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Red Chillies Entertainment
4.0
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YouTube Channel
Founded in 2002 as a film production house, Red Chillies Entertainments Pvt Ltd has branched itself...
Adam Savage’s Tested
4.5
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YouTube Channel
Host of Discovery Channel's long-running series MythBusters, Adam Savage has spent his life making...
Voice of the Elders
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Book
The basic idea of the book is that the Earth is in major trouble. As humans, our greed and lack of...
Garth Marenghi's Darkplace
8.5
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Garth Marenghi's Darkplace is a British horror parody television series created for Channel 4 by...
Press Here! Acupressure for Beginners: How to Release and Balance Energy Flow
7.0
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Alleviate pain, release tension, increase relaxation, and improve vitality. This contemporary take...
health Acupressure pain
Dean (6927 KP) rated Sonic the Hedgehog (2020) in Movies
Apr 2, 2022 (Updated Apr 2, 2022)
Good cast (1 more)
SFX
I feel the need for...
Well I still remember getting my Sega Megadrive in the early 90's and Sonic the Hedgehog came with it. It was a truly fast, fun colourful game. Not exactly the type of game you'd expect a live action film version of. Glad they redesigned the look of Sonic to suit the game more.
It's a pretty fun, light family action film. The friendship between Sonic and Doughnut Lord (James Marsden) was done nicely. It's fairly amusing at times and even has some big budget effects that look cool. Jim Carrey was made for this type of role of Dr Robotnik.
Whether you played the games back in the day or just need a fun family film this is one everyone should enjoy. The sequel out soon looks pretty good as well.
It's a pretty fun, light family action film. The friendship between Sonic and Doughnut Lord (James Marsden) was done nicely. It's fairly amusing at times and even has some big budget effects that look cool. Jim Carrey was made for this type of role of Dr Robotnik.
Whether you played the games back in the day or just need a fun family film this is one everyone should enjoy. The sequel out soon looks pretty good as well.
David McK (3649 KP) rated Doctor Strange (2016) in Movies
Apr 27, 2019 (Updated May 15, 2022)
<2022 update>
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
The timestone? Yep, was essential to resolving Infinity War in Endgame
<original review below>
The film that introduced magic (and the Time Stone, which will probably be essential to resolving Infinity War in Endgame), in which Benedict Cumberbatch plays Benedict Cumberbatch as the future Sorcerer Supreme, with Tilda Swinton as the current holder of that title.
As an aside: that was actually a cause of controversy at the time: why not cast an Asian or Eastern actor in that role instead of whitewashing it? went the argument.
The plot may also seem to be a reprise of Iron Man: rich, arrogant, privileged white man suffers personal catastrophe and heads East, returning a changed man. What sets this apart, however, is the somewhat psychedelic effects that often seem to owe more than a bit to Christopher Nolan's movie Inception!
Movie Metropolis (309 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
All hail the Titans
2014’s Godzilla was a thrilling and somewhat underrated return to form for the king of the kaiju. Directed by visionary film-maker Gareth Edwards, Godzilla’s return to the big screen was beautifully filmed with some of the best set pieces ever seen on celluloid. It certainly made up for the Roland Emmerich monstrosity that shall remain nameless here.
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Darren (1599 KP) rated 10,000 Days (2014) in Movies
Jun 20, 2019
Story: 10,000 Days starts as we enter the world 27-years after a comet struck Earth putting the survivors into a permanent ice age, we follow two groups of survivors, once together now at war, William Beck (Schneider) on one side, Remy Farnwell (Wingfield) on the other.
As the Beck’s discover moments of truth about the disaster and a potential cure, Remy is playing his attack to take their base, the race against time for human survival is on.
Thoughts on 10,000 Days
Characters – William Beck runs one of the clans in the frozen land, he has kept his people safe, always searching for the next way to survive, hopefully peacefully even against his enemy, he knew the world before the disaster and now he wants to return to it. Remy Farnwell leads the rival clan, living on the ice he fell out with the Beck’s wanting revenge for the betrayal as he sees it. He doesn’t mind killing people in the battle which he has made too personal. We do have a lot of characters in this film, William has three sons that all look exactly the same, we have the scientist figures which seems to be three different female characters, a pilot who failed to stop the comet who still lives with the nightmare. We get so many characters it truly is hard to keep up or invest in any of them.
Performances – The performances, well this is difficult because nearly all the actors and characters look the same, it is difficult to figure out who the lead is, nobody has any sort of emotional factor or strong moments to stand out.
Story – The story is the end of the world happened, we are now in an ice age which could be coming to an end, but two war driven clans want control of the best location. This sounds interesting enough, you would be wrong, we have moments of discovery, moments of war, though this just never knows which one is the most important. Sadly, this only ends feeling boring, we don’t get invested in the characters and for some reason the film kind of just ends with a massive cliff hanger.
Sci-Fi – The world has ended and now an ice-age has hit, well that is the sci-fi side of the film.
Settings – The film give us generic location which include ice area or cold looking warehouse.
Special Effects – The effects here are just terrible and look completely fake.
Scene of the Movie – The concept should work.
That Moment That Annoyed Me – The Effects.
Final Thoughts – This is a poor sci-fi movie that just doesn’t become interesting at any point in the film.
Overall: Boring throughout.
https://moviesreview101.com/2019/05/28/10000-days-2014/
As the Beck’s discover moments of truth about the disaster and a potential cure, Remy is playing his attack to take their base, the race against time for human survival is on.
Thoughts on 10,000 Days
Characters – William Beck runs one of the clans in the frozen land, he has kept his people safe, always searching for the next way to survive, hopefully peacefully even against his enemy, he knew the world before the disaster and now he wants to return to it. Remy Farnwell leads the rival clan, living on the ice he fell out with the Beck’s wanting revenge for the betrayal as he sees it. He doesn’t mind killing people in the battle which he has made too personal. We do have a lot of characters in this film, William has three sons that all look exactly the same, we have the scientist figures which seems to be three different female characters, a pilot who failed to stop the comet who still lives with the nightmare. We get so many characters it truly is hard to keep up or invest in any of them.
Performances – The performances, well this is difficult because nearly all the actors and characters look the same, it is difficult to figure out who the lead is, nobody has any sort of emotional factor or strong moments to stand out.
Story – The story is the end of the world happened, we are now in an ice age which could be coming to an end, but two war driven clans want control of the best location. This sounds interesting enough, you would be wrong, we have moments of discovery, moments of war, though this just never knows which one is the most important. Sadly, this only ends feeling boring, we don’t get invested in the characters and for some reason the film kind of just ends with a massive cliff hanger.
Sci-Fi – The world has ended and now an ice-age has hit, well that is the sci-fi side of the film.
Settings – The film give us generic location which include ice area or cold looking warehouse.
Special Effects – The effects here are just terrible and look completely fake.
Scene of the Movie – The concept should work.
That Moment That Annoyed Me – The Effects.
Final Thoughts – This is a poor sci-fi movie that just doesn’t become interesting at any point in the film.
Overall: Boring throughout.
https://moviesreview101.com/2019/05/28/10000-days-2014/