Search
Search results
Goddess in the Stacks (553 KP) rated The Priory of the Orange Tree in Books
May 3, 2019
AMAZING epic fantasy.
Holy COW, you guys. I keep saying “I haven’t read much epic fantasy lately” and “I don’t have time to read such long books/series” but I made an exception for Priory, and I’m SO glad I did. Just WOW.
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
So the basic premise of this world is that The Nameless One (some gigantic evil dragon) was locked away a thousand years ago, and all his minions with him. The exact details of how and who did it have been mostly lost to history. It’s said that as long as the House of Berethnet rules Inys, he’ll never rise again, and Berethnet queens always have one child, a daughter. The current queen, however, is unwed, and minions of The Nameless One have begun rising, and in fact have conquered a few neighboring nations. We have three main factions of countries; The East, who have dragon riders, but make a distinction between their dragons, who are aquatic and identify with the stars, and the evil minions of The Nameless One, who are full of fire. Then we have Virtudom, which is headed by Inys, and is a coalition of countries who have made a religion of the Knightly Virtues. This is the West, and they make no distinction between the draconic servants of The Nameless One and the water dragons of the East. This has forced a split between the West and the East, because Virtudom won’t have anything to do with countries that have anything to do with dragons, because most of what they see is the third faction – the Draconic countries. These are countries conquered by minions of the Nameless One, and they are full of chaos, fire, evil, and plague.
This is the world the book opens on. Most of our main characters – Queen Sabran, her handmaiden Ead, the dragonrider Tané – are women, but we also have Doctor Niclays Roos, an alchemist, and Lord Arteloth Beck, a friend of the Queen. In this world, women are just as capable as men, and are treated as such. There are female knights, and same-sex relationships are just as ordinary as opposite-sex ones. There is a bit too much moral emphasis placed on monogamy/sex within the bounds of marriage, but I guess that’s “Knightly Virtue” for you. Skin color is only mentioned a couple of times, but I seem to remember Lord Arteloth being described as very dark-skinned, and Ead as golden-brown. Rather nice to see a fantasy NOT all caught up in racial and gender differences. Not to say there isn’t a fair amount of bigotry, but in this book it’s based pretty much solely on nationality and religion. And when the biggest sticking point is “do you like evil dragons or not” that kind of makes sense!
I think the only thing I didn’t like about this book was its size. It’s unwieldy to read, at over 800 pages! I’m not sure why they didn’t break it into a duology. Regardless, if you have the choice, I’d read it on Kindle. It would be far easier to handle. I’m not complaining about the amount of text, mind you. Just the sheer physical size. I can’t imagine the story being told in less time. There’s So. Much. Here.
This book goes from Queen Sabran’s court to the dragonrider academy in the East, to the draconic kingdom of Yscalin, to the Abyss where the Nameless One sleeps. We see glittering courts, hidden islands, sweltering tunnels through volcanic mountains, and deep valleys with secret magic trees. We battle wyrms and cockatrices, swim through endless seas with dragonriders, sail through storms with pirate crews, and navigate the trickiest of diplomatic matters with courtiers. The Priory of the Orange Tree paints an elaborate, incredibly complex world and I am absolutely here for it.
Okay, so one tiny quibble – while I liked the romance, I feel like it started kind of oddly. I didn’t see any reason for the initial spark. From there, it progressed perfectly, but I just didn’t get the beginning.
This book has multiple queer couples! There’s at least one same-sex couple mentioned as attending a party; Doctor Roos spends a lot of time mourning his dead lover, and there’s the lesbian romance between a couple of main characters. And one character has at least strong affection for a man before falling in love with a woman; I think she was in love with both. No trans or ace rep, but plenty of gay, lesbian, and bi!
This is hands-down the best book I’ve read so far this year. It took me three days – it’s a big book – but it is absolutely fantastic.
You can find all my reviews at http://goddessinthestacks.com
Daniel Boyd (1066 KP) rated The Staircase in TV
Jun 27, 2018 (Updated Nov 27, 2018)
Pretty Captivating
I went straight into watching the Staircase immediately after watching Evil Genius and initially was underwhelmed due to the simplicity of this case in comparison to the case in Evil Genius. However, after sticking with the show after a few episodes, I found myself more invested and binged the entire series over the next few days. I never watched the original 9 episodes when they originally aired back in 2004, which I was actually glad of as it allowed me to take in the entire story in a few sittings from start to finish.
There are a lot of interesting characters in this doc and it is really them that keep your interest throughout. Michael Peterson is interesting to watch and listen to, regardless of whether or not you think that he is guilty of the crime he is accused of committing. The rest of the Peterson family are also interesting and it is eye opening, - if slightly harrowing, - to see all of these people go through this decades spanning ordeal. Michael's lawyer, David Rudolph is also pretty entertaining and it is compelling to watch him work.
Out of all of the docs I watched recently, this one provides the most closure and tells the most complete story, which makes sticking with all of it's 13 episodes feel satisfying.
I wanted to add a wee bit onto this review after I went to see David Rudolph speak in Glasgow last night during his, 'Inside The Staircase,' World Tour. It was an interesting night and well worth going to as a fan of the documentary. David brought with him some unseen clips from the show and some unseen autopsy photos. After seeing this fresh evidence, I personally am convinced that the Owl Theory is the most plausible scenario at this point. At first, I thought that the Owl Theory was absurd, but after David laid out all of the evidence to support the theory last night, I don't see how it could have possibly played out any other way. Regardless, this is still a very interesting case and the documentary is well worth a binge if you haven't already seen it.
There are a lot of interesting characters in this doc and it is really them that keep your interest throughout. Michael Peterson is interesting to watch and listen to, regardless of whether or not you think that he is guilty of the crime he is accused of committing. The rest of the Peterson family are also interesting and it is eye opening, - if slightly harrowing, - to see all of these people go through this decades spanning ordeal. Michael's lawyer, David Rudolph is also pretty entertaining and it is compelling to watch him work.
Out of all of the docs I watched recently, this one provides the most closure and tells the most complete story, which makes sticking with all of it's 13 episodes feel satisfying.
I wanted to add a wee bit onto this review after I went to see David Rudolph speak in Glasgow last night during his, 'Inside The Staircase,' World Tour. It was an interesting night and well worth going to as a fan of the documentary. David brought with him some unseen clips from the show and some unseen autopsy photos. After seeing this fresh evidence, I personally am convinced that the Owl Theory is the most plausible scenario at this point. At first, I thought that the Owl Theory was absurd, but after David laid out all of the evidence to support the theory last night, I don't see how it could have possibly played out any other way. Regardless, this is still a very interesting case and the documentary is well worth a binge if you haven't already seen it.
Gareth von Kallenbach (980 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
Sea Dolphin Simulator 3D
Games
6.0
Rate It
App
Become a beautiful wild ocean dolphin! Have you ever imagined how to be a wild animal like a...
Phillip McSween (751 KP) rated Star Wars: Episode VI – Return of the Jedi (1983) in Movies
Jan 26, 2021
Packed With Iconic Moments
Jedi Luke Skywalker tries to put an end to the evil empire, led by Darth Vader, once and for all. While I consider Return of the Jedi the weaker of the older three, it still represents classic sci-fi that later films will aspire to be.
Acting: 10
Beginning: 8
Starts off a bit slower than the previous two, but doesn’t take too long to pick up. I wasn’t overly wowed, yet I was intrigued enough to want to see what was coming next. It was definitely a daring choice going almost twenty minutes before we start to see the main characters we know and love onscreen.
Characters: 10
Speaking of which, the gang is all back for Return of the Jedi. Luke Skywalker (Mark Hamill) is a hero for the ages, a lovable winner that is struggling to manage his power and his true place in the world. The Star Wars world is filled with such rich characters from the amazing Chewbaca to those cute little Ewoks. And we can’t forget about Vader one of the most terrifying villains in the history of film. Quality characters all around.
Cinematography/Visuals: 10
The lightsaber fights are just ramped up to another level in Return of the Jedi. The battles, especially between Luke and Vader, feel more personal and intense. As always, the setpieces leave a lot to remember. I loved the stormtrooper airbike chase through the forest. This, like many of the other scenes, were a treat to behold.
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie is iconic, filled to the brim with memorable moments. There is one scene in particular that holds on to my memory, one between Luke and Yoda. It happens fairly early on in the movie and sets the pace for what is to come. A powerful moment between two icons. Whether we are witnessing phenomenal battles between good and evil or cute ewoks dancing, this movie is a walking memory.
Pace: 9
Plot: 8
Resolution: 10
Overall: 92
Not perfect, Return of the Jedi still manages to be a classic by tying up a lot of loose ends and checking off all the important movie boxes. It might not be the best of the series, but it is definitely one of the most endearing. It’s one I can watch repeatedly and enjoy it all over again like the first time.
Acting: 10
Beginning: 8
Starts off a bit slower than the previous two, but doesn’t take too long to pick up. I wasn’t overly wowed, yet I was intrigued enough to want to see what was coming next. It was definitely a daring choice going almost twenty minutes before we start to see the main characters we know and love onscreen.
Characters: 10
Speaking of which, the gang is all back for Return of the Jedi. Luke Skywalker (Mark Hamill) is a hero for the ages, a lovable winner that is struggling to manage his power and his true place in the world. The Star Wars world is filled with such rich characters from the amazing Chewbaca to those cute little Ewoks. And we can’t forget about Vader one of the most terrifying villains in the history of film. Quality characters all around.
Cinematography/Visuals: 10
The lightsaber fights are just ramped up to another level in Return of the Jedi. The battles, especially between Luke and Vader, feel more personal and intense. As always, the setpieces leave a lot to remember. I loved the stormtrooper airbike chase through the forest. This, like many of the other scenes, were a treat to behold.
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie is iconic, filled to the brim with memorable moments. There is one scene in particular that holds on to my memory, one between Luke and Yoda. It happens fairly early on in the movie and sets the pace for what is to come. A powerful moment between two icons. Whether we are witnessing phenomenal battles between good and evil or cute ewoks dancing, this movie is a walking memory.
Pace: 9
Plot: 8
Resolution: 10
Overall: 92
Not perfect, Return of the Jedi still manages to be a classic by tying up a lot of loose ends and checking off all the important movie boxes. It might not be the best of the series, but it is definitely one of the most endearing. It’s one I can watch repeatedly and enjoy it all over again like the first time.
Hazel (1853 KP) rated Ancient Fall in Books
Jun 28, 2019
Jaime Lee Mann continues to enchant readers in the seventh book in the Legend of Rhyme series.Ancient Fall begins with the characters in various states of confusion. Twins, Ariana and Asher, find themselves lost in an ice-covered land and their mentors have vanished into thin air. Other characters are desperately trying to return to the magical realm of Coraira, however, the land appears to have died. Not only has Coraira been destroyed, but the Earth is not faring much better.
The Ancients have failed to look after the world and the humans, under a dark curse, have been abusing the planet for centuries. Mother Earth has decided to fight back. If she wins, it will mean the end of human life. By removing the powerful Ancients, Mother Earth does not think anyone will be able to stop her, however, she underestimates the heirs of Elora and Larque who join together to attempt to lift the curse. The only problem is, they are running out of time.
In the previous books, the main goal has been to protect the twins - of which there is more than one set - because they have a vital role in the future of the land of Rhyme. The fight has always been between good and evil, however, things are different in this final(?) book. Most of the baddies have been defeated and it is Mother Earth that is the antagonist. But is Mother Earth really evil? For years, humans have been polluting the world beyond repair and destroying everything is the only way Mother Earth can end her pain.
Although Ancient Fall is a work of fiction, it strikes close to the truth of the current predicament our own world is facing. Unless we completely change our ways, we will destroy the Earth and everything on it. Unfortunately, unlike Ariana, Asher and friends, we do not have magic on our side.
Admittedly, the last few books of the series have felt a little tedious, the story being dragged out to involve more and more characters. Once reading the seventh installation, however, the importance of each character becomes clear as they join together in a battle against nature.
Until now, Jaime Lee Mann has subtly alluded to issues relating to pollution and climate change, however, now the references are obvious. Children (or adults) will be thinking about the planet whilst they read and enjoy the storyline. If only Ariana and Asher were real!
The Ancients have failed to look after the world and the humans, under a dark curse, have been abusing the planet for centuries. Mother Earth has decided to fight back. If she wins, it will mean the end of human life. By removing the powerful Ancients, Mother Earth does not think anyone will be able to stop her, however, she underestimates the heirs of Elora and Larque who join together to attempt to lift the curse. The only problem is, they are running out of time.
In the previous books, the main goal has been to protect the twins - of which there is more than one set - because they have a vital role in the future of the land of Rhyme. The fight has always been between good and evil, however, things are different in this final(?) book. Most of the baddies have been defeated and it is Mother Earth that is the antagonist. But is Mother Earth really evil? For years, humans have been polluting the world beyond repair and destroying everything is the only way Mother Earth can end her pain.
Although Ancient Fall is a work of fiction, it strikes close to the truth of the current predicament our own world is facing. Unless we completely change our ways, we will destroy the Earth and everything on it. Unfortunately, unlike Ariana, Asher and friends, we do not have magic on our side.
Admittedly, the last few books of the series have felt a little tedious, the story being dragged out to involve more and more characters. Once reading the seventh installation, however, the importance of each character becomes clear as they join together in a battle against nature.
Until now, Jaime Lee Mann has subtly alluded to issues relating to pollution and climate change, however, now the references are obvious. Children (or adults) will be thinking about the planet whilst they read and enjoy the storyline. If only Ariana and Asher were real!
Hidden City®
Games and Entertainment
9.0
Rate It
App
#1 Most Popular Hidden Object Game In the World! Get ready for a journey unlike any other! Mirages...
Boom Beach
Games
8.0
Rate It
App
Welcome to Boom Beach: come with a plan or leave in defeat! Fight the evil Blackguard with brains...
The Life of Anna: The Complete Story
10.0
Rate It
Book
When tragedy shatters Anna’s life at a young age, she finds hope in two men who take her under...
Suswatibasu (1703 KP) rated Rings (2017) in Movies
Oct 30, 2017 (Updated Oct 30, 2017)
Done to death (excuse the pun)
(Rant) The American Ring series is a franchise that should never have been given the go-ahead in the first place, mostly because it's a massacre of the original Japanese film, as Hollywood has never heard of the term "less is more". And this pretty much tops the entire collection as the most pointless film that was made. Lessons were clearly not learnt from the initial two movies.
For one, assume that Samara is evil. There are no two ways about that. So why these do-gooders continually attempt to save her is beyond me. Do they never learn? And two, after seeing what Samara can do to a person's face in the previous films, this seems to be less frightening in the third and hopefully final film in the trilogy. Hence the above the qualm - less is more.
The Japanese films diverge massively, and the best part of it is the fact that they don't need to be over-dramatic to create pure fear. Japanese and Korean subtlety does not translate well in the US film industry and its uniqueness is why the movies were exemplary. Not worth your time.
For one, assume that Samara is evil. There are no two ways about that. So why these do-gooders continually attempt to save her is beyond me. Do they never learn? And two, after seeing what Samara can do to a person's face in the previous films, this seems to be less frightening in the third and hopefully final film in the trilogy. Hence the above the qualm - less is more.
The Japanese films diverge massively, and the best part of it is the fact that they don't need to be over-dramatic to create pure fear. Japanese and Korean subtlety does not translate well in the US film industry and its uniqueness is why the movies were exemplary. Not worth your time.