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Debbiereadsbook (1487 KP) rated The Nephilim's Fate (War of the Nephilim #1) in Books
Oct 27, 2024
There is much misinformation passed down!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book .
This is, according to some sites, the author's FIRST book. And OOOOEEEE, did she NAIL it!!
BUT! Cliffhanger, people, of the most EPIC proportions, and I did not see it coming, and I am NOT happy!!
She’s a witch, he’s a Nephilim – and a simple kiss could kill them both. That is the tag line for this book, and it is perfect!
Nate is Nephilim, and all he knows is that witches would kill him, if they got intimate. Alissia thinks she is human, but actually, she's one of those deadly witches. But she's also a scientist, and after research by them both, she comes to the conclusion: it's a load of hooohaa, and then gets down and dirty with Nate! But there are forces trying to keep them apart, and Alissia will have a difficult decision to make.
I really REALLY liked this, not quite loving it, but mostly cos of that cliffhanger! Both Alissia and Nate get a say, so that made me happy, cos I do like to hear from the important people in a story.
It's dark and deadly: there is violence here, and it is graphic, but I think it's needed, to get the point across. It's steamy and smexy: explicit scenes from that very first page! If you follow my reviews, you'll know I do prefer my books on the smexy side, but I don't think I've read another book, where it starts right on the first page! I loved that, while it is explicit, that first scene is actually a dream and neither Nate nor Alissia knew the face of the person they were dreaming about!
There is much misinformation passed down, from both the witches and the Nephilim. Getting to the bottom of it took some time, and I do think that I might have got a *bit* lost with it, somewhere, but it all came to make sense.
I loved that Nate wanted to question his superior when it came to the child they rescued, a Nephilim child. I do hope he gets his way on that one!
So, the cliffhanger came out of nowhere, mostly because I wasn't paying attention to the time left in the book and I am NOT happy about it!!
I have just ONE burning question: when can I get my hand on book 2??
4 very VERY good stars
*same worded review will appear elsewhere
This is, according to some sites, the author's FIRST book. And OOOOEEEE, did she NAIL it!!
BUT! Cliffhanger, people, of the most EPIC proportions, and I did not see it coming, and I am NOT happy!!
She’s a witch, he’s a Nephilim – and a simple kiss could kill them both. That is the tag line for this book, and it is perfect!
Nate is Nephilim, and all he knows is that witches would kill him, if they got intimate. Alissia thinks she is human, but actually, she's one of those deadly witches. But she's also a scientist, and after research by them both, she comes to the conclusion: it's a load of hooohaa, and then gets down and dirty with Nate! But there are forces trying to keep them apart, and Alissia will have a difficult decision to make.
I really REALLY liked this, not quite loving it, but mostly cos of that cliffhanger! Both Alissia and Nate get a say, so that made me happy, cos I do like to hear from the important people in a story.
It's dark and deadly: there is violence here, and it is graphic, but I think it's needed, to get the point across. It's steamy and smexy: explicit scenes from that very first page! If you follow my reviews, you'll know I do prefer my books on the smexy side, but I don't think I've read another book, where it starts right on the first page! I loved that, while it is explicit, that first scene is actually a dream and neither Nate nor Alissia knew the face of the person they were dreaming about!
There is much misinformation passed down, from both the witches and the Nephilim. Getting to the bottom of it took some time, and I do think that I might have got a *bit* lost with it, somewhere, but it all came to make sense.
I loved that Nate wanted to question his superior when it came to the child they rescued, a Nephilim child. I do hope he gets his way on that one!
So, the cliffhanger came out of nowhere, mostly because I wasn't paying attention to the time left in the book and I am NOT happy about it!!
I have just ONE burning question: when can I get my hand on book 2??
4 very VERY good stars
*same worded review will appear elsewhere
Mark Jaye (65 KP) rated Avengers: Infinity War (2018) in Movies
May 12, 2019
To Infinity....and Beyond!
Contains spoilers, click to show
Perhaps it's the eternal child in me, the three year old boy who developed a passion for superheroes after first seeing the 1966 Batman movie in the cinema (re-run of course, this was the 70's!), but this is without doubt the best film I have ever seen! Running at around 2 hours and 20 minutes in length (that's prior to the end credits mind you!) this movie brings together plot strands and characters from the Marvel Cinematic Universe's 10 year tapestry in what I will only describe as an epic thrill-ride.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
I'm sure if you're reading this you know the plot. Thanos - the granite jawed world killer from the planet Titan, is rounding up the 6 all powerful infinity stones with which he plans to restore the balance of the universe through essentially wiping out 50% of everything. All that stands in his way are The Avengers, the Guardians of the Galaxy, Doctor Strange, Spiderman, Black Panther, and probably a few I've forgotten to mention! And that's pretty much the story.
We pick things up directly from the mid credits scene of Thor: Ragnarok where the refugee Asgardians, Bruce Banner, and Loki encountered a spaceship of epic proportions. We all knew it at the time... Thanos! Within the first five minutes or so we already have our first casualties at the hands of the purple behemoth which sets the tone for what follows. In possession of two of the stones Thanos dispatches his 'children' - the Black Order, to Earth to retrieve the Mind and Time stones whilst he tracks down the remaining ones. At quite a quick pace our heroes are introduced into the chaos and by employing this structure the writers ably break down the ensemble into smaller manageable groups. Stark, Peter Parker, and Doctor Strange are hurled into the vastness of Space where they encounter Peter Quill and some of his merry misfits, Thor and some of the other Guardians go off in search off forging a weapon to defeat Thanos, and Rogers, Romanoff, Wilson, Rhodes and Maximoff take Vision to Wakanda in order to try and separate the Mind Stone from him with the aid of T'Challa, Shuri and Okaye. Gamora finds herself the prisoner of her adoptive father - a storyline that gives both Brolin and Saldana a chance to really show their worth. Those are effectively the four story strands at play and each is a joy in its own right.
Each character stays true to form with Hemsworth taking the character along he rediscovered in 'Ragnarok' - albeit with some added darkness from the movie's opening moments. Chris Pratt is sheer joy as Quill/Starlord and his interplay with Stark and Hemsworth is a joy to behold. Tom Holland gets one of the best lines when responding to a question from Quill regarding a certain Kevin Bacon movie! Top marks also go to the man who launched this universe a decade ago as Iron Man - yes, Robert Downey Jr knocks it out of the park as a Tony Stark far removed from that we encountered back in the first movie of the MCU. His performance at the climax is simply first rate.
With such a large cast there are characters who don't get as much to do as others although everyone get's a 'moment or two' amongst proceedings. Those that particularly stand out, however, are Robert Downey Jr's Iron Man (reiterating my earlier comments), Chris Hemsworth as Thor (likewise), Zoe Saldana as Gamora (ditto), Chris Pratt as Starlord/Peter Quill (and again), Paul Bettany as Vision and Elisabeth Olsen as Wanda/Scarlet Witch. Surprisingly, Chris Evans doesn't seem to get much to do other than play an active role in a number of excellent battle sequences, although his introduction into the movie along with Black Widow and Falcon as they turn up in Scotland to save the day for Vision and Wanda Maximoff from the Black Order was a personal fist thumping the air moment!
There's simply so much to talk about and I'll stop myself there. If, like myself, you just can't avoid spoilers then chances are you know what happens in this movie by now...including that ending!!
Thanos is the perfect villain, fantastically realised, and given real motivation for his actions - the guy thinks he's showing mercy to the universe! I wouldn't agree that this is his movie as the film-makers have repeatedly stated however he is the central cog that keeps things turning.~Josh Brolin does an exceptional job in bringing Thanos to life. Given the feedback and reaction to Steppenwolf in the DCEU there could have been obvious concerns around another CGI villain. Fear not, the technology is exceptional and Brolin's features are evident 100% making Thanos a living creation.
Alan Silvestri's score is the perfect fit and really compliments the action unfolding on the screen. During the aforementioned fist in the air moment as Steve Rogers, Black Widow, and Falcon make their first appearance to take on the Black Order, Silvestri's 'Avengers' theme kicks in creating pure movie magic.
Simply put, this movie is pure perfection.
Movie Metropolis (309 KP) rated Avengers: Endgame (2019) in Movies
Jun 10, 2019
The MCU will never be the same again
I’m not going to sit here and tell you that Avengers: Endgame is the best movie of the MCU, because frankly; it isn’t. It’s not even in my top three. However, as a culmination of everything Marvel has been working up to since 2008, it has to be applauded.
From a technical standpoint, Endgame is like nothing else we’ve ever seen come to the big screen, with a cast that pushes the film to breaking point, characters we remember from movies past and some we had perhaps forgotten about hit the screen in epic fashion. But how good is the finished product?
Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers – Thor, Black Widow, Captain America and Bruce Banner – must figure out a way to bring back their vanquished allies for an epic showdown with Thanos – the evil demigod who decimated the planet and the universe.
Directors Joe and Anthony Russo, who have by this point, helmed four MCU movies including the brilliant Captain America: Civil War are a safe pair of hands for this incredible feat of film-making, even if the movie feels overstuffed from time to time.
The film starts off exceptionally, with beautiful cinematography lending itself to some intriguing character development. Let’s not forget that we’ve been growing with some of these characters for 10 years and yet Endgame still manages to surprise and delight with new facets of their personalities.
This is helped of course by the tightly written script, but is mainly down to the actors who portray these icons of cinema. Robert Downey Jr is the best he’s been since the solo Iron Man movies and both Chris Evans and Hemsworth are immensely likeable as Captain America and Thor respectively. Unfortunately, Thor’s character arc here is a little disappointing as the Russo’s turn him into the butt of too many jokes – he is the god of thunder after all.
Where the film does suffer is with some of the newer characters. Brie Larson’s irritating Carol Danvers gets far too much screen time for someone so new to the franchise, and this sometimes feels at the expense of better, more established fan favourites. There’s nothing particularly wrong with her Captain Marvel, but she’s wooden and remains unlikeable, as she did in her solo outing earlier this year.
One individual that does standout however is Karen Gillan’s, Nebula. Always a secondary character up to this point, it’s fantastic to see her blossom and fully embody the personality of the troubled cyborg. In fact, she’s probably the best character across the entire running time.
Moments that should have more poignancy don’t get the respect they deserve
Josh Brolin’s Thanos is as intimidating as ever, though perhaps not as much as he was in last year’s Infinity War. And while the script-writing and humour are as spot on as you can imagine for a movie baring the MCU badge of honour, the Russo brothers are forced to re-write some of the franchise’s own rules – for plot reasons of course.
For fans of the entire universe, this proves unnerving but as with any series that’s lasted this long, some artistic license needs to be taken to keep it feeling fresh.
One thing that can’t be criticised however is the pacing. For a film a little over three hours long, Endgame never feels dull. Sure, there are moments that could have been trimmed down, but from thrilling set piece to thrilling set piece, the film steamrolls itself into a final hour that will have your jaw hitting the floor numerous times.
From a special effects standpoint, Endgame deserves praise. It would be easy to criticise the film for overflowing with CGI rather than the practical effects that the Star Wars and Jurassic franchises rely on, but this would be doing a disservice to the wonderful work the effects teams have done on this film. At no point are you under the illusion that this is all real, but it’s the best the MCU has been, especially towards the finale.
Nevertheless, the sheer scope of the film proves to be its undoing at times. Moments that should have more poignancy don’t get the respect they deserve and the number of characters vying for screen time naturally means some sacrifices needed to be made here and there.
Overall, Avengers: Endgame is a fitting tribute to the 21 films that came before it and acts as a cathartic exercise, putting to rest over a decade of thrilling, emotional and exciting movies. It’s action packed to the point of being exhausting and is, if you’ll pardon the pun, a technical marvel, but it just doesn’t quite hit the same heights as Infinity War and dare I say it, Thor: Ragnarok. As I stated at the beginning of this review, it would be easy for me to say Endgame is the best film in the franchise, but that would be doing a disservice to you the readers and the incredible films that truly deserve that title.
https://moviemetropolis.net/2019/04/27/avengers-endgame-review-the-mcu-will-never-be-the-same-again/
From a technical standpoint, Endgame is like nothing else we’ve ever seen come to the big screen, with a cast that pushes the film to breaking point, characters we remember from movies past and some we had perhaps forgotten about hit the screen in epic fashion. But how good is the finished product?
Adrift in space with no food or water, Tony Stark sends a message to Pepper Potts as his oxygen supply starts to dwindle. Meanwhile, the remaining Avengers – Thor, Black Widow, Captain America and Bruce Banner – must figure out a way to bring back their vanquished allies for an epic showdown with Thanos – the evil demigod who decimated the planet and the universe.
Directors Joe and Anthony Russo, who have by this point, helmed four MCU movies including the brilliant Captain America: Civil War are a safe pair of hands for this incredible feat of film-making, even if the movie feels overstuffed from time to time.
The film starts off exceptionally, with beautiful cinematography lending itself to some intriguing character development. Let’s not forget that we’ve been growing with some of these characters for 10 years and yet Endgame still manages to surprise and delight with new facets of their personalities.
This is helped of course by the tightly written script, but is mainly down to the actors who portray these icons of cinema. Robert Downey Jr is the best he’s been since the solo Iron Man movies and both Chris Evans and Hemsworth are immensely likeable as Captain America and Thor respectively. Unfortunately, Thor’s character arc here is a little disappointing as the Russo’s turn him into the butt of too many jokes – he is the god of thunder after all.
Where the film does suffer is with some of the newer characters. Brie Larson’s irritating Carol Danvers gets far too much screen time for someone so new to the franchise, and this sometimes feels at the expense of better, more established fan favourites. There’s nothing particularly wrong with her Captain Marvel, but she’s wooden and remains unlikeable, as she did in her solo outing earlier this year.
One individual that does standout however is Karen Gillan’s, Nebula. Always a secondary character up to this point, it’s fantastic to see her blossom and fully embody the personality of the troubled cyborg. In fact, she’s probably the best character across the entire running time.
Moments that should have more poignancy don’t get the respect they deserve
Josh Brolin’s Thanos is as intimidating as ever, though perhaps not as much as he was in last year’s Infinity War. And while the script-writing and humour are as spot on as you can imagine for a movie baring the MCU badge of honour, the Russo brothers are forced to re-write some of the franchise’s own rules – for plot reasons of course.
For fans of the entire universe, this proves unnerving but as with any series that’s lasted this long, some artistic license needs to be taken to keep it feeling fresh.
One thing that can’t be criticised however is the pacing. For a film a little over three hours long, Endgame never feels dull. Sure, there are moments that could have been trimmed down, but from thrilling set piece to thrilling set piece, the film steamrolls itself into a final hour that will have your jaw hitting the floor numerous times.
From a special effects standpoint, Endgame deserves praise. It would be easy to criticise the film for overflowing with CGI rather than the practical effects that the Star Wars and Jurassic franchises rely on, but this would be doing a disservice to the wonderful work the effects teams have done on this film. At no point are you under the illusion that this is all real, but it’s the best the MCU has been, especially towards the finale.
Nevertheless, the sheer scope of the film proves to be its undoing at times. Moments that should have more poignancy don’t get the respect they deserve and the number of characters vying for screen time naturally means some sacrifices needed to be made here and there.
Overall, Avengers: Endgame is a fitting tribute to the 21 films that came before it and acts as a cathartic exercise, putting to rest over a decade of thrilling, emotional and exciting movies. It’s action packed to the point of being exhausting and is, if you’ll pardon the pun, a technical marvel, but it just doesn’t quite hit the same heights as Infinity War and dare I say it, Thor: Ragnarok. As I stated at the beginning of this review, it would be easy for me to say Endgame is the best film in the franchise, but that would be doing a disservice to you the readers and the incredible films that truly deserve that title.
https://moviemetropolis.net/2019/04/27/avengers-endgame-review-the-mcu-will-never-be-the-same-again/
Purple Phoenix Games (2266 KP) rated Tiny Epic Galaxies: BLAST OFF! in Tabletop Games
Mar 30, 2021
Yes, we have reviewed Tiny Epic Galaxies in the past. We loved it. It’s close to being a Golden Feather Award recipient. It has earned a spot on my Top 10 Games of All Time list. I cannot say enough great things about the game. But wait, a newer updated version has recently hit the scene. Is it just new art on the same game? Nope. Read on.
I will not be explaining the entire game in this review as indeed it is mostly the same game as before. However, I will be visiting some differences between this version and the original.
Firstly, the art is most certainly different. The card layouts are all different. The components are completely different. It is markedly improved for me, but I will save my gushings until the end.
Mechanics-wise, the differences are slight, but perfectly altered. For starters, many of the benefits of using planet powers have been streamlined, simplified, and make a lot of sense. Much of this has to do with iconography on the cards, but also the powers are mostly brand new. Additionally, this version rids players of the Secret Mission cards from the original. Now, I enjoyed that aspect of OG TEG, but I did not find myself pining for it whilst playing BLAST OFF! Also removed from this version is the seventh action die; BLAST OFF! comes complete with six dice total. Again, it reduces the number of actions that can be completed on a turn, but I haven’t missed that extra die. One of the greatest changes in this version is the Converter tweak. In the original game a player would need to sacrifice two inactive dice to convert a third die to whichever face was needed. In the new version, only one die is needed for sacrifice along with either one Energy or one Culture value. The Converter was always neglected in the older version, and now it’s a real option during play.
I do wish certain aspects of the older version were included, however. What has been eliminated in the streamlining process is the Solo mode and the fifth player. BLAST OFF! can accommodate two to four players now instead of one to five players, with the black components being axed from this version. I will miss the Solo mode mostly because I used to love breaking out the game later at night once the kids were asleep to try to conquer the Red rival (I almost never play Red). I do understand that a Solo mode may still be created in the future by Gamelyn directly or by another gamer.
All of these changes are minor, but equate to a much better gameplay overall. I do want to speak more on components, so let’s away with them.
Components. Okay, BLAST OFF! boasts improvements on the original game on every facet of components. Yes, the materials are similar quality, so it’s a wash there, but everything else is so much better. The dice are bigger, and ORANGE (great choice btw)! The iconography is much easier to understand and decipher throughout the game. The planets now have two new alignments: Life (plant icon) and Tech (gear icon). I feel the iconography and terminology in the first version could be confusing to new players, but plants vs gears is easy to distinguish. The ships are more stylized now, and the inclusion of this new Galaxy Slider to move up the Galaxy Track on the mats is most excellent. All of these improvements definitely cater to new Tiny Epic Galaxies players, and are most welcome as I try to convince my brother that this is one of the best games out there.
Obviously I am keeping this version and am seriously considering weeding out my original version of TEG with all expansions in favor for this. I just feel better playing it. It is more streamlined, easier to play and teach, and I love the way it looks on the table much more. One minor wish I have for the game is different player colors. This game could have been a triumph with just four different player colors from the original. Now, there’s nothing wrong with tried and true blue, yellow, green, and red, but I’m much more interested in playing a game with fuscia, purple, volt (like our green color we use throughout our branding), and aqua. Maybe it has to do with colorblindness, I don’t know, but take on the colors like are found in Seasons or something, and this game would blast off higher on my Top 10 Games of All Time list for sure.
That said, Purple Phoenix Games still gives this one a rocket of a GOLDEN FEATHER AWARD! If you are a fan of the original but wish new players to the game would enjoy it more, check out BLAST OFF! Nearly everything that has been changed caters to newer players and giving all players a more aesthetically-pleasing experience over the original. I will definitely be playing my copy a TON. Maybe if I ask nicely Gamelyn Games will make me some different player colors. Maybe.
I will not be explaining the entire game in this review as indeed it is mostly the same game as before. However, I will be visiting some differences between this version and the original.
Firstly, the art is most certainly different. The card layouts are all different. The components are completely different. It is markedly improved for me, but I will save my gushings until the end.
Mechanics-wise, the differences are slight, but perfectly altered. For starters, many of the benefits of using planet powers have been streamlined, simplified, and make a lot of sense. Much of this has to do with iconography on the cards, but also the powers are mostly brand new. Additionally, this version rids players of the Secret Mission cards from the original. Now, I enjoyed that aspect of OG TEG, but I did not find myself pining for it whilst playing BLAST OFF! Also removed from this version is the seventh action die; BLAST OFF! comes complete with six dice total. Again, it reduces the number of actions that can be completed on a turn, but I haven’t missed that extra die. One of the greatest changes in this version is the Converter tweak. In the original game a player would need to sacrifice two inactive dice to convert a third die to whichever face was needed. In the new version, only one die is needed for sacrifice along with either one Energy or one Culture value. The Converter was always neglected in the older version, and now it’s a real option during play.
I do wish certain aspects of the older version were included, however. What has been eliminated in the streamlining process is the Solo mode and the fifth player. BLAST OFF! can accommodate two to four players now instead of one to five players, with the black components being axed from this version. I will miss the Solo mode mostly because I used to love breaking out the game later at night once the kids were asleep to try to conquer the Red rival (I almost never play Red). I do understand that a Solo mode may still be created in the future by Gamelyn directly or by another gamer.
All of these changes are minor, but equate to a much better gameplay overall. I do want to speak more on components, so let’s away with them.
Components. Okay, BLAST OFF! boasts improvements on the original game on every facet of components. Yes, the materials are similar quality, so it’s a wash there, but everything else is so much better. The dice are bigger, and ORANGE (great choice btw)! The iconography is much easier to understand and decipher throughout the game. The planets now have two new alignments: Life (plant icon) and Tech (gear icon). I feel the iconography and terminology in the first version could be confusing to new players, but plants vs gears is easy to distinguish. The ships are more stylized now, and the inclusion of this new Galaxy Slider to move up the Galaxy Track on the mats is most excellent. All of these improvements definitely cater to new Tiny Epic Galaxies players, and are most welcome as I try to convince my brother that this is one of the best games out there.
Obviously I am keeping this version and am seriously considering weeding out my original version of TEG with all expansions in favor for this. I just feel better playing it. It is more streamlined, easier to play and teach, and I love the way it looks on the table much more. One minor wish I have for the game is different player colors. This game could have been a triumph with just four different player colors from the original. Now, there’s nothing wrong with tried and true blue, yellow, green, and red, but I’m much more interested in playing a game with fuscia, purple, volt (like our green color we use throughout our branding), and aqua. Maybe it has to do with colorblindness, I don’t know, but take on the colors like are found in Seasons or something, and this game would blast off higher on my Top 10 Games of All Time list for sure.
That said, Purple Phoenix Games still gives this one a rocket of a GOLDEN FEATHER AWARD! If you are a fan of the original but wish new players to the game would enjoy it more, check out BLAST OFF! Nearly everything that has been changed caters to newer players and giving all players a more aesthetically-pleasing experience over the original. I will definitely be playing my copy a TON. Maybe if I ask nicely Gamelyn Games will make me some different player colors. Maybe.
TheDefunctDiva (304 KP) rated The Boondock Saints (1999) in Movies
Sep 26, 2017
B is for Bad A**
Contains spoilers, click to show
This entertaining action film opens with aerial views of Boston and narration of the Lord's Prayer on St. Patty's Day. Soon, we are introduced to two Irish brothers, Connor and Murphy MacManus. The terrible twosome work in a meat-packing plant: in their spare time, they slaughter evildoers. What could be better? With their black shirts, black blazers, and blue jeans, the brothers seem like Mormon missionaries gone horribly wrong.
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
Connor and Murphy (played by Sean Patrick Flanery and Norman Reedus), fall into the
profession of murdering bad guys quite by accident. Initially, the fact that they killed a Russian crime lord, and his associate, after a bar fight seems a coincidental act of self-defense. They are hailed, at first, as heroes. They somehow continue to avoid prosecution, though from the beginning they are being pursued by FBI agent Paul Smecker. They start targeting the crime lords on purpose, and they eventually end up being hunted by a more ominous figure, the legendary hitman Il Duce.
Willem Dafoe gets an A for awesome in my book for his performance as FBI agent Paul Smecker. Smecker is a homosexual, and he is not apologetic about it. In fact, he draws attention to his orientation in many scenes. Particularly memorable is the moment where he corrects an officer’s use of the word “symbology” by hissing a pronounced s: “ssssymbolism.” Later in the film, Dafoe even gets the opportunity to use his feminine wiles by dressing in drag, a visual experience which I promise is as disconcerting as it sounds.
The presentation of Smecker’s crime scene explanations was particularly impressive. The crime scene was shown first, and the events that created it unfolded in retrospect as Smecker described the scene. Enhanced by the intensity of the score, Dafoe offered a memorable narration of an epic shootout, during which he resembles an insane conductor.
The writing in this film was great, with witty one-liners throughout to break the tension. There were several moments in the film where one wonders if the brothers’ success is due to dumb luck or divinity. The MacManus twins certainly seem to believe that their cause is a righteous one.
I must also acknowledge the score, by Jeff Danna, which beautifully compliments the opening sequence and the rest of the film. The score even includes a variation of a hymn, infused with a beat you can dance to.
I love a good revenge film, and this is one for the ages. To sum up my complex feelings about the vigilante-style justice in this film, I must end with a quote by Connor MacManus: "I'm strangely comfortable with it."
postapocalypticplayground (27 KP) rated Our Dark Stars in Books
Jan 9, 2018
Talia is a Starchaser. Eldest sibling in an ailing dynasty her 18th birthday should be a time to celebrate, however, it marks her shift in adulthood and sovereign in waiting. Her first task? She must accept a betrothal to the cruel Cassius, a lesser match but from a planet rich with Ore. Up until this time Talia has had a steadfast companion to share her dream, not a human but a "mock." a humanoid droid named Ailat. When Cassius forces her to chose between saving her family and saving her best friend, Talia makes the only choice she believes she can. Her choice is far reaching and through a series of events Talia finds herself in an escape pod, floating into space.
100 years later, Will Perrault and his rag tag crew of misfits are on the hunt for salvage and after discovering Talia's pod they suddenly discover that they are targets with some very high profile hunters on their tail. A lot has changed since that fateful night for Talia and the tables have turned completely as mock became master and human became slave. As Talia awakes she cannot even begin to comprehend what has happened. As the truth of both the length of time Talia has been in stasis and the uprising of the mocks unfolds before her, Talia must fight to put right the wrongs of that terrible night.
Our Dark Stars is a gorgeous read, from the beautiful cover design to the words themselves. Talia is a wonderful character, full of both strength and vulnerability, she is able to hold her own and put aside her fears and grief to put right her wrongs. The chapters covering the fateful night 100 years prior are full of real heart pounding and also heartbreaking moments as Talia must choose between loyalty to her family and loyalty to her friend. Will's crew are a great bunch of characters, if you were a fan of the show Firefly you will find a lot to love with them as they bring humour to the darker sides of this story
Whilst I saw the reveal coming a mile off, it didn't spoil the enjoyment of the moment, which was terrifying in the face of how Talia came to be in that position. Our Dark Stars has some truly epic moments from space battles to strip clubs, but it is also a story about friendship, betrayal and redemption and how hope can be found in the most unlikely of places.
I really loved this book, I read it in 2 sittings and struggled to put it down. It's such an easy read, page after page just flow together - i'm glad the story was rounded off well but i'm also intrigued that there could be more of these characters story to come.
100 years later, Will Perrault and his rag tag crew of misfits are on the hunt for salvage and after discovering Talia's pod they suddenly discover that they are targets with some very high profile hunters on their tail. A lot has changed since that fateful night for Talia and the tables have turned completely as mock became master and human became slave. As Talia awakes she cannot even begin to comprehend what has happened. As the truth of both the length of time Talia has been in stasis and the uprising of the mocks unfolds before her, Talia must fight to put right the wrongs of that terrible night.
Our Dark Stars is a gorgeous read, from the beautiful cover design to the words themselves. Talia is a wonderful character, full of both strength and vulnerability, she is able to hold her own and put aside her fears and grief to put right her wrongs. The chapters covering the fateful night 100 years prior are full of real heart pounding and also heartbreaking moments as Talia must choose between loyalty to her family and loyalty to her friend. Will's crew are a great bunch of characters, if you were a fan of the show Firefly you will find a lot to love with them as they bring humour to the darker sides of this story
Whilst I saw the reveal coming a mile off, it didn't spoil the enjoyment of the moment, which was terrifying in the face of how Talia came to be in that position. Our Dark Stars has some truly epic moments from space battles to strip clubs, but it is also a story about friendship, betrayal and redemption and how hope can be found in the most unlikely of places.
I really loved this book, I read it in 2 sittings and struggled to put it down. It's such an easy read, page after page just flow together - i'm glad the story was rounded off well but i'm also intrigued that there could be more of these characters story to come.
Haley Mathiot (9 KP) rated Jessica's Guide to Dating on the Dark Side (Jessica, #1) in Books
Apr 27, 2018
Jessica’s Guide to Dating on the Dark Side by Beth Fantaskey
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.