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Hazel (1853 KP) rated A Grimm Curse (Grimm Tales #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
MaryAnn (14 KP) rated Fragments of Fear in Books
Nov 4, 2019
From award-winning author Carrie Stuart Parks comes a new novel with danger that reaches from a New Mexico Anasazi archaeological dig to micro- and nano-chip technology.
Evelyn Yvonne McTavish-Tavish to her friends-had her almost perfect world in Albuquerque, New Mexico, come to a crashing end with the suicide of her fiancé. As she struggles to put her life back together and make a living from her art, shes given the news that her dog is about to be destroyed at the dog pound. Except she doesnt own a dog. The shelter is adamant that the microchip embedded in the canine-with her name and address-makes it hers. Tavish recognizes the dog as one owned by an archaeologist named Pat Caron because she did a commissioned drawing of the two of them months earlier. The simple solution is to return the dog to his owner, but she arrives only to discover Carons murdered body. After meeting undercover FBI agent Sawyer Price the mystery deepens as more people start disappearing and Tavish becomes a target as well. Her only solution is to find the links between microchip technology, an Anasazi site in the desert, her fiancés death, a late-night radio show, and the dog. And the clock is ticking.
My Thoughts: This is an interesting suspense mystery novel. The author has a whimsical way of writing, that puts a little humor into the storyline. When the story begins, we have a young woman at the funeral of her fiance, then finds herself with a dog she doesn't really want and then discovers that it's the owner has been murdered. No wonder Tavish had so many panic attacks. I really enjoyed this novel. It kept my attention from the beginning and did not disappoint me throughout the story.
I enjoyed this novel, the one point I did like about this novel, is that the main character does come to Christ, and learns to overcome her fears by leaning on God.
I look forward to more from Carrie Stuart Parks.
????
Evelyn Yvonne McTavish-Tavish to her friends-had her almost perfect world in Albuquerque, New Mexico, come to a crashing end with the suicide of her fiancé. As she struggles to put her life back together and make a living from her art, shes given the news that her dog is about to be destroyed at the dog pound. Except she doesnt own a dog. The shelter is adamant that the microchip embedded in the canine-with her name and address-makes it hers. Tavish recognizes the dog as one owned by an archaeologist named Pat Caron because she did a commissioned drawing of the two of them months earlier. The simple solution is to return the dog to his owner, but she arrives only to discover Carons murdered body. After meeting undercover FBI agent Sawyer Price the mystery deepens as more people start disappearing and Tavish becomes a target as well. Her only solution is to find the links between microchip technology, an Anasazi site in the desert, her fiancés death, a late-night radio show, and the dog. And the clock is ticking.
My Thoughts: This is an interesting suspense mystery novel. The author has a whimsical way of writing, that puts a little humor into the storyline. When the story begins, we have a young woman at the funeral of her fiance, then finds herself with a dog she doesn't really want and then discovers that it's the owner has been murdered. No wonder Tavish had so many panic attacks. I really enjoyed this novel. It kept my attention from the beginning and did not disappoint me throughout the story.
I enjoyed this novel, the one point I did like about this novel, is that the main character does come to Christ, and learns to overcome her fears by leaning on God.
I look forward to more from Carrie Stuart Parks.
????
Shirley Manson recommended Sulk by The Associates in Music (curated)
Kirk Bage (1775 KP) rated Game Of Thrones in TV
Aug 6, 2020
Look on the bright side, we all said, without really believing it, when lockdown hit in March – time to watch those box sets we’ve been putting off. Well that was, of course, a great idea! For me that box set was possibly the biggest of all: the behemoth that is GOT.
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Bob Mann (459 KP) rated Jojo Rabbit (2019) in Movies
Jan 16, 2020 (Updated Jan 16, 2020)
Cutting satire (1 more)
Great ensemble cast
Don't be stupid, be a smarty
Taika Waititi's much discussed movie is an odd beast. Set in a small German town towards the end of the war, Jojo (Roman Griffith Davis), is a young boy indoctrinated with Nazi fervour as a member of the Hitler youth. Together with his rotund and bespectacled friend Yorki (Archie Yates), they are not likely to spread fear into the approaching Allied forces: they are a pair that would be likely to get picked last for 'sides' in a school football match.
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Perhaps to bolster his flagging self-esteem, Jojo has an imaginary friend - - Adolf Hitler (played by director Taika Waititi). Hitler provides him with sage - and sometimes foolish - advice. His mother (Scarlett Johansson), as well as obviously being hot and thus obtaining lustful looks from returning troops, is also kindly. She makes up for the absence of Jojo's father, due to the war, with the help of some play-acting and a sooty beard.
But, when alone in the house, Jojo hears noises from upstairs, his world - and his whole belief system - begins to unravel.
Comedies have tip-toed around the sensibilities of World War II in the past, most famously with Mel Brook's "The Producers". I don't think anyone's previously been brave enough to introduce the holocaust into the comedy mix. And - to a degree... we are NOT talking excessive bad taste here - the movie goes there. There's an underlying sharpness to some of the dialogue that - despite not being Jewish myself - nevertheless put my sensibilities on edge: the pit in hell 'set aside for Jews', for example, is filled with not only piranhas... but also bacon.
As a satire lampooning Antisemitism, much of the comedy is slapstick and the anti-Jewish sentiments expressed are deliberately ludicrous. And it's one of my issues I guess with the film. There are some good lines (Rebel Wilson's fanatical Nazi screaming "Let's burn some books" at the students) but some of the slapstick farce just didn't work for me. Sam Rockwell is great as a one-eyed ex-war hero looking for new challenges and exuberant costumes! But a lame gag from him about German Shepherds made me go "What? Really?". And this lessens the impact for me of the satire.
The second half of the film for me was far better, taking a much darker and edgier tone. There's a sudden turn in the film - brilliantly executed - that is truly shocking. This scene is somewhat reminiscent of one in that other great Holocaust comedy, "Schindler's List". It's understated, yet devastating. (Now, before seeing the film I'd heard from other reviews that the film "turned darker" and - based on the trailer - I'd kind of set in my mind what that would be. But I was wrong! So take this comment not as a spoiler, but as an anti-spoiler!).
As the war unravels for Germany, a late re-appearance by the imaginary Hitler is also memorable.
As the young star, Welsh kid Roman Griffith Davis - with no previous acting experience - turns in a star performance. Though to say that the performance ranks alongside the top 5 male performances of 2019 is, I think, overstepping the mark. Scarlett Johansson got a Best Supporting Actress nomination for her role. And I think this is deserved.
Elsewhere in the cast, few seemed to have recognized Thomasin McKenzie's role playing Elsa. The 19 year-old New Zealander really delivered for me. A strong female character, she's vulnerable yet with a will of iron under the surface. She made me really care about the outcome of the story.
Less positive for me is Rebel Wilson. Here she is marginally less annoying than I normally find her in that she's playing a deliberately annoying and unhinged character. But the role seemed largely redundant to me: it didn't add anything to the overall story (unlike Rockwell's - surprising - character arc).
If there was an Oscar for originality - and that WOULD be a good new award category - then this film would be a contender. It's certainly novel: amusing in places; disturbing in others. If you like your comedies on the edge and bit whacky - like "Death of Stalin" - then you will probably enjoy this. I'm not sure it's the best film of the year - and there are probably others I would swap into that Oscars nomination list - but it's still a well-made movie and a recommended watch.
(For the full graphical review, please check out One Mann's Movies at https://bob-the-movie-man.com/2020/01/16/one-manns-movies-film-review-jojo-rabbit-2020/ )
Peter Russell (61 KP) rated Legacy of Dragonholt in Tabletop Games
May 3, 2019
Its an rpg without a dm (1 more)
The biggest book based choose your adventure youve probably ever played
As with any choose your adventure choices can seem limiting (2 more)
The game is the only one of its kind and feels like it should be a series, but unfortunately discontinued
Its a one time playthrough
Largest choose your adventure ever
This game takes on roleplaying games for a single player rpg experience using "choose your adventure" style mechanics. At the beginning of the game a player makes a character, chooses a class and chooses skills. These character design choices do very much affect gameplay, providing different adventure paths/ options for characters of different races or having given skills in a situation. The box includes multiple adventures, each with a rough playtime of 30-60 minutes, though it can become longer with more players. Each booklet is designed to be played as a single gaming session, providing a convenient place to stop for the night or for a breather. The game also has a story tracking mechanic where bubbles are filled in based on choices made. These can affect interaction with npcs or track overarching campaign events that have shaped the world.
I played through this game once and it took me about 6 hours and feel tgere are not enough alternate choices to merit another playthrough. Even though the game says it can be played with 1 to 6 players I recommend one player because only a single choice can be made with each entry and multiple players may not agree on a single course of action. For this game you fo need some tablespace as there are lots of tracking sheets and books and possibly a map you will have out.
*Minor Spoiler Ahead
My overall view of this game is that I wish it was different in one of two ways.
1. It would be nice if there were expansions to this where a character could carry over to another campaign or an expansion that weaves in more npc drama. At the end there are only 4 possible endings and then the game just ends, I wanted more, but knew it would never be.
2. This game with all of its tracking was more akin to muds and I feel it would have been better suited (at least for single player) as an interactive book for a computer where the tracking is done behind the scenes. This would of provided more mystery and made the game feel more in the moment rather than breaking out of the story to reference tracking sheets to see if a choice was allowed.
I played through this game once and it took me about 6 hours and feel tgere are not enough alternate choices to merit another playthrough. Even though the game says it can be played with 1 to 6 players I recommend one player because only a single choice can be made with each entry and multiple players may not agree on a single course of action. For this game you fo need some tablespace as there are lots of tracking sheets and books and possibly a map you will have out.
*Minor Spoiler Ahead
My overall view of this game is that I wish it was different in one of two ways.
1. It would be nice if there were expansions to this where a character could carry over to another campaign or an expansion that weaves in more npc drama. At the end there are only 4 possible endings and then the game just ends, I wanted more, but knew it would never be.
2. This game with all of its tracking was more akin to muds and I feel it would have been better suited (at least for single player) as an interactive book for a computer where the tracking is done behind the scenes. This would of provided more mystery and made the game feel more in the moment rather than breaking out of the story to reference tracking sheets to see if a choice was allowed.
Whatchareadin (174 KP) rated Promises to Keep in Books
Jun 21, 2019
Callie and Steffi are sisters and they could not be more different. Callie is a mother of two, a wife and a photographer, living in the New York suburbs. Callie is a city girl through and through and is enjoying her life with her rock star boyfriend and cooking at a vegan restaurant. At some point in life, things change, and things for this family are about to change in a very big way. Will Steffi see the light at the end of the tunnel and finally decide to settle down her life, or will she continue to live by the seat of her pants? Will Callie continue to live her life with her husband always gone and bearing most of the responsibility of the children?
I love Jane Green's books, they always make me shed a tear or two and this one was no different.
This is a story about love and family. Not the just family that is related to you by blood, but the friends that become your family. Another awesome thing about this book, are the amazing recipes that are in it. Need to go and purchase Good Taste: Simple Delicious Recipes for Family and Friends.
A few years back Callie was diagnosed with breast cancer. She fought hard and she beat it. But now, she's having some weird pains and her biggest fear is that the cancer may come back. Dealing with this in my family right now, it's always hard to hear when someone you love is sick, especially when there is nothing you can do to help.
Steffi is a drifter, drifting from job to job and man to man never quite landing on the right spot. When an opportunity comes along for her to make a major change in her life, she has to decide whether or not to take the leap. I think we've all been in that situation, where you feel like you're on the hamster wheel of life and it's impossible to get off. Stepping out of your comfort zone and trying something new is not easy for most of us. But the satisfaction you get when it all works out is the best feeling in the world.
These sisters along with their family and friends embark on a part of their life that is completely unexpected and changes them both. Full of love and warmth, this is a great book for all to enjoy. Make sure you have your box of tissues handy while reading.
I love Jane Green's books, they always make me shed a tear or two and this one was no different.
This is a story about love and family. Not the just family that is related to you by blood, but the friends that become your family. Another awesome thing about this book, are the amazing recipes that are in it. Need to go and purchase Good Taste: Simple Delicious Recipes for Family and Friends.
A few years back Callie was diagnosed with breast cancer. She fought hard and she beat it. But now, she's having some weird pains and her biggest fear is that the cancer may come back. Dealing with this in my family right now, it's always hard to hear when someone you love is sick, especially when there is nothing you can do to help.
Steffi is a drifter, drifting from job to job and man to man never quite landing on the right spot. When an opportunity comes along for her to make a major change in her life, she has to decide whether or not to take the leap. I think we've all been in that situation, where you feel like you're on the hamster wheel of life and it's impossible to get off. Stepping out of your comfort zone and trying something new is not easy for most of us. But the satisfaction you get when it all works out is the best feeling in the world.
These sisters along with their family and friends embark on a part of their life that is completely unexpected and changes them both. Full of love and warmth, this is a great book for all to enjoy. Make sure you have your box of tissues handy while reading.