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Emma @ The Movies (1786 KP) rated The Painter And The Thief (2020) in Movies
Oct 23, 2020
After seeing the trailer for this one I was intrigued to see how the subject was handled in this format.
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
Barbora Kysilkova's prized paintings have been stolen from a gallery, the culprits were not careful and are soon picked up by the police. But all investigations come back empty handed and the two paintings may never resurface. Barbora is interested to meet one of the men responsible for her loss and soon an unlikely friendship begins between the two of them. As their lives become even more entwined we follow their path through troubles and redemption.
The documentary is split into two main parts, first we follow the painter as she uncovers whatever she can about the crime in an attempt to recover the pieces. The second follows out thief and the struggles of his life. Each side of the story shows very different ways of existing, but as it evolves you make surprising discoveries about them both that open your eyes to how reality is sometimes hidden underneath a persona we project.
We're treated to an enlightening journey with the way the narrative is laid out, and it's one that's almost impossible not to react to. Everything from the simple frustrations, to fear and worry, shows through as the connection between them grows, it feels more and more... uncomfortable. This is actually addressed by Barbora's boyfriend and it seems only evident to us and him that it's all a little nuts. At the end I was particularly shocked by the outcome.
Overall I had expected to see more about the crime itself, and in what I'd seen leading up to this it felt like it was bigger, but the crime actually comes across as quite unexceptional. That leaves us with a documentary that's much more focused on human fascination and curiosity, and in my opinion, how that can turn into an unhealthy obsession. While the second half feels more engaging, it was a bit of a slog getting to that. As a piece about human nature it's interesting, but when presented with something involving a crime I'm much more interested in seeing that than anything else.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/the-painter-thief-movie-review.html
LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Kristy H (1252 KP) rated Girls Like Us in Books
Jul 12, 2019
Nell Flynn has reluctantly returned home to Long Island after the death of her father, Martin Flynn, a homicide detective. Nell hasn't seen her father in years, but must settle his estate after his motorcycle skidded off Montauk Highway in the early morning. She assumes her dad was drunk, per usual, when the incident occurred. Nell's mom was murdered when she was a child, and there's nothing about being home that makes her happy. But when Lee, a young homicide detective and her dad's latest partner, asks her to informally help with a case, Nell's curiosity is piqued. She is, after all, on paid medical leave from the Behavioral Analysis Unit at the FBI. Lee and team have found the body of a girl, murdered, near the dunes. It's similar to a case her father worked a year ago. Nell gets caught up in the investigation and the more she digs, the more she can't help but wonder if her father was involved in the killings.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
"Dad had his own code. I learned early not to second guess it. At least, not out loud."
This was a great thriller--it features an interesting plot, a strong, complicated female heroine, and it's so easy to get caught up in it from the start. I had a great time unraveling the puzzle of the two murders, figuring things out alongside Nell. She's a really engaging character--smart, funny yet not without her own problems.
"The bureau thinks my head should be on straight, too. It isn't yet. Maybe it never was to begin with."
I really enjoyed the way this story is told--via Nell, but since she's not formally FBI or police, we get the pieces of the puzzle and story along with her. It's a twisted web that she uncovers: a dark, gritty story that feels timely and real. It's a fast read that kept me flipping the pages, desperately wanting to know what was happening next.
It's clear that Alger knows her stuff--police/FBI procedures, investigative techniques, and more. There are no tricks or unreliable narrators: just a strong, well-told story. And there's certainly series potential with Nell. I would love to see her again! 4+ stars.
Neon's Nerd Nexus (360 KP) rated El Camino: A Breaking Bad Movie (2019) in Movies
Oct 11, 2019
What ar*ehole doesn't like pinapple?
El Camino is an impressive gritty follow up to breaking bad that finally gives fans the closure they've been longing for. Now I liked Breaking Bad (id give it a solid 8/10) but its not something ive ever desired to watch again so when I saw El Camino on Netflix I wasn't that desperate to see it but thank goodness I did because it surpasses the show in every way. Starting off where the show ends yet it feels immediately aparent this movie has a different tone/style to it. Its way more gritty, grainy looking, atmospheric and overall feels much more raw and dark. Theres such an over powering sadness too and as we follow Jesse we see just how traumatised and broken he's become from past events and its hard to not feel really emotionally attached, drained, exhausted for him. Playing out as a kind of character progression movie we follow Jesse as he struggles to survive on his own scared and with nothing but a car. Its his progress and changing as a person that keeps the film incredibly engaging and as we whiteness him mature, grown, learn and adapt in this harsh world we see he becomes stronger and while he might hate Heisenberg he almost has to become and learn from him to be stronger as a person and to ensure his survival. Arron Paul is stunning especialy when Jesse is pushed past his breaking point really nailing a great character change from pathetic insignificant bug into a dangerous calculating intimidating danger. What also makes Jesse great is he still knows where he came from and hes always thankful/appreciative and never forgets what he lost or the people that have helped him and inspired him. Cinematography is simply stunning as is camera work and the chill inducing soundtrack really helps make some really tense scenes too. Highly recomended and with a great thought provoking ending that proves trauma/sadness never really leave us once weve experienced it. El Camino is a very pleasant surprise especially for a netflix movie.
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