Search
Search results
![Hope Sparks (After the EMP book 7)](/uploads/profile_image/8b4/db132d29-d317-477c-8076-e3ca2ad888b4.jpg?m=1522339026)
Hope Sparks (After the EMP book 7)
Book
Six weeks into the apocalypse, would you have hope? From an emergency landing, to a full-blown...
![40x40](/uploads/profile_image/a0b/1016115e-51ac-48a8-91c7-e5be72f51a0b.jpg?m=1582721481)
156Reviews (7 KP) rated Emma (2020) in Movies
May 1, 2020
Have you ever been at a dinner party that has gone on little too long? You were greeted warmly, settled quickly and comfortably, it's been fun, the company has been in fine form, spinning anecdotes that have entertained. But towards the end, you've all run out of things to say, no one quite knows if it's time to leave or not and it's all got a bit awkward.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
I could end my review there, I think you get the point I'm trying to make, but almost the entire cast of this film deserve more, each of them pulling up what would be quite a laborious and dull film into something better, something unworthy of such a cold explanation.
The film starts with Emma (Ana Taylor-Joy) having recently played matchmaker and having had everything very much her way, as the title screen puts it, “Having lived twenty-one years in the world with very little to vex her”, she sees the people around her as entertainment, in the way a child plays with their dolls, marrying them off and assuming that they will live happily ever after. Taylor-Joy is does magnificently in this role, portraying Emma with child-like innocence, while still showing us a character that is all scheming and intelligence, but without any malice, it's a fine line to walk and she does it excellently.
With this in mind she picks up a new friend in Harriet Smith, a young and naive woman played by Mia Goth, a very different role than we've seen her in before, Mia attacks this with a level of enthusiasm and energy that only a few could get away with. Emma intends to marry her friend to Mr Elton (Josh O'Connor), the leader of the local church, whose awkward nature and odd gestures are one of many comedic points of the film, but not all goes to plan.
Director Autumn de Wilde does a wonderful job immersing you into a world of bright pastel colours, handsome characters and sweet lavish deserts, showing you not a period accurate representation, but a view into the way Emma sees the world. This is what the film does best, immersing you into 1800's social networking. Status and decorum is what matters, so that when the minor insults and social faux pas' start coming we understand the gravity of each action, however slight they are.
The film has great talent throughout, their roles could easily come across cliché or bit-part, but are elevated by the skill and subtlety of the people playing them. Johnny Flynn is Mr Knightly, the misunderstood good-guy, but makes it sincere and caring, though we are left to guess why he seems to live with Emma. Bill Nighy is the cranky old father with barely anything to do, but manages to steal entire scenes with just a withering look, and Miranda Hart playing, well, Miranda Hart.
Unfortunately, this all gets dragged down by its excessive length and lack of surprise. At just over two hours run-time even the sharp wit of the earlier scenes start to seem like a distant memory, and as the ending you saw coming from around the hour mark unfolds, you'll start to wonder why it took such a long journey to get there.
![40x40](/uploads/profile_image/e2b/a229e1ba-d932-4809-b12e-d0e7f9494e2b.jpg?m=1522332418)
Merissa (11869 KP) rated Elemental Claim (War of the Myth #1) in Books
Feb 27, 2018 (Updated Jul 3, 2023)
Elemental Claim (War of the Myth #1) by Miranda Grant
ELEMENTAL CLAIM is the first book in the War of the Myth series. It starts off action-packed and remains the same throughout. Told from multiple points of view, we gain insights into the human world, the gods, the WALL, elementarists, descendants, angels, hellhounds, you name it and it is probably in here. It starts with a case of mistaken identity, a 'Mission Gemini' if you will. Emma soon realises that she doesn't really know her sister that well after all. Still, her protective instincts as an older sibling remain in full force, so she will do all she can to save her - even if that means allowing Rogan and his friends to kidnap her.
As I said, this book is full of action and doesn't stop. Emma slowly grows into her powers, but there is definitely still room for more. There are other characters in here that I would love to know about. Xeno, for example. She is the angel only a few years from falling. Her health is failing, and her powers waning. And then suddenly, towards the end of the book, she starts healing. What?! I need to know more. What caused her health to degenerate in the first place, and why is she now healing? And will she and Hunter ever get together? Seriously, I need answers!
This was a well-written book, although there were a few spelling errors that jolted me when I read it. Nothing major, just examples like wanning instead of waning, or severe instead of sever. Certainly not enough to spoil the flow of the story, but enough for me to notice. On the whole, this was a brilliant book, with great world-building, and lots of characters to like, love, or loathe. Absolutely recommended by me, and I can't wait to continue with the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 27, 2018
As I said, this book is full of action and doesn't stop. Emma slowly grows into her powers, but there is definitely still room for more. There are other characters in here that I would love to know about. Xeno, for example. She is the angel only a few years from falling. Her health is failing, and her powers waning. And then suddenly, towards the end of the book, she starts healing. What?! I need to know more. What caused her health to degenerate in the first place, and why is she now healing? And will she and Hunter ever get together? Seriously, I need answers!
This was a well-written book, although there were a few spelling errors that jolted me when I read it. Nothing major, just examples like wanning instead of waning, or severe instead of sever. Certainly not enough to spoil the flow of the story, but enough for me to notice. On the whole, this was a brilliant book, with great world-building, and lots of characters to like, love, or loathe. Absolutely recommended by me, and I can't wait to continue with the series.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 27, 2018
![40x40](/uploads/profile_image/9ac/12f75c60-bc28-43de-bc92-2daaffcfc9ac.jpg?m=1586738828)
Ivana A. | Diary of Difference (1171 KP) rated Hippie in Books
Nov 26, 2018
Full review on www.diaryofdifference.com
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
Hippie is the autobiography by Paulo Coelho, told in third person. This is a story about people that travel the world, wear funny clothes and flowers in their hairs, and believe in peace, love and freedom.
I have read many of Coelho’s books, even since I was a teenage girl. And all of them share something in common – the path of finding yourself. After reading Hippie, I believe that this is the the best one that covers this subject quite perfectly.
‘’He was a human being, with all the fragility that entails, he didn’t understand everything that happened in his life, but he truly wished to believe he was travelling in search of the light.’’
The book is a story of two people, Paulo and Karla. Paulo, a Brazilian guy, searching for freedom and travels. Karla, a lady born and living in Amsterdam, wanting to find herself so badly in the world. When she hears that a hippie bus is going all the way to Nepal, she is willing to go if she meets her ideal companion.
‘’She wished they could see her for her beauty, but all anyone ever saw was the hurricane, and they never sought shelter from it. They preferred to flee to safer ground.’’
Their adventure begins in such an adorable way, only hippies can relate to. Their search for what they want and need feeds with every stop and every destination. A beautiful story about friendship, love and travel.
I actually wished that they had spoken more about the travels and less about some individual stories that didn’t quite correlate to the plot. I also wished that they actually reached out the final destination the way they are supposed to (this was not a spoiler).
‘’Our travels teach us everything we need to know for the rest of our lives, as long as there’s no need to explain this to our parents.’’
Even though a sad end, it is a realistic story about a way of life before, where people loved to be free, and were free to find love, in a world of peace, love, marijuana and travels. A place where no one cares what you look like.
Right now, hippies are a normal thing, people that we all secretly enjoy reading about, and listening to their stories, but in the past, these people fought so hard to change the system of how people’s minds worked, the system people were stuck in, to make people realise that they have the freedom to believe in anything they think is right, to do anything that makes them happy, to be happy, and share this with the world. To live in a world full of happiness, love, peace, to travel and see places, discover places and people, see new cultures, explore people’s minds and customs.
‘’The sun had come out, as though to say that finally the Renaissance was making a return, to change everyone’s habits and customs – and one day very soon, people would no longer depend on the opinions of others but rather on their own ways of seeing life.’’
The one thing that I couldn’t enjoy was the constant religion mentioning in this book. All religions were mentioned, and with such intensity, that peace and love and freedom and the hippie meaning started to be in relation to religion, which is something I personally don’t want to put together. I am aware that lots of hippies believe in God in their own way, but I also think that love and peace should gather them together as a group, not religion. And this point was clearly states a lot of times throughout the book. Not enjoyable, at least for me.
For all of you out there, the hippies, the ordinary people that love travelling, love, life, happiness, music – this is a book for you. Another amazing Paulo Coelho novel, full of wisdom and quotes to underline.
![40x40](/uploads/profile_image/b26/4fceea14-87e1-4455-b98c-cda626154b26.jpg?m=1549634223)
Gareth von Kallenbach (974 KP) rated Hancock (2008) in Movies
Aug 14, 2019
Throughout the annals of cinema, the big screen has been home to some of the most larger-than-life heroes ever to spring from the pages of comic books. Recent adaptations of Spider-Man, Batman, and Superman, all went on to box office gold and with several more character adaptations in the works, there seems to be no end to the public’s desire to see tales based on costumed heroes with amazing powers.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
In one of the more original twists on the hero genre, Will Smith stars as Hancock, a surly lush, who is more concerned about his next drink than he is about saving the day. Despite being blessed with amazing strength, invulnerability, and the ability to fly, Hancock is looked upon with disdain by most of the people of Los Angeles because his attitude is second only to the amazing amount of damage he causes in bringing local hoodlums to justice.
Shortly after causing nine million dollars in damage after his latest crime fighting effort, the mayor of L.A. places a warrant out for Hancock, having decided it was time for Hancock to be held accountable for the mayhem he has caused. At the same time, publicist Ray Embrey (Jason Bateman) is returning home after failing in his pitch to get a major pharmaceutical company to donate their new wonder drug in an effort to make the world better.
When danger arises during a traffic jam, Ray is saved by Hancock in the nick of time and is grateful for the efforts of the hero. Unfortunately a group of bystanders are convinced that Hancock could have saved Ray without making wreaking such havoc. In the midst of some heated verbal exchanges, Ray steps up for Hancock and expresses his gratitude to the hero and invites him home for dinner with his son and wife Mary (Charlize Theron). Undaunted by the gruff mannerisms of Hancock, Ray eventually convinces Hancock to let Ray represent him and sets out on a plan to remake Hancock’s image more positive and civic-friendly.
While this scenario presents several comedic moments, the film eventually changes tact, and becomes much darker in tone, and mired in a subplot of fate and mysticism that honestly seems greatly out-of-place with the tone established in the first three quarters of the film.
While it is notable that the filmmakers decided to try something different, the final result is a muddled effort that greatly undermines the laughs and momentum that were established earlier in the film. Smith does a great job but when he is not unleashing his sardonic quips, he seems to be disinterested and going through the motion for much of the last half of the film. Bateman does the best he can with a stock part and Theron seems woefully underused in a role that, while promising, really is not worthy of an actress of her skills.
Director Peter Berg does a solid job with the action and FX of the film, and clearly shows he has a knack for humor. Unfortunately the script by “X-Files” alum Vince Gilligan and Vince Ngo fails to live up to the potential of the premise and in the end leaves “Hancock” grounded.
![40x40](/uploads/profile_image/627/c0e00350-1892-47c2-a79d-d2208f7ed627.jpg?m=1573207483)
Phil Leader (619 KP) rated Before The Devil Knows You're Dead in Books
Nov 8, 2019
It is a snowy Hogmanay in Glasgow. Obstetric Surgeon Gavin Law has made an accusation of malpractice against a colleague, Wallace Maitland, only for an accusation to be made against him. Wallace Maitland doesn't remember Hogmanay but did end up covered in blood. Sean Rafferty is now the head of gangster family having taken over from his violent father Jimmy and is having a party to try to appear respectable.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
When Law disappears on that fateful Hogmanay, private detective Charlie Cameron takes on the case to find him. But with no leads he also agrees to look at an apparent suicide for his policeman friend DS Geddes, something will put him on a collision course with Rafferty, a man who has tried to kill Cameron in the past.
This, roughly, is the setting for the third of the Charlie Cameron crime thrillers. Detective novels require their plot and characterisation to be convincing and Mullen delivers both. Cameron is always convincing, and an entertaining narrator of the events as he witnesses them. The usual supporting cast of Pat Logue and Geddes are in fine form and Rafferty seems even more of a threat when in the role of a respectable businessman. The various others involved in the cases all ring true as well. Mullen has a knack for not only making his characters believable but very human and realistic as well.
The plotting did not disappoint either with the Law case especially baffling as all avenues of investigation peter out to nothing, and Cameron's frustration at this is clear. The final reveal caught me by surprise but fits everything together perfectly. It certainly kept me guessing, although to be honest I was enjoying simply following Cameron around and seeing his world too much to spend much time worrying about who did it.
This was a book that I enjoyed reading enormously. Mullen is a terrific writer and Cameron and the world he inhabits is a living breathing thing in his hands. Very very highly recommended.
![40x40](/uploads/profile_image/fef/dd83aaee-9dcc-42fb-a1f6-a947789d8fef.jpg?m=1578784661)
Hazel (1853 KP) rated Wolf by Wolf (Wolf by Wolf, #1) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
What if the Nazis won the war? That is the setting for this captivating alternative historical novel by Ryan Graudin. In the newly named land of Germania it is 1956, more than a decade has passed since the Nazis won. The world is still not safe, especially for those who do not fit the Aryan race description. Seventeen-year-old Yael is about to set out on her first ever mission on behalf of the secret resistance group, but it will not be easy to fulfill her duty: to kill Hitler.
Yael was a Jewish prisoner in the death camps during the war. To most Nazi officials she was known as Experiment 85, and was undergoing melanin manipulation. What the doctors did not bargain on was that these experimentations would result in the ability to change physical appearance at will. Yael discovered she could change her skin tone, facial features, hair colour, height or even impersonate someone else, purely by concentrating really hard. It is this strange power that is going to help Yael on her quest to defeat Hitler.
In order to succeed, Yael needs to get as close as possible to the Fuhrer and the only way the resistance believe she will be able to do this is be impersonating Adele Wolfe, a motorbike racer, in the Axis tour: an epic long race from Berlin to Tokyo. However it is not as simple as changing skins and winning the race. Yael needs to convince the contestants that she is Adele and avoid all the dangerous tactics of the other racers so that she can get to the finish line.
<i>Wolf by Wolf</i> is an action-packed, exciting novel aimed at young adult readers interested in history and science fiction. Since it is taught in schools, most people are aware of the Holocaust and have an idea of the horrors Jews faced. But what if that did not stop at the end of the war? This is the idea explored within this novel amongst the exhilaration of the motorcycle race. No one would be completely happy under Hitler’s rule, and we can be thankful that this is only a ‘what if?’ scenario rather than our reality.
The science-fiction element was an interesting twist to the storyline. It does, however, detract from the seriousness of the Nazi rule. Without reminders of the time period, it could almost be a dystopian novel set in the future where a tyrant controls the world.
What I personally liked about <i>Wolf by Wolf</i> is that whilst the main storyline is playing out, we learn more about Yael’s life. She may have lost her true identity but there are several people who have impacted on who Yael is inside. These people are represent by five wolves tattooed onto her arm, and with the memories of each individual fresh in her mind, Yael has the courage and strength to do what she needs to do.
Although not one of the easiest topics to read about – a lot of unnecessary death – I highly recommend <i>Wolf by Wolf </i>to all young adult readers regardless of gender or reading preferences. This book covers such a wide range of genres that it is bound to cater to all tastes. If you love this book you will be pleased to know that it is the first in a series meaning that the story does not end here!
What if the Nazis won the war? That is the setting for this captivating alternative historical novel by Ryan Graudin. In the newly named land of Germania it is 1956, more than a decade has passed since the Nazis won. The world is still not safe, especially for those who do not fit the Aryan race description. Seventeen-year-old Yael is about to set out on her first ever mission on behalf of the secret resistance group, but it will not be easy to fulfill her duty: to kill Hitler.
Yael was a Jewish prisoner in the death camps during the war. To most Nazi officials she was known as Experiment 85, and was undergoing melanin manipulation. What the doctors did not bargain on was that these experimentations would result in the ability to change physical appearance at will. Yael discovered she could change her skin tone, facial features, hair colour, height or even impersonate someone else, purely by concentrating really hard. It is this strange power that is going to help Yael on her quest to defeat Hitler.
In order to succeed, Yael needs to get as close as possible to the Fuhrer and the only way the resistance believe she will be able to do this is be impersonating Adele Wolfe, a motorbike racer, in the Axis tour: an epic long race from Berlin to Tokyo. However it is not as simple as changing skins and winning the race. Yael needs to convince the contestants that she is Adele and avoid all the dangerous tactics of the other racers so that she can get to the finish line.
<i>Wolf by Wolf</i> is an action-packed, exciting novel aimed at young adult readers interested in history and science fiction. Since it is taught in schools, most people are aware of the Holocaust and have an idea of the horrors Jews faced. But what if that did not stop at the end of the war? This is the idea explored within this novel amongst the exhilaration of the motorcycle race. No one would be completely happy under Hitler’s rule, and we can be thankful that this is only a ‘what if?’ scenario rather than our reality.
The science-fiction element was an interesting twist to the storyline. It does, however, detract from the seriousness of the Nazi rule. Without reminders of the time period, it could almost be a dystopian novel set in the future where a tyrant controls the world.
What I personally liked about <i>Wolf by Wolf</i> is that whilst the main storyline is playing out, we learn more about Yael’s life. She may have lost her true identity but there are several people who have impacted on who Yael is inside. These people are represent by five wolves tattooed onto her arm, and with the memories of each individual fresh in her mind, Yael has the courage and strength to do what she needs to do.
Although not one of the easiest topics to read about – a lot of unnecessary death – I highly recommend <i>Wolf by Wolf </i>to all young adult readers regardless of gender or reading preferences. This book covers such a wide range of genres that it is bound to cater to all tastes. If you love this book you will be pleased to know that it is the first in a series meaning that the story does not end here!
![40x40](/uploads/profile_image/bc8/b9768a12-e4b1-4d44-baef-2b4ef2be4bc8.jpg?m=1557634001)
LeftSideCut (3778 KP) rated The Shining (1980) in Movies
Nov 4, 2019 (Updated Jan 8, 2021)
A slow burning horror masterclass
Stanley Kubrick's adaption of The Shining is certainly a rare gem - A tense thriller that might have aged, but still feels different and fresh in today's world.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
Kubrick doesn't rely on cheap jump scares, but rather long and slow burning shots that are regularly unnerving, spliced with sudden and silent images of violence, all whilst a unsettling string score plays underneath each scene, even when nothing abnormal is happening.
The narrative of this adaption of The Shining is pretty straightforward (on the surface at least) as we watch Jack Torrance - a menacing and excellent Jack Nicholson in arguably his greatest performance - descend into madness as he looks after a deserted hotel for the winter months.
Jack is not particularly painted as a well hinged individual as it is, acting out against his wife Wendy (Shelly Duvall) and son Danny (Danny Lloyd) on a regular basis, whilst being slowly pushed over the edge by the isolated hotel, and it's ghostly occupants.
It's a well scripted film, never giving us too much back story, allowing us as an audience to interpret a lot of what is going on, and this loose ended-ness of The Shining is big part of it's charm.
Pretty much every shot is gorgeous, from the overhead sweeping landscapes of the opening, to the infamous tracking shots of Danny on his toy trike. The whole aesthetic is striking and disorientating in equal measure.
Not only is Nicholson an absolutely terrifying treat, but Shelly Duvall's performance is fantastic as well. Her frantic portrayal of a woman at her wits end is chilling, even if the methods to achieve this were questionable.
The Shining is truly iconic. It's influences can be seen everywhere from Twin Peaks to American Horror Story, and it's a testament to the overall quality of this horror heavyweight. A true masterpiece.
![40x40](/uploads/profile_image/141/69148fd3-540e-4ff6-8adb-4db39592c141.jpg?m=1611605026)
Laura Doe (1350 KP) rated Meet Me In Another Life in Books
Jan 24, 2022
This book is so beautifully written and so different from anything that I have read in the past couple of years. It kept me engrossed the whole way through and while I wanted to know what happened, I didn’t particularly want the book to end.
We follow Thora and Santi as they meet in Cologne time and time again. Each chapter changes who we follow as the main character which makes it quite different. But although they’re either different ages or have lived a different life they still come back to each other like they are drawn to each other. The world around them changes and the relationships they have change, but they always find each other: whether that’s as father and daughter, friends or lovers.
At first, it was just like they were in a different universe each time and it was a different set of choices that were played out that shaped who they became. But as the book went on it became obvious that that wasn’t the explanation the author was going for. As they continue, they begin to remember things from their past lives and try to work out why they are so drawn to each other. The end of the book was a twist that I didn’t see coming, I had such hopes for them both and teared up a little bit during the last few pages.
The writing was beautiful and the way that Catriona Silvey wove the stories and the different possibilities between the two characters was so amazing to read. I think it will be a book that sticks with me for a long time.
We follow Thora and Santi as they meet in Cologne time and time again. Each chapter changes who we follow as the main character which makes it quite different. But although they’re either different ages or have lived a different life they still come back to each other like they are drawn to each other. The world around them changes and the relationships they have change, but they always find each other: whether that’s as father and daughter, friends or lovers.
At first, it was just like they were in a different universe each time and it was a different set of choices that were played out that shaped who they became. But as the book went on it became obvious that that wasn’t the explanation the author was going for. As they continue, they begin to remember things from their past lives and try to work out why they are so drawn to each other. The end of the book was a twist that I didn’t see coming, I had such hopes for them both and teared up a little bit during the last few pages.
The writing was beautiful and the way that Catriona Silvey wove the stories and the different possibilities between the two characters was so amazing to read. I think it will be a book that sticks with me for a long time.
![40x40](/uploads/profile_image/0e3/630e4ff5-bfdf-4760-9e37-29f3ad9090e3.jpg?m=1522362006)
ClareR (5642 KP) rated Tall Bones in Books
Apr 6, 2021
Tall Bones by Anna Bailey is a beautiful, terrible, haunting book. This is not the USA of Soccer Moms and happy church gatherings. Whistling Ridge is a town with deep problems: domestic and child abuse, racism, corruption, drugs, homophobia and a Pastor who condones most of these things.
Abi and Emma are best friends, and when Emma leaves Abi, at Abi’s request, at a party at the Tall Bones, she expects to see her the next day. Except she doesn’t. Abi goes missing, seemingly without a trace. Everyone and no one is suspected of her disappearance. After all, her father, Samuel, is a thug and a bully, her mother is clearly beaten regularly, as are her children - why wouldn’t she run away?
To be honest, after reading this I couldn’t understand why any of the young people stayed in Whistling Ridge - unless their world view is like that of their, largely speaking, bigoted parents.
This book is shocking - a real kick in the guts type of story. And it’s not a one off kick. I hated 99% of the characters by the end: and this is the bit where I say how much I enjoyed reading it. Yes, here we are again with my love of the horrible characters. It’s easy to like nice characters, not so easy to get enjoyment out of the dark and evil types (or is it?!😈).
Either way it’s an atmospheric, dark, fascinating novel. And I loved it.
Many thanks to The Pigeonhole for serialising this fabulous novel.
Abi and Emma are best friends, and when Emma leaves Abi, at Abi’s request, at a party at the Tall Bones, she expects to see her the next day. Except she doesn’t. Abi goes missing, seemingly without a trace. Everyone and no one is suspected of her disappearance. After all, her father, Samuel, is a thug and a bully, her mother is clearly beaten regularly, as are her children - why wouldn’t she run away?
To be honest, after reading this I couldn’t understand why any of the young people stayed in Whistling Ridge - unless their world view is like that of their, largely speaking, bigoted parents.
This book is shocking - a real kick in the guts type of story. And it’s not a one off kick. I hated 99% of the characters by the end: and this is the bit where I say how much I enjoyed reading it. Yes, here we are again with my love of the horrible characters. It’s easy to like nice characters, not so easy to get enjoyment out of the dark and evil types (or is it?!😈).
Either way it’s an atmospheric, dark, fascinating novel. And I loved it.
Many thanks to The Pigeonhole for serialising this fabulous novel.