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Phil Leader (619 KP) rated A Night Inn Hell in Books
Nov 21, 2019
This is the first book in a trilogy about a remote and haunted inn - the Hang Inn - where each book tells the story of how some of the souls came to be trapped there. The bulk of the story is set at the end of the 19th century, with the first and last chapters set in contemporary times and told from the point of view of one of the haunting spirits. In preparing to scare a couple of tourists visiting the notorious haunted in, the narrator tells the reader their story.
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Peter and Stella have owned the Hang Inn for several months. The Inn is miles from the nearest town and sits among nearly impassable marshland. Trade is slow and they will soon need to think seriously about giving up the inn. Then they are given an offer they can't refuse by Jason, a police officer in a small and secretive unit that tracks down the worst murderers and serial killers in Victorian England and ensures that they are very quietly disposed of. The government will pay for the Hang Inn to be used for the executions. But this is a secret only a few can know, and Peter cannot even tell Stella what is really going on.
The first infamous murderer is executed and Peter begins to doubt he has made the right decision but it is too late. And when the second murderer arrives the ghost of the first torments both him and Peter. How long can Peter keep the secret and what impact will it have on his relationship with Stella?
This is not a ghost story in the conventional sense. The first murderer does haunt the inn some of the nights but most of the story is taken up the effect the situation has on Peter, Stella and Jason as it turns each of their lives upside down and tests each of them. The secret of the executions reveals deeper and darker secrets and the inner character of each of the main protagonists. There are night time chases across the marshes and murders are described and committed.
The plot twists and turns as each victim brought to the inn tells their own story and this has its inevitable effect on Peter and Stella as well as Jason. The relationship between the three of them changes as time goes on. We know that ultimately one of them will be left haunting the inn, but which one? Only the final climactic scenes reveal this.
The book is an enjoyable read, although the nights when the murderers are held in the inn are a lot more gripping and interesting than the periods between which can seem a little over-long with a lot of introspection from the main characters as they try to deal with what is going on around them (and within them). But this does allow the characters to grow, and the interactions between them and the state of their own minds plays a vital role in everything that happens.
The strength of the book lies in the twin strands of the overall story itself and of the murderers. Each is different and each is portrayed excellently by Powell from evil psychopaths to those who feel their actions are justified. Each tells their story in detail with some deft twists to enable this to happen.
Overall this was an enjoyable novel with enough action and twists to keep the reader's interest throughout.
Rating: Scenes of murder and some sexual references
Darren (1599 KP) rated The King (2019) in Movies
Nov 27, 2019
Verdict: Another King Fighting Film
Story: The King starts as the war between the English and the Scots continues to rage on, King Henry IV (Mendlesohn) is getting tired of the bloodshed and disloyalty being found in his own soldiers and with his health getting worse he recalls his son Hal (Chalamet) to his side.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
As Hal find himself in a new power, he doesn’t know who to trust, so he turns to Falstaff (Edgerton) to help him in battle, with in latest battle being with the future French king The Dauphin (Pattinson).
Thoughts on The King
Characters – Hal is the young prince that would become King, a role he isn’t ready for, he doesn’t want to see large scale bloodshed like his father’s reign, but finds his country in war from all sides, he wants to end the battles and will look for solutions, which don’t always work for him. Falstaff is the man Hal turns to for advice when it comes to conflict, he thought under King Richard and he knows how to outsmart an enemy, first he must give up his drinking problem though. The Dauphin is next in line to be king of France, he is leading the armies into battle and doesn’t want any part of a deal with the King of England.
Performances – Timothee Chalamet is strong in the leading role, continuing to put himself on the right path to do anything he wants to in the future. Joel Edgerton is always a great supporting star in any movie, this is no different, while Robert Pattinson as the villainous soon to be king does a great job too.
Story – The story here follows a young king taking his place on the throne while his country is involved in wars that he never started and now he wants to end, hoping to find a more peaceful way to end the battles, forcing him to learn the truth about the bitter war between the nations. This is one of those stories which once again puts our history out there for the world to see with the English being seen as an all-conquering nation that always believed they were right, the spin is seeing how the young king wants to try and find a more peaceful way to end things, but just doesn’t get a chance to solve these problems. The pacing follows everything we have seen before, not making this standout on any means whatsoever, which just leads us to disappointment once again.
Biopic/History – This is a film that claims to tell the story of a real king and how he was brave, just like every single one through the years, we don’t know what he was like or what the battles were like, we only know the outcome.
Settings – The settings show us how the kingdoms are beautiful and how the battlefields are covered in blood and bodies.
Scene of the Movie – The battle.
That Moment That Annoyed Me – It is the same typical history story.
Final Thoughts – This is one of the period piece dramas that does everything it needs to without giving us the complete truth to what is happening with the real history.
Overall: Simple Royalty Film.
Sophia (Bookwyrming Thoughts) (530 KP) rated Hello, I Love You in Books
Jan 23, 2020
<b>I listen to far too much kpop songs for my own good.</b> When I heard that <i>Hello, I Love You</i> is a book about kpop, I just <i>had</i> to read the book.
<b>I despise this. Katie Stout's debut novel isn't about kpop</b> – that's just a small element. It's just about <b>an American girl trying to run away from her past and ends up falling in love with a Korean superstar</b>. Oh, and <b>that Korean superstar is also running away from HIS past,</b> so hooray! Past runners colliding.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/--1WHSx-iaa4/Vcu_9iIqSpI/AAAAAAAAE5w/ZOJm3UkK-e8/s1600/sigh.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/sigh.gif"; width="188" height="200" border="0" /></a></div>
It's obvious <b>Grace didn't do much "research." She's tired of eating rice every day, and she wrinkles her nose in disgust at fish</b> – does she realize that <b>rice and seafood is quite <i>literally</i> associated with every part of Asian culture</b> or what? How else do Koreans or Japanese survive when they're surrounded by ocean all around (the seafood part)?
Grace's <b>research basically consisted of typing in "international boarding schools," clicking on the first result that seemed interesting and decided, "Why not? It's the way out."</b> She doesn't even know <i>why</i> she chose Korea. It's <b>all about running away from the past,</b> and that was probably repeated multiple times in the book. <b>I just want to throw a book at Grace and say, "Suck it up, buttercup."</b>
<blockquote>I've kept a big distance from it because it reminds me too much of my past, too much of what I left behind.</blockquote>
Methinks the lady doth protest too much.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-FXuDDyyknZc/Vcu_2-_rRRI/AAAAAAAAE5o/8E4pJbSzM1Q/s1600/angry-gif-o.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/angry-gif-o.gif"; border="0" /></a></div>
I suppose I can't blame her because <b>the mom's worse – she's all, "Hi, Korea. I'm FARRR more superior than you."</b> *sticks nose up and saunters away in ten-inch heels* <b>If Grace is so "language impaired," she could have considered England, Canada, Australia or New Zealand where English is the primary language, thank you very much. -_-</b>
<div class="separator" style="clear: both; text-align: center;"><b><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-D4yvObK8a5g/VcvAC60UhSI/AAAAAAAAE58/wJW7gAeQ96c/s1600/you%2Bgot%2Bproblems.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/yougotproblems.gif"; width="320" height="180" border="0" /></a></b></div>
<b>
I'm not happy at all. I'm not even Korean. I'm Chinese and Vietnamese. I don't know if my Asian meter has been insulted or not.</b> I suppose I'll applaud Stout for trying to write a book about kpop, but that's about as far as I'll go for <i>Hello, I Love You</i>.
<a href="https://bookwyrmingthoughts.com/review-hello-i-love-you-by-katie-m-stout/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<b>I despise this. Katie Stout's debut novel isn't about kpop</b> – that's just a small element. It's just about <b>an American girl trying to run away from her past and ends up falling in love with a Korean superstar</b>. Oh, and <b>that Korean superstar is also running away from HIS past,</b> so hooray! Past runners colliding.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/--1WHSx-iaa4/Vcu_9iIqSpI/AAAAAAAAE5w/ZOJm3UkK-e8/s1600/sigh.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/sigh.gif"; width="188" height="200" border="0" /></a></div>
It's obvious <b>Grace didn't do much "research." She's tired of eating rice every day, and she wrinkles her nose in disgust at fish</b> – does she realize that <b>rice and seafood is quite <i>literally</i> associated with every part of Asian culture</b> or what? How else do Koreans or Japanese survive when they're surrounded by ocean all around (the seafood part)?
Grace's <b>research basically consisted of typing in "international boarding schools," clicking on the first result that seemed interesting and decided, "Why not? It's the way out."</b> She doesn't even know <i>why</i> she chose Korea. It's <b>all about running away from the past,</b> and that was probably repeated multiple times in the book. <b>I just want to throw a book at Grace and say, "Suck it up, buttercup."</b>
<blockquote>I've kept a big distance from it because it reminds me too much of my past, too much of what I left behind.</blockquote>
Methinks the lady doth protest too much.
<div class="separator" style="clear: both; text-align: center;"><a style="margin-left: 1em; margin-right: 1em;" href="http://1.bp.blogspot.com/-FXuDDyyknZc/Vcu_2-_rRRI/AAAAAAAAE5o/8E4pJbSzM1Q/s1600/angry-gif-o.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/angry-gif-o.gif"; border="0" /></a></div>
I suppose I can't blame her because <b>the mom's worse – she's all, "Hi, Korea. I'm FARRR more superior than you."</b> *sticks nose up and saunters away in ten-inch heels* <b>If Grace is so "language impaired," she could have considered England, Canada, Australia or New Zealand where English is the primary language, thank you very much. -_-</b>
<div class="separator" style="clear: both; text-align: center;"><b><a style="margin-left: 1em; margin-right: 1em;" href="http://4.bp.blogspot.com/-D4yvObK8a5g/VcvAC60UhSI/AAAAAAAAE58/wJW7gAeQ96c/s1600/you%2Bgot%2Bproblems.gif"><img src="http://bookwyrmingthoughts.bookblog.io/wp-content/uploads/sites/317/2015/08/yougotproblems.gif"; width="320" height="180" border="0" /></a></b></div>
<b>
I'm not happy at all. I'm not even Korean. I'm Chinese and Vietnamese. I don't know if my Asian meter has been insulted or not.</b> I suppose I'll applaud Stout for trying to write a book about kpop, but that's about as far as I'll go for <i>Hello, I Love You</i>.
<a href="https://bookwyrmingthoughts.com/review-hello-i-love-you-by-katie-m-stout/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Spellhacker in Books
Jan 23, 2020
Review going live on the blog at midnight EST because UBB doesn't want to get along with block editor.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.
<b><i>The author/publisher provided a free copy of the book for review purposes - thank you! Receiving a review copy does not guarantee a positive review and therefore do not affect the opinion or content of the review.</i></b>
I love heists in books. We've got a group of people (each who are talented AF), something goes wrong (oop--) and then they're scrambling to fix things. Sometimes there's a character or two (or more) pining for another character and we just want to smush/protect them.
And it's definitely the case with <em>Spellhacker</em> by M.K. England, which follows Diz and her friends (Ania, Jaesin and Remi) as they take on one last job that ends up backfiring horribly in their faces. It's never happened in the two years they've been running their side business. There's magic (known as maz) and seriously cool technology involved, and that's usually a good recipe for me to enjoy the book. <s>Provided that something explodes, of course, but don't tell anyone.</s>
Which I did... for the most part. <em>Spellhacker</em> is a bit difficult for me to rate since a couple of issues throughout ruined some of my enjoyment.
<h2><strong>Two Things in <em>Spellhacker</em> I have issues with:</strong></h2>
(There were more, but they're minor.)
<h3><strong>The magic system</strong></h3>
I probably wouldn't have noticed it if Kal from Reader Voracious never mentioned it, but the moment she asked, I kept noticing... and not just the name. I keep thinking formaz is pronounced like "form ass." (Maybe that's just my sense of humor trying to get through the parts of the book I struggled with.)
But what I got really confused about were the differences between techwitch and spellweaver (kind of got an idea, still confused) and just how it worked... which I kept thinking of <a href="https://rwby.fandom.com/wiki/Dust">how dust works in RWBY</a>. It's most likely a very inaccurate depiction, though.
<h3><strong>The miscommunication</strong></h3>
I noticed this faintly at the beginning few chapters and didn't let it bother me <em>too</em> much. In fact, it pretty much slipped my mind until Kal brought it up. At times, it did get pretty damn irritating and I just wanted to shove Diz in front of a certain character like the many chances she had throughout the book. <em>And there are a lot of chances</em>.
<h2>Two <strong>Things I definitely didn't have an issue in <em>Spellhacker</em>:</strong></h2>
Or maybe just minor issues and they turned out to be good things in the end (after I thought about it).
<h3><strong>Diz's narration</strong></h3>
Diz is one of those characters I found absolutely annoying at first but slowly grew on me over the book. She's bitter and salty and full of sass; she's pretty much 95% angst teenager who wants things to go her way. She also sucks at communication big time; every time she <em>wants</em> to say something, she chooses not to. Even if she's called out by her friends, it takes a while before she actually comes out with it.
I hardcore relate.
Gareth von Kallenbach (980 KP) rated The Finest Hours (2016) in Movies
Aug 6, 2019
The Finest Hours tells the story of four men who, in February of 1952, undertook one of the most daring rescue attempts in the history of the Unites States Coast Guard. A tanker, the SS Pendleton, is caught in a storm off the coast of New England and is ripped in half, leaving more than 30 sailors adrift and sinking. While Bernard Webber (Chris Pine) leads an impossible rescue in a lifeboat designed to hold only 12, his fiancée, Miriam (Holliday Grainger), struggles to come to terms with what it means to be the wife of a man who has to willingly risk his life for others.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
Year after year, it proves out. January is just not a good month for cinema. With one hand, the studios campaign for award season glory and with the other, dump their trash. That’s not to say The Finest Hours is total garbage. Even I’m not that cynical to unconditionally condemn something that shines a light on the triumph of the human spirit when faced with insurmountable odds. It’s just that there is only about one-third of a good film here. Anytime the crew of the Pendelton was onscreen, I was captivated. Their struggle for survival and their feats of engineering under incredible pressure make for riveting entertainment and should have been a film unto itself. These scenes unfortunately are interspaced with and, more often than not, forced to take a back seat to paint-by-numbers dialogue, two-dimensional caricatures (both disappointing when you consider the three writers on this film were behind The Fighter) and a shockingly abrasive score during the main U.S. Coast Guard narrative. And yes, it may be called The Finest Hours, but if that’s the title they’re going with a little more effort should have been put into the rescuers, as opposed to those being rescued. Overall, we’re deprived of a sense of urgency, in what is supposed to be a race against time, and an intimacy with any character performed well enough to be worth caring about.
At least this isn’t a complete waste of an all-star cast. I’ll ease off on Chris Pine, tempted as I might be to pick on him. After having fumbled his way through both Captain Kirk and Jack Ryan, doing so now in a flick produced by Disney would feel rather like a cheap shot. Instead it’s fairer to write off the other, usually more dependable leads and praise Casey Affleck, who alone makes The Finest Hours watchable. Ironically, he plays the man who has to keep not only half a ship afloat, but an entire crew together. Between Eric Bana’s overstatement, Ben Foster’s understatement, and a questionable casting choice in Holliday Grainger, Affleck is heads above the rest when it comes to making courage and sentiment ring true.
A regrettable execution notwithstanding, better can and should have been done to honor these distinguished service members and viewers looking for a storytelling standard above the level of your average Hallmark original are advised to look elsewhere. Try, for instance, Oliver Stone’s (not as controversial as we all thought it was going to be) World Trade Center for a better example of how these tales of perseverance and survival are supposed to be done.
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