scripted events and as a result of player actions, altering locations and creating new paths or teleporting the player to new areas.
Players have a safe house called 'Safe Haven' that can be accessed during scripted events and by finding mirrors. The safe house is a mental hospital and has several accessible areas such as a save point, an upgrade room (where the player may upgrade Sebastian's skills), and the safe room where keys are used to open storage safes which contain useful items such as green gel and ammunition. These keys are collected by finding and breaking 'Madonna' statues hidden throughout the game's levels. There is a nurse called Tatiana who greets Sebastian when he teleports to the safe house.
Lets talk about the plot/story:
While investigating the scene of a gruesome mass murder at Beacon Mental Hospital, Krimson City police detective Sebastian Castellanos (Anson Mount), his partner Joseph Oda (Yuri Lowenthal), and Junior Detective Juli Kidman (Jennifer Carpenter) find themselves suddenly thrown into an unreal world, after hearing a high-pitched noise.
Their are two DLC and their are called The Assigment and The Consequence. Which I havent played yet.
The player unlocks several bonuses for completing the game. Extra weapons, character models and bios, 'AKUMU' difficulty (the game's hardest difficulty level), and New Game+ are some of the unlocks.
It is a must play game, it will twist and turn your mind until the end credits.
Lastly shout out to @LeftSideCut for getting the hints/clue to this review correct.
Matthew Krueger (10051 KP) rated Child's Play (1988) in Movies
Nov 13, 2019
Good Guy Doll
Childs Play- after the remake that came out early this year, i finally watched this one. Yes the remake was the first chucky movie that i watched, i wasnt really that intresting in the child's play franchise and still really not that intresting in it. But i wanted to watch the oringal one, i wanted to know where it all started from and what a start in a good way. This movie started Brad Drouif's iconic voice as chucky and went on to voice Chucky in the sequels followed. Also Chris Sarandon who started in Fright Night two years before star in this and Tom Holland, no not that one. The one who directed Fright Night directed this one. So lets talk about it...
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
The Plot: Gunned down by Detective Mike Norris (Chris Sarandon), dying murderer Charles Lee Ray (Brad Dourif) uses black magic to put his soul inside a doll named Chucky -- which Karen Barclay (Catherine Hicks) then buys for her young son, Andy (Alex Vincent). When Chucky kills Andy's baby sitter, the boy realizes the doll is alive and tries to warn people, but he's institutionalized. Now Karen must convince the detective of the murderous doll's intentions, before Andy becomes Chucky's next victim.
Their are so many iconic scenes and iconic lines in this movie, that people remember till this day. Lines like...
"Well John it's been fun, but i gotta go, i have a date with a 6 year-old boy. ..."
"I bled and it hurt like a son of a bitch."
"We're friends 'til the end, remember?"
"This is the end, friend."
"Andy remember, friends stick together till the end".
"Hi, I'm Chucky wanna play?"
"I said talk to me, damn it. Or else I'll throw you in the fire."
"You stupid bitch! You filthy slut! I'll teach you to fuck with me!"
So many iconic lines and scenes, Child's play is a iconic late 80's horror movie that had many sequels afterwards.
If you havent seen child's play, than i highly recordmend watching this film.
Gareth von Kallenbach (980 KP) rated Ride Along 2 (2016) in Movies
Aug 6, 2019
Kevin Hart and Ice Cube reprise their roles in Ride Along 2 which hits theaters this weekend. In the sequel, Ben Barber (Kevin Hart) is a rookie cop seeking to prove his worth as he aspires to become a detective like his soon to be brother-in-law James, played by Ice Cube. After a stakeout to catch a local drug dealer doesn’t go as planned, due to Ben’s meddling, the two stumble upon a flash drive which leads them to Miami to investigate further. Once there, they find themselves facing off with an international drug and gun smuggler (Benjamin Bratt) with the help of tough Miami Detective, Maya Cruz (Olivia Munn).
Fans of the first film will not be disappointed in this sequel to the film which introduced us to the bumbling antics of Ben Barber and the seasoned veteran James Payton. Ride Along 2 succeeds where other “Buddy Cop” movies and sequels have failed in the past. There is great chemistry between Hart and Cube. The film features great comedic timing with the characters, as well as, a healthy amount of dramatic and relatable issues throughout. The jokes are fun, and, at times witty. The humor doesn’t look for the cheap laugh by recycling the same jokes from the previous film. The only real problem with the film is that the plot is too similar to the original in a number of ways. Ben finds himself wanting to prove he deserves to be a cop, not only to himself, but to James, as well.
They find themselves trying to bring down a criminal empire all by the end of the week when Ben is set to marry James’ sister. Despite some of the moments being a bit far-fetched, the film does not rely too many references to the original in order for people to follow along with the story. It can easily stand alone. Fans of the first film, as well, as those who love a good Police themed comedy will enjoy the ride. Hopefully, the Brothers-in-law will return for a third film.
Fans of the first film will not be disappointed in this sequel to the film which introduced us to the bumbling antics of Ben Barber and the seasoned veteran James Payton. Ride Along 2 succeeds where other “Buddy Cop” movies and sequels have failed in the past. There is great chemistry between Hart and Cube. The film features great comedic timing with the characters, as well as, a healthy amount of dramatic and relatable issues throughout. The jokes are fun, and, at times witty. The humor doesn’t look for the cheap laugh by recycling the same jokes from the previous film. The only real problem with the film is that the plot is too similar to the original in a number of ways. Ben finds himself wanting to prove he deserves to be a cop, not only to himself, but to James, as well.
They find themselves trying to bring down a criminal empire all by the end of the week when Ben is set to marry James’ sister. Despite some of the moments being a bit far-fetched, the film does not rely too many references to the original in order for people to follow along with the story. It can easily stand alone. Fans of the first film, as well, as those who love a good Police themed comedy will enjoy the ride. Hopefully, the Brothers-in-law will return for a third film.
Gareth von Kallenbach (980 KP) rated Mr. Holmes (2015) in Movies
Aug 6, 2019
The new Roadside Attractions film Mr. Holmes is a new twist on an age-old story.
We first see Sherlock Holmes (Ian McKellan) in a train voyage with a package, and we don’t know to or from where he’s going or why.
The entire movie is full of flash backs and multiple time frames of the same mans life, as he tries to piece together memories that seem to lie just beyond his ability to recollect
Holmes has retired from his detective business and is cared for by widowed housekeeper Mrs. Munro (Laura Linney) and her young son Roger (Milo Parker).
Roger is quick witted and interested in anything Holmes might be able to teach him, and throughout the movie their relationship moves from one of strained and grumpy acceptance (on the part of Holmes) to one of grandfatherly love. It is a beautiful relationship that develops between the two, and makes the near -disaster that occurs at the end of the film even more heart wrenching.
It is of utmost importance to Holmes that he remember the details of his last case, 30 years prior, that apparently caused him to close up shop as a detective and retire to the coast. The trip we see him on in the opening scene turns out to be a trip to Japan to meet with Mr. Umezaki (Hiroyuki Sanada) who helped him search for, and ultimately find, a plant (prickly ash) said to have curative powers for memory problems.
Holmes plays both the role of his younger self and as the 93 year old man with advancing Alzheimer’s very very well. I believed the character as a 60 year old and just as much as a 93 year old.
The film felt a little bit long, and there were a few slow spots but overall it flowed very well despite all the jumping around in time & place, and it wove together the stories past & present to tell a cohesive and interesting tale. It built relationships between the main characters and I could see the bond between Holmes and Roger, and even the somewhat prickly Mrs. Munro growing throughout the film.
I would give this film 4 out of 5 stars.
We first see Sherlock Holmes (Ian McKellan) in a train voyage with a package, and we don’t know to or from where he’s going or why.
The entire movie is full of flash backs and multiple time frames of the same mans life, as he tries to piece together memories that seem to lie just beyond his ability to recollect
Holmes has retired from his detective business and is cared for by widowed housekeeper Mrs. Munro (Laura Linney) and her young son Roger (Milo Parker).
Roger is quick witted and interested in anything Holmes might be able to teach him, and throughout the movie their relationship moves from one of strained and grumpy acceptance (on the part of Holmes) to one of grandfatherly love. It is a beautiful relationship that develops between the two, and makes the near -disaster that occurs at the end of the film even more heart wrenching.
It is of utmost importance to Holmes that he remember the details of his last case, 30 years prior, that apparently caused him to close up shop as a detective and retire to the coast. The trip we see him on in the opening scene turns out to be a trip to Japan to meet with Mr. Umezaki (Hiroyuki Sanada) who helped him search for, and ultimately find, a plant (prickly ash) said to have curative powers for memory problems.
Holmes plays both the role of his younger self and as the 93 year old man with advancing Alzheimer’s very very well. I believed the character as a 60 year old and just as much as a 93 year old.
The film felt a little bit long, and there were a few slow spots but overall it flowed very well despite all the jumping around in time & place, and it wove together the stories past & present to tell a cohesive and interesting tale. It built relationships between the main characters and I could see the bond between Holmes and Roger, and even the somewhat prickly Mrs. Munro growing throughout the film.
I would give this film 4 out of 5 stars.
Gareth von Kallenbach (980 KP) rated The Raven (2012) in Movies
Aug 7, 2019
In this dark thriller, Edgar Allan Poe (John Cusack) is forced to assist a young detective to track down a mad serial killer when it becomes obvious that the inspiration for the murders are Poe’s own literary works.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
This fictionalized account of the last days of Edgar Allan Poe’s life begins with the brutal murder of a mother and daughter. Inspector Emmett Fields (Luke Evans) finds something oddly familiar about the crime scene and his research leads him to a story written by Poe. A struggling writer on his way to becoming the local drunkard, Poe is brought in for questioning just as another murder is discovered, again one that mirrors one of the author’s grisly stories.
Because it’s his stories that the murderer’s recreating, Poe becomes Field’s reluctant assistant in hunting down the serial killer. But when it appears Poe’s fiancee (Alice Eve) may become the murderer’s next victim, the stakes become even greater, and now it’s the murderer who’s inspiring the writer and inventor of the detective story genre to do some of his best sleuthing work.
While the cat-and-mouse element of the movie kept me in suspense, the movie itself was void of the dark drama one would expect of a movie about Edgar Allen Poe, even a fictionalized account. Even with the detailed attention to the look of 19th century Baltimore, it wasn’t enough to help Cusack’s lightweight portrayal of Poe. Many times I wondered if Evans would have been better cast as the grim, moody writer.
What I actually appreciated most about the movie was the lyrical dialogue, the clever, poetic word usage of yesteryear. Although, there were some minor slips that made me wonder if the scriptwriter or actor forgot which century they were in. I did not have high expectations for this movie, so it truly did not disappoint. With a 111 minute runtime, “The Raven” has just enough mystery to keep one guessing, however it felt a bit rushed at the end. Up against more lively competition this weekend, this may be one to save for a DVD rental.
Ghost Files: The Face of Guilt
Games and Stickers
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FANTASTIC HIDDEN OBJECT PUZZLE ADVENTURE GAME FROM THE CREATORS OF ENIGMATIS AND GRIM LEGENDS! ...
A A. Milne: His Life
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A.A. Milne is one of the most successful English writers ever. His heart-warming...