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Greg Mottola recommended Såsom i en Spegel (Through A Glass Darkly) (1961) in Movies (curated)

 
Såsom i en Spegel (Through A Glass Darkly) (1961)
Såsom i en Spegel (Through A Glass Darkly) (1961)
1961 | International, Drama
(0 Ratings)
Movie Favorite

"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

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Greg Mottola recommended The Silence (1963) in Movies (curated)

 
The Silence (1963)
The Silence (1963)
1963 | Drama
(0 Ratings)
Movie Favorite

"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

Source
  
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Greg Mottola recommended Fanny and Alexander (1982) in Movies (curated)

 
Fanny and Alexander (1982)
Fanny and Alexander (1982)
1982 | Drama, International
8.3 (3 Ratings)
Movie Favorite Watch

"Through a Glass Darkly and The Silence strike me as two of the most psychological films ever made. The former dramatizes madness, and it doesn’t shy away from the despair and horror of the subject. It is equally fascinated by the way that lives are halted, turned, and redirected by tragedy. The Silence is possibly the most Freudian film ever made, a fever dream about the short journey from sexual ecstasy to absolute despair. Fanny and Alexander was Bergman’s Amarcord, a melancholy epic punctuated by moments of unexpected joy. It’s an incredibly rich film, a culmination of a life spent mastering film and theater. All three of these movies were shot by the great Sven Nykvist."

Source
  
    DeathAwake

    DeathAwake

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    Build a team using your favorite characters from the universe! Unleash each character's unique...

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Ross (3284 KP) rated Disintegration by The Cure in Music

May 18, 2020  
Disintegration by The Cure
Disintegration by The Cure
1989 | Rock
10
9.5 (4 Ratings)
Album Rating
Rolling Stone's 326th greatest album of all time
One of my biggest regrets in life is how long it took me to get in to The Cure. A couple of years ago, my only knowledge of them was Boys Don't Cry, Love Cats and Friday I'm In Love. This album is poles apart from that material and is absolutely superb. From start to finish it is an absolute joy, Pictures of You, Fascination Street and Prayers for Rain are all excellent but for me it is the title track that steals the show - such a slow build up to an epic powerful finish, I always have to go back and listen again.
  
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Awix (3310 KP) rated The Vikings (1958) in Movies

Apr 15, 2020  
The Vikings (1958)
The Vikings (1958)
1958 | Action, Classics, Drama
6
6.8 (4 Ratings)
Movie Rating
Slim-line Hollywood epic is strong on rousing action, less so on historical authenticity. Separated-long-before-birth siblings Kirk Douglas and Tony Curtis rip chunks out of each other while drinking, raiding, pillaging and taking an interest in Janet Leigh.

Basically the silliest sort of Hollywood camp, with dialogue like 'Love and hate are two horns on the same goat!', but the photography and score do occasionally combine to produce something rather stirring. It occasionally has a rather harder, darker edge than you'd expect (there's quite a lot of mutilation in the script), but not that much more than Ben Hur. The combined wattage of the various stars keeps it watchably entertaining.