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BookwormMama14 (18 KP) rated Through Waters Deep (Waves of Freedom, #1) in Books
Jan 2, 2019
Tensions run high as a saboteur begins to wreck havoc at the Boston Naval Yard. America is on the brink of entering the second World War and there are those who will stop at nothing to make sure the nation stays out of it.
Mary Stirling is content with her job as a secretary at the Boston Naval Yard, so long as she can stay out of the spotlight. Mary is determined to remain in the shadows and keep her pride suppressed. On her journey, she learns that using the talents and gifts that God has given her, is not a sin. And it brings glory to the One who gave her those gifts. The last thing Mary expected was Ensign Jim Avery, a childhood friend now assigned to the USS Atwood. As they investigate the strange goings on at the Naval Yard, they become increasingly attached to one another. But will they ever get to tell each other how they feel? Or will they be separated forever?
First of all, I am completely in love with the cover of this book! I admit that I am a sucker for a good cover. And I would have to rate this as one of my all time favorites. Watch the photo shoot for the cover here. I could not stop reading this book. I was hooked from page one! There is so much going on in the story line that there is never a dull moment. It was interesting to watch Mary and Jim's relationship grow. There were a few times that I got very upset (you'll know what I'm talking about when you get there), but Sarah did an excellent job of bringing it all together in the end. The history within these pages is incredible. Although the author did take some creative license, she explains it in her notes at the end. Overall an excellent read and one I will be sharing with my friends! Through Waters Deep is the beginning of Sarah Sundin's third series, but the first book of hers that I have read. I look forward to reading the rest of her books!
I received a free copy of Through Waters Deep from Revell in exchange for my honest review.
Mary Stirling is content with her job as a secretary at the Boston Naval Yard, so long as she can stay out of the spotlight. Mary is determined to remain in the shadows and keep her pride suppressed. On her journey, she learns that using the talents and gifts that God has given her, is not a sin. And it brings glory to the One who gave her those gifts. The last thing Mary expected was Ensign Jim Avery, a childhood friend now assigned to the USS Atwood. As they investigate the strange goings on at the Naval Yard, they become increasingly attached to one another. But will they ever get to tell each other how they feel? Or will they be separated forever?
First of all, I am completely in love with the cover of this book! I admit that I am a sucker for a good cover. And I would have to rate this as one of my all time favorites. Watch the photo shoot for the cover here. I could not stop reading this book. I was hooked from page one! There is so much going on in the story line that there is never a dull moment. It was interesting to watch Mary and Jim's relationship grow. There were a few times that I got very upset (you'll know what I'm talking about when you get there), but Sarah did an excellent job of bringing it all together in the end. The history within these pages is incredible. Although the author did take some creative license, she explains it in her notes at the end. Overall an excellent read and one I will be sharing with my friends! Through Waters Deep is the beginning of Sarah Sundin's third series, but the first book of hers that I have read. I look forward to reading the rest of her books!
I received a free copy of Through Waters Deep from Revell in exchange for my honest review.
JT (287 KP) rated It: Chapter Two (2019) in Movies
Mar 10, 2020
“For 27 years, I dreamt of you. I craved you… I’ve missed you!” The return of Pennywise the Dancing Clown was one of the most eagerly anticipated horror icons of the year – and we weren’t left disappointed.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
Bill Skarsgård‘s demented shape-shifting entity is a performance for the horror ages, as he yet again terrifies the Losers Club. Now all grown up but still suffering from their traumatic problems and insecurities, the group must reunite once again to honour a promise they made to each other all those years ago.
Stephen King’s mammoth book would always be a hard piece of work to adapt, but director Andy Muschietti has more to play with this time around – and he doesn’t hold back. Kicking off proceedings with a rather nasty homophobic attack, Muschietti sets out his stall for what is a nerve-shredding 160 minutes.
Fast forward 27-years and the Losers Club appear to be living successful lives, having left the town of Derry and their pasts behind. However, it is all about to catch up them when Mike (Isaiah Mustafa), the only one not to leave, calls each one, in turn, to reveal that ‘It‘ has returned.
It is fantastically well cast with both young and old actors delivering excellent performances.
In shock and not willing to continue the fight, the group are brought back together by their close-knit bond for each other and the willingness to end the horror that has plagued them for almost three decades – however, Pennywise is not going down without a fight.
Flashbacks between young and old work very well and connect the timeline and narrative with seamless precision. It is fantastically well cast with both young and old actors delivering excellent performances. Rarely does it ever feel disjointed? Skarsgård clearly has fun and his terror is matched by the inclusion of several other monsters, equally as terrifying as the white-faced clown.
The ending might not be everyone’s cup of tea, but die-hard fans of the book should lavish praise on Muschietti’s interpretation. The furious pace at which it is delivered will be more than enough to keep viewers strapped to their seats.
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Ross (3284 KP) rated She Has A Broken Thing Where Her Heart Should Be in Books
Jun 15, 2020
Good suspenseful paranormal story
I received a free copy of this book from netgalley in exchange for an honest review.
Prior to starting this book, I was only aware of Barker from his work with Dacre Stoker on Dracul, the prequel-cum-biography telling a variation of Bram Stoker's life story. This book is very different, though it also tells someone's full life story.
Jack Thatch has had a tough life already when we meet him, his parents dying in a car crash when he was very young, and he spends his childhood living with his Aunt. A chance meeting with a mysterious girl in the cemetery on the anniversary of his parents' death haunts him and each year he returns looking for her, and the mystery continues. This carries on, with a new chapter telling the events of each subsequent year, and the "burned but not burned" bodies that appear on the same day.
There is a little of a Stephen King feel about the book - telling of a young boy growing up and telling every detail of his life and his friendships and gradually letting the paranormal elements of the story build up.
The first third of the book is excellent, setting the scene and sewing the seeds of the mystery to follow and introducing the cast of characters and their interactions and conflicts. This part of the story rattles along with decent pace and the reader can get a good feeling of momentum.
The middle third ground to a halt for me. The chapters became longer, the story being told felt less important and the reduction in pace was a bit of a kick in the teeth.
But the final third this book gets going again in superb style. This could well have been an excellent story in its own right, but definitely benefits from the lengthy build-up. We gradually have one group of characters grow and come into conflict with another, all building up to an inevitable meeting.
This is a great, but long, story of special abilities, how they could impact someone's life and be abused by those in power, and how they will eventually become out of control.
Prior to starting this book, I was only aware of Barker from his work with Dacre Stoker on Dracul, the prequel-cum-biography telling a variation of Bram Stoker's life story. This book is very different, though it also tells someone's full life story.
Jack Thatch has had a tough life already when we meet him, his parents dying in a car crash when he was very young, and he spends his childhood living with his Aunt. A chance meeting with a mysterious girl in the cemetery on the anniversary of his parents' death haunts him and each year he returns looking for her, and the mystery continues. This carries on, with a new chapter telling the events of each subsequent year, and the "burned but not burned" bodies that appear on the same day.
There is a little of a Stephen King feel about the book - telling of a young boy growing up and telling every detail of his life and his friendships and gradually letting the paranormal elements of the story build up.
The first third of the book is excellent, setting the scene and sewing the seeds of the mystery to follow and introducing the cast of characters and their interactions and conflicts. This part of the story rattles along with decent pace and the reader can get a good feeling of momentum.
The middle third ground to a halt for me. The chapters became longer, the story being told felt less important and the reduction in pace was a bit of a kick in the teeth.
But the final third this book gets going again in superb style. This could well have been an excellent story in its own right, but definitely benefits from the lengthy build-up. We gradually have one group of characters grow and come into conflict with another, all building up to an inevitable meeting.
This is a great, but long, story of special abilities, how they could impact someone's life and be abused by those in power, and how they will eventually become out of control.
Kristy H (1252 KP) rated Pretty Little Wife in Books
Jan 7, 2021
Slow to start, but ultimately an intriguing and unique thriller
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Lila Ridgefield's husband is missing. A beloved high school teacher, his boss, colleagues, and brother cannot believe that Aaron Payne would just disappear. He's certainly not the type to simply not show up for work one day. As for his wife, Lila is known more for her cold and quiet demeanor (and, let's be honest, her beauty). She's also pretty confused, because the last time she saw Aaron, she was rather convinced she was looking at his dead body. So where's his car she left behind--and the body? Investigator Ginny Davis is called to look into Aaron's disappearance. At first it seems unrelated to that of a missing local student. But the more Ginny digs, the more she starts to wonder. And the more Lila digs, the more she fears her husband is still alive.
"Despite all her careful planning, he was gone. She had to find Aaron before he found her."
Well, this was quite a book. The beginning was a bit slow for me--it took too long to get to the exciting part, and it was repetitive. It felt like bits and pieces were rehashed over and over. I wanted to shake Lila and tell her to get on with it!
But, once everything gets moving, this is quite an exciting thriller. The last fourth of the story especially is incredibly electrifying and, for the most part, keeps you guessing. (I had a decent idea about whodunnit, but it didn't diminish my enjoyment at all.) I loved the concept of a mystery where the woman kills her husband, yet the main story is, surprise: he disappears anyway. The dynamic between cunning Lila, whom you're never sure you can trust, and Ginny, who is a straightforward and honest investigator, is excellent. I enjoy a book with strong female protagonists and these two are excellent.
Overall, even though this dragged for a bit, it's certainly worth a read. For one thing, it's different, which is so refreshing in the thriller genre. It's also dark, intriguing, and surprising. 3.5 stars, rounded to 4 here.
I received a copy of this book from HarperCollins Publishers and Netgalley in return for an unbiased review.
Matthew Krueger (10051 KP) rated the Xbox One version of Outlast in Video Games
Nov 7, 2020
Survivor The Asylum
Outlast- is a excellent survival first person horror game set inside a asylum.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
The game revolves around a freelance investigative journalist, Miles Upshur, who decides to investigate a remote psychiatric hospital named Mount Massive Asylum, located deep in the mountains of Lake County, Colorado.
Outlast, the player assumes the role of investigative journalist Miles Upshur, as he navigates a dilapidated psychiatric hospital in Leadville, Colorado that is overrun by homicidal patients. The game is played from a first-person perspective and features some stealth gameplay mechanics. The player can walk, run, crouch, jump, climb ladders and vault over objects. Unlike most games, however, the player doesn't have a visible health bar on the screen and is unable to attack enemies. The player must instead rely on stealth tactics such as hiding in lockers, sneaking past enemies, staying in the shadows and hiding behind or under things in order to survive. Alternatively, the player can attempt to outrun their pursuer. If the player dies, the game will reset to the most recent checkpoint.
Most of the hospital is unlit, and the only way for the player to see while in the dark is through the lens of a camcorder equipped with night vision. Using the night vision mode will slowly consume batteries, forcing the player to scavenge for additional batteries found throughout the asylum. Outlast makes heavy use of traditional jump scares and audio cues, which alert the player if an enemy has seen them.
GameSpot gave the game a positive review as well stating that "Outlast isn't really a game of skill, and as it turns out, that makes sense. You're not a cop or a soldier or a genetically enhanced superhero. You're just a reporter. And as a reporter, you don't possess many skills with which you can fend off the hulking brutes, knife-wielding stalkers, and other homicidal maniacs who lurk in the halls of the dilapidated Mount Massive Asylum. You can't shoot them, or punch them, or rip pipes from the walls to clobber them with. You can only run and hide".
The aslyum setting is creepy, horrorfying, scary and terrorfying.
Its a excellent survival horror game.
Kristy H (1252 KP) rated Ties That Tether in Books
Apr 1, 2021
A sweet OwnVoices romance
This is the twentieth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.
Azere has always kept a promise she made, at twelve, to her dying father to only date Nigerian men. She's kept this vow even after the rest of her family emigrated to Canada, and Azere has had to struggle with preserving her Nigerian culture in a new land. Then one evening, yet another date set up by her overbearing mother goes awry. Frustrated, Azere heads to the hotel bar for a drink before heading home. There she meets Rafael Castellano; the two hit it off and share a few drinks--and later, his bed. Azere leaves the next day ashamed that she slept with this handsome white man. But when their one-night stand later evolves into something more, Azere must make a serious choice between pleasing her family or loving a man who isn't Nigerian.
"Culture is important. Preserving it, even more important. It's the reason I've always abided by one simple dating rule. Tonight, I've broken that rule."
This book was exactly what I needed when I picked it up--a simple romance that took my mind off things. It's not the most complicated or deftly written book, but it's cute and fun. Is it a bit predictable at times? Sure, but that does not take away any of the enjoyment. Azere is a lovely character, and the book does an excellent job exploring the dilemma she faces of love versus family and culture. Her mother, honestly, is a hateful character, and I felt terribly for the pressures Azere faced.
Rafael was a excellent character as well, as he came with his own baggage and struggles. It's easy to root for the pair of them. I loved that the book is an ode to romances, with lots of references to other love stories and films that predated it thrown in.
All in all, this is a delightful "culture-clash love story," and I am sure that Igharo's work will only get better with time. 3.5 stars, rounded to 4 here.