The Morality of Radical Economics: Ghost Curve Ideology and the Value Neutral Aspect of Neoclassical Economics: 2016
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This book is in equal parts a treatise on morality and economics, a critique of neoclassical...
The Oxford Handbook of Corporate Governance
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The behavior of managers-such as the rewards they obtain for poor performance, the role of boards of...
Child Migration and Human Rights in a Global Age
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Why, despite massive public concern, is child trafficking on the rise? Why are unaccompanied migrant...
Anthrozoology: Embracing Co-Existence in the Anthropocene
Michael Charles Tobias, Jane Gray Morrison and Bill Gladstone
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This groundbreaking work of both theoretical and experiential thought by two leading ecological...
Why Are We Waiting?: The Logic, Urgency, and Promise of Tackling Climate Change
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The risks of climate change are potentially immense. The benefits of taking action are also clear:...
Politics environment
Heather Cranmer (2721 KP) created a post
Apr 3, 2022
Smart Ass (The SPARK Files, #2)
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Ben doesn’t need anybody. Maybe he’s a little lonely sometimes. And isn’t known for making...
Science Fiction MM Transgender Romance BDSM
The Committee Will Kill You Now
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The gripping new book from the author of The Algorithm Will See You Now. Based on the true-life...
Medical Thriller
Corporate Sustainability, Social Responsibility and Environmental Management: An Introduction to Theory and Practice with Case Studies
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This book provides a concise and authoritative guide to corporate social responsibility (CSR) and...
Eilidh G Clark (177 KP) rated The Portrait of Mr W.H. in Books
May 14, 2017
Wilde presents a subjective interpretation of Shakespeare’s sonnets that portrays homoerotic sexual desire as the force for creative inspiration. Foremost, through the character Cyril Graham, the author demonstrates that art is ‘an attempt to realise one’s own personality on some imaginative plane out of reach of the trammelling accidents and limitations of real life’, (Wilde, p.111).
Taking from a hypothesis in the previous century by Edmund Malone and Thomas Tyrwhitt, the character of Cyril forms a theory in which Mr W.H. is a young actor named Willie Hughes, employed by Shakespeare and who is the muse to which the sonnets are devoted. Cyril investigates each poem and pieces together a theory he believes to be true.
On the surface, Cyril’s theory derives from feeling and beauty rather than logic and instruction.
The withholding of facts in Shakespeare’s sonnets energises Cyril. He scours the poems to find a clue that harmonise with his own feelings. Cyril believes that Shakespeare influences his readers by guiding them to Willie Hughes.
Cyril, spurned by the moralistic interpretations of previous critics, becomes enthralled by Shakespeare’s muse.