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Gareth von Kallenbach (980 KP) rated Repo Men (2010) in Movies
Aug 8, 2019
What does it mean to be both alive and dead?
Based on the novel “The Repossession Mambo” by Eric Garcia, Repo Men is a dark sci-fi action film from director Miguel Sapochnik. It is an oddly sadistic film that begins as a fantastic black comedy/drama, loses its way in the second act with well-shot but mindless action and predictable plot elements, yet still finds its way back before the credits roll.
Remy and Jake, played by Jude Law and Forest Whitaker, are both Repo Men for The Union, an alarming combination of loan shark and artificial organ manufacturer. Those unfortunate patients that fall too far behind on their payments have their artificial parts removed and reclaimed, often accompanied by grisly special effects. Through an accident at a routine repossession, Remy ends up needing a new heart. In the process of trying to pay for it, he realizes that he can no longer find the moral ambivalence necessary to take the life of a stranger in order to earn the money to save his own. This film is definitely not for the squeamish, and many scenes were not unlike watching a surgery in progress.
This film will certainly attract more than a nod from those clamoring for universal healthcare in the United States, as well as those railing against corporate greed at the expense of human life. The Union is everything we love to hate in a corporation. Nothing, from duping emotionally compromised patients, to putting profits above all else, to even killing people, is out of bounds for this corporation. It’s uncommon to see corporate evil of this magnitude in a film, and with Liev Schreiber manning the helm, this evil is personified and delivered with such panache that he becomes an enjoyable caricature to watch.
This movie would be nothing without Remy’s path from classic amoral psychopath to redeemed soul, but the journey at times becomes muddy and obscure. Law plays the part somewhat stiffly, but still manages to shine in his interactions with Whitaker and Schreiber. Whitaker, however, is fantastic as Remy’s uncompromisingly unsympathetic partner Jake, who holds on tightly to what he knows and believes, however unprincipled. By the film’s end, Whitaker’s performance as the frustrated partner becomes even more impressive when compared to Law’s movement from perpetrator to victim to agent of retribution.
For years, Remy had no moral compunction against repossessing organs, nearly always from those who will die without them. But when his heart is removed, he suddenly empathizes with the victims of his profession. An odd paradox: that becoming less human can impart more humanity. Remy is both more genuinely alive after receiving his artificial heart, and more certain he will be dead when he can no longer pay. This is the crux of the film, and on this basis a clever story is told about the intersection of making a living, being alive, and the entanglements they create.
Based on the novel “The Repossession Mambo” by Eric Garcia, Repo Men is a dark sci-fi action film from director Miguel Sapochnik. It is an oddly sadistic film that begins as a fantastic black comedy/drama, loses its way in the second act with well-shot but mindless action and predictable plot elements, yet still finds its way back before the credits roll.
Remy and Jake, played by Jude Law and Forest Whitaker, are both Repo Men for The Union, an alarming combination of loan shark and artificial organ manufacturer. Those unfortunate patients that fall too far behind on their payments have their artificial parts removed and reclaimed, often accompanied by grisly special effects. Through an accident at a routine repossession, Remy ends up needing a new heart. In the process of trying to pay for it, he realizes that he can no longer find the moral ambivalence necessary to take the life of a stranger in order to earn the money to save his own. This film is definitely not for the squeamish, and many scenes were not unlike watching a surgery in progress.
This film will certainly attract more than a nod from those clamoring for universal healthcare in the United States, as well as those railing against corporate greed at the expense of human life. The Union is everything we love to hate in a corporation. Nothing, from duping emotionally compromised patients, to putting profits above all else, to even killing people, is out of bounds for this corporation. It’s uncommon to see corporate evil of this magnitude in a film, and with Liev Schreiber manning the helm, this evil is personified and delivered with such panache that he becomes an enjoyable caricature to watch.
This movie would be nothing without Remy’s path from classic amoral psychopath to redeemed soul, but the journey at times becomes muddy and obscure. Law plays the part somewhat stiffly, but still manages to shine in his interactions with Whitaker and Schreiber. Whitaker, however, is fantastic as Remy’s uncompromisingly unsympathetic partner Jake, who holds on tightly to what he knows and believes, however unprincipled. By the film’s end, Whitaker’s performance as the frustrated partner becomes even more impressive when compared to Law’s movement from perpetrator to victim to agent of retribution.
For years, Remy had no moral compunction against repossessing organs, nearly always from those who will die without them. But when his heart is removed, he suddenly empathizes with the victims of his profession. An odd paradox: that becoming less human can impart more humanity. Remy is both more genuinely alive after receiving his artificial heart, and more certain he will be dead when he can no longer pay. This is the crux of the film, and on this basis a clever story is told about the intersection of making a living, being alive, and the entanglements they create.
Toy Defense Fantasy
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Toy Defense Fantasy 2.0 will please fans of tower defence genre with excellent graphics,...
My Kingdom for the Princess HD
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It offers plenty of hours of entertainment in a simple resource management framework, making it an...
Whoowasit? - Children's game of the year 2008
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Whoowasit? has been nominated in the categories „Bestes Kinderspiel“ (best game for kids) and...
Angry Birds Star Wars HD
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JOIN THE ANGRY BIRDS IN THEIR BIGGEST ADVENTURE YET! A long time ago in a galaxy far, far away... a...
Shaun Collins (3 KP) rated Star Trek, Volume 12 in Books
Jan 12, 2018
The ship passes through an Ion storm and enters the mirror universe for this time line, discovering Khan is alive in the mirror reality, and in the second set of issues, rescues a pair of crew members from a renegade faction of the Orions.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
Live Evil is another slightly skewed version of "Mirror, Mirror", and while there were some very cool notions and ideas in the story, it's still a revamp of a Trek episode we've already seen. This title is MUCH more successful and enjoyable when it's not re-inventing the wheel every issue. (I know it seems like I'm harping on this, but use the format to tell us NEW stories with he occasional revamp thrown in, not the other way around!)
The Orion arc is much better, and kudos for bringing back the lovely Gaila from the 2009 movie. Can't wait to see more of her now that she's a science officer.
Interestingly, both these arcs (and most of the proceeding ones) feel like they could use ONE more issue to flesh them out fully. I'm a fan of shorter arcs, because it seems that most comic artists plot things too big and then don't know how to wrap up. Mike Johnson's trek stories are all nice and tidy, but I can't help but feel we're rushing to the climax and moving on. I would enjoy a bit more telling of the tale. But over all another solid, enjoyable set of stories.
It would be silly of me to repeat that this is an Asian version of Cinderella, since so many others do it. I am just annoyed that every story is compared to Cinderella considering rags to riches, marrying the prince is nothing new and Cinderella was certainly not the first of its kind. If you read the author's note, it says she was inspired by some Chinese students telling their native fairy tales.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.
All in all, I liked the novel. Xing Xing is crafty and clever unlike Cinderella who has a fairy godmother to do everything for her. No, Xing Xing takes care of not only herself but her father's second wife and half sister as well. You cannot really say the second wife is evil because she is only doing what any Chinese mother would do for her daughter in that day in age. To us, it may seem archaic and barbaric, but that is how it was back then.
Xing Xing is a strong heroine who does not just do the second wife's every whim. And when Xing Xing finally flat out defies her, it ultimately leads to Xing Xing's freedom and salvation.
I forgot how annoying yet efficient Napoli's style is. It seems so juvenile but is perfect for its purpose. I do not think the story would have been the same if it had been written any other way.
Awix (3310 KP) rated Power Rangers (2017) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
Mmm, Doughnuts
I had no idea I'd been waiting all my life for a film which combined juvenile sci-fi, plastic karate, diversity-friendly teen angst, industrial levels of product placement for Krispy Kreme, and jokes about jerking off bulls, but it turned out that I was and here it is.
A bunch of high school kids discover magic medallions that turn them into (basically) action figures, tasked with stopping the evil Rita Repulsa from locating a mystical crystal hidden in a vital location somewhere on Earth (the vital location may or may not be connected to selling a range of delicious fried-dough confectionary), helped by the ghost of an ancient alien hero (the producers must have some juicy dirt on Bryan Cranston and have blackmailed him into appearing).
Now, the high school kids are all played by actors who are clearly in their 20s, the tone is all over the place (to put it mildly), and long before the end it has quietly transformed itself into a massive advert for toys, but this is still a weirdly diverting and undeniably fun film, mainly because - underneath all the complete nonsense - the script is solid and no-one seems to be taking it too seriously. All right, much of it makes no sense at all, but it does so in a rather charming way. The finest kind of bad movie. Best line - Bryan Cranston: 'Have you ever morphed before?' Black Power Ranger: 'Only in the shower.'
A bunch of high school kids discover magic medallions that turn them into (basically) action figures, tasked with stopping the evil Rita Repulsa from locating a mystical crystal hidden in a vital location somewhere on Earth (the vital location may or may not be connected to selling a range of delicious fried-dough confectionary), helped by the ghost of an ancient alien hero (the producers must have some juicy dirt on Bryan Cranston and have blackmailed him into appearing).
Now, the high school kids are all played by actors who are clearly in their 20s, the tone is all over the place (to put it mildly), and long before the end it has quietly transformed itself into a massive advert for toys, but this is still a weirdly diverting and undeniably fun film, mainly because - underneath all the complete nonsense - the script is solid and no-one seems to be taking it too seriously. All right, much of it makes no sense at all, but it does so in a rather charming way. The finest kind of bad movie. Best line - Bryan Cranston: 'Have you ever morphed before?' Black Power Ranger: 'Only in the shower.'
BobbiesDustyPages (1259 KP) rated Scythe (Arc of a Scythe #1) in Books
Feb 7, 2018
Thou Shalt Kill
I don't even know where to start when it comes to this book, Scythe really isn't like any book I've ever read it really makes you think about which side would I want to be on. Also, the characters are all so amazing and each one of them plays a part in the story but what really makes this book something special is the world building.
Scythe takes place in a Utopian future ruled by an all knowing AI called the Thunderhead that pretty much runs the entire world and surprisingly hasn't gone all HAL on the world. This is also a future where everyone has not only achieved immortality but they can also turn back the clock and return back to their 20's if they so please, but to handle the growing population certain people are chosen to be Scythes or a type of Grim Reapers for an age of immortality that are treated like celebrities but also feared like gods.
The story follows two teens named Rowan and Citra who are chosen to train as future Scythes a job neither one of them want, which is actually supposed to be a kind of requirement to becoming a Scythe. Throughout their training, we are introduced to different Scythes and what it means to be legal murders and how even a perfect world corruption and evil still manages to take hold.
Scythe takes place in a Utopian future ruled by an all knowing AI called the Thunderhead that pretty much runs the entire world and surprisingly hasn't gone all HAL on the world. This is also a future where everyone has not only achieved immortality but they can also turn back the clock and return back to their 20's if they so please, but to handle the growing population certain people are chosen to be Scythes or a type of Grim Reapers for an age of immortality that are treated like celebrities but also feared like gods.
The story follows two teens named Rowan and Citra who are chosen to train as future Scythes a job neither one of them want, which is actually supposed to be a kind of requirement to becoming a Scythe. Throughout their training, we are introduced to different Scythes and what it means to be legal murders and how even a perfect world corruption and evil still manages to take hold.