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David McK (3377 KP) rated Doctor Strange (2016) in Movies
Apr 27, 2019 (Updated May 15, 2022)
<2022 update>
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
Movie Metropolis (309 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
All hail the Titans
2014’s Godzilla was a thrilling and somewhat underrated return to form for the king of the kaiju. Directed by visionary film-maker Gareth Edwards, Godzilla’s return to the big screen was beautifully filmed with some of the best set pieces ever seen on celluloid. It certainly made up for the Roland Emmerich monstrosity that shall remain nameless here.
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Darren (1599 KP) rated 10,000 Days (2014) in Movies
Jun 20, 2019
Story: 10,000 Days starts as we enter the world 27-years after a comet struck Earth putting the survivors into a permanent ice age, we follow two groups of survivors, once together now at war, William Beck (Schneider) on one side, Remy Farnwell (Wingfield) on the other.
As the Beck’s discover moments of truth about the disaster and a potential cure, Remy is playing his attack to take their base, the race against time for human survival is on.
Thoughts on 10,000 Days
Characters – William Beck runs one of the clans in the frozen land, he has kept his people safe, always searching for the next way to survive, hopefully peacefully even against his enemy, he knew the world before the disaster and now he wants to return to it. Remy Farnwell leads the rival clan, living on the ice he fell out with the Beck’s wanting revenge for the betrayal as he sees it. He doesn’t mind killing people in the battle which he has made too personal. We do have a lot of characters in this film, William has three sons that all look exactly the same, we have the scientist figures which seems to be three different female characters, a pilot who failed to stop the comet who still lives with the nightmare. We get so many characters it truly is hard to keep up or invest in any of them.
Performances – The performances, well this is difficult because nearly all the actors and characters look the same, it is difficult to figure out who the lead is, nobody has any sort of emotional factor or strong moments to stand out.
Story – The story is the end of the world happened, we are now in an ice age which could be coming to an end, but two war driven clans want control of the best location. This sounds interesting enough, you would be wrong, we have moments of discovery, moments of war, though this just never knows which one is the most important. Sadly, this only ends feeling boring, we don’t get invested in the characters and for some reason the film kind of just ends with a massive cliff hanger.
Sci-Fi – The world has ended and now an ice-age has hit, well that is the sci-fi side of the film.
Settings – The film give us generic location which include ice area or cold looking warehouse.
Special Effects – The effects here are just terrible and look completely fake.
Scene of the Movie – The concept should work.
That Moment That Annoyed Me – The Effects.
Final Thoughts – This is a poor sci-fi movie that just doesn’t become interesting at any point in the film.
Overall: Boring throughout.
https://moviesreview101.com/2019/05/28/10000-days-2014/
As the Beck’s discover moments of truth about the disaster and a potential cure, Remy is playing his attack to take their base, the race against time for human survival is on.
Thoughts on 10,000 Days
Characters – William Beck runs one of the clans in the frozen land, he has kept his people safe, always searching for the next way to survive, hopefully peacefully even against his enemy, he knew the world before the disaster and now he wants to return to it. Remy Farnwell leads the rival clan, living on the ice he fell out with the Beck’s wanting revenge for the betrayal as he sees it. He doesn’t mind killing people in the battle which he has made too personal. We do have a lot of characters in this film, William has three sons that all look exactly the same, we have the scientist figures which seems to be three different female characters, a pilot who failed to stop the comet who still lives with the nightmare. We get so many characters it truly is hard to keep up or invest in any of them.
Performances – The performances, well this is difficult because nearly all the actors and characters look the same, it is difficult to figure out who the lead is, nobody has any sort of emotional factor or strong moments to stand out.
Story – The story is the end of the world happened, we are now in an ice age which could be coming to an end, but two war driven clans want control of the best location. This sounds interesting enough, you would be wrong, we have moments of discovery, moments of war, though this just never knows which one is the most important. Sadly, this only ends feeling boring, we don’t get invested in the characters and for some reason the film kind of just ends with a massive cliff hanger.
Sci-Fi – The world has ended and now an ice-age has hit, well that is the sci-fi side of the film.
Settings – The film give us generic location which include ice area or cold looking warehouse.
Special Effects – The effects here are just terrible and look completely fake.
Scene of the Movie – The concept should work.
That Moment That Annoyed Me – The Effects.
Final Thoughts – This is a poor sci-fi movie that just doesn’t become interesting at any point in the film.
Overall: Boring throughout.
https://moviesreview101.com/2019/05/28/10000-days-2014/
Darren (1599 KP) rated Pumpkinhead (1988) in Movies
Oct 24, 2019
Characters – Ed Harley is a hardworking shop keeper and single father, he gets on well with the community and enjoys the quiet life. His life is turned upside down when his son is killed in an accident, which pushes him to turn to the dark arts to avenge his son’s death, only he didn’t plan for what would be expected from him. Chris is one of the teenagers that wants to do the right thing after the accident, much like the rest of the teenagers they all blend into one, except for the one that caused the accident, who only wants to look after himself.
Performances – Lance Henriksen is the star of the film, he is easily the best performer as his character goes through the biggest trauma and shows the desperation for revenge and regret for his decision. When it comes to the rest of the cast, they are performed to the level most slasher films reached.
Story – The story here follows a man that will do anything to get vengeance for his son’s death, which sees him summon the evil Pumpkinhead to kill the people that took his son, he soon learns the errors of his choice and must figure out how to stop the killing machine. For a monster creature feature slasher this is a simple story, we don’t get twists, we don’t need much character development as we are more interested in seeing the effects being used. It is nice have a story that remains simple in the horror genre at times too.
Fantasy/Horror – The fantasy elements of this film comes from the figure of Pumpkinhead that gets summoned to do revenge for people that believe they have been wronged, which plays hand in hand with the horror side of the film which is slasher elements which show just how deadly this figure will be.
Settings – The film is set in a small town where we don’t have many people with the ones living their knowing each other and anyone coming from the outside being frowned upon.
Special Effects – The effects are the highlight of the film, Stan Winston was known for his ability to create some of the most memorable creatures in film history and with him directing he brings us another terrifying creation.
Scene of the Movie – The first imagine of Pumpkinhead.
That Moment That Annoyed Me – The teenagers are stupid for how they acted for the accident to happen in the first place.
Final Thoughts – This is a slasher that can be enjoyed by the horror community, it offers everything needed to just let us enjoy ourselves without challenging us like other horrors.
Overall: Simple, effective and fun horror.
Performances – Lance Henriksen is the star of the film, he is easily the best performer as his character goes through the biggest trauma and shows the desperation for revenge and regret for his decision. When it comes to the rest of the cast, they are performed to the level most slasher films reached.
Story – The story here follows a man that will do anything to get vengeance for his son’s death, which sees him summon the evil Pumpkinhead to kill the people that took his son, he soon learns the errors of his choice and must figure out how to stop the killing machine. For a monster creature feature slasher this is a simple story, we don’t get twists, we don’t need much character development as we are more interested in seeing the effects being used. It is nice have a story that remains simple in the horror genre at times too.
Fantasy/Horror – The fantasy elements of this film comes from the figure of Pumpkinhead that gets summoned to do revenge for people that believe they have been wronged, which plays hand in hand with the horror side of the film which is slasher elements which show just how deadly this figure will be.
Settings – The film is set in a small town where we don’t have many people with the ones living their knowing each other and anyone coming from the outside being frowned upon.
Special Effects – The effects are the highlight of the film, Stan Winston was known for his ability to create some of the most memorable creatures in film history and with him directing he brings us another terrifying creation.
Scene of the Movie – The first imagine of Pumpkinhead.
That Moment That Annoyed Me – The teenagers are stupid for how they acted for the accident to happen in the first place.
Final Thoughts – This is a slasher that can be enjoyed by the horror community, it offers everything needed to just let us enjoy ourselves without challenging us like other horrors.
Overall: Simple, effective and fun horror.
Emma @ The Movies (1786 KP) rated Spider-Man (2002) in Movies
Sep 25, 2019
Spider-man, starring Tobey Maguire, came out on 14th June 2002. Co-starring Kirsten Dunst, James Franco and Willem Dafoe. My god doesn't every one look young!
It's the classic story, boy meets spider, spider bites boy, boy gets super-human powers.
Okay, so I'll be serious... Awkward high school student Peter Parker gets bitten by a genetically modified spider while out on a school field trip. It isn't adolescence that's changing him though, it's the spider bite, and his new found spider-like abilities come in handy when he decides to fight evil while wearing spandex, after a tragedy hits his family.
Watching Maguire climb a wall is truly cringe-worthy (the effects were terrible). He has this wide-eyed look of insanity. And when he's trying to shoot web intentionally for the first time I half expect a nerdy friend of his to be standing in the background saying "laaaaaame, I knew you were full of shit, Parker."
Spidey learns a harsh lesson about holding grudges after he lets the armed robber go when he gets stiffed for prize money at the arena. Something you also learn in this film, evidently if someone is bleeding you don't need to apply pressure to a serious wound to try and prolong their life while the ambulance gets there.
We learn many important things from this film... best friends can be arseholes. "Oh you like that girl do you, well guess what, I'm going to date her and let you find out by accident."... Oh, and that people running in terror are oblivious to people ripping open their shirts to reveal a Spider-man costume (although the same is true for Superman and Supergirl sometimes too.)... Mary Jane is an idiot, she doesn't recognise her own friend's voice (maybe because he's dressed in spandex and she was distracted) and she doesn't get the hint that "he was in the neighbourhood."... And Willem Dafoe does evil really, really well.
The effects really are terrible, there's no denying that technology has developed a lot since this film was made, but I always find it really awful watching things that are so obviously generated... that hideous artificial looking outline of the green screening. Speaking of green things, Green Goblin's outfit is reminiscent of an over the top Power Ranger villain.
Between the terrible effects and the overacting, I'm honestly not sure what this film was going for. It had too many "funny" bits to be a serious film, and it had too many "serious" bits to be a funny film. I'm left thinking of Batman Forever as a comparison, the only difference being that BF was just over the top enough to be funny.
It's the classic story, boy meets spider, spider bites boy, boy gets super-human powers.
Okay, so I'll be serious... Awkward high school student Peter Parker gets bitten by a genetically modified spider while out on a school field trip. It isn't adolescence that's changing him though, it's the spider bite, and his new found spider-like abilities come in handy when he decides to fight evil while wearing spandex, after a tragedy hits his family.
Watching Maguire climb a wall is truly cringe-worthy (the effects were terrible). He has this wide-eyed look of insanity. And when he's trying to shoot web intentionally for the first time I half expect a nerdy friend of his to be standing in the background saying "laaaaaame, I knew you were full of shit, Parker."
Spidey learns a harsh lesson about holding grudges after he lets the armed robber go when he gets stiffed for prize money at the arena. Something you also learn in this film, evidently if someone is bleeding you don't need to apply pressure to a serious wound to try and prolong their life while the ambulance gets there.
We learn many important things from this film... best friends can be arseholes. "Oh you like that girl do you, well guess what, I'm going to date her and let you find out by accident."... Oh, and that people running in terror are oblivious to people ripping open their shirts to reveal a Spider-man costume (although the same is true for Superman and Supergirl sometimes too.)... Mary Jane is an idiot, she doesn't recognise her own friend's voice (maybe because he's dressed in spandex and she was distracted) and she doesn't get the hint that "he was in the neighbourhood."... And Willem Dafoe does evil really, really well.
The effects really are terrible, there's no denying that technology has developed a lot since this film was made, but I always find it really awful watching things that are so obviously generated... that hideous artificial looking outline of the green screening. Speaking of green things, Green Goblin's outfit is reminiscent of an over the top Power Ranger villain.
Between the terrible effects and the overacting, I'm honestly not sure what this film was going for. It had too many "funny" bits to be a serious film, and it had too many "serious" bits to be a funny film. I'm left thinking of Batman Forever as a comparison, the only difference being that BF was just over the top enough to be funny.
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