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Movie Metropolis (309 KP) rated Hansel and Gretel: Witch Hunters (2013) in Movies
Jun 11, 2019
2013 is the year of the fairy-tale and the year of the witch, or so it looks that way from what seems to be a never-ending bombardment of films related to the two age-old topics. This year sees the release of Bryan Singer’s Jack the Giant Slayer as well as Sam Raimi’s Oz: The Great & the Powerful and whilst the latter has opened to mixed reviews, it is Bryan Singer’s effort which really looks like it’ll sparkle.
Sat between these two behemoths is the critical and somewhat commercial failure, Hansel & Gretel: Witch Hunters, but is it as bad as the reviews would have you believe? Let’s find out.
The fairy-tale of Hansel & Gretel is as well-known as Jack & the Beanstalk and to some extent the story in the Wizard of Oz, but films of this classic have been limited to low-budget television movies because finding the audience for such a difficult genre is not to be underestimated.
Here however, Tommy Wirkola directs his first English-language film with some degrees of success, though, a few niggling factors stop it from being the success it could’ve been. In a darker tale than perhaps we’re used to with a story such as this, Jeremy Renner and Gemma Arterton star as Hansel & Gretel respectively and for the most part, fulfil their roles well as they battle numerous dark witches in a plot which never really gets to grips with the genre it is trying to be.
Herein lays the problem, do you direct the fairy-tale genre as a family comedy or as something a little darker? Clearly director Wirkola has had his work cut out to find the balance between the two and the result is confusing, he has ended up with a 15 certificate which mixes comedy with a bloodbath that wouldn’t look out of place in a Quentin Tarantino picture; it really is that over-the-top. The use of swear-words also feels out of place, like they’re there just to shock rather than add anything to the film’s narrative.
Hansel & Gretel have grown up deciding to kill witches after they were left abandoned in the woods by their father. To cut a long story short, they are captured by a witch and forced to work for her; whilst doing this, Hansel develops ‘sugar sickness’ (diabetes) from all the candy he is forced to consume and must inject himself often. After killing said witch, they flee and the story begins; with them being hired to kill witches who have stolen children from a small town to allow them to become immune to fire; their major weakness.
It’s an interesting take on the story and Famke Janssen plays the wicked grand witch brilliantly, she manages to be both endearing and rightly terrifying in the same scene, though this is helped with the prosthetics used to alter her face. The other actors, including the main two are a little uninspired, especially Arterton who looks positively bored with the work she’s been given. In saying that, Renner isn’t much better and the majority of the film suffers as a result. In fact, you’ll probably be rooting for Janssen’s Muriel to succeed in her evil plot.
Thankfully, the special effects are very good, although I was expecting a little more witch-on-witch action, a la Harry Potter. Atli Orvarsson’s score is excellent and a real highlight of the film. The music in the brilliant opening credits is fantastic.
Overall, Hansel & Gretel: Witch Hunters is a solid but uninspiring adaptation of a fairy-tale which was never meant for the big screen. Director Tommy Wirkola has obviously tried very hard to create a film which caters for most palates and whilst the score, special effects and acting from Famke Janssen are all top notch, the confusing mish-mash of genres and hammy acting from Jeremy Renner and Gemma Arterton stop it being anything more than a forgettable action flick. After all, when your lead characters look like they can’t be bothered, you’ve got a serious problem.
https://moviemetropolis.net/2013/03/02/hansel-gretel-witch-hunters-review-2013/
Sat between these two behemoths is the critical and somewhat commercial failure, Hansel & Gretel: Witch Hunters, but is it as bad as the reviews would have you believe? Let’s find out.
The fairy-tale of Hansel & Gretel is as well-known as Jack & the Beanstalk and to some extent the story in the Wizard of Oz, but films of this classic have been limited to low-budget television movies because finding the audience for such a difficult genre is not to be underestimated.
Here however, Tommy Wirkola directs his first English-language film with some degrees of success, though, a few niggling factors stop it from being the success it could’ve been. In a darker tale than perhaps we’re used to with a story such as this, Jeremy Renner and Gemma Arterton star as Hansel & Gretel respectively and for the most part, fulfil their roles well as they battle numerous dark witches in a plot which never really gets to grips with the genre it is trying to be.
Herein lays the problem, do you direct the fairy-tale genre as a family comedy or as something a little darker? Clearly director Wirkola has had his work cut out to find the balance between the two and the result is confusing, he has ended up with a 15 certificate which mixes comedy with a bloodbath that wouldn’t look out of place in a Quentin Tarantino picture; it really is that over-the-top. The use of swear-words also feels out of place, like they’re there just to shock rather than add anything to the film’s narrative.
Hansel & Gretel have grown up deciding to kill witches after they were left abandoned in the woods by their father. To cut a long story short, they are captured by a witch and forced to work for her; whilst doing this, Hansel develops ‘sugar sickness’ (diabetes) from all the candy he is forced to consume and must inject himself often. After killing said witch, they flee and the story begins; with them being hired to kill witches who have stolen children from a small town to allow them to become immune to fire; their major weakness.
It’s an interesting take on the story and Famke Janssen plays the wicked grand witch brilliantly, she manages to be both endearing and rightly terrifying in the same scene, though this is helped with the prosthetics used to alter her face. The other actors, including the main two are a little uninspired, especially Arterton who looks positively bored with the work she’s been given. In saying that, Renner isn’t much better and the majority of the film suffers as a result. In fact, you’ll probably be rooting for Janssen’s Muriel to succeed in her evil plot.
Thankfully, the special effects are very good, although I was expecting a little more witch-on-witch action, a la Harry Potter. Atli Orvarsson’s score is excellent and a real highlight of the film. The music in the brilliant opening credits is fantastic.
Overall, Hansel & Gretel: Witch Hunters is a solid but uninspiring adaptation of a fairy-tale which was never meant for the big screen. Director Tommy Wirkola has obviously tried very hard to create a film which caters for most palates and whilst the score, special effects and acting from Famke Janssen are all top notch, the confusing mish-mash of genres and hammy acting from Jeremy Renner and Gemma Arterton stop it being anything more than a forgettable action flick. After all, when your lead characters look like they can’t be bothered, you’ve got a serious problem.
https://moviemetropolis.net/2013/03/02/hansel-gretel-witch-hunters-review-2013/
Cyn Armistead (14 KP) rated Moon Fever (Includes: Primes, #6.5) in Books
Mar 1, 2018
This was one of those "I finished the last thing I was reading and I'm bored, what's already loaded on the iTouch?" reads. It was on there because the anthology includes [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg]'s "Cobwebs Over the Moon" (Nightcreatures, #10) and I read all of that series a while back. I didn't care to read the rest of the anthology at the time, but I hadn't gotten around to deleting the book. Ah, happy digital packrat am I!
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
If I've read anything by [a:Susan Sizemore|88608|Susan Sizemore|http://photo.goodreads.com/authors/1254303347p2/88608.jpg] other than "Tempting Fate" (Primes #6.5), it was eminently forgettable. I'm absolutely sure that I haven't read anything else in her <a href="http://www.goodreads.com/series/41947-primes">Primes</a>; series, because I probably would have thrown said material firmly into the nearest hard surface (or whatever the equivalent is with bytes) because of the insanely annoying number of times Sizemore feels it necessary to remind us that her vampires are Primes! Alpha Primes! They are! Really! And that means they fight a lot! Especially over women! Otherwise, it's a Mary Jane story set in New Orleans. I have a strong feeling that most of the Primes series is Mary Jane-ish, but I may at some point be trapped and forced with the prospect of staring at the inside of my eyeballs or reading more of Sizemore's stuff. I'm not sure which would be worse right now. I'll get back to you on that.
"The Darkness Within" by [a:Maggie Shayne|17064|Maggie Shayne|http://photo.goodreads.com/authors/1215028948p2/17064.jpg] feels terribly familiar, although I'm sure I haven't read it before. I have, however, read other Shayne novellas in other anthologies, and this story follows a familiar pattern. Sexy gal who doesn't think she's attractive has had a run of hard luck and may lose the house she has bought relatively recently and loves. Said house has a spooky past that she didn't know about when she bought it. Stalwart too-sexy-for-her man gets involved somehow, preferably in a way that allows her to question his motives. They are inexplicably drawn to each other and screw like bunnies (or near as makes no difference), then blame their lapse in judgement on whatever weirdness is going on in the house. (Yep, that's what they all say - and no safer sex anywhere! Does paranormal activity preclude discussion of sexual history and prevent STD transmission?)
"Cobwebs Over the Moon" by [a:Lori Handeland|17060|Lori Handeland|http://photo.goodreads.com/authors/1236700197p2/17060.jpg] (<a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>;, #10) isn't the most logical entry in that series. Neither is it the most illogical - but by the tenth entry, the series' mythology has gotten a bit ridiculous, so I don't know why I even bother bringing up something as irrelevant as logic. Silly me! In every book, we're introduced to a woman who is in some way tangled up with werewolves, then to a man who is tangled up with her and/or the creatures and, of course, whose loyalties are uncertain. There is always an element of danger to add spice to the romance that has to grow between the two. The formula never changes at all. There are always evil werewolves, but sometimes there are also good ones. If you like predictability in your paranormal romance, <a href="http://www.goodreads.com/series/41626-nightcreature">Nightcreatures</a>; is a great series for you.
I suppose [a:Caridad Piñeiro|2944621|Caridad Piñeiro|http://photo.goodreads.com/authors/1305975476p2/2944621.jpg]'s "Crazy for the Cat" isn't technically any better or worse than any of the other three stories. There's more variety in the shapeshifting and the main setting is the Amazon jungle. I couldn't get past the bigotry and colonialism, though. Dark is bad, light is good, of course! Those poor benighted natives couldn't possibly handle a few rogues without that white woman, could they? Spare me.
BankofMarquis (1832 KP) rated It (2017) in Movies
Feb 14, 2018
IT is very good
I met the clown and IT is...fascinating, gripping, thrilling, humorous, intense and good.
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Zuky the BookBum (15 KP) rated Dark Tales in Books
Mar 15, 2018
This is a really generous collection of short stories. There are 17 in this book in total, with the longest being only 24 pages (which feels like loads after reading 10 page stories practically all the way through)!
<b><i>The Possibility of Evil - 3 stars</i></b>
I wasn’t all that interested in this short until right at the very end. The last line was fantastically horrible.
<b><i>Louisa, Please Come Home - 3 stars</i></b>
Hm. This one was good but not great. It was sad, more than anything.
<b><i>Paranoia - 5 stars</i></b>
This story was great! It gripped me right from the start and had my heart pounding as Mr Beresford was rushing to get home and away from “light hat”. Fantastically creepy ending too.
<b><i>The Honeymoon of Mrs Smith - 2 stars</i></b>
I liked the prose and everything but I didn’t get it? Probably me just being stupid but… yeah.
<b><i>The Story We Used to Tell - 3 stars</i></b>
There was certainly an eeriness about this story but I didn’t like how it took on a sort of paranormal turn, when the rest of the stories have been based on human nature.
<b><i>The Sorcerer's Apprentice - 2 stars </i></b>
This one was just really dull in comparison to the other ones.
<b><i>Jack the Ripper - 4 stars </i></b>
I liked this one because it was creepy and kind of left you to your own imagination. I love any kind of story that focuses on the Ripper because everyone makes him their own.
<b><i>The Beautiful Stranger - 3 stars </i></b>
If you can’t already tell from my previous mini reviews, I prefer the creepy stories, and this wasn’t that, but it was still an interesting story, just not my favourite.
<b><i>All She Said Was Yes - 4 stars</i></b>
I liked this story because it was a little bit different and the ending has you going “No! No! Don’t do it!”. I like it when a book conjures up that emotion from you.
<b><i>What a Thought - 4 stars</i></b>
Hasn’t just about everyone had a murderous thoughts before? This was a good story because I could relate to some of it. (That all sounds so bad, don’t worry, I’m not planning on ever killing anyone).
<b><i>The Bus - 4 stars</i></b>
I really liked this one! It got super creepy when she arrived at the old house and I loved the twist ending!
<b><i>Family Treasures - 3 stars</i></b>
I enjoyed this one all the way up to then end. Girls are so terribly bitchy, Jackson got the atmosphere in the house perfectly right!
<b><i>A Visit - 3 stars</i></b>
I liked how the mystery built in this story but I didn’t particularly like how to story ended. I also felt that the timings were a little all over the place, which confused me at some parts.
<b><i>The Good Wife - 3 stars</i></b>
I didn’t mind this story but it was very predictable. I was hoping the end wouldn’t be what I was expecting it to be, but alas.
<b><i>The Man in the Woods - 4 stars</i></b>
This story had a bit of a fairy tale feel to it, which made it a lot more enjoyable for me.
<b><i>Home - 4 stars</i></b>
OK, so I know I said earlier in this review that I didn’t like one of the stories taking on a paranormal element, but I liked it in this one! I kind of reminded me of Beetlejuice because of the bridge lol.
<b><i>The Summer People - 4 stars</i></b>
Eep, this one was creepy! I liked the whole creepy local community vibe it had to it and how the Allison’s were no longer welcome… Very good end to this collection of shorts.
<i>Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.</i>
<b><i>The Possibility of Evil - 3 stars</i></b>
I wasn’t all that interested in this short until right at the very end. The last line was fantastically horrible.
<b><i>Louisa, Please Come Home - 3 stars</i></b>
Hm. This one was good but not great. It was sad, more than anything.
<b><i>Paranoia - 5 stars</i></b>
This story was great! It gripped me right from the start and had my heart pounding as Mr Beresford was rushing to get home and away from “light hat”. Fantastically creepy ending too.
<b><i>The Honeymoon of Mrs Smith - 2 stars</i></b>
I liked the prose and everything but I didn’t get it? Probably me just being stupid but… yeah.
<b><i>The Story We Used to Tell - 3 stars</i></b>
There was certainly an eeriness about this story but I didn’t like how it took on a sort of paranormal turn, when the rest of the stories have been based on human nature.
<b><i>The Sorcerer's Apprentice - 2 stars </i></b>
This one was just really dull in comparison to the other ones.
<b><i>Jack the Ripper - 4 stars </i></b>
I liked this one because it was creepy and kind of left you to your own imagination. I love any kind of story that focuses on the Ripper because everyone makes him their own.
<b><i>The Beautiful Stranger - 3 stars </i></b>
If you can’t already tell from my previous mini reviews, I prefer the creepy stories, and this wasn’t that, but it was still an interesting story, just not my favourite.
<b><i>All She Said Was Yes - 4 stars</i></b>
I liked this story because it was a little bit different and the ending has you going “No! No! Don’t do it!”. I like it when a book conjures up that emotion from you.
<b><i>What a Thought - 4 stars</i></b>
Hasn’t just about everyone had a murderous thoughts before? This was a good story because I could relate to some of it. (That all sounds so bad, don’t worry, I’m not planning on ever killing anyone).
<b><i>The Bus - 4 stars</i></b>
I really liked this one! It got super creepy when she arrived at the old house and I loved the twist ending!
<b><i>Family Treasures - 3 stars</i></b>
I enjoyed this one all the way up to then end. Girls are so terribly bitchy, Jackson got the atmosphere in the house perfectly right!
<b><i>A Visit - 3 stars</i></b>
I liked how the mystery built in this story but I didn’t particularly like how to story ended. I also felt that the timings were a little all over the place, which confused me at some parts.
<b><i>The Good Wife - 3 stars</i></b>
I didn’t mind this story but it was very predictable. I was hoping the end wouldn’t be what I was expecting it to be, but alas.
<b><i>The Man in the Woods - 4 stars</i></b>
This story had a bit of a fairy tale feel to it, which made it a lot more enjoyable for me.
<b><i>Home - 4 stars</i></b>
OK, so I know I said earlier in this review that I didn’t like one of the stories taking on a paranormal element, but I liked it in this one! I kind of reminded me of Beetlejuice because of the bridge lol.
<b><i>The Summer People - 4 stars</i></b>
Eep, this one was creepy! I liked the whole creepy local community vibe it had to it and how the Allison’s were no longer welcome… Very good end to this collection of shorts.
<i>Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.</i>
Lilyn G - Sci-Fi & Scary (91 KP) rated Terror is Our Business in Books
May 30, 2018
Terror is Our Business is the first time I’ve ever read Joe or Kasey Lansdale. I love horror, but by all accounts I’m not nearly as wide read in it as I should be. (At least not when it comes to the more well-known names.) I was a bit nervous about accepting a free copy of the book for review consideration because of that. However, I figured this might give me a taste of Lansdale’s writing to see if I wanted to pursue other works from him.
This was a set of seven stories, six having been previously printed. There are four stories from Joe R. Lansdale alone, and then Kasey’s character, Jana, gets introduced and the rest of the stories are dual-written. It also contains an introduction from Joe Lansdale talking about the formation of the Dana Roberts’ series, and how it has changed. There’s a similar introduction from Kasey’s point of view when the Jana-inclusive stories are getting ready to be told.
Dana and Jana are a good contrast to each other. Dana is rich, well-educated, and a bit of a snob. I initially liked her quite a bit, but over time she started to annoy me a tad. I did appreciate the fact that she was a self-professed atheist, though (who wasn’t evil! Imagine that!) She’s very good at what she does, but she’s not exactly the type of person I want to spend any considerable amount of time around. Jana, on the other hand, is more down to earth. She’s a bit crude, has no filter, and isn’t exactly the picture of grace that Dana is. Needless to say, I liked Jana a whole lot more. I think Dana and Jana have the potential to develop a rapport as a team that will be consistently engaging. However, to be quite honest, I don’t think they’re there yet. There are enough hints of a relationship forming that I would definitely pick up more, but at this point it’s on potential rather than true enjoyment of the series. I hope Nora and Gary aren’t completely written out of the series, either. I liked them both, what little we got to see, and would love to see them on page a bit more.
Anyways, here’s my breakdown.
*The Case of the Lighthouse Shambler and The Case of the Creeping Shadow were the least liked ones from the book. The format is okay, but the way Dana relays things is so stiff and formal that it’s hard to get into. I liked the edge of horror they had, but couldn’t connect.
*The Case of the 4 Acre Haunt got my attention. I had never heard of that type of tree, but the way Joe Landsdale described it, and what happened in the woods was definitely creepy!
*The Case of the Angry Traveler was my favorite of the solely Dana cases. This one was a sci-fi horror, and even though it wasn’t really ever scary, it was interesting, and I liked the ending.
*Blind Love, the story following Angry Traveler was lovely. It disgusted me, but it also delighted me. I almost instantly felt a lot more connected to the stories when the humorous element was introduced.
*The Case of the Bleeding Wall made me like Dana a little bit more. It showed that yes, even though she’s stiff and formal, she’s definitely human, and what she experienced truly bothered her.
*The Case of the Ragman’s Anguish wasn’t as good as The Case of the Bleeding Wall, but I still enjoyed it, and the scene in the car made my skin prickle a bit.
My favorite case in the book was Blind Love, with The Case of the Angry Traveler being a close second.
Joe and Kasey Lansdale are a wonderful team and Terror is Our Business is a solid collection of stories with a supernormal (sometimes Lovecraftian) bent to them. For those of you that read J.D. Robb’s In Death series, I think you’ll recognize a bit of the Eve and Peabody relationship with Dana and Jana. I hope to see more works from the father-daughter team in the future.
Disclaimer: I received a copy of this book from the publisher for review consideration.
This was a set of seven stories, six having been previously printed. There are four stories from Joe R. Lansdale alone, and then Kasey’s character, Jana, gets introduced and the rest of the stories are dual-written. It also contains an introduction from Joe Lansdale talking about the formation of the Dana Roberts’ series, and how it has changed. There’s a similar introduction from Kasey’s point of view when the Jana-inclusive stories are getting ready to be told.
Dana and Jana are a good contrast to each other. Dana is rich, well-educated, and a bit of a snob. I initially liked her quite a bit, but over time she started to annoy me a tad. I did appreciate the fact that she was a self-professed atheist, though (who wasn’t evil! Imagine that!) She’s very good at what she does, but she’s not exactly the type of person I want to spend any considerable amount of time around. Jana, on the other hand, is more down to earth. She’s a bit crude, has no filter, and isn’t exactly the picture of grace that Dana is. Needless to say, I liked Jana a whole lot more. I think Dana and Jana have the potential to develop a rapport as a team that will be consistently engaging. However, to be quite honest, I don’t think they’re there yet. There are enough hints of a relationship forming that I would definitely pick up more, but at this point it’s on potential rather than true enjoyment of the series. I hope Nora and Gary aren’t completely written out of the series, either. I liked them both, what little we got to see, and would love to see them on page a bit more.
Anyways, here’s my breakdown.
*The Case of the Lighthouse Shambler and The Case of the Creeping Shadow were the least liked ones from the book. The format is okay, but the way Dana relays things is so stiff and formal that it’s hard to get into. I liked the edge of horror they had, but couldn’t connect.
*The Case of the 4 Acre Haunt got my attention. I had never heard of that type of tree, but the way Joe Landsdale described it, and what happened in the woods was definitely creepy!
*The Case of the Angry Traveler was my favorite of the solely Dana cases. This one was a sci-fi horror, and even though it wasn’t really ever scary, it was interesting, and I liked the ending.
*Blind Love, the story following Angry Traveler was lovely. It disgusted me, but it also delighted me. I almost instantly felt a lot more connected to the stories when the humorous element was introduced.
*The Case of the Bleeding Wall made me like Dana a little bit more. It showed that yes, even though she’s stiff and formal, she’s definitely human, and what she experienced truly bothered her.
*The Case of the Ragman’s Anguish wasn’t as good as The Case of the Bleeding Wall, but I still enjoyed it, and the scene in the car made my skin prickle a bit.
My favorite case in the book was Blind Love, with The Case of the Angry Traveler being a close second.
Joe and Kasey Lansdale are a wonderful team and Terror is Our Business is a solid collection of stories with a supernormal (sometimes Lovecraftian) bent to them. For those of you that read J.D. Robb’s In Death series, I think you’ll recognize a bit of the Eve and Peabody relationship with Dana and Jana. I hope to see more works from the father-daughter team in the future.
Disclaimer: I received a copy of this book from the publisher for review consideration.
BankofMarquis (1832 KP) rated The Dark Knight Rises (2012) in Movies
Jun 27, 2018
A "good enough" ending to the trilogy
Going into the filming of THE DARK KNIGHT RISES, Director Christopher Nolan had a problem on his hands. The previous film in this trilogy - 2008's THE DARK KNIGHT - had turned into a cultural phenomenon based, in part, on the late Heath Ledger's bravura performance as The Joker. So how does he top it?
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
The quick answer is - you don't, so don't even try.
THE DARK KNIGHT RISES is a satisfactory conclusion to the Dark Knight trilogy that started with 2005's BATMAN BEGINS and, again stars Christian Bale as Bruce Wayne/Batman, the "Dark Knight".
What Director Nolan wisely does is continue his dark tone with this film, but does not even mention The Joker (or Ledger) in this film. Let the memories of the past films be just that - memories - and let this film stand on it's own.
And it does, for the most part.
Taking place 8 years after the events of THE DARK KNIGHT, this film has Batman coming out of self-imposed "retirement" to, yet again, save Gotham City from the clutches of a bad guy - this time, the masked Bane. In the course of this film Batman is torn down, to be risen and reborn again as the shining light of good over evil, shedding the "Dark Knight" moniker once and for all.
Nolan - and his brother, and frequent collaborator, Jonathan - wrote the screenplay and it is...serviceable. Nothing really remarkable about the story and plot. It gives each one of our returning characters - Lucious Fox (Morgan Freeman), Alfred Pennyworth (Michael Caine) and - especially - Commissioner Gordon (Gary Oldman) room to shine along with other, new characters like Selina Kyle/Catwoman (a really good Anne Hathaway), Officer Blake (Joseph Gordon-Levitt) Miranda Tate (Marion Cotillard) and, of course, Bane (Tom Hardy).
As you might be able to see, ALL of these actors are members of Nolan's "troupe" of actors - they either have been in other Nolan films (or, in the case of Hathaway, WILL be in another Nolan film) and each of them appear on the screen with gusto and a quiet confidence in their characters and a trust in a filmmaker that comes from frequent collaborations.
In the lead, Bale, of course, gives his usual, strong performance, though I did detect a hint of weariness in the performance. Now...some will say that is because the character is becoming weary, but I think it is more to the case that Bale was growing weary of playing this character.
But that is a quibble for all of the characters/actors do a terrific/professional job pushing the plot forward, which (let's admit) is just an excuse to go from one gigantic battle/chase scene to another and...Nolan certainly knows how to do these.
From the opening to close, every one of these gigantic "set pieces" held my attention and I found myself - even though I have seen this film before - sitting on the edge of my seat as the good guys - led by Batman - raced time to thwart the machinations of the bad guys in the end.
I'm glad these action sequences held my attention, for there are, inexplicably, looooong sections of this film where there is no action, but "character development" and "growth from strong internal retrospection." This sort of thing might have looked good on the page, but it is rather dull and boring when put on the screen. This film is almost 3 hours long, and - if Mr. Nolan would like to contact me - I can suggest a few spots where we can trim about 20-30 minutes out of this film, starting with the long stretch where Bruce Wayne is imprisoned.
But...these stretches are tolerable when you know it will lead you to some really fine action sequences featuring character/actors that you care about and are actually rooting for them to succeed. As I stated before, this is an "agreeable" conclusion to the trilogy. One who's journey I was glad to be one, but - to be honest - one that I was glad was over as well.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
Nadya R (9 KP) rated The Butterfly Garden in Books
Jul 2, 2018
Usually I don’t choice book by its cover. But in this case, when I saw the book’s cover I was almost sure that I wanna read this book. The cover with its dark tones and eye catching red details is so stunning.* Then there was a brainstorming review that made me 100% sure I am gonna read this book.
The story is told my Maya. 18 years old girl managed to escape from a sex-addicted serial killer. He ‘catches’ the girls and make them live in the Garden. From first sight this Garden is a piece of Heaven- all this green plants, cliffs with waterfalls and brooks, but actually its a Devil’s place and the Devil is The Gardener. Rich man, craving for attention sociopath, he keeps his Garden full with beautiful young girls with breathtaking tattoos on their back. The tattoos represent butterfly wings and that’s why these girls are called ‘Butterflies’. They are going to share the butterfly beauty but their short life as well.
The story goes in two directions- the one, where two FBI detectives are trying to solve the mystery of The Garden and meanwhile leading Maya’s interrogation and the second one brings us back the house throughout Maya’s memories.
Maya was the girl who helps the new ‘catch’ the get use with the new situation they came with. Also she tries to keep all girls united. Except from the Gardener, there is his eldest son who also is aware of what’s going on in his dad’s secret garden. There is Lorraine as well. She is an ex-Butterfly who takes care for the girls and plays the role of their doctor. She is free of going in and out of the house, whenever she wants to, but also she is the perfect example of Stockholm syndrome so she didn’t even think about exposing her beloved one.
The Gardener is pretty conflicting character, though. Although he keeps girls in captive, for the outside world he is intelligent man, and big appreciator of art. He takes care for the girls, acts gently, with respect, but he expect from them, they always to be ready to greet him in their beds and to satisfy his sexual desires. From other side is his biggest son. He, in difference with his father, is evil and rude. He is one sadistic son of a bitch, trying to take all the benefits from the girls, as he can. The thing that makes him horny and turns him up is to break girls limbs, to hurt and even to kill them while he is f*cking them.
The wind of change came with Des - the Gardener lil son. He is good and loving, just like his father, except the fact that he doesn’t ripe girls and doesn’t like what his father and brother are doing at all. But after all he is son of his father and prefers to keep their family name nice and clean, instead of helping the girls.
From the very first page, the book held my attention and this didn’t change throughout the hole book till the last page. A horrifying story narrated extremely well. The adrenaline of the action kept me awake in the night, made me turn over the pages till I reached the last one. Maya is the perfect narrator- a rebel with butting tongue, she brings so much life to the book and her story at all. The biggest fault of the book is its ending. Seriously who can finish an amazing book like this in this stupid, discouraged way? It’s like the author just ran out of ideas (or deadlines were knocking on the door) and rushed the end. In the last pages there is a person, showed up with all the answers I need, but I didn’t found their answers because the book came to its end. I was so frustrated that I wanted to throw the book away and never ever look at it once again.
Despite the miserable ending, I recommend the books as something that everyone, who likes psycho triller, has to read.
* I’m taking about Bulgarian edition of the book ?
The story is told my Maya. 18 years old girl managed to escape from a sex-addicted serial killer. He ‘catches’ the girls and make them live in the Garden. From first sight this Garden is a piece of Heaven- all this green plants, cliffs with waterfalls and brooks, but actually its a Devil’s place and the Devil is The Gardener. Rich man, craving for attention sociopath, he keeps his Garden full with beautiful young girls with breathtaking tattoos on their back. The tattoos represent butterfly wings and that’s why these girls are called ‘Butterflies’. They are going to share the butterfly beauty but their short life as well.
The story goes in two directions- the one, where two FBI detectives are trying to solve the mystery of The Garden and meanwhile leading Maya’s interrogation and the second one brings us back the house throughout Maya’s memories.
Maya was the girl who helps the new ‘catch’ the get use with the new situation they came with. Also she tries to keep all girls united. Except from the Gardener, there is his eldest son who also is aware of what’s going on in his dad’s secret garden. There is Lorraine as well. She is an ex-Butterfly who takes care for the girls and plays the role of their doctor. She is free of going in and out of the house, whenever she wants to, but also she is the perfect example of Stockholm syndrome so she didn’t even think about exposing her beloved one.
The Gardener is pretty conflicting character, though. Although he keeps girls in captive, for the outside world he is intelligent man, and big appreciator of art. He takes care for the girls, acts gently, with respect, but he expect from them, they always to be ready to greet him in their beds and to satisfy his sexual desires. From other side is his biggest son. He, in difference with his father, is evil and rude. He is one sadistic son of a bitch, trying to take all the benefits from the girls, as he can. The thing that makes him horny and turns him up is to break girls limbs, to hurt and even to kill them while he is f*cking them.
The wind of change came with Des - the Gardener lil son. He is good and loving, just like his father, except the fact that he doesn’t ripe girls and doesn’t like what his father and brother are doing at all. But after all he is son of his father and prefers to keep their family name nice and clean, instead of helping the girls.
From the very first page, the book held my attention and this didn’t change throughout the hole book till the last page. A horrifying story narrated extremely well. The adrenaline of the action kept me awake in the night, made me turn over the pages till I reached the last one. Maya is the perfect narrator- a rebel with butting tongue, she brings so much life to the book and her story at all. The biggest fault of the book is its ending. Seriously who can finish an amazing book like this in this stupid, discouraged way? It’s like the author just ran out of ideas (or deadlines were knocking on the door) and rushed the end. In the last pages there is a person, showed up with all the answers I need, but I didn’t found their answers because the book came to its end. I was so frustrated that I wanted to throw the book away and never ever look at it once again.
Despite the miserable ending, I recommend the books as something that everyone, who likes psycho triller, has to read.
* I’m taking about Bulgarian edition of the book ?
Ivana A. | Diary of Difference (1171 KP) rated The One and Only in Books
Aug 21, 2018
Full review can also be found on my blog: www.diaryofdifference.com/2018/05/29/the-one-and-only-julia-ash-book-review/
<b><i>When bio-terrorism threatens to obscure humanity, one woman has the power to restore hope.</i></b>
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
<img src="https://pbs.twimg.com/media/DcGYE79WkAErxL3.jpg"/>;
<b><i>Review:</i></b>
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
<b><i>When bio-terrorism threatens to obscure humanity, one woman has the power to restore hope.</i></b>
Ruby Spencer is a wife and a mother. She also happens to be the only person that could save the people on Earth from dying! In moments when she is planning to resign from the U.S. Special Warfare Council, Ruby and her husband Clay are sent to one last mission.
With the last assignment being a low-risk mission to Taiwan where they need to analyze the zombie infection and consult with scientists, it seems like they are about to go on a long-deserved mini honeymoon.
But everything goes wrong! They get kidnapped, the biggest world powers all plan a war ahead, and it seems that only the ones that have Ruby are likely to win the war. They all fight over her, and she has no clue why. What makes her so special?
<img src="https://pbs.twimg.com/media/DcGYE79WkAErxL3.jpg"/>;
<b><i>Review:</i></b>
First of all, I have to thank the author, Julia Ash, for sending over this amazing book to me, in exchange for an honest review!
The beginning of The One and Only is extremely breathtaking! I believe that the beginning might be the best part of the book, actually! The flow of the story is well-thought, and I especially loved the scenes where the author refers to the past, and made me feel like there was another book before that. It is quite easy to catch up with the beginning and the brief details of the past, but if in the future there is a prequel that explains it all – I would love to be the first one to know about it!
Now, the characters are probably the reason that made the book the way it is! We have Ruby, who is our heroine, a brave lady, ready to give all the love, courage and wisdom in the world. She is a mother, a wife, and a brave fighter that never gives up and is never afraid to stand up against evil.
On the other hand, we have her husband – Clay. He was… alright. I suppose? His love for Ruby and their daughter is incredible, but somehow, I could think of him as a manly enough figure in their relationship. He was smart and brave, but not as smart and brave as Ruby.
I couldn’t somehow connect with him.
The character that intrigued me the most is Ox. I loved how Julia has shown us the psychological profile of this man, and the way he thinks. It was lovely reading about his part of his story, and even though he was on the wrong side, it is what he believes in. And the way it is written in so extraordinary, that at times I could see myself giving him an excuse.
The only part that I couldn’t agree with, and I am refusing to accept is – THE ENDING! I will withdraw myself from spoilers, but that’s not how things should have ended! That is not the ending I wanted, that is not the ending I was hoping for. No, no, no. It made me upset, and angry, and I wanted to break something very bad! That was a huge disappointment for me and it changed my whole perception of the story and the book itself.
If you ever get the chance to read this book – you should expect a lot of twists, a lot of ups and downs, and if you are like me and are trying hard to not bite your nails – well, you’re about to fail. This is not your typical book about zombie apocalypse. This is not your usual book about a heroine being kidnapped. This is not your usual book of how a person saves the world. This will be nothing like you expected, and everything you hoped for.
Chris Sawin (602 KP) rated The Legend of Hell House (1973) in Movies
Jun 19, 2019
Mr. Rudolph Deutsch has hired Lionel Barrett to investigate a haunted house. This isn't any normal haunted house though. It seems as though anyone who enters the house either leaves the house insane or winds up dead. In addition to Mr Barrett, his wife, Ann Barrett, a mental medium named Florence Tanner, and a physical medium who is also the only survivor of the last team of investigators to visit the house named Benjamin Fischer are all visiting Hell House to try and solve this phenomenon. $100,000 is theirs for the taking if they can do it within a week, but will they be able to survive what's caged inside Hell House? Emeric Belasco, a self-proclaimed genius ahead of his time, may have other plans.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
The Legend of Hell House isn't your average horror film about paranormal activity. I'll be up front with you right now, I'm not a big fan of movies about ghosts. I'm just not. I've come across a few that were decent, but I didn't think they were anything special or I just wound up not liking them at all. I actually liked this a lot more than I thought I would. The film isn't heavy on blood, gore, or cheap scares. In fact, more often than not, the scares come from what you don't see rather than what you actually do.
The acting is definitely a strong point in the film. The entire cast has their moments of brilliance during the insanity Hell House is putting them through, but Roddy McDowall is the actor who stands out amonst the rest. His performance just seems to outshine everyone else and he steals just about every scene he's in. There's a scene in the film where he starts screaming and falls to the floor in a seizure like maneuver that reminded me a lot of some of the scenes with Bruce Campbell in Evil Dead. The explanation was that he was blocking himself off from the house since he had been there before. As a physical medium, he was basically putting up walls to defend himself from the house this time around. And in this scene, I guess he tried lowering his guard for a bit and...this happened. The speeches he gives though, his facial expressions and body language, and cold tone. It's weird, but a guy that you look at at the beginning of the film and say to yourself that you're going to hate him because he looks smarmy and only really cares about himself winds up being the highlight of the film.
Another aspect of the film I really enjoyed were the special effects of the film. There's no CGI or anything, but the effects in the film are done very well. There's a scene where Ms. Tanner looks into her bedroom and sees someone lying under the covers in her bed and when she lifts up the covers, you can't see anyone but the door opens and slams like someone was getting up and leaving. It was just done very well. The effects like that were done very well. There are a few that look cheesy(cat in the shower scene, anyone?), but overall they look very good given how old the film is.
The plot was surprising, as well. I wasn't expecting anything really original or anything, but the fact that science is involved so heavily in trying rid the house of its supernatural presence was not only interesting, but a breath of fresh air compared to other methods I would've expected based on other films.
I think it's safe to say that The Legend of Hell House is one of the best haunted house films ever made and the best one I've seen as of this review. It probably isn't the type of horror film for gorehounds or if you're looking for a bloodfest. It's more of a paranormal film with a slight psychological twist. The acting is top notch and the story is a bit more clever than you may give it credit for at first glance.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of LEGO Marvel's Avengers in Video Games
Jun 19, 2019
In case you have not been paying attention, superhero movies have become all the rage at the box office the last several years in an unprecedented run of success. While the gaming based exploits of superhero franchises have not fared as well as their celluloid brethren there is still have been plenty of great offerings for fans to enjoy. Warner Bros. and Lego have created Lego Marvel Avengers which allows fans to not only re-create some of the best moments of the two avengers films, but explore beyond the films with over 100 Marevl based characters.
The game opens where “The Avengers: Age of Ultron”, began with the heroic forces attacking the evil Hydra in the snow-covered locales of a Hydra base. Hawkeye, Black Widow, The Hulk, Iron Man, Thor, and Captain America all came and play early in the game with players having the ability to move between characters based on their situational needs. For example, should you need to fly over an object a flight based character is definitely your way to go whereas the Hulk would be ideal for brute strength and whatever tactics would require a battering ram against the enemy.
It can take a little bit to get used to each character’s abilities as while the controls are for the most part universal; figuring out which combination can unleash which functions from the various characters may take a bit of patience. That is why I highly recommend if at all possible playing the game with a partner as a co-op mode does make the game much more enjoyable.
If you are not familiar with the Lego game, you will want to make sure to have a bit of patience as often figuring out the correct way to manipulate or destroy an object is key to being able to advance and only certain characters are functional in various situations. Iron Man’s lasers do a much better job sealing a control panel then would Hawkeye’s arrows or Black Widow’s pistols. It is discovering which character is needed when and which ability to use that really makes for a fun challenge.
No should players not want to take the campaign on; there is a free roam ability that allows players to have a great time going through several iconic locales. The real joy here is that you can unlock new characters as you go and according to an interview we did with the game designers at San Diego Comic Con, more characters will be made available in the future via DLC.
The game has solid graphics and for the most part smooth gameplay although there have been reports of some freeze ups occurring with the PS3 and other versions of the game. I played the game on the PS4 and aside from some frustrations with some puzzles and learning character controls; we had a very smooth and enjoyable experience throughout.
The combat system is much better than just repetitive button pressing although as I mentioned earlier you do need to get accustomed to what buttons to use for which characters and their abilities as with 100+ options patience is going to be required.
For those thinking the game is just a rehash of the two Avenger movies, your behalf you know that there are locales from other Marvel films including the two prior Captain America films and the trademark humor that is been the staple of the Lego series of games.
What I find most appealing about the game is that it works so well for gamers of all ages and abilities as well as those who want something they can play with their children and still be actively engaged in the game.
As such Lego Marvel Avengers is a solid effort that should appease fans both new and old of Marvel by giving them a fun, action-packed, and diverse gaming experience with a new level of immersion in the Marvel Universe.
http://sknr.net/2016/02/17/lego-marvel-avengers/
The game opens where “The Avengers: Age of Ultron”, began with the heroic forces attacking the evil Hydra in the snow-covered locales of a Hydra base. Hawkeye, Black Widow, The Hulk, Iron Man, Thor, and Captain America all came and play early in the game with players having the ability to move between characters based on their situational needs. For example, should you need to fly over an object a flight based character is definitely your way to go whereas the Hulk would be ideal for brute strength and whatever tactics would require a battering ram against the enemy.
It can take a little bit to get used to each character’s abilities as while the controls are for the most part universal; figuring out which combination can unleash which functions from the various characters may take a bit of patience. That is why I highly recommend if at all possible playing the game with a partner as a co-op mode does make the game much more enjoyable.
If you are not familiar with the Lego game, you will want to make sure to have a bit of patience as often figuring out the correct way to manipulate or destroy an object is key to being able to advance and only certain characters are functional in various situations. Iron Man’s lasers do a much better job sealing a control panel then would Hawkeye’s arrows or Black Widow’s pistols. It is discovering which character is needed when and which ability to use that really makes for a fun challenge.
No should players not want to take the campaign on; there is a free roam ability that allows players to have a great time going through several iconic locales. The real joy here is that you can unlock new characters as you go and according to an interview we did with the game designers at San Diego Comic Con, more characters will be made available in the future via DLC.
The game has solid graphics and for the most part smooth gameplay although there have been reports of some freeze ups occurring with the PS3 and other versions of the game. I played the game on the PS4 and aside from some frustrations with some puzzles and learning character controls; we had a very smooth and enjoyable experience throughout.
The combat system is much better than just repetitive button pressing although as I mentioned earlier you do need to get accustomed to what buttons to use for which characters and their abilities as with 100+ options patience is going to be required.
For those thinking the game is just a rehash of the two Avenger movies, your behalf you know that there are locales from other Marvel films including the two prior Captain America films and the trademark humor that is been the staple of the Lego series of games.
What I find most appealing about the game is that it works so well for gamers of all ages and abilities as well as those who want something they can play with their children and still be actively engaged in the game.
As such Lego Marvel Avengers is a solid effort that should appease fans both new and old of Marvel by giving them a fun, action-packed, and diverse gaming experience with a new level of immersion in the Marvel Universe.
http://sknr.net/2016/02/17/lego-marvel-avengers/