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LeftSideCut (3776 KP) rated Loki - Season 1 in TV
Jul 15, 2021
Contains spoilers, click to show
As another chapter within the MCU, Loki is a triumph. It manages to be a driving vehicle for Loki himself, boasting fantastic special effects, fun action scenes, that signature blend of drama and comedy. But beyond that, it's a wonderful character piece. Tom Hiddleston has been wonderfully cast as the titular anti-hero from the moment he first appeared in Thor. Since then, Loki has gone through a whole heap of double crossing, dying (multiple times), heroics, villainy, and everything in between. This series finds him a purpose and a place, and that place is Sylvie (Sophia Di Martino). Her role as a Loki variant makes their relationship both narcissistic and weirdly kind of sweet. Being the God of Mischief means that Loki is neither trusting, or trustworthy, but with Sylvie, all of his defences drop, and he's vulnerable. It's very well realised, and the chemistry between the two leads elevates the show tremendously. Owen Wilson is great as well, as is the the supporting cast, especially Wunmi Mosaku and Gugu Mbatha-Raw.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
As a deep dive into comic lore, Loki really excels. The TVA is quite a stretch as it is, but this series is brimming with deep cuts. Alioth, Miss Minutes, Throg (!), The mother-fucking Thanoscopter (officially MCU canon, fight me) and of course, the jump off point for the multiverse. The Loki variants we see in episode 5 (including a show stealing turn from Richard E. Grant) combined with the introduction of Alioth makes for one of the most entertaining episodes of anything I've ever watched. Throw in the various teases for Kang the Conqueror and it's a comic fans dream.
The series finale is wonderful. The appearance of Immortus/He Who Remains, and the very well done set up for Kang's inevitable arrival is perfect, and I can't wait to see more of Jonathan Majors going forward.
Overall, Loki really steps off the beaten path, even more so than Wandavision. It's full of fantastic character moments, great writing, and ultimately delivers another fantastic entry into this new phase for Marvel Studios, and as it stands, is my personal favourite of the Disney+ shows so far.
Neon's Nerd Nexus (360 KP) rated Dora and the Lost City of Gold (2019) in Movies
Aug 21, 2019
The last crusade
Dora And The Explorer And The Lost City Of Gold maybe this years biggest shocker. A mix of Tomb Raider & Indiana Jones this one really does hit you right in the nostalgia gland. After not knowing anything about this character what so ever I was seriously expecting to walk out this movie shortly after it began, so imagine my surprise when just 15 minutes in I found myself not only highly entertained but actually full on laughing constantly at all the jokes too. Ok so Im not really sure who this movie is aimed at to be honest as theres not much in here that will apeal to young kids bar the strange inclusion of two horribly animated cgi characters (which I feel didn't fit at all with the look of the film & ruined the overall visual style of the movie). Dora the movie is also so self aware & full of strange adult humour/jokes that seemingly mock its own source material too which found hilarious. This along with how the overall tone was handled made such a fun & fresh aproach for a kids film that made it exciting & enjoyable to watch. Visually its beautiful with such vibrancy & vastness that sets feel alive/exciting to explore. They really captured the sense of adventure & discovery here & although most of the film is just a re-skin of Indiana jones and the last crusade it never felt stale or any less thrilling bringing back the same feelings I had while watching those films way back when I first saw them in my youth. Cast wise everyone one does a smashing job at over acting which only adds to the tone & humour with Michael Pena owning every scene he's in with his energy alone. Miles better than the last Tomb Raider & Indy films & filled with such randomness, strangeness, 4th wall breaking & fun Dora is a film recent Disney movies could learn a thing or to from, its genuinely hilarious, has great production values, a decent sense of threat, positive messages about leaving your comfort zone & a smart self awareness making it a really enjoyable watch. Oh & that Danny Trejo cameo 😂
BankofMarquis (1832 KP) rated The Iron Giant (1999) in Movies
Jun 14, 2020
A Warm Tale of Friendship
In the 1990's, it was rare for a studio besides Disney to release an animated film. So when Warner Brothers (home of Bugs Bunny) decided to release an animated film, everyone expected it to be some sort of "Looney Tunes" and were sorely disappointed when it was not.
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
The Son of Neptune (The Heroes of Olympus #2)
9.1
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Seven half-bloods shall answer the call, To storm or fire the world must fall. An oath to keep...
Collectors: Movies, Games, Books, Comics, Music
Catalogs, Comics and Reference
5.3
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Catalog, collect, inventory, organize, and manage your own database of movies, books, video games,...
Merissa (13353 KP) rated Fix Up (Patch Up #2) in Books
Apr 10, 2023
I really can't put into words how much I love this book! I thought book 1, Patch Up, was brilliant and the second could never top that. I was wrong, so wrong. This is an emotionally packed wallop of a book that once you pick it up, you won't be able to put down.
Skye is recovering from her ordeal and has agreed to see a psychologist. It turns out though that her psychologist is a lot younger than she was expecting although he was chosen specifically by the practice as they thought it might help Skye more. She feels uncomfortable telling anyone how young he is so keeps it to herself. She does start to recover but as with anything, it is one step forward and two back.
As she recovers, Duke is slowly coming apart. He needs his own recovery from what happened to Skye and things in his past. He is trying to give her space, which he also needs, but at the same time wants her more than anything. I personally thought that Duke should have gone for counselling too but maybe he did and I missed it with my tears!
How these two work it through, hurting each other in the process, had me in tears on more than one occasion. I honestly didn't think they would get a HEA which about killed me as I really wanted them to. The heartbreak that comes through every word will punch you in the chest. Seriously, if you want a fluffy romance, read a Disney book. This is the real stuff - heartache, terror, jealousy, insecurity - it's all here and it takes you every step of the way.
This is a perfect duet and one that I will be keeping and re-reading! I really can't recommend this highly enough. Book 3, Change Up, is on my wishlist and I'm hoping Santa will take a hint!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
July 23, 2016
Skye is recovering from her ordeal and has agreed to see a psychologist. It turns out though that her psychologist is a lot younger than she was expecting although he was chosen specifically by the practice as they thought it might help Skye more. She feels uncomfortable telling anyone how young he is so keeps it to herself. She does start to recover but as with anything, it is one step forward and two back.
As she recovers, Duke is slowly coming apart. He needs his own recovery from what happened to Skye and things in his past. He is trying to give her space, which he also needs, but at the same time wants her more than anything. I personally thought that Duke should have gone for counselling too but maybe he did and I missed it with my tears!
How these two work it through, hurting each other in the process, had me in tears on more than one occasion. I honestly didn't think they would get a HEA which about killed me as I really wanted them to. The heartbreak that comes through every word will punch you in the chest. Seriously, if you want a fluffy romance, read a Disney book. This is the real stuff - heartache, terror, jealousy, insecurity - it's all here and it takes you every step of the way.
This is a perfect duet and one that I will be keeping and re-reading! I really can't recommend this highly enough. Book 3, Change Up, is on my wishlist and I'm hoping Santa will take a hint!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
July 23, 2016
Movie Metropolis (309 KP) rated Rogue One: A Star Wars Story (2016) in Movies
Jun 10, 2019
The 2nd best star wars film
The Star Wars universe just got a whole lot bigger. When Rogue One: A Star Wars Story was announced by Disney a couple of years ago, diehard fans of the sci-fi saga met the news with a huge dose of scepticism.
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
After all, the prequel trilogy was an unmitigated disaster, doing all it could to destroy not only the greatest villain in the history of film, but the series itself. Then Gareth Edwards was announced as director, whose film credits include the brilliant Monsters and Godzilla, which was critically praised but received a lukewarm reception publically.
THEN Disney announced the film was undergoing “heavy” reshoots to its first cut, reportedly due to executives being unhappy with the finished product’s tone.
So it’s clear that it’s not been plain sailing for Rogue One, but that headline isn’t a misprint – the finished article is just that damn good. But why?
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
If you cast your minds back to 1977 and the release of A New Hope, Rogue One takes place just before those events, acting as a stop-gap between the ending of Revenge of the Sith and the film that started it all.
A cast that includes Felicity Jones, Forest Whitaker, Diego Luna, Ben Mendelsohn and Mads Mikkelsen all gel together incredibly well to form one of the most coherent ensemble groups the galaxy has ever seen. Not since the introduction of Han, Chewie, Luke and Leia has the Star Wars franchise been so superbly kept afloat. Jones in particular is excellent and adds yet another leading lady to a franchise that loves putting women at the forefront, and rightly so.
Elsewhere, the cinematography is sublime. Director Gareth Edwards is renowned for his stunning shot choices and Rogue One is no exception. The intense variety of planets created from photo-realistic CGI and real landscapes adds an immersive quality that it has to be said, was lacking somewhat in The Force Awakens.
Then there is the much publicised return of Lord Vader. The aforementioned villain has been playing heavy on the minds of Star Wars fans for years after he was ridiculously robbed of any street cred at the climax of Revenge of the Sith. Mercifully, Edwards keeps his appearances to but a few, though he does loom heavy throughout the course of the film’s 133 minute running time, and returns to the dark presence he once was – it’s also nice to see James Earl Jones returning to the series.
There are Star Wars easter eggs abound, some only noticeable to diehards, whilst others smack you in the face with their lack of subtlety – though each and every one is placed at a point where the film feels better because of it. I’m not going to mention any by name, but a couple of old faces received cheers from the audience.
Any negatives? Well, Forest Whitaker’s Saw Gerrera fails to make a lasting impact and feels a little too much like executives wanted to shoehorn the Clone Wars television series into the film, and as much as it pains me to say, Michael Giacchino’s bombastic score, whilst brimming with nostalgia, doesn’t hit the right notes 100% of the time – with some musical elements feeling a little out of place with what is occurring on the screen.
Then there’s the dreaded reshoots. Well, they’re not noticeable… unless you’ve been watching the trailers, from which there are numerous scenes that aren’t included in the final cut. That’s a shame, though they’ll feature on the extended edition that will no doubt follow when the film is released on DVD and Blu-Ray.
Overall, Rogue One is better than anyone could have hoped. 2016 has been one of the worst years in decades for disappointing blockbusters and as it nears its end, we have one of the best yet. Smartly written with a heartfelt and engaging story, it adds a new and exciting layer to the Star Wars saga, and what’s even more impressive is its ability to make A New Hope a better film because of its existence.
https://moviemetropolis.net/2016/12/16/the-2nd-best-star-wars-film-rogue-one-review/
Lee (2222 KP) rated The Lion King (2019) in Movies
Jul 20, 2019 (Updated Jul 20, 2019)
Disney's 1994 animated version of The Lion King was a huge hit. Not only did it win Academy Awards for original score (courtesy of the amazing Hans Zimmer) but also for original song "Can You Feel the Love Tonight" by Elton John & Tim Rice. It also won a Golden Globe for Best Motion Picture - Musical or Comedy and went on to become a huge Broadway stage show in 1997, winning further awards and proving to be one of the most popular shows ever. Some movie sequels quietly came and went, along with a couple of TV series, but it's the original movie which is still loved by millions to this day. While Disney currently feels the need to rework their animated back catalogue, and with considerable advances in photorealistic computer animation technology, it was only a matter of time before The Lion King had it's turn in landing a remake.
Right now, I'm neither for or against this current wave of remakes. I don't think they're entirely necessary, but I've been pleasantly surprised by one or two of them so far, so I'm happy to give them my time for now. The Lion King is the third remake to emerge this year though, following the disappointing Dumbo and the not as bad as I was expecting Aladdin. The term 'live action' has been used to describe this version of The Lion King, although it's not really live - more of a CGI upgrade - and it's been getting a lot of negativity online too, more so than any other Disney remake so far. Most of the backlash appears to be down to the fact that this is a beloved film, with the remake being more of a shot by shot recreation than any of the others so far, supposedly rendering it unnecessary in the eyes of the haters. But, while I agree that the original is an incredible movie, that certainly didn't stop me, or millions of others, from going to view the stage show production of The Lion King - a retelling and re-imagining of the story and characters you know and love, just with a different set of tools to do the job. So, why not treat this new movie in the same way, at least until you've actually seen it? And, even if you do hate the new version, the original is still going to be there for you to enjoy afterwards.
The story here, as mentioned earlier, is the same as the original movie, with a pretty impressive cast lending their voices to the characters. We follow young lion cub Simba (JD McCrary), who is destined to succeed his father, Mufasa (James Earl Jones reprising his 1994 performance), as King of the African Pride Lands. But his uncle Scar (Chiwetel Ejiofor) has other plans, murdering Mufasa and forcing Simba into exile where he meets a warthog called Pumbaa (Seth Rogen) and a meerkat named Timon (Billy Eichner). As an adult, Simba (now voiced by Donald Glover) reconnects with childhood friend Nala (voiced by Shahadi Wright Joseph as a child, Beyoncé as an adult) and mandrill Rafkiki (John Kani) and returns to the Pride Lands in order to take his rightful place as King. The circle of life, etc...
The visuals are incredible. Director Jon Favreau, who also directed the 2016 version of The Jungle Book, has taken what was done on that movie to a whole new level here. But the imagery is both the movies strength and it's weakness. As we sweep across the African landscape, in and around the animals as they go about their lives, you feel as though you are in a beautifully well shot documentary, the animals are that realistic. But that realism also means that animals cannot realistically convey human expressions or emotions, and there's a lot to be conveyed in the story of The Lion King - laughter, anger, sadness - and the majority of the voice cast cannot seem to stop it all from just feeling a bit flat and lifeless.
The first half meanders along, hitting all the right beats and songs from the original, but never really feeling like an improvement on it. And then Timon and Pumbaa arrive on the scene, providing much needed laughs and proving to be the movie's saviours. The film finds its feet, lightens up a little and becomes more enjoyable for its remainder, but it isn't enough. This is yet another remake where it's all style and not enough substance. Worth seeing, but certainly not better than the original.
https://www.cinechat.co.uk/the-lion-king-2019-review/
Right now, I'm neither for or against this current wave of remakes. I don't think they're entirely necessary, but I've been pleasantly surprised by one or two of them so far, so I'm happy to give them my time for now. The Lion King is the third remake to emerge this year though, following the disappointing Dumbo and the not as bad as I was expecting Aladdin. The term 'live action' has been used to describe this version of The Lion King, although it's not really live - more of a CGI upgrade - and it's been getting a lot of negativity online too, more so than any other Disney remake so far. Most of the backlash appears to be down to the fact that this is a beloved film, with the remake being more of a shot by shot recreation than any of the others so far, supposedly rendering it unnecessary in the eyes of the haters. But, while I agree that the original is an incredible movie, that certainly didn't stop me, or millions of others, from going to view the stage show production of The Lion King - a retelling and re-imagining of the story and characters you know and love, just with a different set of tools to do the job. So, why not treat this new movie in the same way, at least until you've actually seen it? And, even if you do hate the new version, the original is still going to be there for you to enjoy afterwards.
The story here, as mentioned earlier, is the same as the original movie, with a pretty impressive cast lending their voices to the characters. We follow young lion cub Simba (JD McCrary), who is destined to succeed his father, Mufasa (James Earl Jones reprising his 1994 performance), as King of the African Pride Lands. But his uncle Scar (Chiwetel Ejiofor) has other plans, murdering Mufasa and forcing Simba into exile where he meets a warthog called Pumbaa (Seth Rogen) and a meerkat named Timon (Billy Eichner). As an adult, Simba (now voiced by Donald Glover) reconnects with childhood friend Nala (voiced by Shahadi Wright Joseph as a child, Beyoncé as an adult) and mandrill Rafkiki (John Kani) and returns to the Pride Lands in order to take his rightful place as King. The circle of life, etc...
The visuals are incredible. Director Jon Favreau, who also directed the 2016 version of The Jungle Book, has taken what was done on that movie to a whole new level here. But the imagery is both the movies strength and it's weakness. As we sweep across the African landscape, in and around the animals as they go about their lives, you feel as though you are in a beautifully well shot documentary, the animals are that realistic. But that realism also means that animals cannot realistically convey human expressions or emotions, and there's a lot to be conveyed in the story of The Lion King - laughter, anger, sadness - and the majority of the voice cast cannot seem to stop it all from just feeling a bit flat and lifeless.
The first half meanders along, hitting all the right beats and songs from the original, but never really feeling like an improvement on it. And then Timon and Pumbaa arrive on the scene, providing much needed laughs and proving to be the movie's saviours. The film finds its feet, lightens up a little and becomes more enjoyable for its remainder, but it isn't enough. This is yet another remake where it's all style and not enough substance. Worth seeing, but certainly not better than the original.
https://www.cinechat.co.uk/the-lion-king-2019-review/
