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365Flicks (235 KP) rated It Watches (2016) in Movies
Nov 20, 2019
Well Holy Shit… I just got done watching this Independent Thriller/Horror movie It Watches which is headed your way on VOD shortly, and I have got to say it has been a while since a movie completely pulled the rug out from under me. I mean damn, I am a Cinema Goer/Movie Watcher that likes to think he is always one step ahead of the movie and for the most part I am but I have to say this one outsmarted me. This makes me very very happy.
To Director Dave Parker (The Hills Run Red) I tip my cap. First of all because I am getting tired of all this camcorder crap. It feels like every Horror movie these days has got to have that found footage/CCTV feel to it. However this it-watches-19movie actually felt fresh in its approach and didn’t over play what it was doing, the jump scares were minimal and the camcorder style only served to ratchet up the tension. So lets just get into this…
After having suffered an accident Andre (Ivan Djurovic – Zoombies) is given the chance to spend some time relaxing away from it all the while also helping out his good friend Robert (Rick Irwin – 30 Minutes or Less) by House-sitting a fantastic place in the Hollywood hills. Andre proceeds to make a home video on his camcorder and gives us a tour of this awesome but pretty eerie home. This portion of the movie is all setting up the tone of what we have to come and you find yourself scanning every section of the screen for something to happen (Sometimes it does, sometimes not). As we approach night-fall Andre is joined by a lady friend Rachael (Sanny van Heteren – Hellraiser : Revelations) and it is from here things start to take a bit of a turn for the worse as we realize Andre and Rachael may not be the only people in the house. Add a creepy unknown element in Guy (James Duval – Donnie Darko) and we have all the makings of something special. In a completely unexpected, Surprising and a you will not see it coming movie.
I cant say much more about this flick because anymore than what I just told you and we are in major spoiler territory. What I will say though is that Director Dave Parker and Actor/Writer Ivan Djurovic have really come up with something special here and im so glad I gave it my time. Ivan absolutely shines here in what is essentially a movie powerhouse performance, making what at first seemed like strange choices in his acting but when you get to the end you can see exactly what the character is about (Mission Accomplished). The script is clever as hell and while I honestly thought they were telling me everything I needed to know from the get go, they still managed to make me feel like a bit of an idiot.
Add to all of this James Duval turns up so my Donnie Darko Geek Boner was severely super charged by this point.
So yeah I am on a huge Indie kick right now and movies like this are exactly why I love watching them, what these guys out there are doing with limited budget and unimaginable passion for there craft is amazing which is why we should all give them the time they deserve. Give this movie a go and let me know what you thought.
To Director Dave Parker (The Hills Run Red) I tip my cap. First of all because I am getting tired of all this camcorder crap. It feels like every Horror movie these days has got to have that found footage/CCTV feel to it. However this it-watches-19movie actually felt fresh in its approach and didn’t over play what it was doing, the jump scares were minimal and the camcorder style only served to ratchet up the tension. So lets just get into this…
After having suffered an accident Andre (Ivan Djurovic – Zoombies) is given the chance to spend some time relaxing away from it all the while also helping out his good friend Robert (Rick Irwin – 30 Minutes or Less) by House-sitting a fantastic place in the Hollywood hills. Andre proceeds to make a home video on his camcorder and gives us a tour of this awesome but pretty eerie home. This portion of the movie is all setting up the tone of what we have to come and you find yourself scanning every section of the screen for something to happen (Sometimes it does, sometimes not). As we approach night-fall Andre is joined by a lady friend Rachael (Sanny van Heteren – Hellraiser : Revelations) and it is from here things start to take a bit of a turn for the worse as we realize Andre and Rachael may not be the only people in the house. Add a creepy unknown element in Guy (James Duval – Donnie Darko) and we have all the makings of something special. In a completely unexpected, Surprising and a you will not see it coming movie.
I cant say much more about this flick because anymore than what I just told you and we are in major spoiler territory. What I will say though is that Director Dave Parker and Actor/Writer Ivan Djurovic have really come up with something special here and im so glad I gave it my time. Ivan absolutely shines here in what is essentially a movie powerhouse performance, making what at first seemed like strange choices in his acting but when you get to the end you can see exactly what the character is about (Mission Accomplished). The script is clever as hell and while I honestly thought they were telling me everything I needed to know from the get go, they still managed to make me feel like a bit of an idiot.
Add to all of this James Duval turns up so my Donnie Darko Geek Boner was severely super charged by this point.
So yeah I am on a huge Indie kick right now and movies like this are exactly why I love watching them, what these guys out there are doing with limited budget and unimaginable passion for there craft is amazing which is why we should all give them the time they deserve. Give this movie a go and let me know what you thought.
Darren (1599 KP) rated A Street Cat Named Bob (2016) in Movies
Dec 18, 2019
Verdict: Delightful
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
Story: A Street Cat Named Bob starts as we meet homeless addict James (Treadaway) who spends his days singing for enough money that could get him a meal and a fix, when he overdoes, Val (Froggatt) gives him a chance to get emergency living to clean up with act. James is willing to make this happen and he ends up meeting a stray cat.
Reluctantly James decides to keep Bob the cat and learns to grab a new lease for life and that as a double act they could achieve things he could only dream of as a musician, as well as finding love in one of the neighbours Betty (Gedmintas).
Thoughts on A Street Cat Named Bob
Characters – James is a homeless drug addict who has an overdose. He is given a big chance to go on the path to recovery with an emergency home, where he meets a cat and suddenly he starts to see his life turn around, his busking lifestyle sees him make money, he meets a new woman and can support himself, he will need to go through the toughest test of his life, if he wants to break free of his addictions. Bob is the ginger cat that turns up in James’ life, he won’t leave his side as he helps him clean up his act. Betty is the neighbour that becomes James only human friend, she will show him about vegan life becoming a love interest, even though she has seen how being an addict has taken away somebody in her life before. Val is the person that pushes James into the program, believing he can change and will change, she supports him through the whole process.
Performances – Luke Treadaway in the leading role is brilliant to watch, he shows us just how desperate James is to turn his life around and what he must go through. Ruta Gedmintas and Joanne Froggatt are both great in the supporting roles in the film too.
Story – The story here follows a homeless drug addict that gets his life turnaround thanks to the help of one person and a mysterious ginger cat that gives him happiness. This is based on the real story of the man James and Bob the real cat, we see the recovery process, just how difficult it can be for somebody who is trying to turn their life around. We can see how the ending will come about because there is a book about the turn around, even though it does become entertaining throughout the film.
Biopic/Comedy – The biopic side of this film does show how James does turn his life around, it is shown in a way that could see the struggle he will be facing. The comedy of the film does give you a couple of laughs with how Bob interacts in life.
Settings – The film is set in London which does show how the culture of the homeless people being able to survive around town that is filled with a drug culture that could end their fight.
Scene of the Movie – First day out with Bob.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is a delightful little comedy that brings to life one man’s journey to salvation with his new friend Bob the cat.
Overall: Feel Good Movie.
Writing (3 more)
Characters
Inconsistencies
Not a horror book, as marketed
What if a powerful virus was released in the air? What if you had to be tested for it every time you tried to walk into a building? Does this sound a little familiar? What if I told you this scenario was written about back in 2010?
In her novel Feed, writer Mira Grant gives readers this very scenario of an airborne, blood transferred virus; something that seems very familiar in today's environment and day-to-day living- - - just minus the zombies.
Grant started out as an urban fantasy writer known as Seanan McGuire, with her first full-length novel being Rosemary and Rue. She received the 2010 John W. Campbell Award for Best New Writer, as well as many other awards for her work in fiction. There are four books in the Newsflash series (Feed being the first of these).
We meet our main characters, Georgia and Shaun, while they're out in the 'field' filming some zombies for their blog. Shaun is the more careless one, as we witness him poking at zombies with his hockey stick. The two suddenly have to leave when the zombies become a pack. This is where it gets a little strange- - -Georgia explains to the readers that when zombies are in a pack, they become stronger and somehow smarter, but throughout the rest of the book, it's never really explained how this happens.
In this world, blogging and your view count determines your quality of life. Georgia and Shaun have spent years making their blog- - - After the End Times- - - into a popular blog. Every blogger's dream is to be picked to follow the campaign trail of any upcoming politician, and that is exactly what happens to our main characters. Unfortunately, this is when the book turns into a political thriller- - - this happens within the first fifty pages. Zombies end up taking a backseat from here-on-out.
We still get to learn about the virus (Kellis-Amberlee) throughout the book. We're told that any animal that weighs more than 40 pounds is capable of having the virus, and that some people are even born with a dormant-type of the virus inside of them, but this is also never explained in the entire story, at least in book one. Georgia makes it quite clear throughout the novel that she is completely against anyone owning pets that weigh over 40 pounds, but this is due-to her family having lost their younger son to a pet that went viral. This becomes extremely repetitive. Every time that an animal is brought up or seen, Georgia has to retell her stance on owning pets, when once or twice was enough to let the readers know where she stands on the subject.
There are moments of zombie attacks- - - such as after a political rally in a small town where Georgia and her crew are following Senator Ryman on his race to become President, when bodyguards are attacked by a small group of the undead, and Georgia and Shaun become cornered by a few of them- - - these scenes read as if to just keep the zombie trope going, not to actually make the story better. Grant continually repeats herself throughout the book, and because of this, the story didn't have to be as long as it is. Such as with these few zombie attacks, the reader never feels much danger for the characters. And I found that the characters turn out to just not be that likable.
One such character that had potential is Buffy; the backbone of the After the End Times blog. Scenes that were meant to make the reader care for her fell short. Unlike scenes with Georgia and Shaun, including the bond between them, is not felt with Buffy's scenes; she merely seems like a filler character to make certain parts of the story make sense by constantly disappearing and reappearing wherever need be.
Georgia does have an interesting quirk in the book. She harbors the dormant Kellis-Amberlee virus, which has effected her eyes. She can't be in bright lights because they give her blinding headaches, so she wears sunglasses nearly everywhere: " I collapsed onto our bed at the local four-star hotel a little after dawn, my aching eyes already squeezed shut. Shaun was a bit steadier on his feet and he stayed upright long enough to make sure the room's blackout curtains were drawn. "
The technical side of the story - - - the computer world and the electronic usage- - - in Feed is done pretty well. It's like the movie Nightcrawler meets 28 Days Later, but with a lot less zombies. We get to see the seedy underbelly of journalism- - - where bloggers are willing to do anything to get their view count high. Readers also get to witness how life is like living in a world held hostage by a virus - - -something that is very relatable today.
Georgia constantly reminds readers that she doesn't care about other people, and that Shaun is the only person she cares for- - - and, of course, the view count. She continually blames her lack of empathy on their adoptive parents, stating that they only took them in for the their own blog view counts. Oddly after such information, Shaun doesn't seem to be the immature one in the duo.
I haven't read the other three books, one which is a republishing of Feed, but from a different point-of-view. This story was disguised as a horror novel, but just ended up being a political thriller with some zombies thrown in for a much wider reading audience. The book skims over what life would be like after a devastating virus takes over, but focuses on what politics would be like. I can't recommend Feed as a horror novel; the tagline is also misleading: " 'The good news: we survived. The bad news: so did they. " Unless Grant was talking about politicians....
I didn't give the story a low rating because it wasn't exactly a horror book, but instead for these reasons: throughout the story, Grant repeats a lot of information that was explained earlier in the book (and only needed to be explained once); she also had inconsistencies throughout, sometimes even in the very next sentence. Adding things that needed to be explained which weren't, and the afterthoughts that broke up the flow of the story, I just couldn't enjoy it. But, if you like political thrillers, then you might like this one. I won't be continuing this series.
In her novel Feed, writer Mira Grant gives readers this very scenario of an airborne, blood transferred virus; something that seems very familiar in today's environment and day-to-day living- - - just minus the zombies.
Grant started out as an urban fantasy writer known as Seanan McGuire, with her first full-length novel being Rosemary and Rue. She received the 2010 John W. Campbell Award for Best New Writer, as well as many other awards for her work in fiction. There are four books in the Newsflash series (Feed being the first of these).
We meet our main characters, Georgia and Shaun, while they're out in the 'field' filming some zombies for their blog. Shaun is the more careless one, as we witness him poking at zombies with his hockey stick. The two suddenly have to leave when the zombies become a pack. This is where it gets a little strange- - -Georgia explains to the readers that when zombies are in a pack, they become stronger and somehow smarter, but throughout the rest of the book, it's never really explained how this happens.
In this world, blogging and your view count determines your quality of life. Georgia and Shaun have spent years making their blog- - - After the End Times- - - into a popular blog. Every blogger's dream is to be picked to follow the campaign trail of any upcoming politician, and that is exactly what happens to our main characters. Unfortunately, this is when the book turns into a political thriller- - - this happens within the first fifty pages. Zombies end up taking a backseat from here-on-out.
We still get to learn about the virus (Kellis-Amberlee) throughout the book. We're told that any animal that weighs more than 40 pounds is capable of having the virus, and that some people are even born with a dormant-type of the virus inside of them, but this is also never explained in the entire story, at least in book one. Georgia makes it quite clear throughout the novel that she is completely against anyone owning pets that weigh over 40 pounds, but this is due-to her family having lost their younger son to a pet that went viral. This becomes extremely repetitive. Every time that an animal is brought up or seen, Georgia has to retell her stance on owning pets, when once or twice was enough to let the readers know where she stands on the subject.
There are moments of zombie attacks- - - such as after a political rally in a small town where Georgia and her crew are following Senator Ryman on his race to become President, when bodyguards are attacked by a small group of the undead, and Georgia and Shaun become cornered by a few of them- - - these scenes read as if to just keep the zombie trope going, not to actually make the story better. Grant continually repeats herself throughout the book, and because of this, the story didn't have to be as long as it is. Such as with these few zombie attacks, the reader never feels much danger for the characters. And I found that the characters turn out to just not be that likable.
One such character that had potential is Buffy; the backbone of the After the End Times blog. Scenes that were meant to make the reader care for her fell short. Unlike scenes with Georgia and Shaun, including the bond between them, is not felt with Buffy's scenes; she merely seems like a filler character to make certain parts of the story make sense by constantly disappearing and reappearing wherever need be.
Georgia does have an interesting quirk in the book. She harbors the dormant Kellis-Amberlee virus, which has effected her eyes. She can't be in bright lights because they give her blinding headaches, so she wears sunglasses nearly everywhere: " I collapsed onto our bed at the local four-star hotel a little after dawn, my aching eyes already squeezed shut. Shaun was a bit steadier on his feet and he stayed upright long enough to make sure the room's blackout curtains were drawn. "
The technical side of the story - - - the computer world and the electronic usage- - - in Feed is done pretty well. It's like the movie Nightcrawler meets 28 Days Later, but with a lot less zombies. We get to see the seedy underbelly of journalism- - - where bloggers are willing to do anything to get their view count high. Readers also get to witness how life is like living in a world held hostage by a virus - - -something that is very relatable today.
Georgia constantly reminds readers that she doesn't care about other people, and that Shaun is the only person she cares for- - - and, of course, the view count. She continually blames her lack of empathy on their adoptive parents, stating that they only took them in for the their own blog view counts. Oddly after such information, Shaun doesn't seem to be the immature one in the duo.
I haven't read the other three books, one which is a republishing of Feed, but from a different point-of-view. This story was disguised as a horror novel, but just ended up being a political thriller with some zombies thrown in for a much wider reading audience. The book skims over what life would be like after a devastating virus takes over, but focuses on what politics would be like. I can't recommend Feed as a horror novel; the tagline is also misleading: " 'The good news: we survived. The bad news: so did they. " Unless Grant was talking about politicians....
I didn't give the story a low rating because it wasn't exactly a horror book, but instead for these reasons: throughout the story, Grant repeats a lot of information that was explained earlier in the book (and only needed to be explained once); she also had inconsistencies throughout, sometimes even in the very next sentence. Adding things that needed to be explained which weren't, and the afterthoughts that broke up the flow of the story, I just couldn't enjoy it. But, if you like political thrillers, then you might like this one. I won't be continuing this series.
Andy Meakin (5 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 11, 2018
Welcome back to Jumanji
How dare they make a sequel/remake/reboot of Jumanji? I mean that film was a classic. Admittedly a very average classic that doesn’t really live up to your childhood memory of it, but still. And, yeah, Zathura was a kind of remake given it was adapted from a book by the same writer and explored the same themes, but nobody watched that, so how dare they do a new Jumanji film? I mean it’s only 22 years since the original came out!
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.
Gareth von Kallenbach (980 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
Gareth von Kallenbach (980 KP) rated Brick Mansions (2014) in Movies
Aug 6, 2019
3 weeks ago, I had never heard of this movie. I happened upon the commercial as I was watching TV
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
KalJ95 (25 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
May 5, 2020
Asks more questions than it answers. (3 more)
Fails to recover from the damages of The Last Jedi.
No sense to the narrative.
Some acting is appalling.
Goodbye, Star Wars.
Almost six months from its release, I finally sat down and treated myself to Episode IX: The Rise of Skywalker. Ever since Disney took over the Star Wars brand, I've been sceptical of their intentions with the property, and so far I've been massively disappointed. I enjoyed the Mandalorian, and still believe Rogue One: A Star Wars Story is easily as good as the original trilogy. Controversial, I know. But the newest trilogy has dropped my interest in Star Wars altogether, as they've so far been bogged down by awful writing, humongous plot holes, and the butchering of beloved characters to make way for wooden new ones. The Force Awakens was a step in the right direction, but the nostalgia factor was what drew me in. Eight years on, it hasn't aged well at all. The Last Jedi became my Stopping point in the Galaxy far, far away. Yes it has flair and popped visually, but the story was an insult to all the fans who had cherished Star Wars back in the days of the Original trilogy. After countless rewrites, multiple directors, and suspicions of actors within feeling disheartened with the over arc of their characters (looking at you, John Boyega), The Rise of Skywalker is finally here to cap of Disney's first trilogy.
What a disaster.
The Rise of Skywalker is an incoherent, messy and boring experience to chug through. Time and time again throughout the two and a half hours, I face palmed in absolute cringe and embarrassment at what Disney have done to this once celebrated franchise. The film feels rushed, on edge to get to the next destination for the newest plot point, without explaining or finishing the previous one, pointing even more towards those rewritten scripts. The film feels like multiple entries, crammed into one sprawling narrative that can't be resolved in the time given, this is especially the case with characters like Poe and Finn, who's arcs have been destroyed to make way for Rey, and that is the biggest issue. Rey has been written as the central moving force of this trilogy, but she never undergoes any development. Sure, she learns a few things about herself in this film, and challenges the idea of who she is for a brief moment, but she’s been made the perfect Jedi without trying. Its poor and lazy writing, and fans have began to feel an agenda is presenting itself. Whilst the women feel strong, wise, intelligent, the men are all morons, blundering their way through the story and often bickering with each other. Its an observation as a critic and fan, and its made me loath almost every character introduced since The Force Awakens. It became clear how little I cared about anything that was happening when a moment of embrace for the three main heroes once the final act ended. It should feel emotional, impactful, but it feels hollow, even forced. Much like most of the decision making of the film itself.
This brings me neatly onto the content of the film, if you can make any sense of it. If this is supposed to end the Skywalker saga once and for all, why add ridiculous plot threads and more pointless characters,that add no weight or purpose to the narrative? The ending is cut so quickly after the anti-climatic ending, that we don’t even have an idea of any characters finishing point. This is just one example of how badly things have spiralled into a mish mash of ideas from different writers and directors. If The Last Jedi was the franchise jumping into a well, this film is trying it's best to climb out. The two previous entries at least connected, but this feels a stand alone chapter, with no context or reason for what happens, and what does happen makes you scratch your head all the more.
I feel sorry for the hardcore fanbase, it genuinely feels like a slap in the face to history George Lucas has created. Once you lose the interest of your core audience, I feel its time to cut your losses. And yet again, another franchise has seen its demise. It feels like a symptomatic failure that the entertainment industry still don’t understand. You can buy any brand you want, but you can’t buy the fans love. Whatever direction Star Wars goes into next, I will not be tuning in.
What a disaster.
The Rise of Skywalker is an incoherent, messy and boring experience to chug through. Time and time again throughout the two and a half hours, I face palmed in absolute cringe and embarrassment at what Disney have done to this once celebrated franchise. The film feels rushed, on edge to get to the next destination for the newest plot point, without explaining or finishing the previous one, pointing even more towards those rewritten scripts. The film feels like multiple entries, crammed into one sprawling narrative that can't be resolved in the time given, this is especially the case with characters like Poe and Finn, who's arcs have been destroyed to make way for Rey, and that is the biggest issue. Rey has been written as the central moving force of this trilogy, but she never undergoes any development. Sure, she learns a few things about herself in this film, and challenges the idea of who she is for a brief moment, but she’s been made the perfect Jedi without trying. Its poor and lazy writing, and fans have began to feel an agenda is presenting itself. Whilst the women feel strong, wise, intelligent, the men are all morons, blundering their way through the story and often bickering with each other. Its an observation as a critic and fan, and its made me loath almost every character introduced since The Force Awakens. It became clear how little I cared about anything that was happening when a moment of embrace for the three main heroes once the final act ended. It should feel emotional, impactful, but it feels hollow, even forced. Much like most of the decision making of the film itself.
This brings me neatly onto the content of the film, if you can make any sense of it. If this is supposed to end the Skywalker saga once and for all, why add ridiculous plot threads and more pointless characters,that add no weight or purpose to the narrative? The ending is cut so quickly after the anti-climatic ending, that we don’t even have an idea of any characters finishing point. This is just one example of how badly things have spiralled into a mish mash of ideas from different writers and directors. If The Last Jedi was the franchise jumping into a well, this film is trying it's best to climb out. The two previous entries at least connected, but this feels a stand alone chapter, with no context or reason for what happens, and what does happen makes you scratch your head all the more.
I feel sorry for the hardcore fanbase, it genuinely feels like a slap in the face to history George Lucas has created. Once you lose the interest of your core audience, I feel its time to cut your losses. And yet again, another franchise has seen its demise. It feels like a symptomatic failure that the entertainment industry still don’t understand. You can buy any brand you want, but you can’t buy the fans love. Whatever direction Star Wars goes into next, I will not be tuning in.
Ivana A. | Diary of Difference (1171 KP) rated Three Hours in Books
Feb 3, 2020
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<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.
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<img src="https://i1.wp.com/diaryofdifference.com/wp-content/uploads/2020/01/Book-Review-Banner-32.png?resize=768%2C432&ssl=1"/>;
<b><i>Three hours is 180 minutes or 10,800 seconds.
It is a morning’s lessons, a dress rehearsal of Macbeth, a snowy trek through the woods.
It’s an eternity waiting for news. Or a countdown to something terrible.
It is 180 minutes to discover who you will die for and what men will kill for.</i></b>
I am glad I got the chance to be part of the blog tour for Three Hours by Rosamund Lupton. I was reading this book while I was on a plane, travelling to Macedonia, and it was a great adventure all the way through. In all honesty, I enjoyed it a lot, but it didn’t make my favourites list.
A school is under a siege and the headmaster has been shot. The story is being told from the point of view of everyone involved – the students, the teachers, the worried parents, the investigators, even the bad guys… Different people are hiding in different places in the school, all hoping this is just a dream.
During the book, we follow a few story lines:
*Hannah, the teenage girl who is in love for the first time, trying to help the wounded headmaster.
*Rafi and his younger brother Basi, Syrian refugees, still suffering from PTSD.
*The parents that are gathered together, desperate for news that their children are safe.
*The police psychologist and investigators, who are trying to identify the gunmen.
*The students hiding in the school theatre, who rely on a Shakespeare play to calm themselves.
As the chapters go through, the time passes and we get a better glimpse of the whole picture, and the story behind the whole attack of the school. It is very nicely written and amazingly put together.
The ending was unpredictable.
I loved the ending. Even though I had a lot of guesses, and I desperately tried to convince myself that the person responsible couldn’t possibly be the guilty one, the book proved me wrong in the most unpredictable way possible. The book’s ending is the ending you have been waiting for in a thriller for a very long time, and I was quite pleased for a few days after reading it.
Throughout the book, you will get hundreds of small clues that you won’t even notice, and in the end it will all make sense. I may have to read this book again, just to enjoy all those little hidden clues throughout the way and cherish them for the amazing clues they were. Also, to simply mock my inability to spot them as well.
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