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Andy K (10821 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Sep 10, 2019
It started with a dog and a car...
If you are expecting to be wowed by unusual plot twists, stray from the formula or an exceptional screenplay then this isn't the film for you. If you are expecting all the elements that worked in the first two Wick tales, then this one will fill you up with a maelstrom of goodness!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
I do enjoy when a sequel picks up right when the other film ends which is the case with Wick 3. John has just defied his superiors by performing his usual routine of dispensing the baddies at the Continental hotel which has caused him to now be considered "excommunicado" or free reign for other villains to find and kill him. After a round or two of assassinations, John tries to get his footing and figure out what to do next.
Simultaneously, a strange woman shows up at the hotel telling the Manager he has 7 days to remove himself from the premises since he had allowed Wick to escape and aided him in doing so. The same ultimatum is given to the Bowery King among his rooftop full of birds.
John makes his way to Morocco and meets up with Sofia and her cool two attack dogs who help him get in front of another man who knows where the head of the High Table can be found. Wick ends up back in the US after wandering through the desert to have a final showdown with yet another mega posse of hooligans.
The "Wick" trilogy certainly is gushing with style, great looking facades and non stop action which lets me forgive the repetitive nature of this film of the trilogy especially. The screenplay won't win any awards especially the way Wick seems to wander through the story talking with random bystanders on his "quest" to fulfill his destiny. The Halle Berry character was not really necessary as I enjoyed seeing her killer attack dogs dive at opponents gonads more than seeing her shooting thugs the same as Wick.
The choreography is the reason we watch as it is like a ballet of bullets and this film does not disappoint there. This time we get an impressive knife throwing barrage as well as a sword fight motorcycle chase (both stunning) which keeps things interesting and moving quickly through the lack of an intricate plot.
There really isn't even an assigned antagonist other than maybe the Adjudicator, but even she has others perform her dirty work for her. I am assuming we will see more of her in John Wick 4 - 10.
No real complaints as the 130 minute run time rushed by and I was enthused the entire time other than when I was yelling at my dog every time she jumped down from sitting on me to watch other canines kicking human asses.
I think this was her favorite film of all time!
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Steve Fearon (84 KP) rated Lake Placid (1999) in Movies
Sep 5, 2018
The Toothless Croc Adventure that bit off more than it could chew
If you are big horror fan, like I am, then you will no doubt have seen and loved Jaws at some point.
The spectacular fear of something huge and unseen in the water, a perfectly evolved marine predator capable of tremendous power and speed, with a jaw size capable of cutting you in half.
Jaws hit on a very primal fear, that there is an unreasoning, prehistoric simplicity to the shark, that reminds us that until the last few thousand years, we were just another form of food for many creatures on this planet, and that we could be again, in the right circumstances.
It is this fear that also informs our love of Zombie movies, our disgust at cannibals and keeps us watching endless episodes of dirty, tired-looking people arguing in 'The Walking Dead'.
Where Jaws created a whole genre of horror in 'Killer Shark' movies, their reptilian counterparts have had to make do with a somewhat less successful series of outings, with Alligator, Croc etc
They just haven't quite hit our imagination in the same way, whether that be because of their comical waddle on land, or having watched an excited Australian man jumping all over them on TV (RIP Steve Irwin)...
Regardless, Lake Placid is the one that most remember from recent history, and having listened to a 'Horrow Show' Podcast on the film recently, I mentioned to my better half I wouldn't mind seeing it again, to see if it is as bad as it sounded.
Well last night, said better half suggested we watch it and boy oh boy...
So first off, Brendan Gleeson was by far the best thing about this movie, his one liners and grumpy demeanor were, for long periods, the best thing about this movie, shortly followed by the hilarious Betty White.
Stan Winstone, legendary physical creature effects maestro turns in some great stuff, and when they are dealing withe the physical creature, it is very effective but all too often they resort to CGI, which is passable but still tends to take you out of the moment..
Oliver Platt's casting as a crocodile expert playboy is amusing at first, then confusing and eventually just...well not laughable exactly as it isnt very funny, but strange certainly.
The movie languishes for long periods, focusing on the incredibly inert chemistry between leading lady Fonda, and wooden cardboard cut out Pullman, giving you poorly written rom com scripts where we signed up to see a giant Croc eat people.
Long story short, this movie is light on tension and action, heavy on clumsy exposition and strange casting choices, and it a poor relation to Jaws, which is more worthy of your time.
The spectacular fear of something huge and unseen in the water, a perfectly evolved marine predator capable of tremendous power and speed, with a jaw size capable of cutting you in half.
Jaws hit on a very primal fear, that there is an unreasoning, prehistoric simplicity to the shark, that reminds us that until the last few thousand years, we were just another form of food for many creatures on this planet, and that we could be again, in the right circumstances.
It is this fear that also informs our love of Zombie movies, our disgust at cannibals and keeps us watching endless episodes of dirty, tired-looking people arguing in 'The Walking Dead'.
Where Jaws created a whole genre of horror in 'Killer Shark' movies, their reptilian counterparts have had to make do with a somewhat less successful series of outings, with Alligator, Croc etc
They just haven't quite hit our imagination in the same way, whether that be because of their comical waddle on land, or having watched an excited Australian man jumping all over them on TV (RIP Steve Irwin)...
Regardless, Lake Placid is the one that most remember from recent history, and having listened to a 'Horrow Show' Podcast on the film recently, I mentioned to my better half I wouldn't mind seeing it again, to see if it is as bad as it sounded.
Well last night, said better half suggested we watch it and boy oh boy...
So first off, Brendan Gleeson was by far the best thing about this movie, his one liners and grumpy demeanor were, for long periods, the best thing about this movie, shortly followed by the hilarious Betty White.
Stan Winstone, legendary physical creature effects maestro turns in some great stuff, and when they are dealing withe the physical creature, it is very effective but all too often they resort to CGI, which is passable but still tends to take you out of the moment..
Oliver Platt's casting as a crocodile expert playboy is amusing at first, then confusing and eventually just...well not laughable exactly as it isnt very funny, but strange certainly.
The movie languishes for long periods, focusing on the incredibly inert chemistry between leading lady Fonda, and wooden cardboard cut out Pullman, giving you poorly written rom com scripts where we signed up to see a giant Croc eat people.
Long story short, this movie is light on tension and action, heavy on clumsy exposition and strange casting choices, and it a poor relation to Jaws, which is more worthy of your time.
Andy K (10821 KP) rated The Devil's Rejects (2005) in Movies
Oct 16, 2019
Chinese, Japanese, Dirty knees, look at these!
Shortly after the events of House of 1,000 Corpses, Sheriff Wydell and his band of deputies approach and surround the homestead occupied by everyone's favorite murderous, diabolical, psychotic family. Inside, lazy slumbering quickly turns to mounting a counter offensive when the family realizes what is about to happen. The ensuring shootout claims several victims before the aid of tear gas precedes a law enforcement home invasion. Unfortunately, only one family member is captured while Baby and Otis escape out the back. Baby calls their father, Captain Spaulding, to inform him of the pending doom on his way so he can meet up with them subsequently.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
Gareth von Kallenbach (977 KP) rated Outlaw King (2018) in Movies
Jul 2, 2019
After more than eight years of war with King Edward I of England (Stephen Dillane) the Scottish Nobles swear allegiance to the crown, ending the brutal. This includes Robert Bruce (Chris Pine) who is one of two men in line to be King of Scots. But by pledging his loyalty to they agree to be under the supervision of the Earl of Pembroke, Aymer de Valence (Sam Spruell). Robert’s father, Robert Bruce Senior (James Cosmo), had pushed for the peace with England but when he dies and the younger Robert is in charge a new fight for independence seems eminent. When the last remaining outlaw, William Wallace, is killed by the English Robert knows the time to fight is now. He decides to meet with his rival for the crown, John Comyn (Callan Mulvey), to have a united Scotland fighting for freedom. When Comyn denies Robert’s request and tells him he will use the information to be named King by Edward I, Robert kills him. This proves costly as it divides the Scottish Lords. Robert is determined and will take a small group loyal to him and fight one of the largest and most feared armies in the world.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
This film is based on historical events and follows Robert the Bruce in his guerilla warfare battle for independence against the English. The film definitely seemed to take some poetic license with the story, but overall it feels realistic. Set in the medieval Scotland this is both a gritty and beautifully shot film. The wide shots show the beautiful country and coasts of Scotland. Then the day to day life and the battle scenes are dirty and grimy. The film is a brutal as advertised not only in the battle scenes but also throughout the film. Director David Mackenzie (Hell or High Water, Starred Up) crafts a well thought out story that moves briskly along. I had a couple of issues with the CGI not being super realistic. One brutal scene where someone drawn and quartered, I’ll let you research that, and the body looks like a blob rather than a torso. There were also some awkward cut scenes that didn’t make sense to me. Really not making sense. The opening sequence of the film is done in one shot and might be one of the most impressively shot sequences I have seen in a movie in a long time. The performances are also really good. Billy Howie, Prince of Wales, is a good antagonist and Aaron Taylor-Johnson, James Douglas, is a marvelous madman protector of the Robert the Bruce.
I enjoyed this movie in the theater and think a Netflix view is going to be perfect. It is brutal so the faint of heart should be prepared to look away multiple times. It may get compared to another famous Scottish film from not too long ago and I think this is a nice update. But this is not that film, both in good and bad ways. I enjoyed my watching experience and will definitely catch it streaming on its release date.
Darren (1599 KP) rated CHIPS (2017) in Movies
Jul 25, 2019
Story: CHIPS starts as an undercover FBI agent Ponch (Pena) must joining the California Highway Patrol undercover with rookie officers Jon (Shepard) being his partner as Ponch must discover who is the dirty cop in the unit.
As the two are clearly complete opposites and Jon is the only one in the department that Ponch could trust to uncover the truth about the string of robberies.
Thoughts on CHIPS
Characters – Ponch is the FBI agent that is known for getting the cases closed even if the methods go across the lines, his latest case is becoming part of CHIPS to uncover a string of robberies that is believed to involve the members in the force. Joon is the former stunt man that wants to fix his marriage by joining the CHIPS team, he has had multiply injuries and will do anything to try and keep the job proving his worth to the force. These two are both very different and must put aside their difference to solve the crime. Ray Kruz is the main villain running the operation from within the force. We get plenty of different officers or agents from different levels of the police system which shows us who we will be dealing with through the film.
Performances – This is hard because saying anything bad about Michael Pena is upsetting, here he doesn’t hit the comedy we know he can and as for Dax Shepard we must be blaming him more because he wrote, directed and starred in this insulting comedy, we know he is good when given the right material, here he only lets us down. The rest of the cast just don’t get any moments to shine.
Story – The story here follows two unlikely cops that must work together to uncover who is behind a string of crimes from within the force. This is the simple part of the film, the problems start mounting up easily and quickly, first the humour is insulting for anything that happens as the characters are left doing sex, poop and more lazy sexist jokes. Considering this was a popular TV shows, I feel the creator must feel insulted with what we are given, this fails on capturing any of the Starsky and Hutch or 21 Jump Street humour we enjoyed and just becomes boring quickly, not adding any mystery to who is behind the crimes either.
Action/Comedy/Crime – The action in this film is lazy even if it is the only highlight of the film with a couple of the chases being the most interesting part of the film. the comedy is an insult to comedy while the crime world shows us only police corruption.
Settings – The film is set in LA, I think mostly to use the sewer system for the chases otherwise it could have been any city.
Scene of the Movie – Bike chase.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is one of the comedy movies you really should never be watching, it doesn’t get any laughs and just ends up being left feeling insulting.
Overall: This is why we don’t have comedy hits anymore.
As the two are clearly complete opposites and Jon is the only one in the department that Ponch could trust to uncover the truth about the string of robberies.
Thoughts on CHIPS
Characters – Ponch is the FBI agent that is known for getting the cases closed even if the methods go across the lines, his latest case is becoming part of CHIPS to uncover a string of robberies that is believed to involve the members in the force. Joon is the former stunt man that wants to fix his marriage by joining the CHIPS team, he has had multiply injuries and will do anything to try and keep the job proving his worth to the force. These two are both very different and must put aside their difference to solve the crime. Ray Kruz is the main villain running the operation from within the force. We get plenty of different officers or agents from different levels of the police system which shows us who we will be dealing with through the film.
Performances – This is hard because saying anything bad about Michael Pena is upsetting, here he doesn’t hit the comedy we know he can and as for Dax Shepard we must be blaming him more because he wrote, directed and starred in this insulting comedy, we know he is good when given the right material, here he only lets us down. The rest of the cast just don’t get any moments to shine.
Story – The story here follows two unlikely cops that must work together to uncover who is behind a string of crimes from within the force. This is the simple part of the film, the problems start mounting up easily and quickly, first the humour is insulting for anything that happens as the characters are left doing sex, poop and more lazy sexist jokes. Considering this was a popular TV shows, I feel the creator must feel insulted with what we are given, this fails on capturing any of the Starsky and Hutch or 21 Jump Street humour we enjoyed and just becomes boring quickly, not adding any mystery to who is behind the crimes either.
Action/Comedy/Crime – The action in this film is lazy even if it is the only highlight of the film with a couple of the chases being the most interesting part of the film. the comedy is an insult to comedy while the crime world shows us only police corruption.
Settings – The film is set in LA, I think mostly to use the sewer system for the chases otherwise it could have been any city.
Scene of the Movie – Bike chase.
That Moment That Annoyed Me – The comedy.
Final Thoughts – This is one of the comedy movies you really should never be watching, it doesn’t get any laughs and just ends up being left feeling insulting.
Overall: This is why we don’t have comedy hits anymore.
Darren (1599 KP) rated Live By Night (2017) in Movies
Jul 25, 2019
Story: Live by Night starts as we meet Joe Coughlin (Affleck) a former soldier in World War I, who returned to Boston to live the life of crime as an outlaw. When Joe gets blackmailed into killing his boss or risk having his boss learn about his secret affair with his girlfriend Emma (Miller) he finds himself in the middle of a battle he didn’t want a part of.
After the secret is revelled Joe is left for dead blamed for killing cops, after 3 years in jail he gets sent to Florida to track down Albert White, to stop his business and kill him for the new gangster running things in Boston.
With his being a success Joe ends up clashing with the Klux Klan while trying to continue to watch the money roll in to his bosses and even himself.
Thoughts on Live by Night
Characters – Joe Coughlin is our narrator our gangster, well reluctant gangster, forced into the world after his life as an outlaw gets him mixed up with the wrong people. We learn he is fantastic at handling himself in the meeting striking a deal and isn’t afraid to get his hands dirty. The other characters seem to just be in chapters of his life, Emma is in Boston being a love interest, while Graciela business partner and lover in Florida. Chief Figgis is the man that will let Joe conduct business and to be honest we don’t get to learn enough about them to care about.
Performances – Ben Affleck is the only lead performer in this movie, he is fine through the film, he doesn’t reach the levels we know he can. When you dive into the supporting cast we get a host of known names and even unknowns who get the same amount of time that are solid without anyone standing out.
Story – The story follows Joe Coughlin as he starts out as a thief and becomes a gangster, this should work and I would have been fine with this, the problems build up as we see how many different situations Joe must solve to get the next chapter of the story through, because we don’t get enough time to see the problems he must overcome and everything just becomes glimpses into the gangster life without doing anything new.
Action/Crime – We have plenty of shooting going on, though the final one does feel like a level of Grand Theft Auto. This does from us into a gangster heavy crime world where the prohibition is ongoing through America.
Settings – The settings place us in the prohibition era America, be it Boston or Florida nothing does seem out of place with these locations.
Scene of the Movie – Final shoot-out.
That Moment That Annoyed Me – Not giving us the time to know the supporting characters.
Final Thoughts – This is a messy gangster film, it has the moments of potential but in the end just jumps too fast to grab us to care about certain moments which do seem to have a bigger impact on the story.
Overall: Disappointing, ending Affleck’s streak behind the camera.
After the secret is revelled Joe is left for dead blamed for killing cops, after 3 years in jail he gets sent to Florida to track down Albert White, to stop his business and kill him for the new gangster running things in Boston.
With his being a success Joe ends up clashing with the Klux Klan while trying to continue to watch the money roll in to his bosses and even himself.
Thoughts on Live by Night
Characters – Joe Coughlin is our narrator our gangster, well reluctant gangster, forced into the world after his life as an outlaw gets him mixed up with the wrong people. We learn he is fantastic at handling himself in the meeting striking a deal and isn’t afraid to get his hands dirty. The other characters seem to just be in chapters of his life, Emma is in Boston being a love interest, while Graciela business partner and lover in Florida. Chief Figgis is the man that will let Joe conduct business and to be honest we don’t get to learn enough about them to care about.
Performances – Ben Affleck is the only lead performer in this movie, he is fine through the film, he doesn’t reach the levels we know he can. When you dive into the supporting cast we get a host of known names and even unknowns who get the same amount of time that are solid without anyone standing out.
Story – The story follows Joe Coughlin as he starts out as a thief and becomes a gangster, this should work and I would have been fine with this, the problems build up as we see how many different situations Joe must solve to get the next chapter of the story through, because we don’t get enough time to see the problems he must overcome and everything just becomes glimpses into the gangster life without doing anything new.
Action/Crime – We have plenty of shooting going on, though the final one does feel like a level of Grand Theft Auto. This does from us into a gangster heavy crime world where the prohibition is ongoing through America.
Settings – The settings place us in the prohibition era America, be it Boston or Florida nothing does seem out of place with these locations.
Scene of the Movie – Final shoot-out.
That Moment That Annoyed Me – Not giving us the time to know the supporting characters.
Final Thoughts – This is a messy gangster film, it has the moments of potential but in the end just jumps too fast to grab us to care about certain moments which do seem to have a bigger impact on the story.
Overall: Disappointing, ending Affleck’s streak behind the camera.