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JT (287 KP) rated Escape From L.A. (1996) in Movies
Mar 10, 2020
John Carpenter’s offering into the world of sequels couldn’t have been worse. Kurt Russell said he had a desire to play Snake Plissken once again and to be honest I wished he hadn’t bothered.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating. I have made my way through bad films over the years but this one really takes the title. After Carpenter’s engrossing and dark Escape from New York hit screens in 1981 a sequel was always going to be on the cards, but maybe they waited too long for it.
The plot is similar to the first, Plissken is yet again asked to save the day despite being injected with a virus that will kill him in within nine hours, although giving him ample time to save the day. This time he has to enter L.A. now separated from America after an earthquake and where the worst of the worst are sent, there he must retrieve a black box containing controls to a super weapon.
I had a hard enough time to muster the energy to watch this, and even more to award it a one star rating
What really wound me up about this film were the most shoddy special effects ever! When you take into consideration that this came out at a similar time to the very excellent Independence Day whose CGI effects were second to none for the time, there was no comparison.
You have to wonder what Carpenter’s budget of $50,000,0000 went towards, Plissken’s underwater entry into L.A. is hilarious and is even worth the watch just for that alone.
The addition of a few more well known characters do manage to brighten the proceedings, such as Steve Buscemi as Map to the Stars Eddie and Bruce Campbell as Surgeon General of Beverly Hills, but they do very little to save this from being a complete disaster.
Russell allegedly wrote the ending to this, and to be honest it shows. If you were a fan of the first then I would leave this one well alone!
Gareth von Kallenbach (980 KP) rated Ghost Rider: Spirit of Vengeance (2012) in Movies
Aug 7, 2019
In what can only be described as a failed attempt at a sequel, Nicholas Cage reprises his role as Johnny Blaze, and Blaze’s alter ego Ghost Rider.
In this follow-up chapter to the 2007 film that first brought Marvel’s Ghost Rider to the big screen, Cage’s character has left the States to run from the demon inside him. His attempts to control the Rider work best when he is far from people, but his plans are derailed upon the entrance of a young boy and his attractive mother. The boy is the object of desire for Mephistopheles (the demon who turned Blaze into the Rider). The film takes you on a wild ride while Ghost Rider attempts to prevent the devil from getting his claws on the boy.
Lets cut right to the chase: this is, bar-none, one of the worst films I’ve seen in at least a decade. It’s right up there with D-Wars. While the first film had decent acting (minus Cage), a well-thought-out script, and special effects that made sense, the sequel is a complete failure even when compared to its predecessor.
The complete lack of a coherent script, the terrible acting, and the nonsensical actions of the Rider (not to mention the extremely cheesy dialog) make it clear that this film is an extremely poor attempt by Hollywood to capitalize on the recent success of other Marvel/DC titles. Unfortunately, this movie was cobbled together with one liners and special effects that weren’t convincing enough to pass the test.
Being a long time Marvel/DC comic fan, I always approach these films with low expectations, so I can be surprised when they’re done well — and at the very least, enjoy it. Despite this, I still feel like the hour and twenty minutes of my life spent watching Ghost Rider is time I can’t have back.
The only moment of hope this film had was Christopher Lambert as the tattooed monk.
I encourage all of you who wish to see it, even after reading this review, to wait until it’s available for cheap home viewing.
In this follow-up chapter to the 2007 film that first brought Marvel’s Ghost Rider to the big screen, Cage’s character has left the States to run from the demon inside him. His attempts to control the Rider work best when he is far from people, but his plans are derailed upon the entrance of a young boy and his attractive mother. The boy is the object of desire for Mephistopheles (the demon who turned Blaze into the Rider). The film takes you on a wild ride while Ghost Rider attempts to prevent the devil from getting his claws on the boy.
Lets cut right to the chase: this is, bar-none, one of the worst films I’ve seen in at least a decade. It’s right up there with D-Wars. While the first film had decent acting (minus Cage), a well-thought-out script, and special effects that made sense, the sequel is a complete failure even when compared to its predecessor.
The complete lack of a coherent script, the terrible acting, and the nonsensical actions of the Rider (not to mention the extremely cheesy dialog) make it clear that this film is an extremely poor attempt by Hollywood to capitalize on the recent success of other Marvel/DC titles. Unfortunately, this movie was cobbled together with one liners and special effects that weren’t convincing enough to pass the test.
Being a long time Marvel/DC comic fan, I always approach these films with low expectations, so I can be surprised when they’re done well — and at the very least, enjoy it. Despite this, I still feel like the hour and twenty minutes of my life spent watching Ghost Rider is time I can’t have back.
The only moment of hope this film had was Christopher Lambert as the tattooed monk.
I encourage all of you who wish to see it, even after reading this review, to wait until it’s available for cheap home viewing.
LeftSideCut (3776 KP) rated Sleepy Hollow (1999) in Movies
Apr 20, 2020 (Updated Apr 20, 2020)
Sleepy Hollow is one of those films that I will always love. I first saw it when I was 13, when DVDs were still pretty new, and I would watch it over and over again.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
It's just about creepy enough to offer itself to horror fans, and has the right amount of Tim Burton campiness to still appeal to younger audiences (not too young mind, plenty of blood flying about).
Johnny Depp plays Ichabod Crane, a constable sent from New York to the small town of Sleepy Hollow to investigate a series of bizarre murders, at the tail end of the 1700s.
The townsfolk are gripped with fear, convinced that the murders are the work of the fabled Headless Horseman, but Ichabod is certain that there's a less supernatural involvement behind the scenes.
The 18th Century setting is perfect for Burton's gothic style. The whole film is draped in a misty asthethic, lending it a cold and dreary atmosphere.
This is further complimented by Danny Elfman's incredible church-organ-heavy score.
The Horseman himself looks ghostly and makes for some unforgettable shots as he chases down and decapitates his way through the cast.
Said cast is a heavy duty one as well. Johnny Depp is front and centre, pretty much just being typical Johnny Depp, but it works wonders with Ichabod's almost mad-scientist character.
The rest of the cast boasts the likes of Christina Ricci, Michael Gambon, Christopher Walken, Miranda Richardson, Ian McDiarmid, Michael Gough, Richard Griffiths, Christopher Lee, Jeffrey Jones... It's an impressive list.
Some of the acting is a bit overboard at times (looking at you Christopher Walken) but it kind of adds a bit of surrealism to the whole affair.
The effects are pretty solid as well. Burton's approach to using a large amount of practical effects is admirable, and what CGI is used is subtle enough to not show the films age.
Despite it cheesyness, Sleepy Hollow manages to be both a dark and fun horror adventure, that I always enjoy watching and remains a highlight in Tim Burton's resume.
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Charlie Cobra Reviews (1840 KP) rated Alita: Battle Angel (2019) in Movies
Jul 3, 2020
A Phenomenal Anime Adaptation - 8/10
Alita: Battle Angel is a sci-fi/action movie based on the manga/anime by Yukito Kishiro, written by James Cameron and directed by Robert Rodriguez. Set to officially release on February 14th, it stars Rosa Salazar, Christolph Waltz, Jennifer Connelly, and Mahershala Ali. This movie was phenomenal and does a great job of transporting the viewer and immersing them into the world that is Iron City.
Dr. Ido (Christolph Waltz) searches the scrap pile junkyard of the metropolis known as Iron City for parts to repair patients at the clinic he owns and operates. He finds a badly damaged female cyborg (Rosa Salazar) that is still alive and chooses to repair her. When she awakens, she has no memory of her past, her name, or who she is. Dr. Ido allows her to live with him and names her Alita but doesn't permit her to venture out at night into the treacherous and dangerous streets of Iron City. However Alita has a wide-eyed view of looking at the world and with the help of a young boy named Hugo (Keean Johnson) she begins her quest to remember anything about her past and who she is.
Looks like Hollywood finally got an anime movie right. If you have any doubt you need to see this film for yourself. Definitely recommended if you like sci-fi and action movies but the heart and soul of the film is Alita herself. Her journey and transformation and her personality steal the show and make this movie great. The visual effects were awesome as well as the fight choreography and film cinematography. I'll admit that somethings plot wise fell through with the storyline towards the very end but this movie had a lot of emotion (heart and soul). I give this movie an 8/10.
Dr. Ido (Christolph Waltz) searches the scrap pile junkyard of the metropolis known as Iron City for parts to repair patients at the clinic he owns and operates. He finds a badly damaged female cyborg (Rosa Salazar) that is still alive and chooses to repair her. When she awakens, she has no memory of her past, her name, or who she is. Dr. Ido allows her to live with him and names her Alita but doesn't permit her to venture out at night into the treacherous and dangerous streets of Iron City. However Alita has a wide-eyed view of looking at the world and with the help of a young boy named Hugo (Keean Johnson) she begins her quest to remember anything about her past and who she is.
Looks like Hollywood finally got an anime movie right. If you have any doubt you need to see this film for yourself. Definitely recommended if you like sci-fi and action movies but the heart and soul of the film is Alita herself. Her journey and transformation and her personality steal the show and make this movie great. The visual effects were awesome as well as the fight choreography and film cinematography. I'll admit that somethings plot wise fell through with the storyline towards the very end but this movie had a lot of emotion (heart and soul). I give this movie an 8/10.
Shauny (14 KP) rated Star Trek: Discovery - Season 1 in TV
Feb 3, 2021
So, I started the series with high hopes and ended it slightly underwhelmed. The first few episodes are fairly gripping if a bit fast paced, but the immediate action ment that I was invested in the plot straight away. The visual effects are stunning, having just watched the original series it's almost jarring to see a star trek series that looks so modern and realistic, the production quality really ups the standard of this show. The overall acting of the show is okay, I particularly enjoyed Sonequa Martin-Greens performance of Micheal. However, I wasn't so keen on her character being the center of the entire plot, and her seemingly endless skills and knowledge, I'm not a huge fan of the 'chosen one' character trope. Compared to the origin star trek series, Discovery is very dark and pessimistic. It's a lot more war focused, a long way away from the original series more optimistic and 'utopian' future. That being said, just because it isn't like the original star trek, it doesn't mean that it doesn't have it's one appeal. The series has an overarching storyline, each episode relating directly to the next, so if your looking for some light watching, this might not be the show for you. There is a particular plot twist near the end of the series that I really enjoyed but felt was slightly rushed, and of course some plot holes but that's inevitable with a show like this. Overall, it's an enjoyable TV series, I would definitely recommend giving it a watch ( just don't go in expecting it to be like other star trek series). Not only is it visually stunning to watch, the plot is engaging, they're are many references that star trek fans will enjoy, and the cast is extremely diverse and refreshing as well!
Darren (1599 KP) rated Pod (2015) in Movies
Oct 14, 2019
Characters – Lyla is the loose cannon sibling, she enjoys a drink and a party and is tired of her big brother trying to protect her, once we hit the cabin though she is generic woman in trouble screaming a lot. Ed is the doctor and big brother of the siblings. He wants the family together to help on edge sibling and stays calm through the film through each decision going on. Martin is the former soldier that has returned a different man, he has been in and out of hospitals and now living alone his paranoia can only grow.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.
Performances – The performances in this film are focused on the three main actors, if we are being honest none of them set the world alight here, with Lauren Ashley Carter being completely over the top with her reactions, Dean Cates being very bland with his actions and Brian Morvant never hitting the marks of a true crazy person.
Story – The story here feels like it should be focusing on the relationship between the siblings, as we have the two left to decide whether their brother is insane or there is something happening in the cabin, the balance is shown early on but then soon just becomes a creature feature which fails to deliver because of the abrupt style of anything happening. There was a large part of potential here, but the bickering doesn’t make you care and the conspiracy theory all becomes something we have seen.
Horror/Mystery – The horror in the film comes in the final 15 minutes and never draws us into being scared and like the mystery side of the film just doesn’t become the important side of things like it should do.
Settings – Most of the film is set in the cabin which does plan into the isolation and paranoid idea.
Special Effects – The effects are used well and only when needed with most being practical dealing with creating the pod.
Scene of the Movie – What is in the basement.
That Moment That Annoyed Me – We didn’t explore the different life styles of the two siblings.
Final Thoughts – This is a lacklustre horror mystery movie that doesn’t use its strengths well enough through the film.
Overall: Lacklustre Horror Movie.