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Story – The Box is a very interesting horror, it poses a question that would leave the audience much like Susan wondering what changed everything in her family’s life, it has a shock moment, while the rest is filled with the psychological side of horror. The Birthday Party plays out more like a dark comedy that a horror, it does work very well watching how hard the it is to cover up a death. Don’t Fall does seem to be the weakest of the stories here, mostly because it is way too short, it seems to take us to the location, hit night and everything happens and it is over way too quickly. Her Only Living Son does play out a lot like ‘We Need to Talk About Kevin’ only having a supernatural side to the outcome, it is one that could easily be a longer film too. Overall the stories are different enough, we have little sparks for each sub-genre of horror too which only means if you didn’t like one, you can skip to the next with ease.
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Horror – The horror in the film gives us something different in each little story, we have psychological, dark humour, creature feature and satanic, which will give the audience something to enjoy between them.
Settings – The film does use each setting to make us feel like we are in different stories with Happy Birthday using the environment the best through the film.
Special Effects – The effects are strong when needed, we don’t turn to them very often which is nice for a horror film at times.
Scene of the Movie – Dinner with a difference.
That Moment That Annoyed Me – Don’t Fall feels too short.
Final Thoughts – This is a nice little horror anthology which highlights the female film makers in the genre, each story will have something for each type of horror fan to enjoy.
Overall: Horror Anthology 101
Ross (3284 KP) rated Good Omens in TV
Jul 4, 2019
Broadly fine
I am a long-time fan of Terry Pratchett, and a more recent fan of Neil Gaiman, and yet it was only the release of the TV series that prompted me to finally read their joint effort. I thought the book was pretty good, lots of nice silly little jokes spread about, and a good plot keeping up momentum throughout.
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
I felt the TV series let the book down a little bit. While the overall story and the dialogue, in the main, is true to the book, I felt a lot of it fell flat. A lot of the humour (which comes in the form of charming asides, generally in the narrative of the book) missed the mark and just did not land properly. I did like the expanded section on Azirafale and Crowley's efforts through time, though I think they laboured it too long on the angel's unwillingness and didn't quite show how much they had worked together.
Tennant played Bill Nighy playing a demon, Sheen played David Mitchell playing an angel and they were broadly fine but didn't really sit perfectly for my liking. The rest of the cast were pretty strong (with the exception of Jack Whitehall who I utterly detest and don't think he can act for toffee).
The special effects were on the poor side, but that is only compared to the major big-budget TV shows like GoT and The Walking Dead. The physical effects were excellent.
In all, I am glad they restricted the series to a small number of episodes and did not try and drag it out too long. The ending was not given the build-up it deserved, there really wasn't enough peril before the two single acts that stopped the end of the war (Pulsifer and Adam).
I was very happy to see the relationship between Azirafale and Crowley develop beyond friendship
Darren (1599 KP) rated Possum (2018) in Movies
Nov 7, 2019
Philip is a puppeteer with one of the creepiest puppets you have ever seen, he is returning home to escape after his latest show went terribly wrong and it isn’t long before the strange events continue to plague him. He becomes a suspect in a missing persons case and the puppet he is trying to get rid of, keeps returning for him. Maurice is his stepfather that always pushes him too far, he always seems to be judging Philip. We only truly get to meet two characters with the puppet having a life of its own.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Performances – Sean Harris is genuinely creepy through this film giving a performance that is bound to get him placed in any horror film he wants for years to come. Alun Armstrong does well in the supporting role which does work very well in the film.
Story – The story follows the puppeteer that is haunted by his own puppet while is clearly a metaphor for something else going on in his life. This is a strange film to say the least, it does deal with real issues that can be disguised and will keep you feeling uneasy throughout. We could spend time studying certain issues in this film, but that goes into full spoilers.
Horror – The horror comes from the uneasy feeling we are getting through the film, with just what could be going on, the appearances of the puppet itself, which does look genuinely creepy.
Settings – The settings for this feel only add to the atmosphere involved in the film, each place feels like something terrible could happen.
Special Effects – The effects in the film come from the puppet creation and slow movements that it gives us through the film.
Scene of the Movie – Puppet first appearance.
That Moment That Annoyed Me – It is slow in places.
Final Thoughts – This is a movie that does leave you feeling unsettled by what we see with a puppet that just feels difficult to look at.
Overall: Creepy horror.
Sarah (7800 KP) rated Daybreakers (2009) in Movies
Nov 15, 2019
A great take on a vampire film
I can't believe I've never seen this film before. Not only do I love vampire films, I also have a soft spot for Sam Neill and Ethan Hawke, so I should've watched this a long time ago!
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
This is a very refreshing and original take on a vampire film. It's not an idea I've seen before, and it works really well. The background to the story and vampires is flashed over so quickly during the opening scenes and credits, and at a 1hr40 runtime this film really doesn't mess around. The vampire world looks great and I loved the grayscale and darker camera shots whenever the vampires were on screen, it made a stark contrast to the scenes set in daylight. This is such a different version of vampires to what we're used to and there are parts of this where you almost feel sorry for them.
Ethan Hawke is wonderful as Ed, and Sam Neill is deliciously wicked as he has been in other films, despite the fact I cant stop seeing him as Alan Grant! I think Willem Dafoe was a tad underused thought. The best thing I loved about this film was the gore and physical effects. It's an 18 for a reason and I loved all of the blood and guts. Admittedly some of the gore seemed a little over the top and ridiculous towards the end, but this just made it all the more hilariously enjoyable.
This film isn't perfect. I think some of the CGI is dodgy in parts which is a shame as the rest of the effects are rather good. And the sub plot about Sam Neill's daughter seemed a little flimsy. But aside from this, I think Daybreakers is a great underrated vampire film with a unique story, that seems to have gone without the recognition it deserves.
LeftSideCut (3776 KP) rated Curse of Chucky (2013) in Movies
Dec 6, 2019
A horror franchise this many movies in should be on its arse at this point, but the Child's Play series still manages to be entertaining with it's sixth entry.
After the silliness if Bride and Seed, Curse of Chucky steps back in to horror territory a bit more.
The majority of the film takes place in a creepy old house, as Chucky stalks an entirely new set of victims.
The characters this time around aren't hugely likable, except for Nica (played by Fiona Dourif, Brad Dourif's daughter). Not only is she likable and realistic final girl type, but she pretty badass as well. She is also wheelchair bound, which is a refreshing direction to take in this kind of film, and her disability adds a whole new dynamic to the Chucky series and just makes her more badass.
The plot itself is straightforward slasher material, but the last 20 minutes or so, really hammer home the movies connections to the original film, and the rest of the series. The ret con of Charles Lee Ray's origins and work a treat, and learning about more about him is an unexpected highlight.
The Chucky doll this time around looks weird. Really unsettling actually. There's a semi twist halfway through that actually has something to do with the way Chucky looks, and he's still pretty horrible looking.
The effects are mostly passable - there's a kill quite early on involving a car, that boasts some genuinely impressive practical effects, but it does mean towards CGI after that. Not always a bad thing mind, but there's one shit in particular of Chucky walking down a staircase... It's could have been so so good, but the obvious CGI is horrible...bleughh.
Other than that though, Don Mancini throws some decent camera work at us (the title card is an early highlight) and he successfully makes Curse of Chucky into a decent little horror movie.
After the silliness if Bride and Seed, Curse of Chucky steps back in to horror territory a bit more.
The majority of the film takes place in a creepy old house, as Chucky stalks an entirely new set of victims.
The characters this time around aren't hugely likable, except for Nica (played by Fiona Dourif, Brad Dourif's daughter). Not only is she likable and realistic final girl type, but she pretty badass as well. She is also wheelchair bound, which is a refreshing direction to take in this kind of film, and her disability adds a whole new dynamic to the Chucky series and just makes her more badass.
The plot itself is straightforward slasher material, but the last 20 minutes or so, really hammer home the movies connections to the original film, and the rest of the series. The ret con of Charles Lee Ray's origins and work a treat, and learning about more about him is an unexpected highlight.
The Chucky doll this time around looks weird. Really unsettling actually. There's a semi twist halfway through that actually has something to do with the way Chucky looks, and he's still pretty horrible looking.
The effects are mostly passable - there's a kill quite early on involving a car, that boasts some genuinely impressive practical effects, but it does mean towards CGI after that. Not always a bad thing mind, but there's one shit in particular of Chucky walking down a staircase... It's could have been so so good, but the obvious CGI is horrible...bleughh.
Other than that though, Don Mancini throws some decent camera work at us (the title card is an early highlight) and he successfully makes Curse of Chucky into a decent little horror movie.
JT (287 KP) rated The Wolfman (2010) in Movies
Mar 10, 2020
As what we would describe as the classic monster horror, this remake of the 1941 black and white picture in some way does itself and the original some justice.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
Back then horror was starting to carve itself out to a market of film goers who really didn’t have much of an idea as to how film could and would change their lives. The likes of Dracula and Frankenstein had also achieved great historic status.
The plot of the story stays true, man is bitten, man becomes werewolf, all hell breaks loose and it is the efforts of a love interest that tries in vein to break the curse. Something which not even the gypsies could achieve.
Special effects wise its impressive, Del Toro went through make up hell in order to gain the look, some three hours to apply and one to remove so his dedication must be applauded. As to whether he was the right choice for the part is another question, in some parts, in human form he loodke out of place with his foreign slightly merged American accent.
The original film ultimately was basic, a drama that based itself around a werewolf, there was no gore and hardly any blood. So of course it was only fitting that this film should contain both, and vast quantities of flying limbs and spouting red stuff. Did it need it? It surely must have only been there too satisfy an age where any lack of these effects would seem a disappointment.
The supporting cast ranging from Anthony Hopkins as Sir John Talbot, Hugo Weaving as Inspector Abberline and the beautiful Emily Blunt as Gwen all do a wonderful job adding their talents to the narrative. Hopkins especially was his usual dark, sinister and composed self.
There are some truly scary scenes, and some fantastic shots of a Gothic London but the film tends to drift off in places. Overall its a worthwhile watch but doesn’t do enough to really make it one of standouts of 2010.
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