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Neon's Nerd Nexus (360 KP) rated Bad Boys for Life (2020) in Movies
Jan 18, 2020 (Updated Jan 18, 2020)
Fly Together Die Together
Bad Boys For Life doesnt suck. That sentence alone could be the review many of you were hoping for right there but its actually true and as a matter of fact I think this is also my favourite out of the 3 movies. A decision was made to pass this movie over to a diffrent director (watch out for a brilliant cameo almost giving blessing this) and while personally I love Micheal Bays explosive syle of directing every now and then for the franchise this was a great move. For Life is not only a tighter more mature outing but it also shows the franchise has evolved, learnt and adapted with the times something most sequels fail to acomplish. Ill start with the action this time it certainly feels tighter, better shot and grittier going for more of a John Wick approach which without a doubt leads to some very impressive visual flare, lovely cinematography, great choreograph and some fabulously unique and stylish camera angles too. Theres no quick cuts either (thank god) but there is however one scene that had green screen so bad I wondered why its inclusion was necessary at all. Its uber violent too with some scenes being shockingly grizzly to watch but these combine with villians which feel so evil/methodical really adds a lot of urgency, fear, threat and tension to the story making the film feel way more adult the previous outings. Story wise things are layed out nicely too however it does take a strange turn in the third act which I feel doesnt quite work or fit a character we know and love. Chemistry between Will Smith and Martin Lawrence is as flawless as ever and while the jokes may not be laugh out loud funny watching them bicker/fight is still so entertaining and Infact theres actually some really great acting too from both the Bad Boys too. As we are introduced to new members of the team we also see how times have changed, how roles have been reversed and how a gung-ho approach to situations just isnt viable anymore as it causes to much collateral damage and ends in to many casualties. Seeing Marcus and Mike forced to change thier approach, grow up and realise they are getting old works really well and helps keep the film feeling unpredictable too. While not groundbreaking I had a bloody good time with Bad Boys 3 and feel with this new aproach Id be happy to see the franchise continue on for a bit longer. Its a fast, violent, stylish, thrilling, funny and above all a highly enjoyable 'one last ride'.
LeftSideCut (3778 KP) rated The Incredible Hulk (2008) in Movies
Feb 11, 2020 (Updated Apr 7, 2020)
The second entry into the ever expanding MCU has it's flaws, but it's still an entertaining enough monster movie featuring one of Marvel Comics most beloved characters.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
JT (287 KP) rated The Cabin in the Woods (2012) in Movies
Mar 10, 2020
What happens if you took a bunch of stereotypical and archetypal teenagers into the woods and let them party in a small cabin? In the eyes of Joss Whedon and Drew Goddard quite a bit it seems.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
The college jock, the stoner, the virgin, the geek and the whore (or slut) are all grouped together ready to be ripped apart by a wide variety of insanely bonkers creatures.
A so called ‘love letter to horror’ Cabin in the Woods encapsulates everything we have ever seen in horror films over there years, and for any fan of the genre its what we all love to see.
What makes this film particularly special and something that sets it apart from all other horror films is apparent in the opening few minutes.
Deep in what seems to be a scientific layer, Sitterson (Richard Jenkins) and Hadley (Bradley Whitford) discuss and mull over the mundane as they make their way to a control centre ready for the days events to unfold. Just another day at the office then?
Meanwhile, the travelling party are making their way to the cabin, and after we see a bird of prey fly into what looks like a force field we known this isn’t going to be your normal run of the mill horror.
OK, move it a little to the right!
In one word its the Truman show with massive amounts of blood, which might be giving too much away for those that haven’t even seen it yet. The film has several nods to a number of past Hollywood horror greats such as Hellraiser and Evil Dead, and carries with it every cliche the genre has to offer.
Whedon’s popularity as a director is high, here though he keeps himself to writing duties only as Goddard gets the gig behind the camera in his first feature. It’s a thoroughly entertaining film, but you need to take it with a pinch of salt and remind yourself that this is a homage to horror with Hostel like tendencies.
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed
It’s all balanced neatly with black comedy and has an a final 20 minutes which really has to been seen to be believed, with a great cameo thrown in for good measure. I loved every minute of this from start to finish, and it’s a film that doesn’t try and take itself too seriously.
It’s not going to sit with everyone, but for those true horror fans who have watched parties of teenagers getting picked off one by one in a creative way each time it will be one horror film they won’t forget in a hurry.
Kristy H (1252 KP) rated A Good Neighborhood in Books
Mar 26, 2020
Oak Knoll is a close-knit multiracial neighborhood in North Carolina where everyone looks out for one another. Valerie Alston-Holt, a professor and single mother, has raised her biracial son, Xavier, there since he was small. Their calm life changes, however, when the Whitman family moves in next door. First they raze the current house and build a "Mcmansion," whose very existence threatens the health of Valerie's beloved historic oak tree. Brad Whitman is a local celebrity, known for his charisma and commercials for his company, Whitman HVAC. His wife, Julia, has long escaped her trailer park days and is now raising her daughters Julia and Lily in a privilege she once dreamed of. But soon the Alston-Holts and Whitmans find them themselves fighting over the oak tree's well-being and then, the budding romance between Julia and Xavier.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
"An upscale new house in a simple old neighborhood. A girl on a chaise beside a swimming pool, who wants to be left alone. We begin our story here, in the minutes before the small event that will change everything."
This book took my heart and spit it right out again. Oh my goodness. It's a different, beautiful, and absolutely heartbreaking read. We're told from the very beginning--by our omniscient third person narrator--that something bad is going to happen. And yet, I lived in denial that this was true. I devoured this book in two halves. It's utterly engrossing, and the characters just pop off the pages. The teens, especially. Oh Juniper and Xavier. I will not easily forget either of you.
A Good Neighborhood tackles a host of timely topics, and it handles all of them deftly. Race, religion, sexism, feminism--none of these are exempt in the pages of this novel. We see whiteness as a symbolism for purity, and we watch as Juniper struggles with the set of values being pushed upon her by her mother and stepfather, including a "purity vow" to remain both a virgin and loyal to her future husband. And then there's Xavier, a talented musician, who has been raised by his strong mother after his father's death. She wants so much for her son to do anything, but yet lives in fear because he is biracial. Juniper, Xavier, and Valerie were such powerful characters.
I do not want to give much of the plot away, but I can tell you that this book is heartbreaking and beautiful. It will get you to think about racism and sexism. The strong themes of good versus evil are presented in such a unique and compelling manner. Adding the third-person piece just gives an extra piece to the story. This book is incredibly well-written and will stay with you for quite some time. 4.5 stars.
Kristy H (1252 KP) rated Such a Fun Age in Books
Apr 2, 2020
Emira Tucker is a somewhat aimless twenty-five-year-old. While all her other friends have steady jobs, she's still on her parents' health insurance. Her main gig is working as a babysitter for Alix Chamberlain and her two young daughters. When Alix asks Emira to take two-year-old Briar to the grocery store one night, a security guard confronts Emira, accusing the black woman of kidnapping the young toddler. A group of shoppers gathers, someone films the incident, and Emira is angry and embarrassed. Alix feels like she has to make the incident right. Through the video, someone from Alix's past turns up, propelling Alix and Emira on a crazy collision course that will make them question each other and everything they know.
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
This was a fascinating book that was completely easy-to-read. Reid is a great writer, and I flew through this novel. It's a little difficult to review, but it's an incredibly thought-provoking book that focuses on so much: relationships, racial dynamics, social class, parenting, and more.
Reid's characters come to life before your eyes. I fell quickly for Emira, who seems to be floundering in her life. Everyone claims to know what is best for Emira, but once we get to know her, I found her to be an interesting character, who actually knows much more than anyone gives her credit for. Her love for Briar comes across loud and clear, too. Reid also does such a good job capturing Briar, an unique kid, and it's easy to see why Emira loves her so much.
This book is deep, even if the story flies by quickly. There's so much to unpack, especially with Alix, who thinks she so progressive, yet, well, isn't. Her obsession with Emira is completely baffling and once the second character comes in, post grocery store incident, we are constantly thrown back between Alix and them. Who do we trust? Why are these two vying for Emira? What I loved about this novel is that usually, one character ultimately proves to be good and another evil. That may not necessarily be the case here. As mentioned, there's so much nuance in Reid's writing.
I flew through this book, and I found myself completely caught up in Emira, Alix, and even Briar's world. I may not have entirely grasped everything I should have, but I found it moving, timely, and beautifully written. Honestly, I would have loved to see more of Emira's life (and Briar's). This is a different sort of novel, but I found it worth a read. Reid is a wonderful writer, and I'm excited to see what she comes up with next. 4.5 stars
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