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Rachel King (13 KP) rated American Gods in Books
Feb 11, 2019
I have only ever read one other adult book ( I don't count Coraline) by Gaiman, which was vastly different from this book in both style and mood - Stardust. A friend recommended I read this book many years ago since I like mythology. I found this book really had not much to do with mythology in the classic sense. Instead the characters that were pulled from mythology, such as Odin, Anansi, Horus, Bast, and Ganesha, among others, behaved like has-been D-list celebrities that struggle to survive in a country that is repeatedly described as "...a bad land for gods." The powers they rarely put on display were minimal and amounted to the same kind of "magic" as a skilled pick-pocket, con-artist, or amateur magician. The few times any real power is observed is once during the sexual scene of a re-invented Queen of Sheba (I'll spare you the R-rated details) and when the gods travel "behind the scenes," a state of existence that only the gods can enter.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
While the names of classical mythology fit into the category of the Old Gods, there are New Gods that have taken root in America, born from cultural obsessions that have evolved and devolved over the years, such as railroads - a man dressed as a railroad conductor, television - a voice talking through Lucille Ball on a rerun of I Love Lucy, vehicles - stocky men that seemed to resemble vehicles themselves, and internet - a short, nerdy, nervous kid, among other American fixations and stereotypes.
In addition, one of the scenic devices used throughout the plot is what Gaiman's characters describe as places of power - side-of-the-road dives that road-trippers visit for no apparent reason, such as a place boasting the largest doll collection in America or the biggest wheel of cheese. And no, Disneyworld is not one of them.
One of the things I found interesting about this Gaiman-born world is that the Old Gods only exist in the New World when regular people travel from other countries and bring their memories and practices with them, even when they don't intend to stay themselves. The gods are "born" from these average people, and even though they can be killed by others, they don't die otherwise, but instead alternately starve or thrive based on the behavior of the people who live and die in the New World. They all have counterpart manifestations of themselves in the countries they are pulled from, but one's existence does not affect the other - though they do seem to be aware of each other.
All of this is merely the background of the main plot, which centers around the activities and travels of a seemingly mortal man with a single name, Shadow. I never did "get" the one-name thing, but whatever. Through Shadow's narration, the reader learns of an impending storm - a battle between the Old Gods and New Gods, the former fighting for survival and the latter fighting for dominance. Shadow works for a mysterious "Mr. Wednesday" and is randomly haunted by his dead wife, Laura, but otherwise seems to have little drive of his own for most of the book. In fitting irony, he has his own brand of "magic" - an obsession for coin tricks to pass the time from his days spent in prison - which I could never really follow the descriptions of.
To be completely honest, I truly did enjoy this book, though I am struggling to say exactly why. Perhaps I was fascinated by the "shadowy" way that Gaiman told the story, or how he developed this over-the-hill world of gods and goddesses that better resembled America's middle and poor classes' struggles for survival, money, and influence. Some of the personal touches that Shadow's character added to the plot made him at times surprisingly endearing. In addition, the way that Shadow seemed to address the reader at the very end of the book was so satisfying that I laughed out loud and had to read it again several times. Something about that just brought the book to life for me and help me to fully appreciate the versatile style of Gaiman. This is one of those books you don't have to fully understand to fully appreciate.
Lee (2222 KP) rated Brightburn (2019) in Movies
Jun 11, 2019
What if Clark Kent grew up to be evil? What if, instead of growing up to be this all powerful protector of Earth and humanity, he decided he wanted to take the world, cruelly toying with and destroying humanity in the process? That's the premise behind Brightburn, a superhero horror movie from producer James Gunn, of Guardians of the Galaxy fame. Comic books are littered with plenty of 'what if' story-lines and alternate takes on popular superheroes, but up until now probably the most famous onscreen version of an evil Superman we've seen was in Superman III. And even then we only really got a drunk, unshaven, but still family friendly Superman, who felt a bit mischievous and blew out the Olympic torch for a bit of a laugh. Brightburn goes a lot darker, leaning heavily into horror with some wonderful, wince-inducing gory moments. If you're looking for Dark Phoenix levels of dark - moody, crying in the corner, that kind of thing - then you're going to be disappointed.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
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Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Joelene Marie (28 KP) rated The Fifth Doll in Books
Oct 1, 2018
*3.5 stars, rounded up to 4*
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
I originally requested this after coming across it on Netgalley during a random browse thru the sci-fi/fantasy category. The description sounded interesting so I thought I'd give it a shot. It sat on my Kindle carousel for a good while (so many books, so little time…) so it was a few days after it was released before I actually got around to starting it. I had seen The Fifth Doll mentioned in several posts and compared to Naomi Novik's Uprooted and Catherynne Valente's Deathless, two books that I love dearly. I decided to go back and check the Goodreads reviews to get an idea of the accuracy of that comparison and from there decided to read the first chapter or two to see if it hooked me like those two had. I was about 40% thru before I realized that it absolutely did have that “unputdownable” quality like the others and had to force myself to put it down and go to bed lol. After finishing it, I can say with certainty that the comparisons do indeed fit.
I have a weak spot for anything 'fairytale-esque’ and this definitely falls into that category, as it is a retelling of the origin of Russian matryoshka dolls. The mc’s name, Matrona, is a nod to this as well. This story is very well written and so imaginative. It definitely kept me guessing until close to the end when the truth about Slava, the creator of the dolls, is revealed. I liked that the Japanese nesting doll is where Slava found the inspiration to create his dolls, it's a small detail but one that ties this retelling to the real history of the matryoshka dolls.
I thought Matrona was developed pretty well but others, especially Slava, could have used a little more fleshing out. I would have also liked a little more backstory on Pavel and Oleg and the symbolism of the white horse. The writing style was solid and the pacing was just right in my opinion. The romance was subtle and didn't overshadow the main plot, which was nice for a change. The main thing I wasn't really happy with was the magic system. There's very little explanation of any of it or how it really works, only that it does. As a fan of fantasy and fairytales, I appreciate a well developed magic system as part of solid world building and that was sorely lacking here for me. Overall, it was an enjoyable read but I feel there was potential for it to be more.
**Thanks to Netgalley and the publisher for the ARC! All opinions are my own.**
Gareth von Kallenbach (980 KP) rated Ocean’s 8 (2018) in Movies
Jul 8, 2019
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
Lyndsey Gollogly (2893 KP) rated Killing for Company: Case of Dennis Nilsen in Books
May 19, 2021
64 of 250
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Book
Killing for Company: The Case of Dennis Nilsen
By Brian Masters
Once read a review will be written via Smashbomb and link posted in comments
__________________
Dennis Nilsen, who died in May 2018, admitted to killing at least 15 people before his arrest in 1983. This ground-breaking criminal study of his killings was written with Nilsen's full cooperation, resulting in a fascinating - and horrifying - portrait of the man who worshipped death.
In February 1983, residents of Muswell Hill had been plagued by blocked drains. When a plumber was called to investigate, he discovered a large blockage of biological material. To his horror, it appeared to be formed of human flesh and bones.
The next day, local resident Dennis Nilsen was arrested.
'Are we talking about one body or two?' a detective asked. Nilsen replied 'Fifteen or sixteen, since 1978. I'll tell you everything.'
Within days he had confessed to fifteen gruesome murders over a period of four years. His victims, mostly young gay men at a time when society cared little for them, had been overlooked. Killing for Company is a unique study of a murderer's mind, essential reading for true crime aficionados.
__________________
This is a seriously hard book to read and review! I grew up loving true crimes and British serial killers and a bit later American serial killers and although I knew this case as I’d read lots about it growing up I found this book hard going, not because it was poorly written but by the content and knowing Nilsen had a lot to say to Masters. I have read Masters book on Jeffery Dahmer and it was a decent retelling but to me it always seemed so far away! This however was in the UK and only 100+ miles down the motorway, he was in the army the same time as my dad and the fact he on paper seemed so bloody normal! He held a steady job and campaigned via the union for people under discrimination, he loved pets he didn’t have all the common markers as your typical serial killer! It’s only when he was on remand you start seeing how mentally ill he really was! It’s always hard to say you enjoy these types of books I tend to find them fascinating not enjoyable this one really hit home I cried and felt physically sick at several points. I want to know how it can suddenly change from being the person he was before the first murder to that monster ( the only word to describe him). Reading his reactions to how one victims parents would hopefully forgive him is chilling! Also the illustrations at the end of the book are just shocking! Worth a read and I would recommend but this left me asking so many questions!
Rob Halford recommended Queen II by Queen in Music (curated)
Lee (2222 KP) rated She Dies Tomorrow (2020) in Movies
Sep 2, 2020
Pretentious waste of time
On paper, the concept behind She Dies Tomorrow is an intriguing one – “Amy thinks she’s dying tomorrow…and it’s contagious..”. And the trailer provided just enough mystery to make me want to seek it out too. Is it a portrayal of paranoia and anxiety, or is there something more sinister or supernatural at work, that they carefully and cleverly avoided showing us in the trailer?
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
We join Amy, already convinced that she is going to die tomorrow. She wanders aimlessly around her flat at night, drinking wine. Lying on the wooden floor, she traces her finger along the wood veins in the floorboards and presses herself against the wall, as if she is at one with the world and her surroundings. She also repeatedly drops the needle on a score by Mozart – a piece of music that I do not initially dislike, but come to loathe by the end of the movie.
Her close friend Jane pays a visit, but is dismissive of Amy and her insistence that tomorrow she will die. However, after Jane returns home to continue working, a sudden realisation crosses her face, and she also then has the feeling that she will die tomorrow. When Jane later joins a small party at her brother’s house, a similar pattern occurs, with everyone thinking she’s gone crazy. But eventually, they all start to think the same, with each realisation accompanied by a strange neon purple light flashing across their faces. It certainly does seem to be contagious…
The remainder of the movie deals with each character coming to terms with their impending death and passing the feeling onto a few other people. We see Amy trying to make the most of her remaining time, and we also flip back a few days to learn a bit more about her in the run up to today.
As I mentioned earlier – on paper, there’s definitely a great idea at the heart of She Dies Tomorrow, and reading back through my review certainly confirms that. Unfortunately though, nothing about this movie worked for me at all. I found the acting terrible, and was unable to connect with any of the characters. It’s less than 90 minutes long, but is such a dull, pretentious and badly written slow-burn that all mystery and intrigue generated by that trailer quickly vanishes. For a movie that wants you to ponder on your remaining time on this earth, it certainly does a pretty good job of wasting it. Oh and if you’re expecting some kind of explanation and ending that might help redeem the painful build-up, you’re going to be seriously disappointed.
