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These Shallow Graves
8.0
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From Jennifer Donnelly, the critically acclaimed New York Times bestselling author of A Northern...
Merissa (12894 KP) rated Uncivil Wars (BBS #2) in Books
Apr 16, 2023
As the synopsis states, this starts about six months after Loyalties finishes. Life has sort of settled down for the Pack but that is all about to change. The catalyst for this is Cole as he decides he doesn't want to be without his wife any longer. He sets a ball rolling that will take you on a wild and emotion-packed story. The Pack continues to grow, with new characters like Selene, Jake and Collette, who have their own story to tell. We learn more about Diego and Olivia, their individual and joint pasts, the decisions they have made, and the consequences that still need to be faced.
Although this book is long - in fact, they all are - you will still be left wanting more. You won't realise just how long you've been reading, every interruption will be met with gritted teeth, and every opportunity to read will be grasped.
The book leads up to a big climax that does, however, have a cliffhanger ending. Now before you think that this is a normal battle, just remember how the books are written. It is intense, real, gritty and dirty. It is exactly how you would imagine to be! It will make your heart pound faster, as your breath catches in your throat. Trust me, by the time it actually finishes, you will be glad for a rest, if only to get your pulse back to normal.
Absolutely fantastic, thrilling and emotional, I really can't recommend this highly enough.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 30, 2015
Although this book is long - in fact, they all are - you will still be left wanting more. You won't realise just how long you've been reading, every interruption will be met with gritted teeth, and every opportunity to read will be grasped.
The book leads up to a big climax that does, however, have a cliffhanger ending. Now before you think that this is a normal battle, just remember how the books are written. It is intense, real, gritty and dirty. It is exactly how you would imagine to be! It will make your heart pound faster, as your breath catches in your throat. Trust me, by the time it actually finishes, you will be glad for a rest, if only to get your pulse back to normal.
Absolutely fantastic, thrilling and emotional, I really can't recommend this highly enough.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 30, 2015
Lyndsey Gollogly (2893 KP) rated Dirty Game (Annie Carter #1) in Books
Oct 27, 2021
178 of 250
Book
Dirty Game (Annie Carter book 1)
By Jessie Keane
Once read a review will be written via Smashbomb and link posted in comments
Adultery, murder and dangerous love collide in Jessie Keane's gritty debut novel. For longer than she cares to remember Annie Bailey has lived in the shadow of her older sister Ruthie. Now Ruthie has her hands on Max Carter, the much feared head of the Carter family and a top class villain. Seducing Max wasn't a problem, but the guilt, shame and anger of rejection afterwards was. Thrown onto the streets Annie finds herself living with Celia, a wayward aunt with a shocking secret. As the months pass Annie's resourceful nature sees her mature and carve out a life for herself, albeit not legal. But if you play with fire, you can expect to get burned and her lavish new lifestyle and connections may be about to come crashing down around her. Annie has unwittingly placed herself between two rival gangs and upset too many people, and these kind of people don't forget. But as everyone knows, Annie Bailey is no ordinary woman.
Growing up I was always fascinated with London gangs especially the Krays so this was right up my street. Jessie writes brilliantly about a hard ,fast paced and violent lifestyle. I love Annie’s journey in this book and can’t wait to read more. It’s brilliantly written and so similar to Martina Cole (I’m not sure who came first I just found Martina first!) the whole work surrounding these characters is violent and intricate, what I love in this one is the slight twist at the end! Highly recommend to those who love this style of writing.
Book
Dirty Game (Annie Carter book 1)
By Jessie Keane
Once read a review will be written via Smashbomb and link posted in comments
Adultery, murder and dangerous love collide in Jessie Keane's gritty debut novel. For longer than she cares to remember Annie Bailey has lived in the shadow of her older sister Ruthie. Now Ruthie has her hands on Max Carter, the much feared head of the Carter family and a top class villain. Seducing Max wasn't a problem, but the guilt, shame and anger of rejection afterwards was. Thrown onto the streets Annie finds herself living with Celia, a wayward aunt with a shocking secret. As the months pass Annie's resourceful nature sees her mature and carve out a life for herself, albeit not legal. But if you play with fire, you can expect to get burned and her lavish new lifestyle and connections may be about to come crashing down around her. Annie has unwittingly placed herself between two rival gangs and upset too many people, and these kind of people don't forget. But as everyone knows, Annie Bailey is no ordinary woman.
Growing up I was always fascinated with London gangs especially the Krays so this was right up my street. Jessie writes brilliantly about a hard ,fast paced and violent lifestyle. I love Annie’s journey in this book and can’t wait to read more. It’s brilliantly written and so similar to Martina Cole (I’m not sure who came first I just found Martina first!) the whole work surrounding these characters is violent and intricate, what I love in this one is the slight twist at the end! Highly recommend to those who love this style of writing.
Phillip McSween (751 KP) rated Pootie Tang (2001) in Movies
May 3, 2018
Dare You Not to Like it
Platinum recording artist Pootie Tang (Lance Crouther) has to figure out how to get his mojo back after the scandalous Ireenie (Jennifer Coolidge) steals his magical belt that is the source of both his power and swag. Sound dumb? Well, it is. But it's damn funny and I challenge anyone not to laugh without cracking up at the absurdity of it all.
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
BankofMarquis (1832 KP) rated Reminiscence (2021) in Movies
Aug 24, 2021
Needed a better Director - like one of the Nolan boys
Christopher Nolan is one of the greatest Directors of our time usually making films that have an attribute of time in them. His brother, Jonathan Nolan, has had a hand in most of his brother’s terrific works as well as the creative force behind such “trippy” TV series as PERSON OF INTEREST and the recent revival of WESTWORLD. In both of these TV Series, Jonathan Nolan was assisted by his wife, Lisa Joy.
Lisa Joy has written and directed her own “trippy, play with time” film, REMINISCENCE that has quite a few of the hallmarks of a Christopher (or Jonathan) Nolan film - but it also has one very unsettling aspect to it - it plays like a twice over copy of something else.
REMINISCENCE is a classic neo-noir with our hero being smitten by the femme fatale which draws him into her world, where murder, criminal activities and low-lifes run rampant all with a downbeat tone.
This sounds like a terrific premise for a Christopher Nolan film, unfortunately, in the hands of Lisa Joy, it is like watching a local community theater production of a Broadway musical.
The first 1/3 of this film is one long, laborious setup for the tragedy that will unfold and it is told at an uninteresting snail’s pace. Reminiscence picks up a bit in the middle with a pretty good action scene - and plot twist - before squandering this momentum with mediocrity at the end.
Joy’s script - which was on Hollywood’s infamous “blacklist’ of scripts for many, many years (a list of screenplays that are generally praised, but for some reason or another have not been produced), is at the core of the problem. The dialogue is not very interesting and dripping with heavy film noire clichés. She does not follow the Hollywood doctrine of “show, don’t tell”. She TELLS the audience much, much more than is needed and never really gives the audience any credit for figuring things out for themselves.
For example, there is a “dirty cop” that is central to the plot (there always is in this type of film). So, how do the other characters in the film address him? “You’re the dirty cop…”
I’d laugh if I wasn’t so bored.
What DOES work in this film is the acting of Hugh Jackman (as our hero), Rebecca Ferguson (as the femme fatale) and - especially - Thandie Newton as the “Gal Friday” of Jackman’s. Someone needs to give this talented actress a true showcase of her talents.
Someone also needs to give good ol’ Cliff Curtis a vehicle for his talents - he is one of the most misused good performers in Hollywood and he is misused in this film as well.
And…don’t get me started on the special effects. If you are going to make a trippy, sci-fi, futuristic neo-noire thriller, you probably shouldn’t cut the corner on the special effects, but this film does that, amazingly.
But…with a good Director at the helm there is enough “good enough” here (especially in the acting) that you should be able to pull something decent out of it.
But…Joy is making her theatrical film directing debut - exactly the type of director that this film does not need. What this film needed wasn’t a rookie director like Joy, it needed a Nolan - either Jonathan or (preferably) Christopher to make this work. But, one will have to be contented with a copy of a copy.
And that’s just not good enough.
Letter Grade: C+ (the performances of the leads almost salvage things.
5 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Lisa Joy has written and directed her own “trippy, play with time” film, REMINISCENCE that has quite a few of the hallmarks of a Christopher (or Jonathan) Nolan film - but it also has one very unsettling aspect to it - it plays like a twice over copy of something else.
REMINISCENCE is a classic neo-noir with our hero being smitten by the femme fatale which draws him into her world, where murder, criminal activities and low-lifes run rampant all with a downbeat tone.
This sounds like a terrific premise for a Christopher Nolan film, unfortunately, in the hands of Lisa Joy, it is like watching a local community theater production of a Broadway musical.
The first 1/3 of this film is one long, laborious setup for the tragedy that will unfold and it is told at an uninteresting snail’s pace. Reminiscence picks up a bit in the middle with a pretty good action scene - and plot twist - before squandering this momentum with mediocrity at the end.
Joy’s script - which was on Hollywood’s infamous “blacklist’ of scripts for many, many years (a list of screenplays that are generally praised, but for some reason or another have not been produced), is at the core of the problem. The dialogue is not very interesting and dripping with heavy film noire clichés. She does not follow the Hollywood doctrine of “show, don’t tell”. She TELLS the audience much, much more than is needed and never really gives the audience any credit for figuring things out for themselves.
For example, there is a “dirty cop” that is central to the plot (there always is in this type of film). So, how do the other characters in the film address him? “You’re the dirty cop…”
I’d laugh if I wasn’t so bored.
What DOES work in this film is the acting of Hugh Jackman (as our hero), Rebecca Ferguson (as the femme fatale) and - especially - Thandie Newton as the “Gal Friday” of Jackman’s. Someone needs to give this talented actress a true showcase of her talents.
Someone also needs to give good ol’ Cliff Curtis a vehicle for his talents - he is one of the most misused good performers in Hollywood and he is misused in this film as well.
And…don’t get me started on the special effects. If you are going to make a trippy, sci-fi, futuristic neo-noire thriller, you probably shouldn’t cut the corner on the special effects, but this film does that, amazingly.
But…with a good Director at the helm there is enough “good enough” here (especially in the acting) that you should be able to pull something decent out of it.
But…Joy is making her theatrical film directing debut - exactly the type of director that this film does not need. What this film needed wasn’t a rookie director like Joy, it needed a Nolan - either Jonathan or (preferably) Christopher to make this work. But, one will have to be contented with a copy of a copy.
And that’s just not good enough.
Letter Grade: C+ (the performances of the leads almost salvage things.
5 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Bob Mann (459 KP) rated The Shallows (2016) in Movies
Sep 29, 2021
The Deathly Shallows, part 1
Every shark movie is inevitably compared (unfavourably) against Spielberg’s classic 1975 tourist-muncher. And “The Shallows” is no exception. But while not a 5-Fad classic, this flick comes pretty close by being hugely enjoyable and having a lot going for it.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Debbiereadsbook (1437 KP) rated Choose Me (Banger Trilogy #1) in Books
Jan 7, 2018
Awesome 5 star read
This is book ONE in the Banger trilogy, which was previously released as 7 part books. I was going to buy them, all 7 books, once they were all out, but life got in the way and I totally forgot about getting. Until I saw they were being rebranded and rereleased as a trilogy. They were released on Jan 1st 2018 and I purchased all three in one.
And let me ya!! You NEED all three before you start!! Seriosuly, DO NOT attempt these books til you have all three (book one is currently free Jan 6th 2018)
Because this will GRAB you and not let you go! Took me about 90 minutes, to read all 233 pages and I did not move for those 90 minutes!
And you know what?? I did not notice, it did not even occur to me til I was over half way through about something about the way this book is written
First Person
Multi Point of View
AND!
Present Tense!
So there I was, merrily reading away, about Katherine and her hunt, about Greyson and his personal affliction and about them doing naughty unexpected things to each other and it hits me! Like a freaking sledgehammer to the face! It hit me that this book, that grabbed me so well, is written in the PRESENT FLIPPING TENSE! For me to get way past half way, for that penny to drop, just shows you how engaging I found Katherine and Greyson.
It is explicit, it's down and dirty. It makes no apologies for being so either! It is, in places, emotional. Not quite the bawl your eyes out, more the kind I wanna stab Katherine's ex's eye out with a blunt pencil, but I have a feeling the bawling is to come. Oh yes, I know its-a-coming!
I Love Ms Lynne's work, and this is an excellent addition to her library.
Off to read book 2, Covet Me now.
5 full and sexy stars!
**same worded review will appear elsewhere**
And let me ya!! You NEED all three before you start!! Seriosuly, DO NOT attempt these books til you have all three (book one is currently free Jan 6th 2018)
Because this will GRAB you and not let you go! Took me about 90 minutes, to read all 233 pages and I did not move for those 90 minutes!
And you know what?? I did not notice, it did not even occur to me til I was over half way through about something about the way this book is written
First Person
Multi Point of View
AND!
Present Tense!
So there I was, merrily reading away, about Katherine and her hunt, about Greyson and his personal affliction and about them doing naughty unexpected things to each other and it hits me! Like a freaking sledgehammer to the face! It hit me that this book, that grabbed me so well, is written in the PRESENT FLIPPING TENSE! For me to get way past half way, for that penny to drop, just shows you how engaging I found Katherine and Greyson.
It is explicit, it's down and dirty. It makes no apologies for being so either! It is, in places, emotional. Not quite the bawl your eyes out, more the kind I wanna stab Katherine's ex's eye out with a blunt pencil, but I have a feeling the bawling is to come. Oh yes, I know its-a-coming!
I Love Ms Lynne's work, and this is an excellent addition to her library.
Off to read book 2, Covet Me now.
5 full and sexy stars!
**same worded review will appear elsewhere**
Connor Sheffield (293 KP) rated The Following - Season 1 in TV
Apr 28, 2017
Character Development (4 more)
Kevin Bacon
Joe Purefoy
Connections and references to Poe
An insight into the mind of shepherd and sheep
Excitement, Twists and Tension.
So if you read my review on 'The Raven' then you know my love for Edgar Allan Poe and how these stories use his work to create brilliant murder mysteries that keep you on your toes thinking about what might happen next.
However, this show is different, because you know who the murderers and the head of the cult are, but what makes this show so thrilling is trying to figure out what is going through Joe Carroll's (portrayed by Joe Purefoy, who is absolutely brilliant and charming) twisted mind when toying with ex-detective Ryan Hardy (portrayed by Kevin Bacon who also excels as a brilliantly charming character). One of my favourite aspects of this show is the on screen relationship between Kevin Bacon and Joe Purefoy because solo, they are entertaining but together they are very very tense and humorous which can make the audience feel uneasy at times.
The show is very graphic which might put off some viewers, but if a lot of blood and a lot of stabbing, quite often with the eyes in the first season, doesn't bother you that much then you may enjoy this show.
My favourite aspect of this show however, is that the writers delve into the minds of the shepherd and his sheep as it were. Joe Carroll is well written as a manipulative psychotic serial killer who is able to convince many young followers to do his dirty work and toy with Ryan Hardy, and yet they are given very strict instructions about what to do, how to do it, and when.
This is brilliantly written, beautifully shot for both the action sequences and the slow thought provoking sequences that help move the plot along, and to top it all off, each episode is a thrilling and exciting experience that lead you to a grand finale.
However, this show is different, because you know who the murderers and the head of the cult are, but what makes this show so thrilling is trying to figure out what is going through Joe Carroll's (portrayed by Joe Purefoy, who is absolutely brilliant and charming) twisted mind when toying with ex-detective Ryan Hardy (portrayed by Kevin Bacon who also excels as a brilliantly charming character). One of my favourite aspects of this show is the on screen relationship between Kevin Bacon and Joe Purefoy because solo, they are entertaining but together they are very very tense and humorous which can make the audience feel uneasy at times.
The show is very graphic which might put off some viewers, but if a lot of blood and a lot of stabbing, quite often with the eyes in the first season, doesn't bother you that much then you may enjoy this show.
My favourite aspect of this show however, is that the writers delve into the minds of the shepherd and his sheep as it were. Joe Carroll is well written as a manipulative psychotic serial killer who is able to convince many young followers to do his dirty work and toy with Ryan Hardy, and yet they are given very strict instructions about what to do, how to do it, and when.
This is brilliantly written, beautifully shot for both the action sequences and the slow thought provoking sequences that help move the plot along, and to top it all off, each episode is a thrilling and exciting experience that lead you to a grand finale.
Rachel King (13 KP) rated Halfway to the Grave (Night Huntress, #1) in Books
Feb 11, 2019
Well, I read this book in under twenty-four hours easily, and that is with two toddlers to keep me on my toes. With all of the positive reviews out there, I'm surprised it took me this long to get to this book, even despite the over-abundance of vampires in fiction literature.
Cat is like a Midwestern version of Buffy, with a healthy dose of vampire genetics to add to her coolness. Bones' style, looks, and British accent remind me of Spike, so he quickly became my favorite character in the book. These factors alone are enough to get me hooked on the series, but Frost's ability to write hot sex scenes without any of the cheesiness that is prevalent in the romance genre just adds to the appeal.
There were a few small things I did not like, such as the death of certain characters, but I can see how these events served to move the plot along. There were many unpredictable twists and turns in the plot that constantly had me guessing as to what would happen next - and reading to find out. The humor was very entertaining without becoming center-stage in the plot, and I especially loved the dynamics between Cat and Bones. I would have loved to read all two hours of dirty talk that Bones dished out to Cat as part of her training, his forthrightness with her regarding his feelings was intoxicating.
The ending was noble, but not what I would have preferred. Still, it sets up wonderfully for the next book, because I just know that Bones will be hunting Cat down like he promised. Plus, there is lots of untapped potential in Cat's abilities, and I have to wonder if she does not have the same abilities as other vamps with her green eyes. On to One Foot in the Grave (Night Huntress, Book 2)!
Cat is like a Midwestern version of Buffy, with a healthy dose of vampire genetics to add to her coolness. Bones' style, looks, and British accent remind me of Spike, so he quickly became my favorite character in the book. These factors alone are enough to get me hooked on the series, but Frost's ability to write hot sex scenes without any of the cheesiness that is prevalent in the romance genre just adds to the appeal.
There were a few small things I did not like, such as the death of certain characters, but I can see how these events served to move the plot along. There were many unpredictable twists and turns in the plot that constantly had me guessing as to what would happen next - and reading to find out. The humor was very entertaining without becoming center-stage in the plot, and I especially loved the dynamics between Cat and Bones. I would have loved to read all two hours of dirty talk that Bones dished out to Cat as part of her training, his forthrightness with her regarding his feelings was intoxicating.
The ending was noble, but not what I would have preferred. Still, it sets up wonderfully for the next book, because I just know that Bones will be hunting Cat down like he promised. Plus, there is lots of untapped potential in Cat's abilities, and I have to wonder if she does not have the same abilities as other vamps with her green eyes. On to One Foot in the Grave (Night Huntress, Book 2)!
Caffeinated Fae (464 KP) rated Things We Never Said in Books
May 7, 2019
Emotional roller coaster
I've been in a reading slump the past few weeks so I was excited that I could dive into the ARC of Samantha Young's newest book. I started reading Samantha Young back when she first published On Dublin Street, and I've been a fan ever since.
While reading this book, I finally was able to figure out what I love about Samantha Young's writing style, and it's the fact that each story reads like your best friend is telling you the story. It's almost like you sit down and spend 4 hours listening to your best friend's dirty jokes, setbacks, and love life. It's truly a fantastic experience. I love how conversational her books are, and I always feel like I'm saying goodbye to a friend when I finish a book. This book was no different.
Things We Never Said is the third in the Hart's Boardwalk series. We learn about Dahlia McGuire's past, her heartbreaks, and her family. Dahlia was never a character I connected to in the other books, so I was worried that I wouldn't enjoy it as much as her other books. Luckily, my hesitancy was misplaced. Not only did I start to connect with Dahlia as a character but I also truly enjoyed the plot. We got to see more of Dahlia's background, and I couldn't help but cry for her and her experiences.
I loved Dahlia's messy background, and I couldn't help but cry for her and her family. I enjoyed learning more about her history and see how she could overcome some of her hardships. With all of Samantha Young's books, the characters and relationships were the shining stars of this story. I think many readers will be able to connect with Dahlia and Michael. They were realistic, and I loved the character growth they both had to do throughout the book.
All in all, I'm giving this 4 1/2 Caffeinated Stars! The plot was interesting, the characters superb, and I really can't wait for the next book in the series.
While reading this book, I finally was able to figure out what I love about Samantha Young's writing style, and it's the fact that each story reads like your best friend is telling you the story. It's almost like you sit down and spend 4 hours listening to your best friend's dirty jokes, setbacks, and love life. It's truly a fantastic experience. I love how conversational her books are, and I always feel like I'm saying goodbye to a friend when I finish a book. This book was no different.
Things We Never Said is the third in the Hart's Boardwalk series. We learn about Dahlia McGuire's past, her heartbreaks, and her family. Dahlia was never a character I connected to in the other books, so I was worried that I wouldn't enjoy it as much as her other books. Luckily, my hesitancy was misplaced. Not only did I start to connect with Dahlia as a character but I also truly enjoyed the plot. We got to see more of Dahlia's background, and I couldn't help but cry for her and her experiences.
I loved Dahlia's messy background, and I couldn't help but cry for her and her family. I enjoyed learning more about her history and see how she could overcome some of her hardships. With all of Samantha Young's books, the characters and relationships were the shining stars of this story. I think many readers will be able to connect with Dahlia and Michael. They were realistic, and I loved the character growth they both had to do throughout the book.
All in all, I'm giving this 4 1/2 Caffeinated Stars! The plot was interesting, the characters superb, and I really can't wait for the next book in the series.