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RəX Regent (349 KP) rated The Black Pirate (1926) in Movies
Feb 18, 2019
Two-tone Techncolor milestone
Two Tone Technicolor in all its glory! This is it. The first widely distributed Technicolor movie back before we even had sound. This was hardly the first foray into colour, in fact colour almost goes as far back as film itself, as does sound, but it was not until the mid-1920’s that breakthroughs in both mediums would bring them into mainstream.
Sound would take first, with Technicolor taking just a little longer, mainly due to the technical issues of using it both in front and behind the camera. But as time went on, these issues were gradually dealt with with the rest is cinema history.
So, having gotten the technical bit out of the way, on to the Douglas Fairbanks Jr. blockbuster. And that is precisely want this was. A by-the-numbers acrobatic action movie by the undisputed star of the day, Fairbanks.
The plot follows a Duke (Fairbanks) whose ship is attacked and destroyed by a Pirates. He is the soul survivor and vows revenge. He soon finds himself in the company of the very pirates he is looking for and infiltrates their crew by being the best god-damn pirate there ever was!
He meets a princess (Billie Dove) and saves the day, gets the girl and the evil pirates are dispatched. All, amidst lots of colourful blood, to emphasise the Technicolor I suppose and slides down a few sails with his dagger along the way.
The performances are typical for a Hollywoodland movie of the day, but besides the outstanding physicality of Douglas, I would not say that there was anything particularly noteworthy about the acting, let alone the production on the whole. Having said that, the tone and cliche’s which this film has brought to the genre as whole are legendary and there is that foray into colour of course.
This were it all began folks…
The DVD
Unfortunately my copy was just the cheap R-0 version, whcih was clearly (ironically) taken from a old VHS recording. The colour is vivid but wrong. Greens have replaced blacks and the overall print quality was poor but watchable. I have seen bit s of the KINO HD Blu-ray edition and this looks great.
It also has the original score by Mortimer Wilson, something whcih this bargain basement DVD does not. The music supplied is okay; a mix of classical pieces on a loop but none this is cued and rarely suits the scenes let alone the action on screen. Further proof that there never was such a thing as silent cinema, just no synchronised sound.
For the real experience, get the Blu-ray, though it is very expensive at the moment, but if you just want to see what all the fuss is about, this DVD is quite watchable, at least as an entry version.
Me, I am after the upgrade!
Sound would take first, with Technicolor taking just a little longer, mainly due to the technical issues of using it both in front and behind the camera. But as time went on, these issues were gradually dealt with with the rest is cinema history.
So, having gotten the technical bit out of the way, on to the Douglas Fairbanks Jr. blockbuster. And that is precisely want this was. A by-the-numbers acrobatic action movie by the undisputed star of the day, Fairbanks.
The plot follows a Duke (Fairbanks) whose ship is attacked and destroyed by a Pirates. He is the soul survivor and vows revenge. He soon finds himself in the company of the very pirates he is looking for and infiltrates their crew by being the best god-damn pirate there ever was!
He meets a princess (Billie Dove) and saves the day, gets the girl and the evil pirates are dispatched. All, amidst lots of colourful blood, to emphasise the Technicolor I suppose and slides down a few sails with his dagger along the way.
The performances are typical for a Hollywoodland movie of the day, but besides the outstanding physicality of Douglas, I would not say that there was anything particularly noteworthy about the acting, let alone the production on the whole. Having said that, the tone and cliche’s which this film has brought to the genre as whole are legendary and there is that foray into colour of course.
This were it all began folks…
The DVD
Unfortunately my copy was just the cheap R-0 version, whcih was clearly (ironically) taken from a old VHS recording. The colour is vivid but wrong. Greens have replaced blacks and the overall print quality was poor but watchable. I have seen bit s of the KINO HD Blu-ray edition and this looks great.
It also has the original score by Mortimer Wilson, something whcih this bargain basement DVD does not. The music supplied is okay; a mix of classical pieces on a loop but none this is cued and rarely suits the scenes let alone the action on screen. Further proof that there never was such a thing as silent cinema, just no synchronised sound.
For the real experience, get the Blu-ray, though it is very expensive at the moment, but if you just want to see what all the fuss is about, this DVD is quite watchable, at least as an entry version.
Me, I am after the upgrade!
RəX Regent (349 KP) rated Battle in Seattle (2008) in Movies
Mar 7, 2019
Lefty cold
Contains spoilers, click to show
I caught this on the TV and was intrigued by the opening credits, always being one to be interested in real events and certainly ones in a recent political context. I admit that I was unaware of these events, but as the plot played out it left me feeling somewhat cold, always waiting for the hook that never came.
This was basically a docudrama which melded the real and the reenactment together to create an at times frightening and tense view of the riots. Though this could have been any riot, over any subject, which was kind of the point. I feel that this could easily have been a film focusing on the Poll Tax riots of 1990 and have lost nothing.
I feel that this needed to be more, in every area. More Seattle Riots, and I mean in a way that singled them out as such, and not just any riot. More character drama, with barely scratched the surface at most and more political. This attacks the WTO with the lowest common denominator, playing the emotional and reactionary left wing card, rather than a fully rounded balanced argument.
I have no doubt that the World Trade Organisation is evil, as are most capital institutions, but there was little to convict them here, except the strong implications that they are against free speech.
This was a film which was fair to it's characters; The riot cop just doing his job, the peaceful protesters, the anarchists and the forlorn Mayer. But there was a lack of a strong villain, as, as I've said, the WTO wasn't sufficiently justified.
Also, its historical integrity has to be questioned. Simply put, are any of the characters portrait here real? The protesters are fictional, as I understand, but the Mayer? The reporter? It's not clear and based on their actions within the film, I would really like to know.
*** SPOILER *** But finally, the most disturbing and probably the best, most compelling part of this film to me would be the what happens to Charlize Theron's character, a pregnant woman and wife of Woody Harleson's riot cop. As she is trying in vain to make her way home amidst the chaos of rioters clashing with police and in the confusion is treated as a rioter and is hit in the stomach with a baton. The result I'll leave in your imagination...
This was best moment in the film were the true horror of these clashes become prevalent as the moral lines are crossed and order breaks down.
************** In summation, this was worth a watch but will offer little in the way of clarification as to the motives of the events of that November, but maybe there are no more. Maybe it was a riot which stemmed from a protest against the capitalist machine. If you have strong lefty views then this is the film for you, if not, have a look but I doubt that you'll be blown away.
This was basically a docudrama which melded the real and the reenactment together to create an at times frightening and tense view of the riots. Though this could have been any riot, over any subject, which was kind of the point. I feel that this could easily have been a film focusing on the Poll Tax riots of 1990 and have lost nothing.
I feel that this needed to be more, in every area. More Seattle Riots, and I mean in a way that singled them out as such, and not just any riot. More character drama, with barely scratched the surface at most and more political. This attacks the WTO with the lowest common denominator, playing the emotional and reactionary left wing card, rather than a fully rounded balanced argument.
I have no doubt that the World Trade Organisation is evil, as are most capital institutions, but there was little to convict them here, except the strong implications that they are against free speech.
This was a film which was fair to it's characters; The riot cop just doing his job, the peaceful protesters, the anarchists and the forlorn Mayer. But there was a lack of a strong villain, as, as I've said, the WTO wasn't sufficiently justified.
Also, its historical integrity has to be questioned. Simply put, are any of the characters portrait here real? The protesters are fictional, as I understand, but the Mayer? The reporter? It's not clear and based on their actions within the film, I would really like to know.
*** SPOILER *** But finally, the most disturbing and probably the best, most compelling part of this film to me would be the what happens to Charlize Theron's character, a pregnant woman and wife of Woody Harleson's riot cop. As she is trying in vain to make her way home amidst the chaos of rioters clashing with police and in the confusion is treated as a rioter and is hit in the stomach with a baton. The result I'll leave in your imagination...
This was best moment in the film were the true horror of these clashes become prevalent as the moral lines are crossed and order breaks down.
************** In summation, this was worth a watch but will offer little in the way of clarification as to the motives of the events of that November, but maybe there are no more. Maybe it was a riot which stemmed from a protest against the capitalist machine. If you have strong lefty views then this is the film for you, if not, have a look but I doubt that you'll be blown away.
Paul Kellett (118 KP) rated Shadows of Malice in Tabletop Games
May 8, 2019
Great framework for narrating an adventure (2 more)
Good solo game
Interesting mechanisms
A lot of fiddly tokens (1 more)
Slightly heavy rules
A different take on the adventure board game
Shadows of Malice is an interesting take on the adventure game. Aside from the introduction explaining that you are heroes on a quest to find and activate mystical light wells and defeat the demon and his shadows before they can break through from the shadow realm and capture the wells for evil, there is no fancy artwork, immersive flavour text or even the well known fantasy monsters.
Instead, you get plain cards with simple line art and either just an icon/dice modifier or a short line of text explaining the effect. These cards are items of armour, weapons or other loot, potions, skill masteries, fate effects or abilities. A selection of these make up your character. Again, there are no defined heroes, you can be whatever you fancy being.
When you encounter a monster you roll 3d6 against a chart which will define the creature's species and its strength. Creature types are things like "Avian" and "Reptilian" so you can imagine fighting a dinosaur, a giant eagle or whatever fantastic creature you desire.
This makes the game a great framework to roleplay in. You are never stuck encountering the same things again and again. On the minus side, if you don't have a good imagination, it boils down to just rolling dice and beating target numbers. If you want a game to give you a story to follow, SoM is not that game.
The rules are good, if a little heavy but after a game or two it should soon click and it's mostly straight forward. The designer has recently just uploaded a revised rulebook to BGG which streamlines a number of things.
SoM comes with 4 large landscape hex tiles plus a shadow realm tile and you can choose any number of tiles to arrange in any position around the shadow realm tile. Each tile is divided into a number of smaller hexes with varying terrain and locations printed on them. This is the world you will be exploring and, despite being tiny compared to other game boards, each tile adds about an hour to the play time.
Gameplay involves exploring the land fighting creatures, gaining loot, visiting cities to trade goods or mystic seers to buy potions while searching for the special light wells that you must take control of.
In between player turns, the shadows act. They begin confined to the shadow realm but as the rounds progress, barriers fall and the shadows are more likely to find a way out to manifest in the land. Once there they start searching for the light wells and it's game over if they get to them first .
This makes for a tense cat and mouse with your heroes racing to either get to a well or intercept the demons on route.
Instead, you get plain cards with simple line art and either just an icon/dice modifier or a short line of text explaining the effect. These cards are items of armour, weapons or other loot, potions, skill masteries, fate effects or abilities. A selection of these make up your character. Again, there are no defined heroes, you can be whatever you fancy being.
When you encounter a monster you roll 3d6 against a chart which will define the creature's species and its strength. Creature types are things like "Avian" and "Reptilian" so you can imagine fighting a dinosaur, a giant eagle or whatever fantastic creature you desire.
This makes the game a great framework to roleplay in. You are never stuck encountering the same things again and again. On the minus side, if you don't have a good imagination, it boils down to just rolling dice and beating target numbers. If you want a game to give you a story to follow, SoM is not that game.
The rules are good, if a little heavy but after a game or two it should soon click and it's mostly straight forward. The designer has recently just uploaded a revised rulebook to BGG which streamlines a number of things.
SoM comes with 4 large landscape hex tiles plus a shadow realm tile and you can choose any number of tiles to arrange in any position around the shadow realm tile. Each tile is divided into a number of smaller hexes with varying terrain and locations printed on them. This is the world you will be exploring and, despite being tiny compared to other game boards, each tile adds about an hour to the play time.
Gameplay involves exploring the land fighting creatures, gaining loot, visiting cities to trade goods or mystic seers to buy potions while searching for the special light wells that you must take control of.
In between player turns, the shadows act. They begin confined to the shadow realm but as the rounds progress, barriers fall and the shadows are more likely to find a way out to manifest in the land. Once there they start searching for the light wells and it's game over if they get to them first .
This makes for a tense cat and mouse with your heroes racing to either get to a well or intercept the demons on route.
Movie Metropolis (309 KP) rated Fantastic Four (2015) in Movies
Jun 11, 2019
An absolute snooze
Here comes yet another superhero film. Ending Marvel’s year that has included the charming Big Hero 6, the overstuffed Avengers: Age of Ultron and the surprisingly excellent Ant-Man, the Fox produced Fantastic Four reboot has a tough job trying to get audiences to forget the horror that came before it.
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
It’s been a tough ride for the quartet of heroes, but does director Josh Trank’s modern day reimagining of Marvel’s first team do enough to change perceptions?
Not by a long shot. Despite some excellent special effects, this yawnfest of a film that was plagued by rumours of constant behind-the-scenes tension and last-minute editing doesn’t have an ounce of originality in its short 100 minute running time.
Miles Teller (Insurgent), Kate Mara (Transcendence), Michael B. Jordan (Chronicle) and Jamie Bell (Billy Elliot) take on the roles of Reed Richards, Sue Storm, Johnny Storm and Ben Grimm respectively and are fine, if lacking in any real chemistry.
Fantastic Four is above all, an origins story as the four young adults try to crack interdimensional travel. Naturally, things don’t go quite to plan and they, alongside fellow colleague Victor Von Doom end up with an unusual set of powers – with Doom becoming the main antagonist.
Unfortunately, the plot, devised by no less than three writers is a complete bore. There is hardly anything of interest throughout the entire film as Trank pushes his cast from one underwhelming set piece to another.
When things do get tense, it’s only for a five minute scene involving Doom breaking out of a research facility. This is when we get to see what Fantastic Four could’ve been, a dark and brooding film with a disturbing villain at its core.
However, it seems this has been pushed back to make way for an unusually flat sense of humour and an uninteresting origins story. Marvel films live and die on their comedic elements and unfortunately Fantastic Four is as poor as they come.
Nevertheless, the film’s special effects are on the whole, very good. The other dimension looks fantastic and The Thing in particular is rendered using excellent motion capture animation.
An underwhelming climax wraps up a bitterly disappointing outing for the four heroes. Most superhero films end with a spectacular showdown of good versus evil but Fantastic Four has none of this. The ending is clichéd, short and has no real payoff.
Overall, expectations were already low for this reboot and despite director Josh Trank’s obvious talent for direction, this talent is nowhere to be found in Fantastic Four.
A cast that doesn’t gel together, a poor soundtrack and a lack of tonal balance ensures it will rest alongside X-Men Origins: Wolverine as proof that Marvel Studios needs the rights to all of its heroes returning to it.
https://moviemetropolis.net/2015/08/09/an-absolute-snooze-fantastic-four-review/
Movie Metropolis (309 KP) rated Hitman: Agent 47 (2015) in Movies
Jun 11, 2019
Clinical and incomprehensible
The transition from video game to movie is notoriously difficult to get right. From box-office disasters like Super Mario Bros. to the poorly received Resident Evil franchise, it appears no film is spared from either financial woe or critically panning.
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/
Hitman has become one of the most popular game series’ ever but the 2007 film of the same name failed to kick-start the franchise’s transition to the silver screen. Now, eight years later, Rupert Friend stars as the red tie-wearing assassin in Hitman: Agent 47, but does it succeed as a reboot?
Friend stars as the titular character, an emotionless killer hell-bent on tracking down the creator of the ‘Agent Program’ from which he was created. Alongside him for the ride is Hannah Ware’s Katia Van Dees, a young fearful woman searching for a man she does not know.
The usually excellent Zachary Quinto (Star Trek) also stars as a clichéd villain in a thankless role blighted by stilted dialogue and cardboard emotions. This most certainly isn’t his finest work.
The story is incredibly simple, barely fitting into the film’s slender 96 minute running time and the clinical filming style of director Aleksander Bach really doesn’t help. Beautiful locations like Berlin and Singapore are wasted in favour of sleek office sets, populated by one-dimensional characters that we couldn’t care less about.
Nevertheless, Friend plays the emotionless Agent 47 with ease and is one of the highlights in a film lacking in any real punch – it’s all been done before, and better.
Ware is disappointingly wooden, though her veneer seems to crack towards the finale and we get to see the character she could have played. It’s a shame that for the majority of Hitman’s running time we see no real prowess in her performance.
The action sequences are slick and nicely choreographed but Mission: Impossible – Rogue Nation did them only last month and in a more detailed and ultimately successful style.
However, clever gun-work is mixed nicely with the film’s 15 certificate and each barrel discharge feels much more real. It’s certainly more interesting than the two sequels to Taken and many other action thrillers that sport the 12A rating.
The climax leaves things wide open for a sequel, but the ending is incomprehensible to anyone who hasn’t played the games and leaves a bad taste in the mouth – probably not a great thing when trying to get audiences excited for a follow up.
Overall, Hitman: Agent 47 is much like its titular character. A slick outer shell hides not a lot underneath with a cast of wasted talent and a been-there-done-that attitude to the stunts. There’s some great sequences, but you’ll have to dig deep to find any real merit here.
https://moviemetropolis.net/2015/08/30/clinical-and-incomprehensible-hitman-agent-47-review/
Zuky the BookBum (15 KP) rated The Dark Net in Books
Mar 15, 2018
I really think that the synopsis for this book is not up to scratch! Although, yes, the synopsis is what initially drew me to this book, after reading it I can say that the book is <i><b>WAY</b></i> better than the synopsis would make you believe!
This book tackles the subject of good and evil, with references to demons and black magic which I didnt get at all from the synopsis! I was expecting this to have a much deeper involvement with the dark net, whats on it and how its used. While yes, there is that to the book, its not necessarily its main focus.
To begin with, this lack of talk about the dark net actually made me hesitant about the book. I was expecting something so much different to what I was reading, I felt really disappointed. But, that feeling didnt last for long. This is so unlike anything Ive ever read before and that made everything about this book really exciting. Not to mention, this is a super clever book! It uses real life scenarios that we can all relate to, or at least know about, and explains it with a black magic twist.
For example, when talking about demon possession, it explains how small demons can take over and that causes a man to plow a lorry through a busy crowd, or a school shooting a one off awful occasion in history. But when a big, strong demon comes along, it can posses not only a person, but a nation. It uses examples of the Holocaust and the Rwandan Genocide, which I thought was really smart!
Characters in this book were excellent, but there were quite a lot of them that we needed to get to know. Juniper was by far my favourite of the bunch, Sarin coming in at a close second. I loved that there was a strong, bad-ass female character who wasnt irritating (Lela, Im looking at you!).
As for the story, I will say that it feels a bit all over the place at times. Its not difficult to wrap your head around but there are a lot of things pulled in to the story at different times and this sometimes got a bit manic. This is classed as a horror novel, and for me, there definitely were some creepy bits. The hounds especially made my skin crawl.
Overall, I ended up really loving this novel. It was short and sweet (although it almost took me a whole 7 days to read), and it was exciting, creepy and fast-paced! A great novel for anyone who likes a darker thriller. Lots of gruesome deaths and bad-ass characters.
<i>Thanks to BookBridgr and Hodder & Stoughton for sending me an ARC in exchange for an honest review.</i>
This book tackles the subject of good and evil, with references to demons and black magic which I didnt get at all from the synopsis! I was expecting this to have a much deeper involvement with the dark net, whats on it and how its used. While yes, there is that to the book, its not necessarily its main focus.
To begin with, this lack of talk about the dark net actually made me hesitant about the book. I was expecting something so much different to what I was reading, I felt really disappointed. But, that feeling didnt last for long. This is so unlike anything Ive ever read before and that made everything about this book really exciting. Not to mention, this is a super clever book! It uses real life scenarios that we can all relate to, or at least know about, and explains it with a black magic twist.
For example, when talking about demon possession, it explains how small demons can take over and that causes a man to plow a lorry through a busy crowd, or a school shooting a one off awful occasion in history. But when a big, strong demon comes along, it can posses not only a person, but a nation. It uses examples of the Holocaust and the Rwandan Genocide, which I thought was really smart!
Characters in this book were excellent, but there were quite a lot of them that we needed to get to know. Juniper was by far my favourite of the bunch, Sarin coming in at a close second. I loved that there was a strong, bad-ass female character who wasnt irritating (Lela, Im looking at you!).
As for the story, I will say that it feels a bit all over the place at times. Its not difficult to wrap your head around but there are a lot of things pulled in to the story at different times and this sometimes got a bit manic. This is classed as a horror novel, and for me, there definitely were some creepy bits. The hounds especially made my skin crawl.
Overall, I ended up really loving this novel. It was short and sweet (although it almost took me a whole 7 days to read), and it was exciting, creepy and fast-paced! A great novel for anyone who likes a darker thriller. Lots of gruesome deaths and bad-ass characters.
<i>Thanks to BookBridgr and Hodder & Stoughton for sending me an ARC in exchange for an honest review.</i>
Zuky the BookBum (15 KP) rated Apartment 255 in Books
Mar 15, 2018
Firstly Id like to thank Netgalley and Momentum Books for giving me the opportunity to read this book.
I really wanted to like this more than I did. The story of the disturbed Ginny playing out her sick fantasies and aiming to ruin her best friends life is a great plot for a great psychological thriller but something with this book was amiss.
I think, for me, the reason this book didnt fulfil my original expectations was purely down to the characters. Ginny was the only interesting character to read about, yet there wasnt much description when it came to her and instead the story focused on the couple whose lives were being destroyed. I found Sarah too annoying to like, even when she wasnt being manipulated and tortured by Ginnys actions. For me, she was too happy and lovey dovey. Yes, she had just got engaged and I expect anyone to be happy after that, but the way she described Tom and their life together was such a picture perfect, cookie cutter life that it made everything seem like she was living out her own fantasy of this perfect life she had. Tom was more interesting as a character than Sarah, but ultimately still a bit of a drip. It just seemed like he couldnt live without his precious Sare Bear and seemed incapable of doing anything but think of her, whether with love or with anger. It may sound like Im being cynical but I found it all too sickly sweet. Thel and Hals story didnt interest me either, it felt like part of a story that didnt need to be there and easily could have been replaced with more about Ginny or at least cut down.
The plot for this was amazing and although it felt a bit slow to begin with, it does become fast paced and exciting for the reader nearer the end, though hearing more from Ginnys side would have been more interesting than always hearing about how angry Sarah felt right at that moment or how confused Tom was that Sarah was being the way she was.
The ending was certainly a twist of events that I hadnt seen coming. The reason for Ginny being so twisted and evil certainly came as a shock for me and the last couple of sentences in the book were chilling.
Overall I did enjoy this book but it wasnt something I was reaching for every night, instead I used it to pass the time while on the train to and from work. I can see this becoming a popular book and Im certain I know people who would love this, but I hate sickly sweet and there was definitely too much of that in this book for me.
I really wanted to like this more than I did. The story of the disturbed Ginny playing out her sick fantasies and aiming to ruin her best friends life is a great plot for a great psychological thriller but something with this book was amiss.
I think, for me, the reason this book didnt fulfil my original expectations was purely down to the characters. Ginny was the only interesting character to read about, yet there wasnt much description when it came to her and instead the story focused on the couple whose lives were being destroyed. I found Sarah too annoying to like, even when she wasnt being manipulated and tortured by Ginnys actions. For me, she was too happy and lovey dovey. Yes, she had just got engaged and I expect anyone to be happy after that, but the way she described Tom and their life together was such a picture perfect, cookie cutter life that it made everything seem like she was living out her own fantasy of this perfect life she had. Tom was more interesting as a character than Sarah, but ultimately still a bit of a drip. It just seemed like he couldnt live without his precious Sare Bear and seemed incapable of doing anything but think of her, whether with love or with anger. It may sound like Im being cynical but I found it all too sickly sweet. Thel and Hals story didnt interest me either, it felt like part of a story that didnt need to be there and easily could have been replaced with more about Ginny or at least cut down.
The plot for this was amazing and although it felt a bit slow to begin with, it does become fast paced and exciting for the reader nearer the end, though hearing more from Ginnys side would have been more interesting than always hearing about how angry Sarah felt right at that moment or how confused Tom was that Sarah was being the way she was.
The ending was certainly a twist of events that I hadnt seen coming. The reason for Ginny being so twisted and evil certainly came as a shock for me and the last couple of sentences in the book were chilling.
Overall I did enjoy this book but it wasnt something I was reaching for every night, instead I used it to pass the time while on the train to and from work. I can see this becoming a popular book and Im certain I know people who would love this, but I hate sickly sweet and there was definitely too much of that in this book for me.
Zuky the BookBum (15 KP) rated Savage Reckoning in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/savage-reckoning-by-c-hoyt-caldwell
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
Zuky the BookBum (15 KP) rated The Merciless in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/the-merciless-by-danielle-vega
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
<b><i>Forgive us, Father, for we have sinned.</b></i>
Well, well, well, what can I say? This thoroughly disappointed me, after giving it some more thought, Ive taken this down to 2 stars.
So we have 3 beautiful and popular God-fearing girls who adopt the new girl into their secretive little gang and warn her against demon-possessed Brooklyn. To cure Brooklyn of her devilish ways they decide to kidnap her, stick her in a basement and torture her, or exorcise her Sound like Im giving too much away? Well yes, I probably am, but the blurb tells you the exact same thing, making the whole suspense element of this book completely useless and a waste of the author's time. <b>Dont try to keep us on our toes when youve already told us whats going to happen.</b>
Due to this being a novel aimed at Young Adult readers, the language, for me, felt simple and lack lustre. I can only read so much before it becomes laughable for me, and laughable it became. All the characters speech was so unrealistic and straightforward it was almost impossible to believe anyone would actually talk like that. This unrealistic speech really made it difficult to connect to any of the characters on a deeper level so I had no empathy for any of them.
The plot, overall, is just a little bit completely ridiculous and nonsensical. The blandness of the characters, scenes and speech make the whole thing feel like a pretty demented, but dumb dream. <spoiler>If Brooklyn had just been evil in a normal teenage girl way and didnt rip out Rileys fucking heart, maybe it would have been a better book</spoiler> I didnt find myself shocked, scared or creeped out at any point in the entire book because it was all so juvenile and cheesy. The reasons the girls did what they did was childish and cringy and it just wouldnt happen in the way Vega wrote it down. And lets not get me started on all the loose ends...
Anyone up for reading one of the most predictable endings ever? My God, what an unexciting end to a pretty unexciting novel - at least it was consistent.
I did read this over the period of just one day, so it had me wanting to finish it, but not for any of the right reasons. I wasnt reading it quickly because I wanted to know what was going to happen next, I was reading it quickly because it was getting stupider and stupider and I wanted to get it over and done with. Do I want to put myself through reading the second book in the series? I dont know Ill give it some time first.
Erika Kehlet (21 KP) rated The Queen of the Tearling in Books
Feb 19, 2018
I finished this audiobook a while ago and put off writing the review because I couldn't decide how I felt about it. I went back and forth between 2 and 3 stars for a while. There were several things about the story that really bothered me (making me feel like it only deserved 2 stars), but then there were times when I was interested enough to think that I would need to read book two to see what happens. When all was said and done, I did decide I might read the next book at some point, so three stars it is.
A note about setting
The book sounds like any other fantasy novel. This story actually takes place in a future where for some reason (we are never told exactly what happened), a group of people have fled America and moved to a new land (again, we don't know how there was a new land available for them to colonize...) leaving all technology and modern conveniences behind them.
What bothered me about the book
Is it young adult or not? Occasionally the language, violence, or other crudeness seemed inappropriate for all but the most mature of teens, but then Kelsea would act like a nineteen year old girl, she spent an awful lot of time obsessing over her plain appearance, how handsome each of her guards happened to be, etc..., so I could never really tell.
Where / when is it? We get bits and pieces mentioning "the crossing", but why? What happened? Is there still an America with technology somewhere? Where are the main characters now? If the Capital is New London, are they anywhere near old London? How is there magic? And who is this enemy, this evil Mort/Red Queen who seems to have an abundance of it? I can go on and on here, and the lack of details or explanation about this world they are living in is my biggest complaint.
What I liked about the book
Kelsea, when she could remember not to worry about her plain face or how greasy her hair looked, actually had a decent moral compass and wanted to do what was right for her new-found kingdom, not just what was easy or convenient for her. She was stubborn and idealistic, and I admired those traits in her. I even eventually grew to like some of her guards, the Mace and Pen in particular, as they finally learned to respect her and some of her ideas near the end of the story.
Will you like this book?
I wish I could say yes, but the best I can do is maybe. If you go into it knowing that you are not going to understand exactly where this world is, how it came about, or why, and that doesn't bother you, then you just might. I will give book two a try to see if there are more details forthcoming, but not right away.
A note about setting
The book sounds like any other fantasy novel. This story actually takes place in a future where for some reason (we are never told exactly what happened), a group of people have fled America and moved to a new land (again, we don't know how there was a new land available for them to colonize...) leaving all technology and modern conveniences behind them.
What bothered me about the book
Is it young adult or not? Occasionally the language, violence, or other crudeness seemed inappropriate for all but the most mature of teens, but then Kelsea would act like a nineteen year old girl, she spent an awful lot of time obsessing over her plain appearance, how handsome each of her guards happened to be, etc..., so I could never really tell.
Where / when is it? We get bits and pieces mentioning "the crossing", but why? What happened? Is there still an America with technology somewhere? Where are the main characters now? If the Capital is New London, are they anywhere near old London? How is there magic? And who is this enemy, this evil Mort/Red Queen who seems to have an abundance of it? I can go on and on here, and the lack of details or explanation about this world they are living in is my biggest complaint.
What I liked about the book
Kelsea, when she could remember not to worry about her plain face or how greasy her hair looked, actually had a decent moral compass and wanted to do what was right for her new-found kingdom, not just what was easy or convenient for her. She was stubborn and idealistic, and I admired those traits in her. I even eventually grew to like some of her guards, the Mace and Pen in particular, as they finally learned to respect her and some of her ideas near the end of the story.
Will you like this book?
I wish I could say yes, but the best I can do is maybe. If you go into it knowing that you are not going to understand exactly where this world is, how it came about, or why, and that doesn't bother you, then you just might. I will give book two a try to see if there are more details forthcoming, but not right away.