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Gareth von Kallenbach (971 KP) rated Raya and the Last Dragon (2021) in Movies
Mar 1, 2021
In a magical land known as Kumandra; Humans and Dragons co-exist in harmony. When a threat in the form of creatures known as Druun arrive and threaten to destroy everything; the Dragons combine their power to defeat them but in doing so all but one of the Dragons remains.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
In the new Disney animated film “Raya and the Last Dragon”; audiences are introduced to the narrative of the story by Raya (Kelly Marie Tran), who tells that the world has become fractured and she is to blame. A sacred relic that the Dragons used to Defeat the Druun has given her kingdom prosperity but the surrounding kingdoms all named after various parts of a Dragon are envious of their position.
When Raya’s father Chief Benja (Daniel Dae Kim); attempts to unite the other kingdoms, a tragic betrayal results in the relic becoming fractured with each kingdom taking a fragment. As if this situation was not bad enough; the fracturing of the relic ushers in the return of the Druun and they quickly resume turning everything not protected by a barrier of water to stone.
The story then jumps years into the future where Raya and her faithful companion Tuk Tuk (Alan TudyK) are searching the rivers of the kingdoms in an effort to find the location where the last Dragon Sisu (Awkwafina) is rumored to have been sleeping for 500 years.
Raya is eventually able to locate Sisu who is a very playful and animated creature and the two set off to save the day by obtaining the missing fragments through any means necessary. Naturally, their journey will be filled with dangers, adventure, and humor, as the various kingdoms have their own unique visual style and characters; some of whom join with Raya on her quest to provide much-needed support, perspective, and at times; humor.
The movie is visually amazing as the artists clearly were inspired to create a world that combines elements of many Asian cultures yet has its own unique traits. I marveled at the details of the water and ripples and how the railings on a boat showed uneven discoloration and wear in just a casual scene where the characters talked. It is this attention to detail that really adds to the magic of the film as well as the immersion into fantasy.
The supporting cast was great and there are some characters I do not wish to spoil who practically steals every scene in which they are in. My wife and I were captivated from the very start as Disney has created a film that embodies much of their classic themes and yet expands upon them to create a film the entire family will enjoy.
The movie will be released in cinemas and via a paid option for Disney+ subscribers. We attended a press screening at a cinema; our first in almost a year and found the setup to be very safe and it was amazing to see such visual splendor on a big screen.
Disney has once again created a new classic and has given audiences the magic that they are known for at a time when it is most needed.
4 stars out of 5.
Ridley Plays 1: The Pitchfork Disney; the Fastest Clock in the Universe; Ghost from a Perfect Place
Book
This volume contains Ridley's first three plays, which heralded the arrival of a unique and...
Movie Metropolis (309 KP) rated Christopher Robin (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A Future Classic
The characters of Pooh, Eeyore, Piglet and Tigger are synonymous with the childhood of millions of adults across the globe. A.A. Milne’s classic creatures are etched into the memories of many, passed down through generations with tatty old story books and stuffed animals.
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Their film history is a little more chequered. True box-office domination has eluded the little critters, until now at least. Rolling off the success of Paddington and its arguably even better sequel, Disney gets in on the action, the live-action that is, and brings Pooh and co to life in Christopher Robin. But does it work?
Christopher Robin (Ewan McGregor) – now a family man living in London – receives a surprise visit from his old childhood pal, Winnie-the-Pooh. With Christopher’s help, Pooh embarks on a journey to find his friends — Tigger, Eeyore, Owl, Piglet, Rabbit, Kanga and Roo. Once reunited, the lovable bear and the gang travel to London to help Christopher rediscover the joy of life.
With Marc Forster’s name attached to directing duties, you’d be forgiven for thinking he’d been hired simply to get the job done. After all, this is the same Marc Forster that brought us the perfectly adequate Quantum of Solace and the enjoyable if undistinguished World War Z. These aren’t the directing credits you’d expect when looking at a film involving a honey-loving bear in a red jumper.
Nevertheless, Forster proves us wrong. Christopher Robin is a sumptuous tale, beautifully realised with a script that makes us stop and look at the little things in life. Much like the film itself as it happens. Ewan McGregor was the ideal choice to play a world-weary Robin. At the brink of exhaustion and close to losing the truly important things in life – his wife (Hayley Atwell) and daughter (Bronte Carmichael), McGregor plays the part beautifully. Watching his inner-child slowly but surely rise to the surface is wonderful to see.
Elsewhere, the entire cast of voices used to bring our cuddly cast to life are absolutely spot on. Jim Cummings’ return as Pooh and Tigger brings a warm familiarity to proceedings and this was a nice touch by Disney to have him back behind the microphone. Toby Jones and former Doctor Who Peter Capaldi are also great as Owl and Rabbit respectively. Brad Garrett’s turn as Eeyore really couldn’t be more perfect.
Christopher Robin…is sure to be a future classic that can be passed down for generations
To look at, Christopher Robin really is sublime. The spectacular Sussex countryside is brought to life in the Hundred Acre Wood and the post-war setting of London lives and breathes right before your eyes. This is a film that draws you in as the script moves our cast from 1940s London, rich with smoke and smog, to lush countryside, heavy with dew and dripping in colour.
The CGI to bring Pooh, Piglet, Eeyore, Tigger, Kanga, Roo, Owl and Rabbit to life is nothing short of astounding. The way their fur moves in the wind feels so real and it is this depth that proves to be the film’s strongest suit. Using Disney’s seemingly unending source of funds, Marc Foster and his team have managed to create something truly astonishing.
Above all though, this is a film about the importance of family, and on that level it succeeds, and then some. While brief, the moments in which we see McGregor and his family spending time together, with Pooh and company in tow, are Christopher Robin’s most poignant. In typical Disney fashion, the film tugs on the heartstrings on more than one occasion, just enough to wipe away a solitary tear, but not enough to dig out the Kleenex.
Christopher Robin is another success for Disney’s live-action arm. With understated performances, very much similar to 2016’s remake of Pete’s Dragon, the House of Mouse has achieved something rather extraordinary. Yes, they’ve brought these wonderful characters back to life, but in a way that honours the books and stuffed animals we will have all grown up with. Unlike this year’s Peter Rabbit that destroyed the legacy of a much-loved literary character, Christopher Robin builds on that and is sure to be a future classic that can be passed down for generations.
https://moviemetropolis.net/2018/08/18/christopher-robin-review-a-future-classic/
Bob Mann (459 KP) rated Cruella (2021) in Movies
Jun 11, 2021
The two Emmas (2 more)
The rest of the ensemble cast
The technical team: cinematography, hair & make-up; costuming
An astonishing attack on the senses as Disney goes to the dark side.
Positives:
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
- The battle of the Emmas! It's really difficult to say who wins, since both Emma Thompson and Emma Stone give such fabulous performances here. You might think that Thompson steals a scene at one minute, only for Stone to come surfing in on a garbage truck and outdo her! I think it would be a surprise if both were not nominated for Actress and Supporting Actress Oscars for this.
- The supporting cast is also very strong. Paul Walter Hauser picks up the 'comedy villain' role as Horace Badun, and is so entertaining I could just about forgive his 'gor-blimey-guvnor' cockney accent: one that gives Dick Van Dyke a run for his money. Joel Fry - most recognisable to me as the useless roadie from "Yesterday" - plays the straight man in the duo, and does it very well. Mark Strong, cast against type as an evil henchman (#humour) is as good as always. And Kirby Howell-Baptiste and John McCrea round off the strong ensemble cast. But a particular shout-out I think should go to young Tipper Seifert-Cleveland who plays the young Estrella: she's way down the cast list, but I thought she gave a knock-out performance to ground the dramatic opening scenes of the movie.
- Technically, the film is marvellous and surely in line for a slew of technical Oscars next awards season. In fact, I think - even at this early point in the year - you would be a VERY brave person to bet against Cruella picking up the awards for Hair and Makeup (Nadia Stacey), Costume (Jenny Beavan and Tom Davies) and Production Design (Fiona Crombie). It's a stunning technical achievement - a real attack on the senses.
- The cinematography (Nicholas Karakatsanis) is also spectacular. A 'single-take' fly-through of the Liberty store from top to bottom is a tour-de-force, worthy of "1917"-style applause.
- And we should also add to this list a truly banging soundtrack from Nicholas Britell. Many of the tracks chosen - although regular visitors to cinema screen - catch the mood of the movie brilliantly and add to what is a joy-ride of a flick.
- The script is deliciously dark in places for a Disney film. Definitely NOT one for young children. Perhaps - given that it went down some of the roads it did, it could have been made EVEN BLACKER in places. (Did we REALLY need to see the Dalmatians again!) But some of the twists are delightful, especially 'mothageddon' which made me howl with laughter (even though I rather saw a variation of it coming).
Negatives:
- At 134 minutes, I felt the movie was a bit too long. There's a point (at about 100 minutes, where Emma Stone does her "I am Cruella" speech) which felt to me like the perfect end to a (first) film. I was delighted, happy and very content with the movie, thank-you very much. But then we dived back into the third reel. And, don't get me wrong, the ending was really entertaining. But, given that I suspect Disney KNEW that this was likely to be a big hit, I think a shorter film teasing for the sequel would have worked better.
Additional Notes:
- It's 12A certificate for a reason. Although a Disney, this is the dark-side of Disney and is not suitable for younger children.
- Yes, this one has a mid-credit scene - and for once its worth staying for: an introduction to two of the stars of the original cartoon that we haven't met yet, and for a rendition of a well-known tune (a TERRIBLE ear-worm that I've been quietly humming to myself ever since!).
Summary Thoughts on "Cruella": The cinema summer's still young, but it's already had some tricks up its sleeve. First "Nobody" came out of nowhere to delight me. And now, what a surprise! "Cruella" is a blisteringly funny, gloriously colourful and hugely entertaining blockbuster.
You'll know I'm not a fan of these Disney live-action re-imaginings of classic cartoons (although of course this one has previously had the Glenn Close treatment in two previous films in 1996 and 2000). But this is an origin story I really thought I didn't want... but now feel that I was wrong.
I've seen it described as "Devil Wears Prada meets Joker". The Prada analogy is well-deserved. But I'm not sure I agree with the Joker analogy. In Joker, our anti-hero was an everyman (albeit a disturbed one) driven to madness and anarchy by others. In Cruella, it's all inbred and that makes it perhaps even more deliciously dark. The fact that Disney released this - forewarned by a distinctly sombre and stormy castle logo at the start - is a minor miracle, and hopefully signs of more spice and adventure to come.
If you haven't caught it yet, it's highly recommended. As well as being in cinemas, its also available to buy on Disney+ streaming.
(Please check out the full graphical review at One Mann's Movies here - https://bob-the-movie-man.com/2021/06/11/cruella-an-astonishing-attack-on-the-senses-as-disney-goes-to-the-dark-side/. Thanks).
Danielle Chaplin (81 KP) rated To Kill a Kingdom in Books
Jun 1, 2019
Brilliant!
This is a truly unique and fantastic retelling of the Little Mermaid story, with our main character being a bloodthirsty siren that is forced into human form for disobeying the sea witch.
I loved that the characters weren't instantly attracted to each other, that the prince wasn't as nice as he could have been and that the siren had a backbone to her. The feelings and emotions displayed were well thought out and the story progressed well, however I feel that the relationships could have progressed more during the 'quest' and that the book had every right to be longer than what it was.
I could not put this book down and read it even whilst feeding my baby one handed so that I didn't lose any time in finding out what happens (even though it was a fair chance that it would either have a Disney happy ending or follow the classic fairy tale).
This is the perfect book for those that like alternative retellings of fairy tales and Christina Henry books.
I loved that the characters weren't instantly attracted to each other, that the prince wasn't as nice as he could have been and that the siren had a backbone to her. The feelings and emotions displayed were well thought out and the story progressed well, however I feel that the relationships could have progressed more during the 'quest' and that the book had every right to be longer than what it was.
I could not put this book down and read it even whilst feeding my baby one handed so that I didn't lose any time in finding out what happens (even though it was a fair chance that it would either have a Disney happy ending or follow the classic fairy tale).
This is the perfect book for those that like alternative retellings of fairy tales and Christina Henry books.
Dean (6925 KP) rated The Lion King (2019) in Movies
Jul 19, 2019 (Updated Jul 19, 2019)
Same story with different visuals
Yet another re-imaging update of a Disney classic. People will always have quite varied reactions to these films depending in how high regard they hold the original. So far they have been a bit hit and miss, with Dumbo the worst for me. This is more in line with the Jungle book, with the same director. The story is pretty much exactly the same as the original. The difference is the amazing life like animation of the animals. So good it will feel like a nature documentary at times, waiting for David Attenborough to narrate over.
The voice cast is OK with only James Earl Jones voice standing out as he has such a commanding tone. The songs were just ok for me and I think this is where most people might be disappointed with this version. Overall it's a good story still given a technically excellent make-over. Just maybe lacking a little charm here and there.
The voice cast is OK with only James Earl Jones voice standing out as he has such a commanding tone. The songs were just ok for me and I think this is where most people might be disappointed with this version. Overall it's a good story still given a technically excellent make-over. Just maybe lacking a little charm here and there.
David McK (3233 KP) rated The Lone Ranger (2013) in Movies
Sep 15, 2019 (Updated Feb 14, 2021)
"Hi Ho Silver away!"
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Gore Verbinski (Pirates of the Carribean) take on the classic Western for Disney, with Johnny Depp's Tonto pretty much playing the same character as his Captain Jack Sparrow, and with Armie Hammer taking on the role of The Lone Ranger.
Set as an elderly Tonto telling the story to a child visitor in a fairground in 1930s San Fransisco, this takes a while to get going (2hour 20 running time!), with a large part of the story settign the scene and the background to how the Lone Ranger came to be who he is/was.
Indeed, apart from a slight refrain at the beginning the stirring William Tell overture doesn't even get used until near the end of the movie (probably for the best, as an overuse would dilute its impact).
I also have to say that this is probably one for the big screen: the sweeping majestic shots of the Wild West do kind of lose their impact on a smaller TV screen!
Gareth von Kallenbach (971 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Jul 2, 2019
Kids growing up today don’t have the experience of a true arcade like some of us old folks do. Arcades as I knew them were loud (often smoke filled) establishments lined from one end to the other with all types of video games. Arcades these days reside mainly in pizza parlors with giant animatronic mice and consist mostly of ticket giving, skill-based games like skeeball and flippy coin games. Well, we now get a little bit of a nostalgic flashback as the Disney juggernaut does it again with Ralph Breaks the Internet, a delightful story about friendship, self-confidence and of course arcade games.
Ralph (John C. Reilly) has come a long way from his time as an arcade villain. He now spends his days working in his video game “Fix-It Felix Jr.” and his nights having fun with his adorable and talented bestie Vanellope (Sarah Silverman). Life just couldn’t be better, and Ralph is completely content living a structured and simple life. Vanellope, on the other hand, dreams of excitement and a change of pace, as she is growing tired of working in her game “Sugar Rush” since it’s always the same tracks and she wins every race. As the saying goes…be careful what you wish for. Things soon take a turn for the worse when Vanellope’s Sugar Rush game cabinet breaks causing mass upheaval in the world behind Litwak’s Arcade. The friends discover that the part to fix it can only be found on E-bay, so the two embark on a journey on the newly installed internet to find E-bay and get the part to fix the game.
Ralph and Vanellope find out that the internet is a vast and strange place and they quickly learn there is a much larger world outside their little arcade. On the internet there are new places to explore, new games to play and friends whose hearts are as large as the internet itself. The way the writers and animators portrayed how the actual websites work within the internet was simply spectacular. They nailed exactly how I believe E-bay works when I’m bidding on all those hard to find Disney items and I’m happy they finally confirmed that there is a Mr. KnowsMore behind the all-knowing Google search bar. They even gave purpose and heart to the ever-annoying internet pop-up ads and if that isn’t storytelling at its finest, I don’t know what is. The inner workings of the internet are brought to life in only a way that Disney could, and I loved every minute of it.
Not only did they superbly animate the World Wide Web, Ralph Breaks the Internet is also full of as much heart and charm as any Disney movie. The bond between Ralph and Vanellope is so strong that it sweetly radiates off the screen. There is also depth to the story as we get to see their relationship go through all the struggles and triumphs that form a true and lasting friendship. In pure Disney fashion, in the end there is a moral to the story where Ralph learns that a true friend is someone who is willing to let go, even when you don’t want to. The story was sweet as sugar and showed that things can always be fixed as long as you are true friends.
The animation is top-notch, with so many little nuances that I’m certain I didn’t catch them all the first time around. The animation in the scenes with the “casual” princesses and the little bit in the credits (you absolutely 100% must stay for the credits) with Fun Bun and Puddles make everything even more perfect. They also added little extra touches like when the friends go to Tapper’s bar to have a drink of Root Beer, the bartender’s movements are jerky and react exactly as he did in the actual arcade game. Speaking of characters there are so many represented, you may want to see this movie a couple of times just to see them all.
Ralph Breaks the Internet takes modern technology and blends it with memorable characters, an incredible story, and more Easter Eggs than you can shake a joystick at. Everyone from video game fans to Disney movie lovers will find something to enjoy. Disney definitely has another blockbuster on their hands and it will have no problem sitting proudly next to the likes of Beauty and the Beast or the epic Toy Story films. In Ralph Breaks the Internet, you will be laughing one minute and crying the next and it once again shows us how Disney can take any topic and turn it into a timeless classic. Make sure to race to your nearest theater on November 21, 2018 when Ralph Breaks the Internet comes crashing into theaters everywhere. You’ll be happy that you did.
Ralph (John C. Reilly) has come a long way from his time as an arcade villain. He now spends his days working in his video game “Fix-It Felix Jr.” and his nights having fun with his adorable and talented bestie Vanellope (Sarah Silverman). Life just couldn’t be better, and Ralph is completely content living a structured and simple life. Vanellope, on the other hand, dreams of excitement and a change of pace, as she is growing tired of working in her game “Sugar Rush” since it’s always the same tracks and she wins every race. As the saying goes…be careful what you wish for. Things soon take a turn for the worse when Vanellope’s Sugar Rush game cabinet breaks causing mass upheaval in the world behind Litwak’s Arcade. The friends discover that the part to fix it can only be found on E-bay, so the two embark on a journey on the newly installed internet to find E-bay and get the part to fix the game.
Ralph and Vanellope find out that the internet is a vast and strange place and they quickly learn there is a much larger world outside their little arcade. On the internet there are new places to explore, new games to play and friends whose hearts are as large as the internet itself. The way the writers and animators portrayed how the actual websites work within the internet was simply spectacular. They nailed exactly how I believe E-bay works when I’m bidding on all those hard to find Disney items and I’m happy they finally confirmed that there is a Mr. KnowsMore behind the all-knowing Google search bar. They even gave purpose and heart to the ever-annoying internet pop-up ads and if that isn’t storytelling at its finest, I don’t know what is. The inner workings of the internet are brought to life in only a way that Disney could, and I loved every minute of it.
Not only did they superbly animate the World Wide Web, Ralph Breaks the Internet is also full of as much heart and charm as any Disney movie. The bond between Ralph and Vanellope is so strong that it sweetly radiates off the screen. There is also depth to the story as we get to see their relationship go through all the struggles and triumphs that form a true and lasting friendship. In pure Disney fashion, in the end there is a moral to the story where Ralph learns that a true friend is someone who is willing to let go, even when you don’t want to. The story was sweet as sugar and showed that things can always be fixed as long as you are true friends.
The animation is top-notch, with so many little nuances that I’m certain I didn’t catch them all the first time around. The animation in the scenes with the “casual” princesses and the little bit in the credits (you absolutely 100% must stay for the credits) with Fun Bun and Puddles make everything even more perfect. They also added little extra touches like when the friends go to Tapper’s bar to have a drink of Root Beer, the bartender’s movements are jerky and react exactly as he did in the actual arcade game. Speaking of characters there are so many represented, you may want to see this movie a couple of times just to see them all.
Ralph Breaks the Internet takes modern technology and blends it with memorable characters, an incredible story, and more Easter Eggs than you can shake a joystick at. Everyone from video game fans to Disney movie lovers will find something to enjoy. Disney definitely has another blockbuster on their hands and it will have no problem sitting proudly next to the likes of Beauty and the Beast or the epic Toy Story films. In Ralph Breaks the Internet, you will be laughing one minute and crying the next and it once again shows us how Disney can take any topic and turn it into a timeless classic. Make sure to race to your nearest theater on November 21, 2018 when Ralph Breaks the Internet comes crashing into theaters everywhere. You’ll be happy that you did.
Phillip McSween (751 KP) rated Snow White and the Seven Dwarfs (1937) in Movies
Mar 5, 2020
Start-to-Finish Entertainment!
Princess Snow White finds herself on the run from her evil stepmother the Queen when the Queen finds out that Snow White is the prettiest girl in the land. First released in 1937, I’ve gotta say this movie still holds up today! Snow holds it down as the first Disney princess to grace the big screen.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Acting: 10
Beginning: 10
There’s some serious conflict going down in the castle and we come to learn that within the first ten minutes. The Queen is a real threat and we immediately come to worry about innocent Snow White who just wants to sing and be merry all day. I was immediately whisked away to this other place and time and I was excited for the journey.
Characters: 10
Still some of the best characters in film history. Having seven dwarfs with different personalities was genius! Sleepy was my dude! And there’s just something about Snow that really captivates me. She has a pure soul that inspires everyone around her, even the animals.
Cinematography/Visuals: 10
Conflict: 8
Entertainment Value: 9
Between the dwarfs, the fun musical numbers, and that cackling Queen, Snow White and the Seven Dwarfs kept me entertained from start to finish. Disney is a victim of its own success, however, as there are other animated movies I felt entertained me a wee bit more. That being said, this is a movie that could still capture and hold a kid’s attention today.
Memorability: 8
Pace: 10
Gets off to a pretty quick start and holds your attention from there. Even the songs aren’t wasted as they segment into the next important plot piece. The movie is a perfect example of rising conflict, then bringing the audience down for just long enough before hitting them again.
Plot: 8
My gripe with the movie’s plot is pretty small, but just enough to annoy me. I felt like the Queen went through A LOT of trouble just to turn into that witch only to give Snow an apple. At that point, if you want to kill her so bad, just make it happen right then! Classic case of a movie overthinking things and trying to be creative for the sake of being creative. Again, it’s small but too noticeable not to bring up.
Resolution: 10
Overall: 93
It always impresses me when classic films hold up today. I can imagine some of the older crowd might be offended by that just as if I might be offended if some young punk in 2035 is watching Jurassic Park and says, “Wow, this film is still solid to this day!” I get it, but I can’t help but admire a movie that is (as of this writing) eighty-three years old! Bananas. Disney came out of the gates swinging and hasn’t looked back since.
Gareth von Kallenbach (971 KP) rated Beauty and the Beast (2017) in Movies
Jul 12, 2019
Whenever I was asked who my favorite Disney prince was, I’d answer, without hesitation, “The Beast.”
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.
Friends would look at me askance and ask, “The Beast? Really?”
And I’d simply reply, “Have you not seen his library?”
I also claim Belle as my favorite Disney princess. As a bookworm, Beauty and the Beast gave me a princess I could relate to. Sure, I had just graduated from high school the year before the animated film – not really the demographic Disney was catering to. But when I first watched Belle’s introductory scene, as she made her way through the village with her nose buried in a book while the townfolk sang of her “odd” behavior, I felt l the corners of my lips rise on their own, in a smile of recognition.
Sure, it also may have been because of the clever lyrics of the late Howard Ashman and the wondrous melodies of Alan Menken in that first song alone, but Belle quickly me over not only with her joy for stories and spirit of adventure, but also with her brave spirit.
Beauty and the Beast is a fairy tale told many times over and Disney’s live-action version follows the animated classic closely with some variation and additional scenes and few more songs. Like the animated film, it’s sweepingly romantic and just as enchanting. What the audience may struggle with is that Emma Watson’s Belle is not as…well, animated as the animated Belle. She brings a solemnity to the role, and as singing talent goes, while she is no Paige O’Hara, she can sing.
Luke Evans makes a menacingly handsome Gaston and his big number, with his sidekick LeFou (Josh Gad) is an entertaining high point that cements Gaston’s position as my favorite villain. Dan Stevens brought a bit more humanity to Beast, and with a heartbreaking song of his own, his despair is more keenly felt in this movie. But I have to admit, I prefer Josh Groban’s version of Beast’s solo, which you do get to hear if you sit through the credits.
Lumière the candelabra and Cogsworth the clock were brought to life with great voice work Ewan McGregor and Ian McKellen, respectively. Emma Thompson voiced Mrs. Potts perfectly. I don’t know if it was her voice, the theme song or the ballroom dance scene that provoked an overwhelming sense of nostalgia, but the captivating combination literally brought tears to my eyes. Kevin Kline, who played Belle’s father, Maurice, Stanley Tucci, and Broadway great Audra McDonald round out a solid supporting cast.
As a huge fan of the 1991 Beauty and the Beast, I didn’t believe a live-action version could improve on the beloved, timeless classic. But just like with the animated film, it was truly the songs that made the movie, and the music does it again for the live-action film, making it a memorable, magical treat for young and old alike.