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BookInspector (124 KP) rated My Sister in Books

Sep 24, 2020  
My Sister
My Sister
Michelle Adams | 2020 | Thriller
10
10.0 (2 Ratings)
Book Rating
This book drew me in from the first chapter. It was extremely mysterious and I could feel the suspense building up already. It was very hard to put this novel down.

The main character in this novel is Irini (love, love the name), a successful doctor with hip problems, which left her slightly limping. All her life she was running from her sister – Elle. Why? Because Elle is dangerous and unpredictable. I really loved the characters which were chosen for this book. I think they were very original, charismatic and supported each other very nicely. I really liked Irini and her life story, but it is very hard not to admire Elle, in some sort of weird way. Her character has charm, her personality is very strong, her actions, masterful manipulations because she is a psychopath. It was very interesting to read about this connection which Irini and Elle shared, they can’t be together but they need each other. You know it will destroy your life, but you still need it… All this was told while sharing Irini’s experiences from the past, which I found absolutely amusing and very intriguing to read.

The narrative of this novel is very gripping. Page after page, the author brought in a twist or unexpected turn, leaving me more and more interested in what will happen next. The whole plot was told from Irini’s perspective, and even though it was enough to make it an interesting read, I would have loved to read Elle’s perspective as well. I think it would have made this book even more interesting and would’ve answered more questions, and at least for me, it is always interesting to read what psychopaths think. Sometimes I got tired of this constant “Why did they give me away?” question. For me, in some places, it was quite repetitive and not always necessary.

The writing style of this novel is very creative and smartly thought through, leaving some cliffhangers, which are still bothering me a little. The chapters are a very decent length and it didn’t drag for me because the plot has sucked me in. I do not recommend it for young readers, as it contains some mild violence, drugs and alcohol. I am not fully satisfied with the ending of this book, even though it answered the main questions of this novel, it still has unresolved mysteries, which were left with hypothetical explanations.

So, to conclude, I would strongly recommend this dark and gripping thriller, filled with strange sisterly love, very strong and charismatic characters and very well thought through and intriguing plot, uncovering new secrets with every chapter. Enjoy
  
Madam Tulip (Madam Tulip #1)
Madam Tulip (Madam Tulip #1)
David Ahern | 2016 | Mystery, Thriller
8
9.0 (2 Ratings)
Book Rating
More reviews at https://bbookinspector.wordpress.com

When I read the description of this book, I knew it is going to be a fun read, and I was right. This book was my first try of cosy mysteries and I really enjoyed this well deserved treat to my brains, after reading some intense psychological thrillers.

The blurb above, describes this book quite accurately. Derry is broke actress who is “teeny bit psychic”. So, when the chance comes to earn some (good) money out of it, she decided to try. But soon she got involved into murder “investigation”, where she knew more than the police.

The characters used in this book were very well chosen. This is a book about actors and celebrities, so, of course, there were some eccentric, artistic characters, whose charm and charisma has to shine. I really enjoyed the great balance between the “over the top” characters and the casual, “down to earth” ones. Ahern kept a wide variety of well rounded characters to choose from, so I think everyone can find their favourite one, according to their taste. My favourite was Derry; I loved her simple personality and sharp way of thinking, even though her parents are really crazy.

The plot of this novel was very entertaining and enjoyable. I liked the smooth flow of the story, with unexpected findings and turns. The whole story was told from Derry’s perspective, but that was fully sufficient to understand the characters well. As it says in the description below, Ahern grew up in a theatrical family, I think that is why the theatrical life details used in this novel were so accurate and detailed, and I absolutely enjoyed reading all those bits and pieces about actors and theatre.

The writing style of this novel is really pleasurable, filled with Irish spirit. The language used in this book is easy to read and understandable. The chapters are decent length, and divided into smaller parts as well, so it doesn’t drag along and didn’t leave me bored. The ending of the book was unexpected and filled with action, and left some unresolved issues, which, I believe, might come up in other books of Madam Tulip. So to conclude, I think this book was a great introduction to Madam Tulip and her capabilities, and I was very pleased to witness this metamorphosis. I really enjoyed all this extra-ordinariness combined with simplicity and casualness, and I think it is a great read for these cold autumn evenings.
Was given this book by Author for honest review.
  
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LoganCrews (2861 KP) rated The Hunger Games (2012) in Movies

Sep 20, 2020 (Updated Nov 26, 2020)  
The Hunger Games (2012)
The Hunger Games (2012)
2012 | Drama, Mystery, Sci-Fi
One of the most clueless things I've ever seen, as painstakingly unintelligent as it is one-dimensional and blunt. My problem isn't so much that every YA movie from then until at least 2018 cribbed from it (and for the most part, did it better lol) mercilessly until they left nothing left to this one but its picked-clean carcass - but moreso with the fact that it does only a couple steps above the bare minimum. How awesome would this have been as a Battle Royale-style, anti-fascist bloodbath where a bunch of kids are picked at random and exposed to both the elements and a shit-ton of weapons in a 𝘛𝘳𝘶𝘮𝘢𝘯 𝘚𝘩𝘰𝘸-esque battlefield commentated by a flamboyant Stanley Tucci and Toby Jones? But no, fuck that right? Instead we get a garbage-looking, shakycam exercise in going through the motions with bad characters and toothless action (wasps? most of the characters dying offscreen? are you kidding me?). Plus we're treated to another awful forced romance, dull-arrowed swipes at classism which amount to nothing more than overtly-obvious visual signifiers with nothing to actually chew on (I assume out of cowardice - which makes it worse), and one of the most infamous cases of vaguely misogynistic attempts at a 'strong female lead' by making her mean and stripped of any actual personality. Somehow it doesn't really drag, but it's pretty viciously unexciting. There's some real bite to the scenes where Katniss's every expression let alone word is picked apart by a capricious crowd and disingenuous MC, and Haymitch painfully watching the rich children play with the toy sword - though not only does it refuse to dive into the treasure trove of possible commentary it sets up, but I actually have to apologize to the (worlds better) 𝘋𝘪𝘷𝘦𝘳𝘨𝘦𝘯𝘵 for goofing on its idiotic politics because this is somehow even dumber. "We want to make sure there's never another uprising again, show we're a gracious + caring government, and entertain the public all at once. How do we do that? Well we'll just start abducting and killing children at random on national television of course!" Lmfao. Doesn't lean into anything that could have made this enjoyable, and there's a lot - so they had to have *tried* to make it this flat. Also one of those movies that only knows how to express its limited emotion through unbearable "everything sucks" world-building. Great... that would be another thing entirely if it even earned the right to do that, which naturally this doesn't. Cheesy and unintentionally funny.
  
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Becs (244 KP) rated Gone Girl in Books

Oct 2, 2019  
Gone Girl
Gone Girl
Gillian Flynn | 2013 | Fiction & Poetry
6
7.7 (142 Ratings)
Book Rating
Style: Formal, serious.

Point of View: Third person – each chapter is either Nick Dunne or Amy Dunne, never both.

Difficulty Reading: I struggled with the first half of the book. Don’t get me wrong, I was excited to read it because the movie was bomb as f*ck. The movie had me sitting on my toes the entire time, but this book was such a drag. Once you get about halfway through, that’s when it gets good.

Promise: The book promises a thrilling crime mystery and it does deliver it. But it delivers it in a way that makes the book almost seem repetitive as he said, she said.

Quality: It was a well-written book, I’ll give the author that. But there was a lot of swearing – and I cuss like a sailor. That kind of took the appeal of the book down quite a few notches.

Insights: If I could change anything about the book: take some of the cuss words out – it’s way too much, make the first half of the book more gripping – you lose readers because it’s boring.

Ah-Ha Moment: When Nick Dunne realized that Amy Dunne was just f*cking with him, he knew it but couldn’t tell anyone because then it would seem like he was the one who set the whole thing up.

Another moment was when Amy Dunne killed her old friend. I was like ‘what are you doing woman’ the entire time I read it.

Favorite Quote: “A lot of people lacked that gift: knowing when to fuck off.” – I feel this is the best representation of who I am as a person and of people nowadays.

“Sleep is like a cat: It only comes to you if you ignore it.” – Any quote that talks about cats are always great.

What will you gain: An interesting but hard read. If you don’t have the time or patience, put this book down.

Aesthetics: The copy I bought had the cover poster for the movie and it was nice to imagine Nick Dunne as the man on the cover. The first page of the book was what drew me in, the whole staring at the back of Amy’s head and thinking of breaking it open to mush your hands with her brain just appeals to me in a way that’s hard to describe. (I promise I’m not a serial killer. Yet…) Then as I read more, I struggled until I hit the point of the plot doing a massive U-turn and actually becoming interesting.

“There’s a difference between really loving someone and loving the idea of her.”
  
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