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Darren (1599 KP) rated Bandits (2001) in Movies
Jul 25, 2019
This is a film that I saw not long after it came out and didn’t recall much about it besides the fact that it starred Bruce Willis, Billy Bob Thornton and Cate Blanchett.
It’s actually quite a mediocre heist film since it tries much too hard to make this feel as if it’s story is one that could be “ripped from the headlines” and also feel pertinent to Reality TV, which was in its infancy at the time.
The chemistry between the characters is quite weak and the fact that Willis and Thornton don’t feel as if they are on level ground also hurts things since the characters are meant to be equal.
Blanchett’s character is quite annoying the whole way through and it’s pretty difficult to believe that she is able to have a romance with one of these men, and they want us to believe that she has one with both of them.
This love triangle just doesn’t work on any level.
The story itself is quite repetitive and they rehash things much too often instead of trying to break new ground along the way.
This film should have been much shorter and that might have been better if edited together.
The movie fails to decide whether it wants to be seen as a comedy or as a crime thriller and in the end it feels as if it is neither especially when there are too many scenes that play off as being overly melodramatic for their own good.
Bottom Line – Very mediocre heist film that tries too hard to feel as if it is “ripped from the headlines” during the beginning of the days of Reality TV. Willis and Thornton don’t work very well together because they never seem to feel as if their characters are on equal levels. Blanchett’s character is quite annoying throughout and its very hard to believe the love triangle that comes about. The story itself feels too repetitive and things could have been shortened a lot because they try to reestablish things that they previously established. The plot gets a bit too melodramatic for its own good and fails to make the decision of whether they want this to be seen as a comedy or as a crime thriller and in the end, it seems like neither.
It’s actually quite a mediocre heist film since it tries much too hard to make this feel as if it’s story is one that could be “ripped from the headlines” and also feel pertinent to Reality TV, which was in its infancy at the time.
The chemistry between the characters is quite weak and the fact that Willis and Thornton don’t feel as if they are on level ground also hurts things since the characters are meant to be equal.
Blanchett’s character is quite annoying the whole way through and it’s pretty difficult to believe that she is able to have a romance with one of these men, and they want us to believe that she has one with both of them.
This love triangle just doesn’t work on any level.
The story itself is quite repetitive and they rehash things much too often instead of trying to break new ground along the way.
This film should have been much shorter and that might have been better if edited together.
The movie fails to decide whether it wants to be seen as a comedy or as a crime thriller and in the end it feels as if it is neither especially when there are too many scenes that play off as being overly melodramatic for their own good.
Bottom Line – Very mediocre heist film that tries too hard to feel as if it is “ripped from the headlines” during the beginning of the days of Reality TV. Willis and Thornton don’t work very well together because they never seem to feel as if their characters are on equal levels. Blanchett’s character is quite annoying throughout and its very hard to believe the love triangle that comes about. The story itself feels too repetitive and things could have been shortened a lot because they try to reestablish things that they previously established. The plot gets a bit too melodramatic for its own good and fails to make the decision of whether they want this to be seen as a comedy or as a crime thriller and in the end, it seems like neither.
Sophia (Bookwyrming Thoughts) (530 KP) rated Insurgent in Books
Jan 23, 2020
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/01/review-insurgent-by-veronica-roth.html">Bookwyrming Thoughts</a>.
YAYYYYY. Le Book Club decided to go straight to Insurgent after reading Divergent. Of course, I probably would've read it right before the book came out so I wouldn't be all "anticipation is killing me!!!" But a bookworm never runs out of books to read, so I'll just sit back, chillax and wait. And wait. And wait. Until the 3rd and final book finally comes out at last so I can beg my mom to go to the bookstore JUST so I can buy it. (I can always wait for the library though.) I mean, come on. Drastic cliff-hanger there. It's agonizing. Too agonizing.
There are lots of shocking secrets here too. For one thing, WHY, CALEB, WHY?!?!?! I'm not even gonna say what he did for those who haven't read it. I just thought I was walking on my bedroom ceiling for a few minutes there when I read it. Of course... I wasn't. Or I would see clothes littering the ceiling and whatever's on the floor (not necessarily clothes). Oh, and Peter. Wow. Just wow. -_- But hey, without that, who knows what would've happened? But I am glad to say there are some peeps that are well, good riddance to them.
I didn't get what the title really meant at first. It didn't even make sense, in my opinion. Until later. Until it was explained (kinda). But oy, what a way to end. Totally unexpected. As much as I'm a bit exhausted with Dystopian Fiction (believe me, there are probably a lot that are lurking on my Kindle App and I have no clue about. Or do I?), I'll say Insurgent was a delightful read. On the overall end, I kinda liked Divergent more. By no means of bashing whatsoever, it was more... unique from The Hunger Games (I guess that applies to all first books in a series), in the means of corrupted government.
But what can I say? Perks to Veronica Roth for creating a unique world with it's own unique parts. :3
And now, I have to wait. And wait. And wait. For a few months. Or is it? *checks date on Goodreads* Oh facepalm. More than a few months. Oh wait, it comes out 10 days after I'm 16! Hey, when's the choosing ceremony for us? :p
YAYYYYY. Le Book Club decided to go straight to Insurgent after reading Divergent. Of course, I probably would've read it right before the book came out so I wouldn't be all "anticipation is killing me!!!" But a bookworm never runs out of books to read, so I'll just sit back, chillax and wait. And wait. And wait. Until the 3rd and final book finally comes out at last so I can beg my mom to go to the bookstore JUST so I can buy it. (I can always wait for the library though.) I mean, come on. Drastic cliff-hanger there. It's agonizing. Too agonizing.
There are lots of shocking secrets here too. For one thing, WHY, CALEB, WHY?!?!?! I'm not even gonna say what he did for those who haven't read it. I just thought I was walking on my bedroom ceiling for a few minutes there when I read it. Of course... I wasn't. Or I would see clothes littering the ceiling and whatever's on the floor (not necessarily clothes). Oh, and Peter. Wow. Just wow. -_- But hey, without that, who knows what would've happened? But I am glad to say there are some peeps that are well, good riddance to them.
I didn't get what the title really meant at first. It didn't even make sense, in my opinion. Until later. Until it was explained (kinda). But oy, what a way to end. Totally unexpected. As much as I'm a bit exhausted with Dystopian Fiction (believe me, there are probably a lot that are lurking on my Kindle App and I have no clue about. Or do I?), I'll say Insurgent was a delightful read. On the overall end, I kinda liked Divergent more. By no means of bashing whatsoever, it was more... unique from The Hunger Games (I guess that applies to all first books in a series), in the means of corrupted government.
But what can I say? Perks to Veronica Roth for creating a unique world with it's own unique parts. :3
And now, I have to wait. And wait. And wait. For a few months. Or is it? *checks date on Goodreads* Oh facepalm. More than a few months. Oh wait, it comes out 10 days after I'm 16! Hey, when's the choosing ceremony for us? :p
Gareth von Kallenbach (980 KP) rated The World's End (2013) in Movies
Aug 6, 2019
This summer’s movie lineup has been crammed full of sophisticated robots, vampires and even a recently passed billionaire genius. And then you have The World’s End (“TWE”), which might simply be the best and most creative of the bunch. Having a much smaller budget than these bigger movies, and being set in England, Edgar Wright shows that it’s not all about money and tropics in this hilarious romp.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
I cannot honestly think of a better way to wrap up the Cornetto Trilogy then the story told in TWE. For those that don’t know there’s a joke behind the Cornetto name, in that a report brought up that a Cornetto ice cream wrapper was featured in each of the first two movies. Shaun of the Dead and Hot Fuzz make up the first two movies, and TWE rounds out what eventually became the Cornetto Trilogy. Ice cream Easter egg aside, all the films in the trilogy share the same cast and crew. They star Simon Pegg and Nick Frost, written by Pegg and Wright, and directed by Wright. The films are chock full of inside jokes that go back as far as this incredible groups humble beginnings with the TV show Spaced. Beyond these connections, though, each films stands on its own as a unique story.
While Shaun of the Dead was the group’s take on zombie films, and Hot Fuzz visited the buddy cop genre, TWE is a comedic riff on films like Invasion of the Body Snatchers. If you have somehow made it this far without having the full plot spoiled for you, do try and keep it that way. The key things you need to know is that there are robots, creepy “YOLO” kids, and the story centers on Gary King, a man who never quite grew up.
Gary (Pegg) is a disaster of an adult male. He’s wild, rambunctious, trying to constantly relive his youth, and irresponsible to boot. This demeanor has not done any good for him as an adult on the far side of 40, but he’s delusional and is not aware that he has not succeeded in life. This actually adds to his charm.
Gary gets a bug up his you know what, and wants to relive one of his last greatest days of his youth. A day when he and his four best friends decided to celebrate finishing school by tackling the town-famous golden mile. Newton Haven has 12 pubs spread along a mile path that Gary manages to convince his friends Steven (Paddy Considine), Oliver (Martin Freeman), Peter (Eddie Marsan) and former best friend Andrew (Frost) to attempt again just like they did all those years ago. The pub crawl concludes at the film’s namesake: The World’s End.
As the evening goes on, and the beers start going down, the five begin to discover that something is off. Between rounds and pubs, the group starts to discuss whether or not the town has changed, or they have. This leads to a fight with the creepy “YOLO” kids that is reminiscent of Chinese Kung Fu movies the likes of Jackie Chan would be found in. As the mates progress from pub to pub, more and more of the mystery of Newton Haven begins to unravel.
The film starts in a deceiving way and hides its true nature underneath a veil of middle-aged men trying to reconcile their present with their past. Gary very much represents the past as he still dresses the way he did when he was 18, still drives the same car, complete with the same cassette tape of music given to him more than 20 years ago by Steven. Gary is a loser, but thinks he is the hero of every story, which causes a love/hate relationship with the group of friends. Then it all changes! Wright and company manage to do a complete 180 and combine a very believable mid-life crisis film with a robot invasion. And it works!
Pegg absolutely nails the role of Gary, from his movements to his banter with the others in the film. There is an air of desperation hidden under his free spirit persona. But surprisingly, it is Frost that steals the movie this time around. Andrew is the most well-rounded character he has portrayed, even through his transformation from a stiff professional into the atomic elbow dropping fighter he needs to become.
As I mentioned earlier, the fight scenes are very reminiscent Chinese Kung Fu movies. The choreography is amazing and the actors have no problem keeping up with the action and bringing the air of humor that the Kung Fu films bring as well. It is impressive watching Frost, a small man by no means, nimbly dispatch several foes. Meanwhile, Pegg is constantly thwarted by enemies as he unsuccessfully attempt to enjoy a pint. For a film billed as comedy, the few fight scenes are among the best of the summer.
As good and Pegg and Frost are though, it all comes back to the man behind the camera… Wright. He has a style that is distinctive and unique. He has shown his range over the years with shows like Spaced and films like Scott Pilgrim vs. the World. And his attention to detail is bar-none. Nothing is included in a shot if it doesn’t have some sort of meaning. Wright is a master film maker in his own right.
TWE is steeped in originality and creativity, which is sorely lacking in many films that are released these days. Wright is a master of deconstructing a genre film to honor it and make fun of it at the same time. Pegg and Frost have an uncanny knack for translating Wright’s visions to the silver screen. The World’s End is another example of their shining chemistry, and also one of the best films of the summer.
Neon's Nerd Nexus (360 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
May 13, 2019
See it soar
#howtotrainyourdragon3 is a delightful, #passionate & #epic end to one of the best #animated trilogies of all time. This 3rd film sets itself apart from the others with its realistic portrayals of #love & by the sheer #heart & #dedication that's clearly gone into its making. Ill start with the themes explored here for a #kids animated #film are so well done that at times i felt not only #goosebumps & shivers going up my #body but my eyes were almost on the verge of tears too. Neglect, progression, sacrafice acceptance, belonging, #family bonds, learning & loyalty are explored here vastly but the biggest surprise comes from how the film depicts love & loss. Courtship is displayed here with such power/realism that my connection to the characters became stronger & #memories of my own #relationships came flooding back instantly bringing a #smile to my face. This film captures the thrill, the excitement, the #magic, the #nerves, the #butterflies of falling in love & meeting someone new so well that you simply can not help feel giddy, #happy & intoxicated by it all which is rare & something big blockbusters even fail to achieve these days. But with love always comes loss/betrayal too & as romantic love, family love & #friendship are handled extremely well so is the loss of love which hits like a punch to the gut & produces a huge dramatic effect ensuring you really do feel the lows as well as the highs each of these characters experience. Animation is glorious here with #dreamworks raising the bar to a #pixar quality flawless animation. Textures are photo realistic, lighting is blinding, action is beautifully staged & facial detail (especially for the main villain) is so good it gives the characters extra dimension & believability. Talking of the main #villain he is worth the price alone, never have i seen such a cold, calculating, methodical & merciless yet #charming & #smart bad guy in a #kids film before & #fmurrayabraham voice work goes beyond for him too. Score wise it shines providing both epic & sombre music adding great tension, atmosphere & heart. Such a well made, touching/moving tale full of heart, #soul & love. EPIC. #Odeon #howtotrainyourdragon #dragon
Nadya R (9 KP) rated The Tea Rose in Books
Jul 2, 2018
Fiona is 17 years old girl who works in Burton's tea factory. She leads a life of Irish emigrant with her big family. There is Joe as well. The next door boy she is inlove with and also he is inlove with her since they were children. The only light in their light is their cacao box. It consist all of their savings set aside to support their dream - to have their own shop. When one day everything broke down. His father died in accident. Joe, the men she always love, is forced to marry to other woman.
London's atmosphere is so vivdly described. With only two word Donnally took us into her universe. Everything is so bright. It's make you feel the smell of the tea into English's humid air. You can hear Joe, who call you to go and buy some of his fruits and veggies. This is also the time of Jack the Ripper. Series of brutally killed women spread the fear trough the people in Whitechapel. Trying to take the ill baby to the doctor, Fiona's mother Kate became a witness of another Jack's murder and for that she paid with her life. The baby died a couple of days after her mom. Fiona's bigger brother Charlie disappeared, heart-broken because of his mother death. And Fiona end up with her little brother. But when their life is threatened, they catch the first ship to New York. There from poor little girl without a family, she become one of the richest women in New York.
Unputdownable! Totally deserve to be read. All this tragedy. Her misfortune love with Joe. Every time when they are going to meet I became so happy, only to be disappointed because they missed out the chance. Its a huge book with its 800 pages (Bulgarian edition), but they aren't enough for me. I wanted to learn more about Fiona's success. How she became this powerful woman. I missed this ten years that aren't described in the book.
Amazing book that kept me awake three nights in a row.
London's atmosphere is so vivdly described. With only two word Donnally took us into her universe. Everything is so bright. It's make you feel the smell of the tea into English's humid air. You can hear Joe, who call you to go and buy some of his fruits and veggies. This is also the time of Jack the Ripper. Series of brutally killed women spread the fear trough the people in Whitechapel. Trying to take the ill baby to the doctor, Fiona's mother Kate became a witness of another Jack's murder and for that she paid with her life. The baby died a couple of days after her mom. Fiona's bigger brother Charlie disappeared, heart-broken because of his mother death. And Fiona end up with her little brother. But when their life is threatened, they catch the first ship to New York. There from poor little girl without a family, she become one of the richest women in New York.
Unputdownable! Totally deserve to be read. All this tragedy. Her misfortune love with Joe. Every time when they are going to meet I became so happy, only to be disappointed because they missed out the chance. Its a huge book with its 800 pages (Bulgarian edition), but they aren't enough for me. I wanted to learn more about Fiona's success. How she became this powerful woman. I missed this ten years that aren't described in the book.
Amazing book that kept me awake three nights in a row.
BookwormMama14 (18 KP) rated Where We Belong in Books
Jan 2, 2019
What do ancient artifacts, camels, the Chicago fire, sisters, and romance have in common??? LYNN AUSTIN and Where We Belong!!! I have a confession...this was my first Lynn Austin book. I know, I know, put the pitchforks down. But when I saw the cover and the time period(Gilded Age)....I knew I just HAD up read it! What's even better, is that the sisters in this story were inspired by real sisters who travelled and did research and found incredible ancient artifacts...in the 1800s. These days it is far from unusual to have women scientists and archeologists, researchers and professors...however, in the 1800s, it was highly frowned upon and many doors to women were closed. And it is because of women like this who paved the way for us today.
The heart of the story is of course, Jesus. And how His forgiveness surpasses all of our mistakes. He is waiting for us to surrender the past to Him and let Him heal our hearts. We also take a little peek into the ancient manuscripts that have been found of the Bible and the proof that followed, that even though hundreds....thousands....of years have passed....God's word has not changed. The Bible we read today is the very same Bible that was originally written.
There were several plot twists and I honestly had no idea HOW this was all going to end. But Lynn Austin did not disappoint. She did a fabulous job weaving the storyline with flashbacks and several different viewpoints. I loved seeing into the past of the main characters. It opens your eyes to why they are the way they are ultimately.
If you are longing for an adventure....this is the book for you! Negotiate with a Bedouin Sheik, overcome the challenges of the past, survive the Chicago fire, and above all, see Jesus work in the lives of normal, everyday people and as a result....see their lives travel down an extraordinary road as they find where they belong.
I received a complimentary copy of Where We Belong from the publishers through Netgalley. I was not required to write a positive review. All opinions expressed are mine alone.
The heart of the story is of course, Jesus. And how His forgiveness surpasses all of our mistakes. He is waiting for us to surrender the past to Him and let Him heal our hearts. We also take a little peek into the ancient manuscripts that have been found of the Bible and the proof that followed, that even though hundreds....thousands....of years have passed....God's word has not changed. The Bible we read today is the very same Bible that was originally written.
There were several plot twists and I honestly had no idea HOW this was all going to end. But Lynn Austin did not disappoint. She did a fabulous job weaving the storyline with flashbacks and several different viewpoints. I loved seeing into the past of the main characters. It opens your eyes to why they are the way they are ultimately.
If you are longing for an adventure....this is the book for you! Negotiate with a Bedouin Sheik, overcome the challenges of the past, survive the Chicago fire, and above all, see Jesus work in the lives of normal, everyday people and as a result....see their lives travel down an extraordinary road as they find where they belong.
I received a complimentary copy of Where We Belong from the publishers through Netgalley. I was not required to write a positive review. All opinions expressed are mine alone.
Matt Geiger (15 KP) rated Cars 3 (2017) in Movies
Jun 27, 2020
2017 was not a good year for Hollywood, but it was a great year for cinema. That year gave us modern masterpieces like Blade Runner 2049, Get Out, and one of Pixar's absolute best. And of course I'm talking about Lightning McQueen's swan song. Oh wait...yeah I misread my list. That 4-letter word read Coco. At the very least, CARS 3 doesn't do anything misleading or unexpected, and that's mostly for the best. A highly unoriginal retread of superior sports films, CARS 3 is content with taking Lightning McQueen down the same path as Rocky Balboa, Ricky Bobby, and Happy Gilmore, but it does so without as much heart needed when exploring concepts of mortality and obsolescence. To its credit, it is, at times, a poignant story about days gone by and longing for glory, but what this movie really excels in is only hinting at emotional drainage and not having the nerve to do something really involving. Owen Wilson is still great in the lead role, and it’s redeeming to see Lightning in the same position as his former mentor, Doc Hudson, who makes a brief return thanks to an archived cameo from the late, great Paul Newman. Much like the film itself, the residents of Radiator Springs, and their voice actors, are as harmless as ever, and the new characters fill the screen nicely enough without making much of an impression thanks to respectable voice work from veterans like Cristela Alonso and Chris Cooper. All of this is well and good, but what the film lacks in the overall wave of melancholy that makes some of Pixar's best efforts shine, it makes up for in returning to its roots and leaving the previous adventure where it stands, as if it never happened at all. While the series protagonist goes out on a predictable, if not fitting, final note, his character arc, thanks to his special relationship to studio big John Lasseter, is highly reminiscent of the studio itself: knowing when to end and move on to better things. CARS 3, to put it in an overly Thanosian way, is inevitable.
Emma @ The Movies (1786 KP) rated Happy Death Day (2017) in Movies
Sep 25, 2019
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed. She heads back to her house dismissing everyone she sees, she throws out her roommate's cupcake, she carries on with her professor, and then gets murdered by a hooded figure wearing the mask of their campus mascot.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
Groundhog Day, but a little more kick ass. Theresa wakes up on her birthday on Monday, September 18th in a strangers bed... well you get the idea. She runs through her day, but instead of heading to the tunnel that led to her death the night before (tonight?) she heads back to her sorority house where, you've guessed it, she gets murdered.
As she loops through her birthday over and over she gets to know Carter, the guy who's bedroom she keeps waking up in, and he encourages her to try and work out what's going on in the hopes that she might be able to change the outcome.
Yet another one that I hadn't seen anything about until a couple of days before I saw it... and you know what? It was really entertaining. It's down as a slasher movie, but there's a bit of everything in it. I jumped in my seat, which doesn't happen very often. I just really enjoyed it. I was so wrapped up in it that I didn't even see the twist coming.
My only quibble, and this really isn't a major thing (I noticed it, so for me to do that I guess it is a little bit major), was when she was admitted to hospital. Her professor/doctor/lover (talk about conflict of interest) says that she's showing signs of trauma, which as we and she knows is because of how she died in the last loop. If she's showing signs of that trauma, and she says that she's feeling weaker with each loop... then... well... how does she make it too the end of the movie? Admittedly she's going to be running on a lot of adrenaline, but... well, it bugged me a little.
A Bibliophagist (113 KP) rated The Gentlemen (2020) in Movies
Jan 27, 2020 (Updated Jan 27, 2020)
Well paced (1 more)
Good characters
Third times a charm
I am not terribly well versed in Guy Ritchie films, however "Snatch" is one of my favorite films. I went into this with no expectations, and without even knowing the basic plot, I was greated with a wonderful experience.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
If "Snatch" is Ritchie's attempt at perfecting "Lock Stock and two smoking barrels" then "The Gentlemen" is the final attempt at perfecting this formula. He absolutely succeeded in this in every way. "Snatch" is a GOOD movie, but this is a good FILM, in the same distinction as literature from standard fiction. We revisit his pentient for sprawling plots with a slew of characters, all intertwined but the full scale of their involvement coming to a head at the end, but he elevated this with "The Gentlemen".
We open with Charlie Hunnan, proving to me he is a capable actor when he's not faking an american accent and given a role that suits him. A pot kingpin's right hand man being greeted by Hugh Grant in a role I've never seen him in, skeezy, unattractive, cockney accent, a reporter for tabloids offering his story for a mere 20mil pounds. Grant preceeds to tell this thrilling tale of Micky (mcconaughy) the aforementioned kingpin, attempting to sell his impressive pot empire so he can retire with his wife who he absolutely loves. Through Grant, we are given a new twist on the Ritchie formula, an unreliable narrator, which just brings the story to life. We see what goes down during these days of attempted sale, the involvent of another druglord wannabe (golding), wanting a piece of the pie, the accidental involvement of Coach(Farrel) when his group of trainees piss off the wrong people, and the twisty, turny, bullet flinging fights that ensue. This movie is beautifully paced, not feeling as long as it was, witty, with plenty of laugh out loud moments, but balanced with enough gritty reality to leave you quiet as soon as you finished laughing. In true Ritchie form, by the end all the pieces fall into place, the full reality revealed in a satisfying, fun finale. However, the twist of the unreliable narrator, leaves us with the reality that we may not know everything that happened. I would argue that beyond a part with some Russians, every character and event (and there were a number of them) felt purposeful, well thought oit and completely necessary to the plot. Like it's predecessors, the music was on point, the editting and cutting perfect and leading to a slightly old school vibe while feeling fully rooted to the present. The plot was over the top, but modern and believable. Overall, it was just exceptionally fun.
He finally figured it out, and gave us something as fun as "Snatch" but elevated it to true FILM status. Making it, arguably, the better film. Highly recommend it.
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