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A Boy and His Dog
8.5
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Winner of the Nebula Award: A boy and his telepathic dog fight to survive in a war-torn,...
Sleep No More: Six Murderous Tales
8.0
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The acknowledged Queen of Crime, P. D. James, was a past master of the short story, weaving together...
crime
Sim 299 (I Am Sleepless #1)
8.0
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The planet Ethos is at war with a savage enemy known as the Splicers. Their only successful defense...
Young Adult Science Fiction Dystopian Mystery
Suswatibasu (1702 KP) rated Her Body and Other Parties: Stories in Books
Nov 22, 2017 (Updated Nov 22, 2017)
Good writing but fairly disappointing
Her Body and Other Parties is like most short story collections I have read in that some of the stories worked for me far more than others.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Carmen Maria Machado mingles fabulism, body horror, erotica and 'feminist' commentary in her debut novel. The thrust of this book is perhaps best encapsulated by the second story in the book, 'Inventory'. It starts with the narrator cataloguing everyone she's slept with, taking on that now-near-compulsory clinical tone, that Muumuu House type of thing of talking endlessly about sex but doing so in an affectless style that doesn't communicate any passion or joy or pleasure. It suddenly becomes more interesting when a hidden narrative emerges: as the narrator progresses through her later conquests, she talks of a pervasive virus, family members lost, a quarantine zone, evacuations and refugees. It's an unexpected approach to the dystopian theme and a pleasing subversion of first impressions, yet the story as a whole remains unsatisfying.
Among the weaker stories is 'Especially Heinous', which reimagines plot summaries of Law & Order: Special Victims Unit episodes through a surrealist lens, playing on the ubiquity of violence against women in such shows. Except it was far too long, going through an entire seven series, becoming increasingly bizarre.
My favourite was 'The Resident'. While the subject matter is slightly more staid than some of the others – presumably semi-autobiographical in its portrait of a writer unravelling during a retreat – it's a relief that it isn't told at a cold, impersonal remove. It actually has heart and a personality, unlike so many of the others, and contains one of the few truly rousing scenes in the book, when the narrator lashes out at a patronising acquaintance and defends her right to write about 'crazy' heroines and madwomen in attics.
Nevertheless, there's something I find so depressing about the kind of writing that's ostensibly feminist but seems to focus incessantly on the negatives of being a woman. In fiction such as this, the approach is often paired with candid-yet-detached writing about sex that I also find off-putting (not to mention extremely unsexy). The stories are well-crafted and (when they don't feel workshopped to death) spark with strong ideas and entertaining metafictional touches, but Her Body and Other Parties didn't work for me the way I hoped it would.
Merissa (12330 KP) rated Rook (Bridge & Sword: Awakenings #1) in Books
Sep 18, 2017
Rook (Bridge & Sword: Awakenings #1) by J.C. Andrijeski
Rook has a very interesting premise, with a dystopian world setting. The main character in this is Alyson, or Allie. She is a normal human, and has the tests and the tattoo to prove it. However, this doesn't stop her from being kidnapped by someone, who turns out to be a seer. Not only that but other factions are after her too.
All of this is simple enough to follow, but the book itself becomes quite confusing. You see, Alyson is the Bridge... except, just what this is, is never fully explained. Apart from the fact that she may bring about a further apocalypse that is. The seers don't see the future (that I could tell), but are able to 'see' things differently. However, there are factions within factions within the seers.
Revik plays a major role in this book too. I think he is supposed to also be the love interest, but that didn't work at all for me. There was no communication from him to help Allie find her way in this crazy new world in which she finds herself. Not only that, but when something happens between the two of them, and Allie (and the reader) is left in the dark, not only does he NOT explain anything, but he forbids anyone else to speak of it too! And THEN he gets pissy when she does something 'wrong', but once again, won't tell her what. Not only that, but it is physically painful for these two to be near each other.
Throw in clones, pyramids, and Tibetan monks - sorry, I mean seers - and you get an idea of this book. The description in the book says it is "A psychic end of the world story with romance, a cyberpunk flair and apocalyptic, metaphysical leanings akin to the Matrix." Personally, I don't quite see that, but to each their own.
This book is a Marmite book for me - I can see some people loving it, some people hating it. As for me, I enjoyed it, but I'm not interested in this world or the characters to go any further with it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
All of this is simple enough to follow, but the book itself becomes quite confusing. You see, Alyson is the Bridge... except, just what this is, is never fully explained. Apart from the fact that she may bring about a further apocalypse that is. The seers don't see the future (that I could tell), but are able to 'see' things differently. However, there are factions within factions within the seers.
Revik plays a major role in this book too. I think he is supposed to also be the love interest, but that didn't work at all for me. There was no communication from him to help Allie find her way in this crazy new world in which she finds herself. Not only that, but when something happens between the two of them, and Allie (and the reader) is left in the dark, not only does he NOT explain anything, but he forbids anyone else to speak of it too! And THEN he gets pissy when she does something 'wrong', but once again, won't tell her what. Not only that, but it is physically painful for these two to be near each other.
Throw in clones, pyramids, and Tibetan monks - sorry, I mean seers - and you get an idea of this book. The description in the book says it is "A psychic end of the world story with romance, a cyberpunk flair and apocalyptic, metaphysical leanings akin to the Matrix." Personally, I don't quite see that, but to each their own.
This book is a Marmite book for me - I can see some people loving it, some people hating it. As for me, I enjoyed it, but I'm not interested in this world or the characters to go any further with it.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Quinn Blackburn (3 KP) rated Unwind (Unwind, #1) in Books
May 14, 2018
Render Unto Cesar
Shusterman takes dystopian futures a step above the ordinary in this dark coming of age tale. In the not too distant future a war was fought in the U.S. over abortion, the 2nd Civil War. To appease all sides an unthinkable accord was reached. Instead of abortion, between the ages of 13 and 18 you can choose to send your child to a Harvest camp to be unwound, taken apart and all their body parts donated to others. We are given three characters with differing perspectives through which we see the workings of this world.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
One angry young man always in fights whose parents have given up reaching him. One orphan, a Stork, left on someone's doorstep years ago who doesn't make the necessary grades to keep her off the Harvest camp bus. And Lev, who was conceived and raised by his devoutly religious parents as a Tithe, someone specifically born to be unwound in the church's name. This unlikely trio meet on their way to be unwound and all three are at a loss as to what to do when a resistance movement effort frees them from the bus.
What about Lev's glorious destiny to be unwound for God; is he still chosen, still a willing sacrifice? Where do you go when society says you no longer have the right to live? Who will help you survive in secret until you are too old to be unwound? How can you avoid the bounty hunters who live to capture escapees? What happens to the soul of an Unwound? Do they live on, a second conscience, a wisp of memories, within the body of their new host? Does anyone have the right to decide who in society has the right to live and who would be more useful unwound?
The writer immerses us completely in this bizarre yet oh so familiar society giving us plenty of perspectives from every level. He even included tv and radio commercials to help us understand how normal it has become to consider unwinding another human being. The creep factor is high and sustains itself through all three books in this set. Unwind introduces us to the world of the unwound in a well told thought provoking tale that may have you questioning everything you thought you ever knew about yourself.
Rachel King (13 KP) rated Wither (The Chemical Garden, #1) in Books
Feb 11, 2019
The world that Lauren DeStefano builds in this book combines several dystopian concepts - genetic engineering and reproduction, a virus of epic proportions, anarchy and survival of the fittest. 70 years ago mankind finds a way to make "perfect" babies, and then their babies suffer the consequences - death at 25 for men and 20 for women - with no cure on the horizon. Prostitution, polygamy, human experimentation, wide-scale murder, the prevalence of orphanages, and a country divided on whether mankind is worth saving are all issues in the plot. Plus, all of this takes place after a world war has destroyed all but North America - or so the history goes.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
The main character, Rhine Ellery, is forced into a polygamous marriage at the age of 16 to the rich Linden, age 21, along with the flighty 14-year-old Cecily and ex-prostitute, 18-year-old Jenna. Rhine's main goal is escape, but each girl in the marriage has her own motivations and goals. I found their relationships with one another far more interesting than each one's relationship with Linden. Poor Linden lives under the illusions that his aging father feeds him while suffering from the loss of his first love, Rose. While Rhine makes part of her goal to avoid consummating the marriage with Linden, her sister wives have other ideas, but ironically, jealousy among the wives is not the green-eyed monster that I think many would expect. While Cecily is typically self-absorbed and high maintenance, she still wants her sister-wives to bear children, and even Jenna, who hates Linden from the first day, sees no hypocrisy in sharing a bed with him. I also admired Rhine for her extreme patience and endurance with Cecily's immature and naive behavior, though I don't think I would have chosen denial over full disclosure to both Cecily and Linden.
Rhine's secret relationship seems to find it's power in free-formed friendship, without any expectations or requirements. Simply put, Rhine wants her freedom, and she will find it in any form she can grasp. Except for Rhine's memories, almost the entire book takes place on the grounds of Linden's mansion, so I am anxious to see what will happen in the next book in the series, Fever.
Hazel (1853 KP) rated The Selection in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review
The Selection</i> is the first book in a girly dystopian novel by Kiera Cass set far in the future in a new country called Illéa. After two more world wars society has a place where people are labeled depending on their family history and wealth. Castes from one to eight, where one is the royal family, are assigned to every family in the country, which also determines their job prospects.
America Singer is a five and helps her family to earn money by performing, singing and playing music. But her life changes when it is announced that Prince Maxon is searching for a wife. Thirty-five girls from around the country are going to be selected to spend time with the prince at the palace where eventually one will be chosen to be his bride. Most girls would jump at the chance to be selected, but when America’s name is chosen she could not be more horrified.
America has a dilemma. She is already in love with someone else. Marrying Aspen, a six, is all America has ever dreamed about. Despite the fact that marrying into a caste below your own is frowned upon, the two of them were hoping to find a way around it. Now America has no choice but to leave Aspen behind. But what if the prince wants to choose her as his bride? Could she ever love him or would her feelings for Aspen hold her back?
It is easy to grow attached to America’s character and personality. She remains herself in a place where most girls would put on an act to get noticed. America also cares a lot about other people and they way they are treated, even though she is from one of the lower castes. Likewise with America, the reader is torn between wishing she could create a life with Aspen, but also hoping something will happen between her and the prince.
Overall it is a well-written book however it does not feel completely original. The castes felt similar to the district idea in <i>The Hunger Games</i>, however <i>The Selection</i> focuses on a more positive storyline. The outcome of the selection process is not resolved within this book, so if you enjoy reading this novel you will definitely want to read the next one!
The Selection</i> is the first book in a girly dystopian novel by Kiera Cass set far in the future in a new country called Illéa. After two more world wars society has a place where people are labeled depending on their family history and wealth. Castes from one to eight, where one is the royal family, are assigned to every family in the country, which also determines their job prospects.
America Singer is a five and helps her family to earn money by performing, singing and playing music. But her life changes when it is announced that Prince Maxon is searching for a wife. Thirty-five girls from around the country are going to be selected to spend time with the prince at the palace where eventually one will be chosen to be his bride. Most girls would jump at the chance to be selected, but when America’s name is chosen she could not be more horrified.
America has a dilemma. She is already in love with someone else. Marrying Aspen, a six, is all America has ever dreamed about. Despite the fact that marrying into a caste below your own is frowned upon, the two of them were hoping to find a way around it. Now America has no choice but to leave Aspen behind. But what if the prince wants to choose her as his bride? Could she ever love him or would her feelings for Aspen hold her back?
It is easy to grow attached to America’s character and personality. She remains herself in a place where most girls would put on an act to get noticed. America also cares a lot about other people and they way they are treated, even though she is from one of the lower castes. Likewise with America, the reader is torn between wishing she could create a life with Aspen, but also hoping something will happen between her and the prince.
Overall it is a well-written book however it does not feel completely original. The castes felt similar to the district idea in <i>The Hunger Games</i>, however <i>The Selection</i> focuses on a more positive storyline. The outcome of the selection process is not resolved within this book, so if you enjoy reading this novel you will definitely want to read the next one!
Hazel (1853 KP) rated Rotham Race in Books
Jul 4, 2018
This ARC was provided by the author in exchange for an honest review
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Jordan Elizabeth has aced the dystopia genre in her first attempt at a post-apocalyptic story. Set in what remains of the United States in 2057, thirty-seven years after “The Happening”, the country is a broken place. Some states no longer exist and the ones that do are barely inhabitable. Civilian lives have been reduced to mere survival rather than living, however, there is one small hope. The US lost a microchip in the desert containing data that would help them restore the country to its better days. The only problem is finding it.
Orphan Troy, aged seventeen, is determined to be the one to locate the precious microchip. For ten years, bike riders have joined the “Rotham Race” into the desert in hopes of being the one to bring it back and return the US back to its former glory, however, within that decade, only one rider has ever returned. Undeterred, Troy sets off from Maryland to New York to sign up for the biggest race in history.
Along the way, Troy meets Barbie, a seventeen-year-old mechanic who helps him fix up his bike. Whilst staying with her, awaiting new cycle parts, the teenage pair falls in love, giving Troy a strong reason to make sure he wins and returns from the race.
Unbeknownst to the racers, the government has secrets that render the race a futile endeavour. Whilst hundreds hope for a victory, there is almost no chance of anyone returning.
Rotham Race is an exciting page-turner and original concept. Dystopian stories have been recycled again and again but Jordan Elizabeth brings something new to the table. The characters are likeable and strong, and the storyline is carefully thought out and gripping.
As a novella, Rotham Race is not very long and can be read in a matter of hours. Whilst some people prefer short stories, Jordan Elizabeth has the potential of turning it into a full-length novel or series. Since the story’s conclusion leaves matters unfinished, perhaps there will be a follow-up novella.
Previously, Jordan Elizabeth has concentrated on short fantasy stories but, as Rotham Race proves, her strengths lie in science fiction and dystopia. Rotham Race would not look out of place amongst popular novels such as Divergent and The Hunger Games.
Sensitivemuse (246 KP) rated City of Savages in Books
Oct 16, 2018
Romance nearly killed this one
Contains spoilers, click to show
This book was pretty good for a dystopia. The background story on how it came to be was interesting and set it apart from other stories of this genre where most of the time it’s vague and no one remembers a thing because it was that many years later. So this was nice to read about. The plot alternates between Sky and Phee, but also some parts here and there from present to the past. I prefer reading about Phee because she’s the all around tough girl who can hold her own whereas Sky is more on the romantic idealistic side of things.
The flow of the story is good with stops here and there for character development and plot hooks. It’s engaging and interesting for a good part of the book until you read a little more than half of the novel. This is where the eye rolling instances come on. You knew the love triangle was going to happen. It got pretty nauseating and petty (but then again, Ryder was practically the only guy these two girls have met that they actually liked) and it severely hampered the plot. I didn’t care for this too much as it brought the plot to a complete halt and made reading it not as enjoyable. I begged for something better to come along.
To be fair, it got more interesting towards the final story arc, where you find out more truths about Sky and Phee’s family, and what happened in the past. Everything came to a nice close towards the end. The cheesy romance was still there and induced more eye rolls, but it was toned down for the latter part of the book.
Character wise, Phee would have to be the most interesting as she’s more aggressive of the two sisters and of a more stronger personality. She wasn’t a good match for Ryder anyway as they were just two very different people and completely incompatible but you kinda wish she found someone who’s just as tough as she is.
The romance nearly killed the book for me in this one. I’m glad I went through it as it proved to pick up the pace and went back on track. It’s a hidden gem and if you can get past the obvious, you’ll find a good dystopian story worth reading.
The flow of the story is good with stops here and there for character development and plot hooks. It’s engaging and interesting for a good part of the book until you read a little more than half of the novel. This is where the eye rolling instances come on. You knew the love triangle was going to happen. It got pretty nauseating and petty (but then again, Ryder was practically the only guy these two girls have met that they actually liked) and it severely hampered the plot. I didn’t care for this too much as it brought the plot to a complete halt and made reading it not as enjoyable. I begged for something better to come along.
To be fair, it got more interesting towards the final story arc, where you find out more truths about Sky and Phee’s family, and what happened in the past. Everything came to a nice close towards the end. The cheesy romance was still there and induced more eye rolls, but it was toned down for the latter part of the book.
Character wise, Phee would have to be the most interesting as she’s more aggressive of the two sisters and of a more stronger personality. She wasn’t a good match for Ryder anyway as they were just two very different people and completely incompatible but you kinda wish she found someone who’s just as tough as she is.
The romance nearly killed the book for me in this one. I’m glad I went through it as it proved to pick up the pace and went back on track. It’s a hidden gem and if you can get past the obvious, you’ll find a good dystopian story worth reading.