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Don’t Wake Up is the story of Alex, a Doctor working in a busy emergency department. Alex seems to have everything going for her. She has a fiance, she has a home, a career. Until one day, she is attacked and sexually assaulted, in circumstances that seem totally unrealistic to anyone and everyone. Support quickly dies, and nobody believes her. Her fiance leaves, her friends and colleagues leave. She’s left doubting her own sanity. Then, she ends up framed for a murder she didn’t commit. The trail of destruction runs through her life whilst she tries to prove that she’s innocent, and is indeed a victim herself.
With well thought out unpredictable twists and a very good element of surprise, I found this book to be a fantastic read. The main character, the victim Alex, is well thought out with an enormous layer of depth to her. You truly feel empathy for her, and her situation. Her story takes you on a rollercoaster of emotion, where you feel like you want to reach through the pages and hold her hand as she stumbles and falls through trying to survive her ordeal. Although what happened to Alex seems unbelievable to the other characters, you as a reader know the truth, and you’ll want to scream it. Especially to a certain Detective Best.
There are too many positives from this book to list. So I’ll keep it as short as I can. The character depth is amazing, the story world is immersive and interesting. Every details is covered, you’re left imagining nothing as the whole picture is painted for you. The entire book is consistent without, as are the characters and their belief systems and backstories. It’s a brilliantly thought out plot, and an ending so unique I haven’t seen it in a while.
I only have two criticisms, and even then they’re mild. One is the books length. It’s shorter than it needed to be. I’d have loved for an extra few chapters on the end, showing Alex truly move from victim to survivor. It wouldn’t affect the main story in any way at all, and doesn’t cause the book to be anything less than brilliant. It just would’ve been nice from a personal point of view, to watch Alex step into her future. The second, and again only small, criticism I have is that the time hops are often hard to place. A chapter will skip ahead by a few days / weeks etc, and it’s hard to know where we are. Within a few pages though it’s either a] easier to work out, or b] it doesn’t actually matter as it doesn’t affect the story.
Overall, this book is fantastic. It’s a thoroughly good read, with twists and an ending, that comes out of no where. A genuine page turner that really keeps you interested in what’s to come next.
With well thought out unpredictable twists and a very good element of surprise, I found this book to be a fantastic read. The main character, the victim Alex, is well thought out with an enormous layer of depth to her. You truly feel empathy for her, and her situation. Her story takes you on a rollercoaster of emotion, where you feel like you want to reach through the pages and hold her hand as she stumbles and falls through trying to survive her ordeal. Although what happened to Alex seems unbelievable to the other characters, you as a reader know the truth, and you’ll want to scream it. Especially to a certain Detective Best.
There are too many positives from this book to list. So I’ll keep it as short as I can. The character depth is amazing, the story world is immersive and interesting. Every details is covered, you’re left imagining nothing as the whole picture is painted for you. The entire book is consistent without, as are the characters and their belief systems and backstories. It’s a brilliantly thought out plot, and an ending so unique I haven’t seen it in a while.
I only have two criticisms, and even then they’re mild. One is the books length. It’s shorter than it needed to be. I’d have loved for an extra few chapters on the end, showing Alex truly move from victim to survivor. It wouldn’t affect the main story in any way at all, and doesn’t cause the book to be anything less than brilliant. It just would’ve been nice from a personal point of view, to watch Alex step into her future. The second, and again only small, criticism I have is that the time hops are often hard to place. A chapter will skip ahead by a few days / weeks etc, and it’s hard to know where we are. Within a few pages though it’s either a] easier to work out, or b] it doesn’t actually matter as it doesn’t affect the story.
Overall, this book is fantastic. It’s a thoroughly good read, with twists and an ending, that comes out of no where. A genuine page turner that really keeps you interested in what’s to come next.
BookwormLea (3034 KP) rated Love and Monsters (2021) in Movies
Apr 17, 2021
Good take on an apocalypse. But really?
Contains spoilers, click to show
So the world's going to end with a huge comet but they save themselves with a rocket. But the rocket is made of some weird crap that lands back on earth and mutates all the bugs and lizards. Don't ask me why only those things and not actual animals because I don't know.
In a year, 95% of the worlds population has been wiped out. Those that are left have spent 7 years in bunkers, safe houses and other hidey holes. Joel is one of them. He was 16 when the world ended and now he wants to go find his ex girlfriend who lives in a different (what they call) colony. He's lonely because all his colony family have shacked up and he's the odd one out. He's also totally useless. He freezes up at the sight of the giant mutant bugs. But yes, he leaves to take a 7 day journey across mutant filled terrain, thats overgrown over 7 years.
Far fetched right? But he does it. With the help of a dog (yeah, a dog survived 7 years alone) an old man and his adopted daughter who know everything there is to know about the mutants, and at some weird point, a broken AI who just happens to have a few moments spare to comfort him. Also, sky jellies??? Mutations can't make sea animals fly...
So he gets there eventually, and finds her looking after old people. She's about to pack up and boars a yacht for a creepy youngish captain. And after some deliberation, Joel realises he's not who he says he is and he's actually a food stealer which, haha, ironically Joel kept being accused of being just that!! The captain sets this giant crab onto the biddies and sets sail to loot some other colony. But Joel looks right into that creepy crabs slightly human looking eyes and realises, he just wants to be free like any other self respecting mutant crab. So of course he frees him.
And then because his ex is a bitch who totally forgot about him and didn't really want him to go there, he goes back to his old colony to help them get to the mountain where there is a huge safe haven supposedly.
No romantic ending. He mysteriously survived 14 days on the surface, only coming close to being eaten like 5 times. And we don't even see if they make it to the mountain. Instead we hear his speech over the radio signals, encouraging people who've been safe for 7 years to risk their lives outside trying to make it to the mountains. Because if he can, anyone can.... gross.
So in summary, if they'd skipped the romance part, and maybe made it about a guy finding his parents or something, great movie. And someone give the damn dog his human back!
In a year, 95% of the worlds population has been wiped out. Those that are left have spent 7 years in bunkers, safe houses and other hidey holes. Joel is one of them. He was 16 when the world ended and now he wants to go find his ex girlfriend who lives in a different (what they call) colony. He's lonely because all his colony family have shacked up and he's the odd one out. He's also totally useless. He freezes up at the sight of the giant mutant bugs. But yes, he leaves to take a 7 day journey across mutant filled terrain, thats overgrown over 7 years.
Far fetched right? But he does it. With the help of a dog (yeah, a dog survived 7 years alone) an old man and his adopted daughter who know everything there is to know about the mutants, and at some weird point, a broken AI who just happens to have a few moments spare to comfort him. Also, sky jellies??? Mutations can't make sea animals fly...
So he gets there eventually, and finds her looking after old people. She's about to pack up and boars a yacht for a creepy youngish captain. And after some deliberation, Joel realises he's not who he says he is and he's actually a food stealer which, haha, ironically Joel kept being accused of being just that!! The captain sets this giant crab onto the biddies and sets sail to loot some other colony. But Joel looks right into that creepy crabs slightly human looking eyes and realises, he just wants to be free like any other self respecting mutant crab. So of course he frees him.
And then because his ex is a bitch who totally forgot about him and didn't really want him to go there, he goes back to his old colony to help them get to the mountain where there is a huge safe haven supposedly.
No romantic ending. He mysteriously survived 14 days on the surface, only coming close to being eaten like 5 times. And we don't even see if they make it to the mountain. Instead we hear his speech over the radio signals, encouraging people who've been safe for 7 years to risk their lives outside trying to make it to the mountains. Because if he can, anyone can.... gross.
So in summary, if they'd skipped the romance part, and maybe made it about a guy finding his parents or something, great movie. And someone give the damn dog his human back!
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Bob Mann (459 KP) rated Instant Family (2019) in Movies
Sep 28, 2021
Enjoyable and harmless comedy laced with a degree of sentimentality.
The Plot
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Pete (Mark Wahlberg) and Ellie (Rose Byrne) are focused and business-oriented home designers. They’ve talked about having kids “sometime in the future” but the years – as years are want to do – are motoring away from them. Pete is concerned that if they have their own kids now then he will end up being an “old dad” (cue very funny, black-comedy, flashback). This leads them into contact with the State’s fostering service – led by Karen (Octavia Spencer) and Sharon (Tig Notaro) – and they progress into foster training. This introduces into their ‘perfect adult lives’ 15-year old Lizzy (Isabela Moner) and her younger siblings Juan (Gustavo Quiroz) and Lita (Julianna Gamiz). As these guys come from a troubled background Pete and Ellie find they have their work cut out. Who will crack first?
The turns
You’ve got to admire Mark Wahlberg as an actor. In the same vein as Steve Carell, he seems to be able to flex from dramatic (in his case, tough-guy action roles) to comedy without a blink. He’s nowhere near the calibre of actor as Carell, but he brings to all his roles a sense of menace – derived no doubt from his torrid criminal background in younger days. (His wiki page makes your eyes water: there’s a great biopic screenplay waiting to be written there! ) It must have made the kid actor who plays Charlie (Carson Holmes) actually soil himself at a key point in the film!
Wahlberg and the excellent Rose Byrne make a believable driven-couple, and Byrne has such a range of expressive faces that she can’t help but make you laugh.
Of the child actors, Nickelodeon star Isabella Moner shines with genuine brilliance, both in terms of her acting as the fiercely loyal Lizzy but also in terms of her musical ability (she sings the impressive end-title song). With Hollywood in ‘post-La-La-Showman: Here we go again’ mode, this is a talented young lady I predict might be in big demand over the next few years.
Top of my list of the most stupid “where the hell have I seen her before bang-my-head-against-the-cinema-wall” moments is the actress playing Ellie’s mother Jan. She is OF COURSE Julie Hagerty, air-hostess supreme from “Airplane!”.
Also good value, and topping my list of “I know her from lots of films but don’t know her name” is Margo Martindale* as Pete’s exuberant and easily bought mother Sandy. (*Must write this out 100 times before her picture appears in the Picturehouse Harbour Lights film quiz!).
A well-crafty script with some wayward characters
The script by director Sean (“Daddy’s Home”) Anders and John Morris zips along at a fine pace, albeit in a wholly predictable direction. It helps that I struggle the think of many films about the adoption process itself. Sure there have been lots of movies about children that have been adopted – Manchester By The Sea and Lion being two recent examples – but the only film I can immediately think of (and not in a good way) with foster care at its heart was the Katherine Heigl comedy from a few years ago “Life as we know it”. So this is good movie territory to mine.
There are some fine running jokes, notably young Juan’s penchant for constantly getting injured. However, the script also lapses as did Anders’ “Daddy’s Home 2” from last year – into moments of slushy sentimentality. (My dear departed Dad always used to affect an exaggerated snore at such points, and I could hear him in my head at regular intervals during the film!). I would have preferred a harder and blacker edge to the comedy: something that last year’s excellent “Game Night” pulled off so well.
There are also a couple of characters in the film that were poorly scripted and which just didn’t work. While Octavia Spencer was fine (channelling an almost identical version of her wisecracking and sardonic character from “The Shape of Water“), I just had no idea what her colleague Sharon (Tig Notaro) was supposed to be. The tone was all over the place. Similarly, who should pop up on a balcony in an unexpected cameo but the great Joan Cusack. And very funny she is too for the 10 second interruption. But the writers having got her there just couldn’t leave alone and we get a plain embarrassing extended interruption that strikes a duff note in the flow of the film.
Summary
The film is amusing and harmless without taxing many brain cells. Most notably unlike many so-called American ‘comedies’ it did actually make me laugh at multiple points. I should also point out that my wife absolutely loved it, rating it a strong 4* going on 5*.
But the really cute thing is that…
…the film is “inspired by a true family”: namely Anders’ own. He and his wife fostered three kids out of the US foster service, so the script is undoubtedly loosely based on their own experiences, which give it an extra impact for some of Peter and Ellie’s lines. In an essay for TIME (source: bustle.com) Anders wrote:
My wife Beth and I had been talking for years about whether we should have kids,” he wrote. “For the longest time we just felt like we couldn’t afford it. Then I sold a couple of scripts and was feeling like I might have a career, but we were in our 40s and worried we had left it too long. We knew kids would make our life bigger, so one day I joked, ‘Why don’t we just adopt a five-year-old and it will be like we got started five years ago?'”
It gives you a completely different perspective on the film knowing this. My wife after the film was saying “I’m not sure how accurately it portrays the fostering process”. But it clearly does.
Chris Sawin (602 KP) rated Harsh Times (2005) in Movies
Jun 18, 2019
Writer and director (and sometimes producer) David Ayer debuted in the film industry writing films such as Training Day, The Fast and the Furious, and S.W.A.T. but he came into his own once he started directing and producing (as well as continuing to write) his own projects with End of Watch and Fury being two of his best. In the past couple years, Ayer has produced and directed two big budget films (Suicide Squad and Bright) in the past few years that received a negative critical reputation that audiences still seem to love (sequels for both are in development). The first film David Ayer produced, wrote, and directed that’s more in the vein of Training Day and End of Watch and is largely based on the individuals Ayer knew while living in South Central, Los Angeles is a little crime film called Harsh Times.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Jim Luther Davis (Christian Bale) seems like a normal guy that anyone could know. Now that he’s done his time as a soldier, it’s now his dream to become a cop in Los Angeles. Unfortunately though, Jim likes to spend most days drinking, smoking pot, and looking for ways to either get laid or kick the snot out of someone and his time as a soldier gets to him more than he lets on. He has nightmares every night and wakes up screaming with cold chills and is on the verge of downright insanity.
His best friend, Mike Alonzo (Freddy Rodriguez), has the intention of getting a job to make his wife happy but his drinking problem stands in the way of that. While Mike has his wife, Sylvia (Eva Longoria), Jim has his girlfriend, Marta (Tammy Trull), back in Mexico that he hopes to get across the border once he gets that dream job. One day, Jim gets a call from Homeland Security and Mike has an interview go surprisingly well at one of the best businesses in town; the two best friends think their lives are beginning to look up. However, Jim gets pushed too far and innocent people are suddenly caught in the crossfire.
Harsh Times plays out like a song that becomes a sleeper hit or one that eventually evolves into one of your favorites; events unfold rather slowly but they’re also building towards a big finale. Once the ball gets rolling, it’s inevitable to try and resist the mayhem that’s sure to ensue. Harsh Times may not be that appealing on the surface, but David Ayer has mastered the dynamic of two cops (one is usually Caucasian and the other is usually Hispanic or African American) set within a broken neighborhood. Watching Jim and Mike give into their vices and basically flush their dreams down the toilet by relishing the deteriorated reputation they’re known for is a riveting train wreck. Aside from Christian Bale’s outstanding performance, the real gem of the film lies within the last 20 minutes.
Ayer typically aims to shock or catch you off guard with the finales of his crime films, but there’s also a scene involving Jim that is unexpected. It’s an intriguing scene that is spontaneous in nature, but it puts what Jim went through as a soldier into perspective. Jim is completely unfazed by what he puts himself through, but Mike seems to be physically traumatized by the whole ordeal. It seems rather unimportant as it’s occurring, but it’s also the most memorable sequence once the credits roll. Before Don’t Breathe came along in 2016, this was the worst way any Hollywood film ever utilized a turkey baster.
For several years, Christian Bale was known for dramatically changing his appearance and using a different accent in every project he was a part of. Watching Harsh Times after seeing Batman Begins (both films were released in 2005) for the first time allows you to appreciate Bale’s performance even more. Imagine Batman or even Bruce Wayne trying to say with a straight face, “Yeah, homie. That’s how we roll in these streets, dawg.” It seems implausible and almost otherworldly; it’s a transition you never expected Bale to make. The transformation of the Jim Luther Davis character is incredible. The film’s editing when Jim is going through one of his episodes is an admirable nod to how unstable he is. Once the screen has that yellow tint to it, you know something detrimental is about to go down.
Harsh Times has a reputation for being slow and boring, but it’s worth a watch especially if you’re a fan of David Ayer films. The crime film may not appeal to everyone, but it probably has a lot more to offer than anyone gives it credit for. Christian Bale has a particularly strong performance in the film that deserves to behold and the intense finale should make up for any slow or dragging sequences. If you’re watching the film for the first time, try giving it a chance when you know you have a more patient mentality. You may be pleasantly surprised with Harsh Times.
Harsh Times is available to stream on YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s available on Amazon Prime for free if you have Showtime with Prime Video channels. The film is available on Amazon on DVD for $7.96 and Multi-Format Blu-ray for $13.49. The pre-owned DVD is currently $4.09 with free shipping while a brand new Multi-Format Blu-ray is $15.98 with free shipping on eBay.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Leveller (The Leveller, #1) in Books
Jan 23, 2020
<b>I really enjoyed <i>The Leveller</i> on two things: the concept and the writing.</b> But of course, the concept is why I actually read many books. Whether it's good or bad, I have no clue until I actually crack open the book and actually read it.
In a virtual reality gaming world called MEEP, Nixy Bauer helps parents get their wayward kids back from spending too much time in the MEEP quickly and efficiently. Soon enough, she gets a job from the developer and founder of MEEP himself, whose only son has disappeared in the gaming world for several days, leaving behind a suicide note and world filled with horrifying challenges.
I will fully admit <b>I'm a huge fan of technology and cool gadgets</b>, and I honestly loved the technology <i>The Leveller</i> uses. It's <b>quite similar to <i><a title="Grid Seekers by Logan Byrne" href="https://bookwyrmingthoughts.com/2015/07/dnf-review-grid-seekers-by-logan-byrne/"; target="_blank" rel="noopener">Grid Seekers</a></i> but in a gaming direction rather than an everyday-use direction.</b> Durango explains MEEP simply and straightforward: it's a virtual reality where players can create their own worlds with their minds. Like any game, there are little cheats and codes. <b>Durango's explanation of how MEEP works isn't <a title="A Thousand Pieces of You by Claudia Gray" href="http://www.bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray"; target="_blank" rel="noopener">written in a complicated and really scientific way</a></b> helpful for all of us who haven't actually taken physics (or ever will/did).
I am, however, still confused. <b>What is the Black, and what is levelling? I have an idea, but I think I want an official definition of what the Black is, and what levelling is.</b> Especially on levelling, because <b>if I formulate my own definition, I'm pretty sure I'll butcher it</b> and Durango will facepalm.
<b>Her writing is also quite entertaining</b> it's fun, but it has puns in there that are sometimes so bad (read: common), it's good. There's <b>not really a dull moment</b> in <i>The Leveller</i>. It's not completely action, action, action, but I just like Durango's writing (then again, <a title="Released by Megan Duncan" href="https://bookwyrmingthoughts.com/dnf-review-released-by-megan-duncan/"; target="_blank" rel="noopener">nonstop action can totally backfire</a> unless you have breathers. You'll have to be like <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Joseph Bruchac</a>.).
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<b>But the names. I'm quite horrified.</b> It might be as bad as making <a title="Princess of Thorns by Stacey Jay" href="https://bookwyrmingthoughts.com/review-princess-of-thorns-by-stacey-jay/"; target="_blank" rel="noopener">a sad effort of being creative by drawing out letters</a> (except that one you could literally tell it was a sad effort).
<b>What kind of name is MEEP?</b> MeaParadisus isn't exactly complicated (though it's a mouthful), but <b>while MEEP sounds all adorable, it just... doesn't sound like something you would name a virtual reality gaming world unless there's a really cute world. I'm expecting chibi people now.</b>
<b>Nixy. Why Nixy?</b> <a href="https://www.goodreads.com/review/show/1251670967?book_show_action=false&from_review_page=1"; target="_blank" rel="nofollow noopener">Contrary to what Ella thinks (she thinks it's lizard-like)</a>, <b>Nixy sounds like Trixie.</b> What does Trixie sound like? A cute dog name that does cute tricks. Oh, and that dog had better be oozing in cuteness.
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There are <b>so many nicknames used here by Durango I swear I need a notebook to keep track of who's who at this rate.</b> I mean, there's Nixy, Moose, Chang, Mama Beti, etc. Since <i>The Leveller</i> is the first in a series, <b>there are bound to be more nicknames in the future</b> as Durango introduces us to more characters. I'll have to <b>keep track what's not a nickname, what's a nickname and who it belongs to, blah blah blah.</b>
<b>The ending was a bit of a downfall.</b> It wouldn't be a downfall if I didn't read this in one day, but <b>Durango throws in hints early on in the book that she uses in the end.</b> Everything was going pretty well, but how the story plays out in the very end is <b>predictable if you pay an ounce of attention.</b> How the second book will play out, on the other hand, isn't too predictable yet. <i>The Leveller</i> ends on a solid note, so I'm looking forward to what Durango actually comes up with in the sequel.
<a href="https://bookwyrmingthoughts.com/review-the-leveller-by-julia-durango/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
In a virtual reality gaming world called MEEP, Nixy Bauer helps parents get their wayward kids back from spending too much time in the MEEP quickly and efficiently. Soon enough, she gets a job from the developer and founder of MEEP himself, whose only son has disappeared in the gaming world for several days, leaving behind a suicide note and world filled with horrifying challenges.
I will fully admit <b>I'm a huge fan of technology and cool gadgets</b>, and I honestly loved the technology <i>The Leveller</i> uses. It's <b>quite similar to <i><a title="Grid Seekers by Logan Byrne" href="https://bookwyrmingthoughts.com/2015/07/dnf-review-grid-seekers-by-logan-byrne/"; target="_blank" rel="noopener">Grid Seekers</a></i> but in a gaming direction rather than an everyday-use direction.</b> Durango explains MEEP simply and straightforward: it's a virtual reality where players can create their own worlds with their minds. Like any game, there are little cheats and codes. <b>Durango's explanation of how MEEP works isn't <a title="A Thousand Pieces of You by Claudia Gray" href="http://www.bookwyrmingthoughts.com/audiobook-review-a-thousand-pieces-of-you-by-claudia-gray"; target="_blank" rel="noopener">written in a complicated and really scientific way</a></b> helpful for all of us who haven't actually taken physics (or ever will/did).
I am, however, still confused. <b>What is the Black, and what is levelling? I have an idea, but I think I want an official definition of what the Black is, and what levelling is.</b> Especially on levelling, because <b>if I formulate my own definition, I'm pretty sure I'll butcher it</b> and Durango will facepalm.
<b>Her writing is also quite entertaining</b> it's fun, but it has puns in there that are sometimes so bad (read: common), it's good. There's <b>not really a dull moment</b> in <i>The Leveller</i>. It's not completely action, action, action, but I just like Durango's writing (then again, <a title="Released by Megan Duncan" href="https://bookwyrmingthoughts.com/dnf-review-released-by-megan-duncan/"; target="_blank" rel="noopener">nonstop action can totally backfire</a> unless you have breathers. You'll have to be like <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Joseph Bruchac</a>.).
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<b>But the names. I'm quite horrified.</b> It might be as bad as making <a title="Princess of Thorns by Stacey Jay" href="https://bookwyrmingthoughts.com/review-princess-of-thorns-by-stacey-jay/"; target="_blank" rel="noopener">a sad effort of being creative by drawing out letters</a> (except that one you could literally tell it was a sad effort).
<b>What kind of name is MEEP?</b> MeaParadisus isn't exactly complicated (though it's a mouthful), but <b>while MEEP sounds all adorable, it just... doesn't sound like something you would name a virtual reality gaming world unless there's a really cute world. I'm expecting chibi people now.</b>
<b>Nixy. Why Nixy?</b> <a href="https://www.goodreads.com/review/show/1251670967?book_show_action=false&from_review_page=1"; target="_blank" rel="nofollow noopener">Contrary to what Ella thinks (she thinks it's lizard-like)</a>, <b>Nixy sounds like Trixie.</b> What does Trixie sound like? A cute dog name that does cute tricks. Oh, and that dog had better be oozing in cuteness.
<div class="separator" style="clear: both; text-align: center;"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/07/giphy.gif"; width="320" height="179" border="0" /></div>
There are <b>so many nicknames used here by Durango I swear I need a notebook to keep track of who's who at this rate.</b> I mean, there's Nixy, Moose, Chang, Mama Beti, etc. Since <i>The Leveller</i> is the first in a series, <b>there are bound to be more nicknames in the future</b> as Durango introduces us to more characters. I'll have to <b>keep track what's not a nickname, what's a nickname and who it belongs to, blah blah blah.</b>
<b>The ending was a bit of a downfall.</b> It wouldn't be a downfall if I didn't read this in one day, but <b>Durango throws in hints early on in the book that she uses in the end.</b> Everything was going pretty well, but how the story plays out in the very end is <b>predictable if you pay an ounce of attention.</b> How the second book will play out, on the other hand, isn't too predictable yet. <i>The Leveller</i> ends on a solid note, so I'm looking forward to what Durango actually comes up with in the sequel.
<a href="https://bookwyrmingthoughts.com/review-the-leveller-by-julia-durango/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
KittyMiku (138 KP) rated Her Last Goodbye in Books
May 23, 2019
Contains spoilers, click to show
As with any mystery, it is amazing to have that suspense with a tad bit of danger. After all, the excitement is in the wondering who did what and what may have caused an event to happen. However, Her Last Goodbye is more than just that. It allows the reader to see into some of the worries and dangers it is to be a parent, how romance can lead to vulnerable states of mind (which we all know can lead to some acts of intimacy), as well as how some people have some complicated views on how a relationship should work. It was even more shocking and terrifyingly real than the first book in the Morgan Dane series. I found myself ridden with anxiety, fear, and concern through out the book. Having so many difficult situations to have to sort through and ideas, I found this book hard to put down, even when it got too intense to keep reading at the moment.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.
First of all, Morgan having three children is always nice to see. With her concern about her children's livelihood always about her, it wasn't hard for her to connect with the missing woman, Chelsea, who was a mother of 2 small children, and how she wasn't likely to leave her children that she adored so much. It was, however, rough for her to try to come up with clues and facts to prove that the woman just didn't run away from her family. To see Morgan struggle through that idea and then to end up having her own children threatened on multiple occasions by a variety of men, only made things worse. I found those parts exceptionally hard to read. Having a child myself, I don't think I would have been as rational or as brave as she was. Just the thought of the things she went through and the ideas of a mother just abandoning her children, has me shaken. Even though, as stated in the book, mothers sometimes do strange things like that, it still isn't easy to process or understand. Then to watch a mother go into Mama Bear mode to protect her own, kept my own mind whirling. I like to think I would do anything to protect my daughter, but my own problem with conflict would have been enough to make sure I got out of whatever situation that would put me in that rough spot. It had fuel Morgan even more though. She pushed harder to find and get rid of the person behind her own children's danger. This only makes her even more loveable. It is actually inspiring to have such a strong woman character, who would do anything to protect her loved ones. I can't help but feel more drawn to her in this book, and I feel that my admiration and love for her will grow in the future. Even so, I still found a lot of other disturbing things within the story.
We all know that there are people out there who believe women should be completely submissive to men, but it was still really hard to read and stomach a character who had this belief. To kidnap, condition, and even train another person seems extremely harsh, yet a they existed. I found it harder to read how they would torture another human being to break their mind and their spirit, just to train a woman to think and be something they weren't. Especially when said person was supposedly in love with their prey. I did find it inspiring on how, even being tortured, a woman can overcome it and try to escape and get back to her family. In fact, the thought of her family propelled her and kept her trying to get back home. It really made me happy to see that family was her motivation. Though, it was rough to get through, it made me wonder how many women could go through what she had and still find the courage and strength to keep trying to figure out a way to escape and get home. Even though, it was clear she was traumatized, it was clear she was more concerned with getting home to her children than how she could be caught and tortured and punished for trying. I found this to be a pleasant idea to have about someone who was captured. After all, wouldn't you end up within just a few days of being hurt over and over, give up and just conform to whoever was trying to condition you was ways? I probably would have. But this woman character definitely shed some light how nothing else mattered where your family is concern.
I found how strong feelings for someone and their family can really change how you view things to be a nice delight. I hadn't expected Lance to end up falling for Morgan's children the way he did to happen. It had been hinted that he loved and wanted a relationship with Morgan, but to see him fall in love with her girls and want to protect them as much as Morgan did, was really a pleasant sight. I know there are men out there like that, but its still rare and to see how his love for Morgan ends up extending to her children was just the right about of sentiment and love the book need to keeps things from going overboard. I enjoyed how he tried his best to make sure her girls were safe and even let them into his house to keep them protected, to be exhilarating and touching. It is always nice to have some wholesome love and concern to help break up some of the tension in a storyline and Leigh's way of adding this to Lance's character was a nice call. It helped keep the danger presented while showing a parental side to Lance and offering up how your friends and potential lover's can easily adore your children as much as you do.
Overall, I would rate Melinda Leigh's Her Last Goodbye 5 stars out of 5 stars for how well written and emotional filled the book was. It could stand alone as it gives refreshers on what happened in the last book, as well as had its own storyline. Though, the character developments increased and they continued to grow through out the story, the reader wouldn't feel like they missed a whole lot by reading this book first. I have to say that has to be something that is delightful. After all, wouldn't is just bite if you had to read the first book to even think about picking up the second. Sometimes you don't always realize what you are grabbing and having a series that has books that could stand alone if they needed to, makes it so much easier to start by whatever book you happen to pick up first. I definitely recommend this book to all our thrill seekers. Its not for the faint of heart, but is still extremely excellent to read.
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
Night Reader Reviews (683 KP) rated Emaji Nation Book 1 The Sparrow in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Emaji Nation Book 1: The Sparrow by Denna M. Davis is a book that I will not soon be forgetting about. In fact, I was very pleasantly surprised by just how much I enjoyed this book. The first chapter grabbed my attention instantly. Most books I have read don’t do that, they tend to need some time to build up a reader’s interest. Each chapter seems to leave the reader hanging with just enough anticipation that you might find yourself staying up hours past your intended stopping time to continue the story.
With little explanation as to why young Amanda finds herself walking through a portal at her grandparent’s house and transported to the planet Emaji. This is where she meets Solomon, who helps reunite her with her grandparents. Her grandmother tells her that there is a prophecy naming her the defeater of Zorn and savior of Emaji. With the help of the Emaji leaders, Amanda learns that Emaji was once much like Earth. That is until a nuclear world war forced the survivors into Mount Hanovi where their God (Ema) united them and blessed them with gifts. Peace cannot seem to last and Zorn grew arrogant with his gifts and betrayed the rest of the survivors.
Now, Amanda has to deal with being under attack by an unknown assassin controlled by Zorn. At the same time, she must begin her training. Amanda is only given two days to train and learn about the warrior classes of the Emaji before taking her own Journey of Discovery to receive her personal gift from Ema. At the very end of her Journey she must jump from a cliff to prove her belief in Ema. On top of all this, the prophecy also names the Emaji man she is supposed to marry and she isn’t even seventeen yet.
Denna M. Davis makes Amanda a very relatable character. Amanda shows her fear and her doubts from the moment she steps through the portal at her grandparent’s house and finds herself in Emaji. Unlike many books where a character is the main focus of a prophecy, Amanda does not jump right into her Destiny and instead takes her time deciding if that is what she really wants to do. She internally struggles with the idea of being this destined hero when she could always just go back to the safety of her home. Staying on Emaji means facing danger and possible death for people she just met.
There are so many things I liked about this book that it is hard to pinpoint what I liked best. I loved how relatable and real Amanda is. I also found the story to be gripping and so detailed that the action never slows down for a second. I did not want to stop reading. Being completely honest what I liked least about the book seems almost trivial to me. I did not really enjoy how every citizen of Emaji is described as having their own specific skin color. I understand how this may be a gift from Ema or possibly a result of the radiation from the war but, I just had a hard time picturing it. Frequently, I noticed I would mentally default back to thinking in the skin tones that are naturally found on Earth.
The target readers for this book are fantasy readers starting at mature middle school age and older. There are a few different times that Amanda hints at the fact that she may have been (or came close to being) raped while at a party, so readers would have to be mature enough to handle that concept. Although, nothing of a sexual nature is actually described with detail at any point in the book. I am fully confident in my decision to give this book a complete 4 out of 4 rating. It is extremely well edited to where I only noticed one error in the entire book. Also, I found myself enjoying this book right from the start. Denna M. Davis portrayed a world different from ours wonderfully. I felt like I was actually there at times and was sad when I finished the book. I can not wait to read the second one. I am hooked and I believe anyone who enjoys fantasy will be as well.
With little explanation as to why young Amanda finds herself walking through a portal at her grandparent’s house and transported to the planet Emaji. This is where she meets Solomon, who helps reunite her with her grandparents. Her grandmother tells her that there is a prophecy naming her the defeater of Zorn and savior of Emaji. With the help of the Emaji leaders, Amanda learns that Emaji was once much like Earth. That is until a nuclear world war forced the survivors into Mount Hanovi where their God (Ema) united them and blessed them with gifts. Peace cannot seem to last and Zorn grew arrogant with his gifts and betrayed the rest of the survivors.
Now, Amanda has to deal with being under attack by an unknown assassin controlled by Zorn. At the same time, she must begin her training. Amanda is only given two days to train and learn about the warrior classes of the Emaji before taking her own Journey of Discovery to receive her personal gift from Ema. At the very end of her Journey she must jump from a cliff to prove her belief in Ema. On top of all this, the prophecy also names the Emaji man she is supposed to marry and she isn’t even seventeen yet.
Denna M. Davis makes Amanda a very relatable character. Amanda shows her fear and her doubts from the moment she steps through the portal at her grandparent’s house and finds herself in Emaji. Unlike many books where a character is the main focus of a prophecy, Amanda does not jump right into her Destiny and instead takes her time deciding if that is what she really wants to do. She internally struggles with the idea of being this destined hero when she could always just go back to the safety of her home. Staying on Emaji means facing danger and possible death for people she just met.
There are so many things I liked about this book that it is hard to pinpoint what I liked best. I loved how relatable and real Amanda is. I also found the story to be gripping and so detailed that the action never slows down for a second. I did not want to stop reading. Being completely honest what I liked least about the book seems almost trivial to me. I did not really enjoy how every citizen of Emaji is described as having their own specific skin color. I understand how this may be a gift from Ema or possibly a result of the radiation from the war but, I just had a hard time picturing it. Frequently, I noticed I would mentally default back to thinking in the skin tones that are naturally found on Earth.
The target readers for this book are fantasy readers starting at mature middle school age and older. There are a few different times that Amanda hints at the fact that she may have been (or came close to being) raped while at a party, so readers would have to be mature enough to handle that concept. Although, nothing of a sexual nature is actually described with detail at any point in the book. I am fully confident in my decision to give this book a complete 4 out of 4 rating. It is extremely well edited to where I only noticed one error in the entire book. Also, I found myself enjoying this book right from the start. Denna M. Davis portrayed a world different from ours wonderfully. I felt like I was actually there at times and was sad when I finished the book. I can not wait to read the second one. I am hooked and I believe anyone who enjoys fantasy will be as well.
Purple Phoenix Games (2266 KP) rated Trust Me, I'm a Doctor in Tabletop Games
Oct 13, 2020
Did you know that in olden days doctors and traveling alchemist frauds would prescribe cocaine for various illnesses and maladies? It’s true. Also were you aware that fecal transfusions could cure a multitude of sicknesses? You know, taking feces from one person and injecting it into the intestines of another can cure LOTS of bad stuff. Like excessively odorous gas expelations. Well, that one may or may not be true, but if you think you can sell that cure to your friends, you are ready to play Trust Me, I’m a Doctor.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
In Trust Me, I’m a Doctor (which I guess I will just call Trust Me from here on out) players will be taking the mantles of traveling salespeople hawking their wares or old timey doctors prescribing ridiculous cures for what ails their patients. Players will be using the tried and true model of Apples to Apples with a twist to throw out their cure to the patient and hope their solution earns the vote from the patient as the best of the lot. The player with the most earned Ailments cards at the end of the game will be the winning shyster or quack this side of the Mississippi!
To setup, each player will receive a hand of Cure cards. A first patient is decided, who will flip the top card of the Ailments deck. The game can now begin in earnest. Or Earnest, if that’s the persona the patient wishes to take.
On the Ailment card will be the particular malady and one or more icons pertaining to the cures that can be played upon it. The non-patients now must choose a Cure card containing a matching icon to the Ailment and begin preparing their pitch. Once all players have submitted their Cures face-down, each quack will then explain to the patient why they must choose their particular Cure by convincing them of its success rate and process. The patient then chooses the best Cure, and the winning player will collect the Ailment card as a VP. Once the game is over the player with the most VP Ailment cards is the winner!
Components. This game is a bunch of cards. That’s it. Even the rules are printed on the backs of two cards (so really it’s one card if the rules had been printed on front and back). The cards are good quality, and I appreciate the thematic art on each card. The one issue I have with the components is the choice of font for the title of each card. I get that the game is trying to convey that old timey feeling, but the font makes each card a little different and sometimes too scrunched up for my tastes. Other than that, I dig everything else. Oh, the inside of the box is even printed, much like the Tiny Epic games. Cool decision there.
So do I enjoy this one? You know, I do. I don’t have Snake Oil, but this is similar in that you’re trying to sell your opponents on choosing your card. So, if you’re a good salesperson then you will do super well here. Unfortunately for me my father-in-law is a retired car salesman so he mops the floor with us. But I mean, check out the example in the photo above. To cure Cannibalism an appropriately played card is POWERFUL LAXATIVES. Seriously? Poop out your desire to eat other people? I mean, if you have the sales skills to pull that one off, well I applaud you. Obviously the best answer goes something like this, “The power of prayer heals all. Even your taste for others.”
Now, I just gave you a pretty PG-rated response to something that could go VERY R-rated VERY quickly. Please note: this game is NSFW and I wouldn’t play it with anyone under 18 even though the box says 12+. There are some touchy cards in there that I wouldn’t want to upset little Bobby with at family game night. All in all this is a good little game to get the party started or to break in new gamers. The Apples to Apples mechanics work well and there is enough ridiculousness to make everyone laugh, or even chortle. So check this one out if you need a little card game that will get people in the mood to game, with hints of adult-ness and impossibility thrown in for good measure. And don’t forget to suggest leeches for your game-mates that don’t enjoy this. They suck the grumpiness right outta you.
AJaneClark (3975 KP) Nov 7, 2019