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Goddess in the Stacks (553 KP) rated The Poppy War (The Poppy War #1) in Books
Oct 9, 2018
Have you ever read a book that is so good you don't know what to say about it? It's taken me almost two weeks to even attempt this review because I just don't know what to write. The Poppy War is your typical story of downtrodden, disadvantaged girl testing into the highest school in the land and gaining the opportunities and privileges that come with that, but then the book takes a sharp twist into war. Rin doesn't exactly get the most typical of educations, even before war breaks out. And when war breaks out, the school is disbanded, the students getting flung all over the land to where the government thinks they will help the most. For Rin, that's joining The Cike. The Bizarre Children. The division of people who can do....things. Things the rest of the military isn't comfortable with. The Cike can call on the powers of gods, and doing so makes them not-quite-untouchables. Rin, who was never short on resentment before this, grows ever more resentful.
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
Rin is an interesting character; she's been hard done by, yes, but she makes decisions that only make things harder on herself. So I feel for her a little, but at the same time, girl. Check yourself. What's been done to you doesn't justify what you plan to do to others. I am hoping she comes to see that in the next book, because her rage and need for vengeance definitely gets the best of her in this one.
The Poppy War is an excellently written blend of military fantasy, epic fantasy, and coming-of-age novel. Unlike some books, where the military aspect far overshadows the characters, leaving them flat, Poppy War doesn't ignore the characters to focus on the bigger picture. It's a very good mix of both close-up focus on characters, fights, battles, and zoomed-out strategy and war. It's probably the best military fantasy I've read, and the Asian aspect of it makes it even better. So much military fantasy is western European, or Steampunk, or both. I've been finding more and more Asian and African fantasy, and I am SO HERE FOR IT. I need to try to find more South American fantasy. I know it's out there.
I will definitely be watching for the next book in this series, because it's awesome.
You can find all my reviews at http://goddessinthestacks.com
Merissa (12055 KP) rated Violet Souls (The Evoxian Legacies #1) in Books
Oct 19, 2018
Violet Souls (The Evoxian Legacies #1) by Abbey MacMunn
Violet Souls is the first book in The Evoxian Legacies, which tells us about violet-eyed aliens living amongst the humans here on Earth. Bree is one such alien, although she doesn't know it. She has always felt differently to the others, but never knew why. She wears blue contact lenses to hide her violet eyes, as she was teased when she was younger. When she searches for more information on her birth parents, it opens up a whole new world of which she was unaware.
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 19, 2019
“John Wick Chapter 3: Parabellum” literally hits the ground running as the film opens with the title star (Keanu Reeves) and his faithful dog running desperately through the rain soaked streets of New York. Wick is set to have every major player after him and 14 million dollar bounty in less than an hour and he is desperate to find a way out of his situation.
Picking up moments from the end of the last film, Wick is persona non grata due to his decision to conduct business on the grounds of the Continental which while providing services and sanctuary to those in his profession; is strictly forbidden.
As he gets closer to the appointed hour; the streets fill with assassins looking to take down the legend and this drives Wick to desperately call in a Marker with a figure from his past (Anjelica Houston) in order to get passage from the city.
Wick hopes that by meeting with the head of the Table he can get the bounty removed and stop running for his life. This of course requires him to deal with figures from his past such as Sofia (Halle Berry) who would sooner shoot him rather than help him due to the enormous risks associated with helping him in any way.
Of course the bodies pile up along the way as Wick dispatches countless foes in creative and brutal fashion showing his reputation is still very well earned.
The film also has a very clever secondary story that involves Winston (Ian McShane) being forced to atone for his willingness to give Wick a one hour head start at the end of the last film and this of course will bring things full circle as Wick must decide what is most important to him as he tries to find a way out of his deadly situation.
Toss in a master assassin (Mark Dacascos) and his army of rogues after Wick and the film never lets up once. It is an epic thrill ride and a symphony of bullets, blades, blood, and bodies and Reeves and the cast have never been better. While most series have run out of steam by the third film, this series has never been more enjoyable and I cannot wait to see what comes next.
http://sknr.net/2019/05/10/john-wick-chapter-3-parabellum/
Picking up moments from the end of the last film, Wick is persona non grata due to his decision to conduct business on the grounds of the Continental which while providing services and sanctuary to those in his profession; is strictly forbidden.
As he gets closer to the appointed hour; the streets fill with assassins looking to take down the legend and this drives Wick to desperately call in a Marker with a figure from his past (Anjelica Houston) in order to get passage from the city.
Wick hopes that by meeting with the head of the Table he can get the bounty removed and stop running for his life. This of course requires him to deal with figures from his past such as Sofia (Halle Berry) who would sooner shoot him rather than help him due to the enormous risks associated with helping him in any way.
Of course the bodies pile up along the way as Wick dispatches countless foes in creative and brutal fashion showing his reputation is still very well earned.
The film also has a very clever secondary story that involves Winston (Ian McShane) being forced to atone for his willingness to give Wick a one hour head start at the end of the last film and this of course will bring things full circle as Wick must decide what is most important to him as he tries to find a way out of his deadly situation.
Toss in a master assassin (Mark Dacascos) and his army of rogues after Wick and the film never lets up once. It is an epic thrill ride and a symphony of bullets, blades, blood, and bodies and Reeves and the cast have never been better. While most series have run out of steam by the third film, this series has never been more enjoyable and I cannot wait to see what comes next.
http://sknr.net/2019/05/10/john-wick-chapter-3-parabellum/
Neon's Nerd Nexus (360 KP) rated Maleficent: Mistress of Evil (2019) in Movies
Oct 20, 2019
Peace and Iron
Maleficent 2 is a wonderful, enchanting and breathtakingly beautiful sequel that constantly dazzles and delights. Within the few moments of watching Maleficent 2 I was so teeming with excitement and so engaged in its amazing world that I knew it was going to be something special. With a deliciously dark opening scene followed by a beautiful camera dive from the sky over the kingdom down into the forests bellow it was immediately a parent just how magical, creative and down right gorgeous this movie was going to be. Luckily it doesnt stop there and Maleficent 2 might just be one of the most breathtakingly beautiful films ive ever seen. This really adds to immersion/atmosphere and helps create such a believable lived in and vast world you can simply just get lost in. Angelina jolie is sensational almost as if she was born to play this character really bringing her alive by giving her character a real elegance, beauty, charm, anger and intelligence. Her prescence is increadibly intimidating and her temper is so firey that it brings great tension and unpredicatbility to even the smallest of scenes. Elle fanning fits here role perfectly too with her nervous, playful and innocent acting style well suited to her character. Make up and set design are jaw droping the sheer ammount of detail and intracacy thats gone into everything constantly blew me away and every single scene is a visual feast for your eyes to explore. Scale is fantastic too making battles increadibly epic/huge and establishing shots also help you see just how vast and expansive the world really is. Story is a little predictable at time but always feel engaging, fun and enjoyable with enough twists, turns and set pieces to keep it exciting. Theres surprising depth also with themes of hatred, racisum, abandonment, female empowerment, betrayal, loyalty, entrapment and theres even a toutch of politics in there too. Malifecent 2 really blew me away I really did not expect this kind of quality, scale or enjoyment going in to it and thus left the cinema thouroughly happy and entertained. I felt the film had given me the kind of magical experience that ive longed for in a film for a long time and made me feel enthrilled, awe inspired and nostalgic echoing back to the fantasty stories and fables I grew up with. Maleficent is magnificent.
Neon's Nerd Nexus (360 KP) rated The Lion King (2019) in Movies
Jul 19, 2019 (Updated Jul 19, 2019)
If this is where the monarchy is headed Count me out!
Lion king 2019 is by far the worst of the Disney live action remakes & while newcomers/children will certainly love it many of the people that hold the original close to their hearts will leave wishing they had just stayed home with the far superior predecessor instead. Aladdin & The Lion King are two of the greatest animated feature films of all time & as I experienced them both in cinema on release they are very special to me. Now i loved the Aladdin remake & im not one for comparing these to the animated features but while I was watching this all i could think about was how much better the original is. While it looks absolutely gorgeous (until anything starts to move) the animation at times is so unnatural especially when animals are walking slowly that its constantly distracting & kills the illusion of these creatures being real. Voice work is bland/mediocre & delivered with almost no enthusiasm at all like the cast were more concerned with sounding different to the original than giving the characters charm & personality. Voices also dont feel connected to the characters like your watching a nature documentary thats been dubbed over. While Aladdin did its own thing & changed up the movie Lion King is practically & infuriatingly a scene for scene remake which would be ok if it had the charm, colour, grand scale, imagination, excitement, thrill, humour & emotional impact of the original but it doesnt. Songs are butchered/dull with seemingly no energy or spectacle to them at all feeling significantly toned down/grounded rather than fun & toe tapping (they have also ruined 'Be Prepared'). So whats new? theres new humour & yup you guessed it its really bad with awkward timing & dragged out jokes that just fall flat. I wanted so bad to love this movie but not even a scense of nostalgia kicked in either because the film is just soulless, unenthusiastic, boring, bland, lacking in excitement & magic. Kids will no doubt love it but for me its this years biggest let down. If it were a silent film with an epic score over the top it might of at least been unique/watchable & helped be bearable but as it is I just cant recomend seeing it. A big fat cash grab.
Ross (3284 KP) rated Bird Box (2018) in Movies
Jan 14, 2019 (Updated Jan 14, 2019)
Slightly flawed premise for a film
Contains spoilers, click to show
The premise of the film, that there are mysterious beings that, once seen, will drive sane people to suicide and insane people to do their bidding is intriguing. That is, until you realise that this means a film where people are either stuck inside, afraid of those mad "helpers" knocking on their door, or people wandering blindfolded around looking for food, water and shelter. Neither of these for me make for a particularly compelling watch. This film is split between the two.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
Eleanor (1463 KP) rated The Priory of the Orange Tree in Books
Jan 14, 2020
Strong female characters (2 more)
No filler
Deep history and lore
Compelling Fantasy
Wanting to try and branch out from just reading mainly thrillers this year I decided to get back on the fantasy track and picked this up at the library. I’m really glad I did it’s a great fantasy adventure set in a lore and history-rich world. I did have to get the ebook as well, as my wrists couldn’t cope with long reading sessions of the hardback copy and I didn’t want to put it down…..
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
It’s not an overly complicated fantasy tale and despite its 800+ pages, I found I was breezing through it at pace. It easily kept my interest and didn’t get too bogged down at any point. We have a tale of ancient evil rising, and a divided world will need to find a way to work together to defeat it.
Brimmed full of strong female characters we meet Ead hiding in the royal household of Inys under the guise of a maid-in-waiting but really is a kick-ass slayer/mage type, trying to protect the Queen. Meanwhile, on the other side of the great Abyss (big continent dividing ocean), we have Tane who has spent most of her life training to be a fearless dragon-riding warrior. The story is told from 4 different POVs but those two are the most engaging.
We have some romance (sigh lovey-dovey stuff - gross) but we don’t get bogged down in it and it feels entirely part of the story (not just tits and arse for the sake of it).
None of this book felt like unnecessary filler, despite epic journey's, we didn't have to read about every breakfast and lunch eaten (cough...). If anything some of the coincidences in characters meeting felt like it could of had more embellishment but I’m not really complaining it kept the story moving at a good clip. I felt the world that was built deserved a bit more of a complicated/nuanced tale but appreciate not having to slog through many years of sequels to get a conclusion. I didn’t feel the battles lived up to the overall size of the story but that may just be me watching too much TV...
Overall just what I needed to get me to want to keep branching out and reading a more diverse selection of genres - Go libraries!!!.
LeftSideCut (3778 KP) rated American Horror Story - Season 6 in TV
Jan 16, 2020
Season 6 of AHS, subtitled Roanoke, may very well be my favourite season to date, if not it comes a very close second to Asylum.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
The thing that really stands out for me is the pacing. It's pretty much perfect. The first half of Roanoke takes place in the form of a documentary, called My Roanoke Nightmare, where a young couple who moved into a run down house, recount their horrific experience of the spirits that haunted the ground, and endangered their lives. The documentary has a dramatisation of the events alongside the interviews, which effectively has the same AHS characters being played by two different people.
The build up is slow burning and hugely entertaining, as we know that these characters survive the ordeal, as they are involved in the documentary, so we can enjoy the ride without worrying about their fates.
In true AHS style though, the second half of the season takes place a few years after the documentary, and Roanoke truly kicks off in an epic fashion.
It's hard to properly describe the narrative, and it's really best experienced yourself. It's clever television.
The style of Roanoke is quite subtle, and gives the season a sort of old fashioned sense. It also experiments here and there with 'found footage', lending AHS a Blair Witch-esque edge.
All of the cast are once again great. Kathy Bates is a highlight, both her roles during the documentary, and after. Series regulars like Evan Peters, Angela Bassett and Lily Rabe are present and enjoyable, and it's awesome to see Cuba Gooding Jr. involved as well.
However this time around, AHS belongs to Sarah Paulson, who I thought really excelled during Roanoke, and Adina Porter, who gave the season it's more emotional moments. I think she's a fantastic actress, and was also a standout in her limited screentime during True Blood.
The gore and violence in Roanoke is probably at it's most visceral as far as AHS goes. There are some effectively gruesome moments littered throughout, and it's all looked like practical effects to me, which is how it should be! There are some really creepy shots as well, especially at the tail end of the season.
Roanoke is damn good. I'll be pleasantly surprised if AHS ever surpasses it.
Logical Puzzle Games - Fun Game
Games and Stickers
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Puzzle Dazzle’s back in the game! Ready for some Jigsaw puzzle games already? You crave real...
Ghost Town: Mystery Match Game
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Epic journey leads you in abandoned township to help the cute local characters. Exciting plot about...
Ross (3284 KP) Oct 10, 2018