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The Ethics of Ambiguity
The Ethics of Ambiguity
Simone de Beauvoir | 1947 | Essays, Philosophy, Psychology & Social Sciences
8
8.0 (1 Ratings)
Book Rating
Complex themes, slightly obvious
Simone De Beauvoir is one of the foremost feminist philiosophers there are. However, unlike in The Second Sex, The Ethics of Ambiguity explores the nature of freedom and basically deconstructs arguments made by pioneering philosophers Marx and Kant. She poses the question how can humans be both subject and object yet still be free? She says if humans are born free why are they also treated like objects to control? And there lies the ambiguity.

As free, we have the ability to take note of ourselves and choose what to do. As factic, we are constrained by physical limits, social barriers and the expectations and political power of others. She has quite a Hobbesian approach saying human beings are responsible for their own actions and therefore have to work at creating concrete ideals rather than following an abstract notion of freedom.

She also criticises approaches that require grasping for freedom at the expense of others - adding that inadvertently reduces gaining freedom down to another form of slavery ie. Communism, Capitalism and Democracies.

She concludes that the only way you can will yourself free is to will others free in the process.

While the sentiment is there, her writing style was very repetitive in this book, and at times a little tangential. Not her best work, but still very relevant for current times.
  
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Awix (3310 KP) rated That Good Night (2018) in Movies

Jun 23, 2018 (Updated Jun 23, 2018)  
That Good Night (2018)
That Good Night (2018)
2018 | Drama
6
6.0 (1 Ratings)
Movie Rating
It would be lovely to report that John Hurt's valedictory screen performance appears in a worthy production, but sadly this one is no better than functional. Crabby old git who has spent his life being feted for his writing while treating everyone around him appallingly gets bad news from his specialist, is forced to reassess his life and his attitudes to death. I mean, as premises go it's not dreadful, but the realisation of the story is just clunky - long, talky scenes in which characters articulate their issues with each other at great length are interspaced with ones where Hurt and Dance debate the ethics of euthanasia.

The theatrical origins of the piece are never in doubt, and it all feels very trite and tips over into sentimentality before the conclusion. There's also a plot twist, of sorts, which I think you would have to work very hard not to guess in advance. Nevertheless, there are very good performances from Hurt and Dance, also Helin - even if one can't help feeling she doesn't really get material worthy of her talents. Looks nice, but the bland score is annoyingly intrusive - if this came on the telly on a Sunday night it would pass the time inoffensively enough, it's just not much of a movie when you watch it on the big screen.