Search
Search results
Uptown Oracle (24 KP) rated Clockwork Angel in Books
Jun 30, 2017
Clare exceeds expectations with Clockwork Angel
Clockwork Angel is the first in a trilogy of books. This series is a prequel to The Mortal Instruments, also written by Cassandra Clare. Tessa traveled to London to live with her brother, when he appears missing she is captured. Saved by Will, Tessa lives within the institute with the Shadowhunters helping to find Nate, whilst also finding out what the Magister's evil plan is.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
*＊✿❀ Maki ❀✿＊* (7 KP) rated The Warrior Heir (The Heir Chronicles, #1) in Books
May 3, 2018
[a:Cinda Williams Chima|125308|Cinda Williams Chima|https://d.gr-assets.com/authors/1291420167p2/125308.jpg] was my biggest takeaway from [b:The Way of the Wizard|8121665|The Way of the Wizard|John Joseph Adams|https://d.gr-assets.com/books/1297656860s/8121665.jpg|12917149]. I absolutely adored the short story of how Linda and Hastings met, and knew that I had to read the actual series.
You can definitely tell that this was written a few years before the short story in The Way of the Wizard. The writing isn't quite on the same level - all of the key elements are still there, but in a rawer form.
That's not a bad thing. I'm not insulting the quality of the writing, at all. It was still a very enjoyable story, and the writing and the editing were solid. And I'm happy to watch the progression of the narrative, as it gets stronger over time.
...but. If I had read The Warrior Heir before I read "The Trader and the Slave", I probably would have enjoyed this book more than I did. Part of me kept waiting for the dark, grittiness that the short story had, and it never really showed up.
Were parts of The Warrior Heir heavy? Sure. There's a lot of double-crossing, morality, and self-sacrifice in there. But it wasn't quite the same.
Sorry for that slight detour there. I felt that, before I started talking about the book itself, I should explain the factors that went towards my final rating.
Because, in general, I loved this book. It was a lot of fun to read. I loved the "world" and the magic system, I loved the history and explanations of why magic works, and where it came from. The dedication to the magic system was very nice, and much appreciated in such an action-based fantasy book.
The main characters all managed to keep me interested in what was going on (even though there wasn't nearly enough Linda and Hastings in there for me), and the antagonists walked a delicate balance of being evil, and just doing what they thought would be best for themselves, or for those around them. Even some of the protagonists walked that line, which was <i>really</i> nice to see.
Morality - it's pretty important to the story.
There weren't really any surprises in the plot department. It was incredibly easy to guess the various "twists" the book had to offer. <spoiler>Especially anything having to do with Ellen.</spoiler> But personally, I was too distracted by the world-building to overly care about how predictable things were.
Because in Maki-land, well-established magic system > plot.
You can definitely tell that this was written a few years before the short story in The Way of the Wizard. The writing isn't quite on the same level - all of the key elements are still there, but in a rawer form.
That's not a bad thing. I'm not insulting the quality of the writing, at all. It was still a very enjoyable story, and the writing and the editing were solid. And I'm happy to watch the progression of the narrative, as it gets stronger over time.
...but. If I had read The Warrior Heir before I read "The Trader and the Slave", I probably would have enjoyed this book more than I did. Part of me kept waiting for the dark, grittiness that the short story had, and it never really showed up.
Were parts of The Warrior Heir heavy? Sure. There's a lot of double-crossing, morality, and self-sacrifice in there. But it wasn't quite the same.
Sorry for that slight detour there. I felt that, before I started talking about the book itself, I should explain the factors that went towards my final rating.
Because, in general, I loved this book. It was a lot of fun to read. I loved the "world" and the magic system, I loved the history and explanations of why magic works, and where it came from. The dedication to the magic system was very nice, and much appreciated in such an action-based fantasy book.
The main characters all managed to keep me interested in what was going on (even though there wasn't nearly enough Linda and Hastings in there for me), and the antagonists walked a delicate balance of being evil, and just doing what they thought would be best for themselves, or for those around them. Even some of the protagonists walked that line, which was <i>really</i> nice to see.
Morality - it's pretty important to the story.
There weren't really any surprises in the plot department. It was incredibly easy to guess the various "twists" the book had to offer. <spoiler>Especially anything having to do with Ellen.</spoiler> But personally, I was too distracted by the world-building to overly care about how predictable things were.
Because in Maki-land, well-established magic system > plot.
Phillip McSween (751 KP) rated Turbo Kid (2015) in Movies
Apr 21, 2018
Extremely Unique
You've never seen anything like it. It was a mashup of everything I loved, both as a kid and as an adult. Set in the post-apocalyptic year of 1997, a teenager becomes a superhero to save his girlfriend from the clutches of an evil villain.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Acting: 10
Beginning: 7
While it may not grab you immediately, Turbo Kid's beginning succeeds in establishing the world you'll be living in for the rest of the film. This world never left the 80's. Survivors get around on mostly bikes and use old-school technology like walkmen.
My interest was really piqued when I saw three heads on pikes out in the middle of the wasteland. What did those men do to deserve that? Who put them there? The only way to really find out is to watch more. On we go...
Characters: 9
Cinematography/Visuals: 10
The visuals are extremely weird, but in a unique, good way. It's original in every way imaginable. A number of shots give you a nostalgic feel. Other shots panning the landscape leave you with a barren, hopeless feeling. So sad what their world has become, yet what an era to be stuck in!
There is violence. A lot of it. A surprising amount in fact. Heads roll, guts spew in brilliant fashion. Think Tarantino in a Mad Max type of setting. It's jarring to look at, but very entertaining and effective. If you are squeamish in anyway, you may find yourself averting your eyes. At one point, my wife actually had to leave the room.
Conflict: 10
Genre: 10
As far as action/adventure films go, this stands out as being extremely original. It was as if they took a number of films I had seen before and jumbled them all into one finished product. The action pops on screen and the adventure portions move the story along in swift fashion.
Memorability: 9
Pace: 10
The film never gets boring at any point. Between the crazy vibe that latches on to you with the help of an awesome soundtrack and the steady play of action, you're always engaged. I also appreciated that the film never took itself too seriously as the action is broken up by a few hilarious moments that keeps the film from getting too dark.
Plot: 8
While the plot may seem pretty straightforward at first, there are a couple twists that keep things interesting. Overall the story is a strong foundation and is intriguing enough to make you care about the action.
Resolution: 3
Overall: 86
Fun, enjoyable film. And AVAILABLE ON NETFLIX! Check it out tonight. If you're a fan of action and the 80's, you will have a blast.
Rachel King (13 KP) rated Veiled Rose (Tales of Goldstone Wood, #2) in Books
Feb 11, 2019
I am always a fan of fairy re-tellings, even if it is for a fairy tale I am not actually familiar with, as that of Rose Red. It took me awhile, but I also gathered that the book is a kind of Christian allegory, and parts remind me of Pilgrim's Progress by John Bunyan.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Phillip McSween (751 KP) rated The Avengers (2012) in Movies
Mar 9, 2019 (Updated Jun 20, 2019)
A Blast
I remember the trepidation of going to see Marvel’s The Avengers. Could they really pull a team-up like this off? Could the whole really be a sum of some awesome parts? I wasn’t sure. That trepidation turned into utter lack of interest. X-Men: The Last Stand left a bad taste in my mouth, but the Avengers crew was regaining my interest in the superhero world movie by movie. Good thing I gave the movie a chance because I ended up having the time of my life.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
In Marvel’s The Avengers, Earth’s mightiest heroes take on the evil Loki who is hell-bent on world domination.
Acting: 10
Beginning: 10
Characters: 10
The gang’s all here and what a gang. I appreciate that each of these superheroes are battling their own inner demons which affects how their characters interact with the other heroes. it’s what makes them a good team. They come to understand each other’s dysfunctions and deal with it. This is the first movie where you start to see the team use their strengths in tandem and work together as a team. Their initial lack of chemistry is hilarious to watch as they are forced into a unit.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Bringing all these characters on the big screen at once was a monumental accomplishment. It was a risk that paid off. A damn good movie was made here and deserves a ton of credit for setting a standard in the way superhero movies should be done.
Memorability: 10
Pace: 10
Plot: 10
The story weaves together the backstories of the other characters in seamless fashion. While there aren’t many twists and turns to throw you off or keep you guessing, I would also argue that twists weren’t necessary for a film like this. Tell the story you need to tell and if we can see some awesome superpowered battles along the way, great! Job well done here.
Resolution: 10
Solid ending capped off with some fun end-credit scenes that pave the way for films to come. The entire movie is meant to entertain and I was happy that they finished strong. It’s a capper that leaves you wanting to see these guys team up again.
Overall: 100
Seven years later and the Marvel Cinematic Universe is still going as strong as ever. I’m going to see Captain Marvel tomorrow, a film that wouldn’t even be possible without the success of The Avengers and other lesser-known properties like Guardians of the Galaxy. Seven years later and this movie still never ceases to excite me and make me laugh at the same time.
TheBookMother (105 KP) rated Christine in Books
May 26, 2019
Think classic slasher come Top Gear.
Contains spoilers, click to show
Like alot of my recent reads I picked up a very well loved copy from a supermarket fundraising bookcase.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Now, I do feel quite conflicted in critiquing the master that is Stephen King especially as it's not all positive. It's probably the same feeling if you kicked your Nan or when you've hidden your son's favourite toy that drives you crazy and watch him scour the house for it for days on end.
It started off in true King fashion. I've read a few of his repertoire including the classics. I have come to recognise his tone and the way he sets the scene.
We begin by meeting Dennis who is recalling past events which include his friend Arnie and his obsession with his new car Christine. We soon find out Christine is a bit more than your average first car and anyone who seems to cross Arnie will feel her very gory and murderous wrath. We learn that her previous owner LeBay begins to possess Arnie. Dennis sets out to try and save his friend from the evil clutch(es) (I had to sorry!) of Christine and stop her once and for all.
Tense, descriptive with an air of paranormal/ supernatural you generally know what you're getting with King and you know there will tend to be a twist or scare along the way.
However, I did find this abit of a slow burner and not what expected it to be.
I think it could be because this is 20+ years old and I am probably desensitised by slashers it did feel quite cliché in places.
I did at times feel slightly confused as we were introduced to Christine the possessed car but then we learn it's all to do with Lebay taking over and even ageing Arnie. It did remind me abit of Ghost Rider.
I enjoyed the music lyrics at the beginning of each chapter and throughout as it really did help set scene and help with showing the difference between Arnie and Lebay's ages.
I have to admit I was distracted alot and do put it down frequently but I did pick up and finish it eventually.
I normally finish a book in 2-3 days (children, work and life permitting!) But this took a while longer. Perhaps, as I felt it was a tad stagnant in places.
It was never the less an okay read, it's a good slasher come supernatural story but one I did think I would have enjoyed alot more.
Bookapotamus (289 KP) rated Educated in Books
May 29, 2018
All the stars in the Idaho Sky! Tara Westover is so very brave. And her book is hands-down, 5+ stars amazing. This is by far the most riveting memoir I've ever read. I am so fascinated by cult-like religions, as well as homesteaders/survivalists and end-of-the-world preppers - and this quenched every thirst I've ever had for all those things and infinitely beyond. This was the extreme of both of those worlds. I cannot believe this is real life. The epitome of "you can't make this sh*t up," I imagine those words running through Tara's head often.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
This is a story of growing up in middle-of-nowhere Idaho with Mormon anti-government parents, who "home-schooled" Tara and her brothers and sisters, while preaching these crazy ideals on these poor kids who just didn't know any better. They believed everything their parents said (who wouldn't believe their own parents?!), and the abuse and neglect she had to essentially endure because of it, was heartbreaking. These kids grew up with no birth certificates, never stepping foot inside a classroom or a doctor's office, zero modern medicine (including for severe burns and brain injury!), living in filth and squalor, and the constant pressure to be of extreme faith and a tireless servant of a God, that required way to much of these poor children. And all under the watchful eyes of a father who takes no less than their utter devotion to that God, no matter what the consequences.
It pains me to see them choose sides throughout - you really do get the sense that these parents love Tara in all the way they know how, and they honestly feel that what they are doing is right and just, but it's just so blatantly wrong. I applaud Tara for trying so very hard - throughout every victory in her life without them, and coming out on the other side, not bitter at all, still feeling love for her family.
I was enthralled by this memoir. There wasn't any second of this book that dragged, or lulled - I literally could not put it down. The writing is so well thought out, every person rich with description and character, and you root for this strong-willed little girl to get out, and make something of her life and triumph over the family who may love her, but believe her to be evil because she just wants to be free. And we know, because of this amazing book, she finally is.
Love. Love. Love!
Thank you to NetGalley for the opportunity to review and to Tara Westover for sharing her story.
Bookapotamus (289 KP) rated Providence: A Novel in Books
Jun 23, 2018
Super Fun Read!
Wow! This was my first Caroline Kepnes book and let me tell you - it will NOT be my last! I loved this book, I flew through it and did not want it to end, and what a fun and unique story! I'm a HUGE Stranger Things fan, and this reminded me a bit of that - part sci-fi/fantasy/horror, but also part mystery/detective thriller - so many things I love all mixed in to one really clever tale. In the end, it's really a fun journey across time between two star crossed lovers - desperate to be together in a masterfully crafted journey of horrible circumstances that may forever keep them apart.
You get sucked in right away... Jon and Chloe are high school teens, the best of friends, and you assume, in time, they'll be together forever as you can see how much they love one another. Then, one morning Jon gets kidnapped and everything changes. Something happened to him and we might never be able to see if him and Chloe will that next step and spend their lives together. The things that have happened to him, may keep them apart forever.
The coming-of-age part is really interesting here, because Jon misses so much he's forced to grow up when his body has already done so. And the duality of good vs. evil comes into play a lot - and what a struggle it is to keep the two separate, when their pull is almost beyond control. We also follow the story of Eggs, who is a pretty darn smart detective, obsessed with a case that haunts him. And we follow his own life, his struggle with family, and how he tries to put the pieces of his own life back together while it falls apart around him - as he tries to solve a really strange mystery.
There is a lot of HP Lovecraft reference in this book, including a yearly Lovecraft convention (he was from Providence). I've heard him referenced in several novels before but have never actually read his work. I think I just might have to check it out now. BUT it did not hinder the story at all if you aren't familiar with his work. I am not familiar, and I loved every minute of the book!
This book was so much fun - a bit peculiar in parts but seriously, a fun ride from start to finish. Thanks to NetGalley and Caroline Kepnes and Random House Publishing Group for the advanced copy to review.
You get sucked in right away... Jon and Chloe are high school teens, the best of friends, and you assume, in time, they'll be together forever as you can see how much they love one another. Then, one morning Jon gets kidnapped and everything changes. Something happened to him and we might never be able to see if him and Chloe will that next step and spend their lives together. The things that have happened to him, may keep them apart forever.
The coming-of-age part is really interesting here, because Jon misses so much he's forced to grow up when his body has already done so. And the duality of good vs. evil comes into play a lot - and what a struggle it is to keep the two separate, when their pull is almost beyond control. We also follow the story of Eggs, who is a pretty darn smart detective, obsessed with a case that haunts him. And we follow his own life, his struggle with family, and how he tries to put the pieces of his own life back together while it falls apart around him - as he tries to solve a really strange mystery.
There is a lot of HP Lovecraft reference in this book, including a yearly Lovecraft convention (he was from Providence). I've heard him referenced in several novels before but have never actually read his work. I think I just might have to check it out now. BUT it did not hinder the story at all if you aren't familiar with his work. I am not familiar, and I loved every minute of the book!
This book was so much fun - a bit peculiar in parts but seriously, a fun ride from start to finish. Thanks to NetGalley and Caroline Kepnes and Random House Publishing Group for the advanced copy to review.
Alice (12 KP) rated Cruel Crown: Two Red Queen Short Stories in Books
Jul 3, 2018
Many thanks to the publisher for providing me with a copy of this book in exchange for an honest review
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.
I went into Cruel Crown with an open mind - I haven't read Red Queen yet so I hoped that reading the prequel novellas to the best-seller would reveal quite a bit on the inner workings of Red's and Silver's.
In respect of Queen Song it was a pretty dark novella - a lot darker than I expected for a YA prequel. Coriane begins as a impoverished Silver with a hatred of the mundane and a love of the inner workings of machines.
Queen Song follows Coriane's rise from impoverished Silver to Queen of the Kingdom via her diary entries. The entries start off pretty mundane and childlike in their layout but over the course of her growth as a character they become much darker and they reveal that even royalty has flaws.
She comes across - as a teenager - as a bit of a spoiled brat even though she doesn't actually appear to be spoiled. She gives me the vibe of spoiled and irritating child for most of the beginning but after meeting Elara I'll give Coriane her due she's way more laid back.
As previously mentioned I haven't read Red Queen and hoped that the prequels would shed some light on certain things - what a Silver and a Red is, what a singer and a whisper is etc. I found that it didn't, without reading Red Queen first the prequel doesn't really make a whole lot of sense but it does shed light on what happens with royalty etc.
A couple of the characters (Elara I'm looking at you) were a hell of a lot more evil than I expected. Particularly at the end.
But there is a difference between a single candle in darkness, and a sunrise.
That is, without doubt, the best line in the novella. It's strikingly beautiful in contrast to the darkness of the novella.
Steel Scars on the other hand is a nice change of pace from Queen Song. Steel Scars follows a Red soldier - a member of The Scarlet Guard -as she aquires assets for the SG. It contains far more action and drama than Queen Song and it provides a better basis for certain aspects of the Red and Silver world.
It also sets up the introduction to Mare quite nicely as well.
As prequels go, they're good if a little bare of some details. The writing style flowed pretty well and most of the characters were not overly annoying or filler.
What an ending though. The Queenstrial sets Red Queen up incredibly well.
ClareR (5879 KP) rated The Seventh Cross in Books
Aug 22, 2018
This remains a lesson for us all
I was keen to read this translation, as I had originally read it during my German degree, in German. In fact, this book was a central part of my dissertation and was one of three Anna Seghers novels. They were all set in the National Socialist period of 1933-1945 (or thereabouts). I remember the German version being a very dense, challenging book - but that’s not necessarily a bad thing for me! I like a book that makes me think, and there’s plenty of food for thought here.
This story is jam packed with characters from all sides of the German story: National Socialists, Communists, the SS and the ordinary working German,
Georg Heisler (I’m using the German derivative of his name; I have no idea why his name was anglicised to ‘George’ whilst other characters kept their German names) escapes from a fictitious concentration camp (Westhofen) along with six other men. This is pre World War II, this is what the National Socialists did to their own countrymen and any dissent.
The story follows the recapture of the other six, Georg’s escape and all those who help him. Persecution on this scale is still happening today, and whether or not it is happening, we should still read about it and remember, in order to ensure that it doesn’t happen again.
I’ve touched on the language and style. It’s not easy. It wasn’t easy to read and understand in German, and it can be hard going in English. It seems quite detached from emotion, and I think this is a deliberate device. If we look at the historical context, people clearly disengaged froma large part of what was happening around them. One of the SS soldiers refers to “Sarah’s”; the men in the concentration camp are there being starved and tortured due to their political ideology, and people live within hearing distance, hear the shouting, crying and the pain of the prisoners and do nothing: an embarrassed shrug, a closing of their ears.
This is the part that we should never forget: inaction, and the necessity to stop these things in their tracks at the beginning, rather than before it’s too late.
Georg has his helpers, those who risk their lives to save his (just as Seghers and her husband, both communist Jews had their helpers). The startling thing to me about this novel, is the normalcy: the countryside stays the same, the relationships, work. All seemed normal in the face of such evil. This is a novel to remember and learn from. It has as many lessons for us today as it did seventy years ago,
This story is jam packed with characters from all sides of the German story: National Socialists, Communists, the SS and the ordinary working German,
Georg Heisler (I’m using the German derivative of his name; I have no idea why his name was anglicised to ‘George’ whilst other characters kept their German names) escapes from a fictitious concentration camp (Westhofen) along with six other men. This is pre World War II, this is what the National Socialists did to their own countrymen and any dissent.
The story follows the recapture of the other six, Georg’s escape and all those who help him. Persecution on this scale is still happening today, and whether or not it is happening, we should still read about it and remember, in order to ensure that it doesn’t happen again.
I’ve touched on the language and style. It’s not easy. It wasn’t easy to read and understand in German, and it can be hard going in English. It seems quite detached from emotion, and I think this is a deliberate device. If we look at the historical context, people clearly disengaged froma large part of what was happening around them. One of the SS soldiers refers to “Sarah’s”; the men in the concentration camp are there being starved and tortured due to their political ideology, and people live within hearing distance, hear the shouting, crying and the pain of the prisoners and do nothing: an embarrassed shrug, a closing of their ears.
This is the part that we should never forget: inaction, and the necessity to stop these things in their tracks at the beginning, rather than before it’s too late.
Georg has his helpers, those who risk their lives to save his (just as Seghers and her husband, both communist Jews had their helpers). The startling thing to me about this novel, is the normalcy: the countryside stays the same, the relationships, work. All seemed normal in the face of such evil. This is a novel to remember and learn from. It has as many lessons for us today as it did seventy years ago,