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Emma @ The Movies (1786 KP) rated Robin Hood (2018) in Movies
Sep 25, 2019
At this point I feel like I've grown u with definitive versions of Robin Hood. Kevin Costner will always be a front runner, and Disney's foxified version brings a smile to my face every time. I was also lucky to have been shown Robin Hood Men In Tights when I was younger and will always appreciate Cary Elwes' rendition. Errol Flynn will always be the high point for class in the role. There's always that one we don't talk about... Russell Crowe, I'm looking at you. We probably should consider the small screen as well, after all should we be excluding Robin from Madi Marian and Her Merry Men?
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
After the one we don't talk about I had fairly low expectations for this. Did we really need to reboot this icon?
The answer is evidently a resounding yes. No one is more surprised about this than I am. He's still not the best Robin (sorry... Rob) but he's an excellent modern adaptation for those who don't want to go old school with their viewing.
Taron Egerton doesn't quite have the on-screen presence of a lord, he's something or a whipper-snapper in Robin terms. He'd be much more at home in an episode of Arrow. Watch out, Roy. In fact that would be my guess of what happened in the pitching of this one. "Arrow is basically Robin Hood, shall we just do that?"
Ben Mendelsohn proved himself to be an excellent villain in Ready Player One, and he's brought himself back to that high with the Sheriff of Nottingham. Cruel and egotistical he makes an easy focus for everyone's revolutionary efforts.
Friar Tuck... hmm. Tim Minchin was an interesting choice. My main issue is that he basically seems to have played it as Bill Bailey. That was something that stuck out from the very first time we saw him and from that point on all I could think was that they might as well have got Bill Bailey to do it.
I had hoped that like the trailer the film would feature some modern music as well as what turned out to be some very atmospheric background ensemble. Sadly not though. Maybe it's just me pining back to A Knight's Tale.
Round of applause for the cinematography. Everything flowed really well and that opening scene of war (which you can see some of in the trailer above) really drew you in. In fact, the whole scene felt very much more modern than bows and arrows and was a striking moment in the film.
If cinematography is at the top, the writing is somewhere near the bottom. Generally it was passable and I didn't really notice it. That sounds odd, but you know what I mean, sometimes it is just there and doesn't really leave a mark. Every now and then you'd get a curve ball of a line that made me recoil and stopped my enjoyment of the film. Speeches that should have had power in the words didn't, there was no feeling of being roused to action like so many great films are able to do.
As a final comment... why must you mess with the naturally accepted order of characters?
What you should do
Go for the action, not the script. It's quite impressive on the big screen and Jamie Foxx's John holds some quiet moments of humour that are worth seeing.
Movie thing you wish you could take home
I would quite like John's ability to heal and not die. That seems like a massively impressive part of his character.
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Matthew Krueger (10051 KP) rated the PlayStation 3 version of Psychonauts in Video Games
May 8, 2020 (Updated May 8, 2020)
Whats In Your Head
Psychonauts- I remember playing this game on the oringal Xbox and PS2 and now with the second game coming out this year hopefully. At Pax East this year, I did see the Demo and it looks excellent.
Im going to review the first one. This is the PS3 remaster verison review.
Psychonauts- is a platforming game developed by Double Fine Productions that first released in 2005.
Psychonauts follows the player-character Raz (voiced by Richard Horvitz), a young boy gifted with psychic abilities who runs away from the circus to try to sneak into a summer camp for those with similar powers to become a "Psychonaut", a spy with psychic abilities. He finds that there is a sinister plot occurring at the camp that only he can stop.
The game is centered on exploring the strange and imaginative minds of various characters that Raz encounters as a Psychonaut-in-training/"Psycadet" to help them overcome their fears or memories of their past, so as to gain their help and progress in the game. Raz gains use of several psychic abilities during the game that are used for both attacking foes and solving puzzles. The player can assign three of these powers to their controller or keyboard for quick use, but all earned powers are available at any time through a selection screen.
The game includes both the "real world" of the camp and its surroundings, as well as a number of "mental worlds" which exist in the consciousness of the game's various characters.
The mental worlds have wildly differing art and level design aesthetics, but generally have a specific goal that Raz must complete to help resolve a psychological issue a character may have, allowing the game's plot to progress.
Within the mental worlds are censors that react negatively to Raz's presence and will attack him. There are also various collectibles within the mental worlds, including "figments" of the character's imagination which help increase Raz's psi ranking, "emotional baggage" which can be sorted by finding tags and bringing them to the baggage, and "memory vaults" which can unlock a short series of slides providing extra information on that character's backstory.
The story is set in fictional Whispering Rock Psychic Summer Camp, a remote US government training facility under the guise of a children's summer camp.
Psychonauts is a platform game that incorporates various adventure elements. The player controls the main character Raz in a third-person, three-dimensional view, helping Raz to uncover a mystery at the Psychonauts training camp. Raz begins with basic movement abilities such as running and jumping, but as the game progresses, Raz gains additional psychic powers such as telekinesis, levitation, invisibility, and pyrokinesis. These abilities allow the player to explore more of the camp as well as fight off enemies.
Despite being well received, Psychonauts did not sell well with only about 100,000 retail units sold at the time of release, leading to severe financial loss for Majesco and their departure from the video game market; the title was considered a commercial failure. Psychonauts since has earned a number of industry awards and gained a cult following.
Its a excellent and phenomenal game and cant wait to play the second one.
Im going to review the first one. This is the PS3 remaster verison review.
Psychonauts- is a platforming game developed by Double Fine Productions that first released in 2005.
Psychonauts follows the player-character Raz (voiced by Richard Horvitz), a young boy gifted with psychic abilities who runs away from the circus to try to sneak into a summer camp for those with similar powers to become a "Psychonaut", a spy with psychic abilities. He finds that there is a sinister plot occurring at the camp that only he can stop.
The game is centered on exploring the strange and imaginative minds of various characters that Raz encounters as a Psychonaut-in-training/"Psycadet" to help them overcome their fears or memories of their past, so as to gain their help and progress in the game. Raz gains use of several psychic abilities during the game that are used for both attacking foes and solving puzzles. The player can assign three of these powers to their controller or keyboard for quick use, but all earned powers are available at any time through a selection screen.
The game includes both the "real world" of the camp and its surroundings, as well as a number of "mental worlds" which exist in the consciousness of the game's various characters.
The mental worlds have wildly differing art and level design aesthetics, but generally have a specific goal that Raz must complete to help resolve a psychological issue a character may have, allowing the game's plot to progress.
Within the mental worlds are censors that react negatively to Raz's presence and will attack him. There are also various collectibles within the mental worlds, including "figments" of the character's imagination which help increase Raz's psi ranking, "emotional baggage" which can be sorted by finding tags and bringing them to the baggage, and "memory vaults" which can unlock a short series of slides providing extra information on that character's backstory.
The story is set in fictional Whispering Rock Psychic Summer Camp, a remote US government training facility under the guise of a children's summer camp.
Psychonauts is a platform game that incorporates various adventure elements. The player controls the main character Raz in a third-person, three-dimensional view, helping Raz to uncover a mystery at the Psychonauts training camp. Raz begins with basic movement abilities such as running and jumping, but as the game progresses, Raz gains additional psychic powers such as telekinesis, levitation, invisibility, and pyrokinesis. These abilities allow the player to explore more of the camp as well as fight off enemies.
Despite being well received, Psychonauts did not sell well with only about 100,000 retail units sold at the time of release, leading to severe financial loss for Majesco and their departure from the video game market; the title was considered a commercial failure. Psychonauts since has earned a number of industry awards and gained a cult following.
Its a excellent and phenomenal game and cant wait to play the second one.
Kristy H (1252 KP) rated The Charm Offensive in Books
Sep 2, 2021
A delightful reality show romantic comedy
Dev Deshpande works on the set of Ever After, a reality dating show he's loved since he was a kid. He truly believes in the show's premise of happily ever after, even as his own six-year-relationship with Ryan, a co-worker, ends. Then the show casts Charles Winshaw, a handsome millionaire tech genius as their next prince. Charlie has only agreed to come on the show to fix his awkward image, which has made it impossible for him to get another job in tech. He's terrible in front of the cameras and even worse with the women he's supposed to woo. Dev is assigned as his handler, a last ditch attempt to save Ever After. As he works to get Charlie to open up, the two connect, and realize that their chemistry is far better than anything Charlie has with his potential love interests. But Ever After demands a fairy tale ending--what does that mean for Charlie and Dev?
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
"And maybe then Dev will forget that in his own life, happily ever afters are never guaranteed."
This is a truly lovely book, with a great romance filled with crackling tension combined with excellent points about mental illness and being loved unconditionally (or not, as the case may be). I fell head over heels in love with both Charlie and Dev--they are wonderful characters, whom you grow attached to easily.
Dev truly believes in the romance of the show when no one else does--including his ex, Ryan, and Charlie. Yet sweet Dev does not feel worthy of the love he so fervently believes in and can only offer up what he terms "Fun Dev," a light, easygoing version of his personality that does not reflect his true self. Meanwhile Charlie struggles with OCD and anxiety. He has never been in a serious relationship or given himself a true chance to explore whom he likes. The two feel so real and are so well-written: they just fly off the pages. I don't watch the Bachelor and other type shows, but if you do, I'm sure you'll love this book. Even if you don't though, there's so much to enjoy in the dynamics of the story and the examination of the pros and cons of reality shows--a look at how they treat women, racism, sexuality, and more.
"Then again, it turns out Charles Winshaw is no one's definition of a Prince Charming, no matter how much he might look the part."
Cochrun writes and describes anxiety so well and truly mental illness as a whole. It's treated seriously and given the respect it deserves. There is so much great representation in this book, include ace. And while it covers serious issues, at heart, this is a romance, and oh, it's so cute! There's so much steamy, sexual tension between Charlie and Dev. So many hot scenes, so much love and wondering and flirting... they are adorable together! This book made me smile and laugh and cry; it's so wonderful written and just bursting with goodness.
I do think Charlie probably could have gotten a new job in tech without going on a reality show, but oh well. Overall, this is such an excellent read. It's a wonderful blend of serious and fun and flirty and a great exploration into love and what happily ever after really means.
Bob Mann (459 KP) rated The Death Of Stalin (2017) in Movies
Sep 29, 2021
Death…. Torture…. Child Abuse…. LOL??
Armando Iannucci is most familiar to TV audiences on both sides of the pond for his cutting political satire of the likes of “Veep” and “The Thick of It”, with his only previous foray into directing movies being “In the Loop”: a spin-off of the latter series. Lovers of his work will know that he sails very close to the wind on many occasions, such that watching can be more of a squirm-fest than enjoyment.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Rupert Friend (centre) tries to deliver a eulogy to his father against winged opposition. With (from left to right) Michael Palin, Jeffrey Tambor, Steve Buscemi and Simon Russell Beale.
It should come as no surprise then that his new film – “The Death of Stalin” – follows that same pattern, but transposed into the anarchic and violent world of 1950’s Russia. Based on a French comic strip, the film tells the farcical goings on surrounding the last days of the great dictator in 1953. Stalin keeps distributing his “lists” of undesirables, most of who will meet unpleasant ends before the end of the night. But as Stalin suddenly shuffles off his mortal coil, the race is on among his fellow commissariat members as to who will ultimately succeed him.
Stalin…. Going… but not forgotten.
The constitution dictates that Georgy Malenkov (an excellently vacillating Jeffrey Tambor) secedes but, as a weak man, the job is clearly soon going to become vacant again and spy-chief Lavrentiy Beria (Simon Russell Beale) and Nikita Khrushchev (Steve Buscemi) are jostling for position. (No spoilers, but you’ll never guess who wins!). Colleagues including Molotov (Michael Palin) and Mikoyan (Paul Whitehouse) need to decide who to side with as the machinations around Stalin’s funeral become more and more desperate.
The film starts extremely strongly with the ever-excellent Paddy Considine (“Pride”) playing a Radio Russia producer tasked with recording a classical concert, featuring piano virtuoso Maria Yudina (Olga Kurylenko, “Quantum of Solace”). A definition of paranoia in action!
Great fingering. Olga Kurylenko as Yudina, with more than a hand in the way the evening’s events will unfold.
We then descend into the chaos of Stalin’s Russia, with mass torture and execution colouring the comedy from dark-grey to charcoal-black in turns. There is definitely comedy gold in there: Khrushchev’s translation of his drunken scribblings from the night before (of things that Stalin found funny and – more importantly – things he didn’t) being a high point for me. Stalin’s children Svetlana (Andrea Riseborough, “Nocturnal Animals”) and Vasily (Rupert Friend, “Homeland”) add knockabout humour to offset the darker elements, and army chief Georgy Zhukov (Jason Isaacs, “Harry Potter”) is a riot with a no-nonsense North-of-England accent.
Brass Eye: Jason Isaacs as the army chief from somewhere just north of Wigan.
Production values are universally excellent, with great locations, great sets and a screen populated with enough extras to make the crowd scenes all appear realistic.
Another broad Yorkshire accent: (the almost unknown) Adrian McLoughlin delivers an hysterical speaking voice as Stalin.
The film absolutely held my interest and was thorougly entertaining, but the comedy is just so dark in places it leaves you on edge throughout. The writing is also patchy at times, with some of the lines falling to the ground as heavily as the dispatched Gulag residents.
It’s not going to be for everyone, with significant violence and gruesome scenes, but go along with the black comic theme and this is a film that delivers rewards.
Hazel (1853 KP) rated Networking Thoughtfully: The 30 Minute Read That Could Change Your Life in Books
May 24, 2017
Really Useful
Are you the kind of person that struggles with networking? Do you have to strain to come up with satisfactory conversation starters? Is making business deals with other people something you find challenging? Then Networking Thoughtfully is exactly what you need. This short book by Martin Wheadon is a guide for people who need to build relationships but do not know where to start. With simple points, Wheadon takes readers through a step-by-step process to help achieve positive results.
With over thirty thoughts, the reader is taken through clever ideas to boost their confidence and communication skills. The advice is written clearly, accompanied with examples to help get the most of the author's guidance. The tone of the writing is almost conversational, resulting in the sense that the author understands your anxieties and is talking from personal experience.
Although written with business gain at the forefront, Networking Thoughtfully can also be used to aid personal development. Learning how to start conversations and come up with ways to introduce yourself is beneficial when meeting new people regardless of the circumstances.
The book itself is set out neatly making it easy to follow. It is also easy to dip in and out, reading only the parts relevant to yourself, though if you wish to read it cover to cover it will only take half an hour.
Whether you are new to networking or want to improve your skills, Networking Thoughtfully is an excellent book to read. You are guaranteed to learn something new and develop techniques that benefit both your business and yourself.
With over thirty thoughts, the reader is taken through clever ideas to boost their confidence and communication skills. The advice is written clearly, accompanied with examples to help get the most of the author's guidance. The tone of the writing is almost conversational, resulting in the sense that the author understands your anxieties and is talking from personal experience.
Although written with business gain at the forefront, Networking Thoughtfully can also be used to aid personal development. Learning how to start conversations and come up with ways to introduce yourself is beneficial when meeting new people regardless of the circumstances.
The book itself is set out neatly making it easy to follow. It is also easy to dip in and out, reading only the parts relevant to yourself, though if you wish to read it cover to cover it will only take half an hour.
Whether you are new to networking or want to improve your skills, Networking Thoughtfully is an excellent book to read. You are guaranteed to learn something new and develop techniques that benefit both your business and yourself.
Merissa (12363 KP) rated Knights of Stone: Bryce (Highland Gargoyles #3) in Books
Aug 23, 2017
Knights of Stone: Bryce (Highland Gargoyles #3)
Knights of Stone: Bryce is the third book in the Highland Gargoyles series. It features the second oldest of the brothers, who is also second in command. On a return trip from the Highlands, Bryce feels like he is being watched. With strange rumours of people being attacked, he is on his guard. What he finds though, was not what he expected. He finds a young Gargoyle woman, alone and traumatised, although still feisty as hell! When she tells him her story, he knows that the clan his mother and father belong to must be informed, otherwise all Gargoyles are in danger. He tries to ignore his protective instinct, which is going off the charts since he met Mairi.
Well, Bryce may have tried, but we all know how these things work. He didn't have a cat in hell's chance of withstanding the pull of Mairi, even if she wasn't actually doing anything! This book is full of action, although only one 'steamy' scene Bryce and Mairi. With demons to fight, brothers to contend with, and a protective instinct to overcome, Bryce has his hands full. This book felt very balanced, with equal time being given to Mairi and Bryce. There were no editing or grammatical errors that disrupted my reading flow, and one scene flowed into the other. This is turning out to be a wonderful series, with excellent world building and characters. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Well, Bryce may have tried, but we all know how these things work. He didn't have a cat in hell's chance of withstanding the pull of Mairi, even if she wasn't actually doing anything! This book is full of action, although only one 'steamy' scene Bryce and Mairi. With demons to fight, brothers to contend with, and a protective instinct to overcome, Bryce has his hands full. This book felt very balanced, with equal time being given to Mairi and Bryce. There were no editing or grammatical errors that disrupted my reading flow, and one scene flowed into the other. This is turning out to be a wonderful series, with excellent world building and characters. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Merissa (12363 KP) rated Misdemeanor (Responsible Adult #1) in Books
Jul 4, 2017
Misdemeanor (Responsible Adult #1) by C.F. White
Now, first thing I must say is that if you are looking for something light and fluffy, full of sparkles and rainbows, then you have definitely got the wrong book! Misdemeanor is a dark, gritty piece of work, telling how one man is trying to do the right thing after doing so many wrong things. How he doesn't think he deserves help, or anything good in his life, and the reasons why. You find out just how hard he is trying, and Micky will worm his way into your emotions without you even realising it. As for Flynn, well, I dare you to deny him entrance to your heart!
Dan and Micky appear to be complete opposites, but they are just what the other needs. With funny situations to lighten up the darkness at times, this is a hard-hitting book that will stay with you. Trust me, it's not all good. And at times characters act like first-class jerks, but that just gives it that slice of realism.
With two outstanding main characters, plus a host of brilliant supporting characters, this book is exceptionally written and with no editing or grammatical errors that disrupted my reading flow. It does end on one helluva cliffhanger though, so fair warning! An excellent start to the series, and I can't wait to read more. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dan and Micky appear to be complete opposites, but they are just what the other needs. With funny situations to lighten up the darkness at times, this is a hard-hitting book that will stay with you. Trust me, it's not all good. And at times characters act like first-class jerks, but that just gives it that slice of realism.
With two outstanding main characters, plus a host of brilliant supporting characters, this book is exceptionally written and with no editing or grammatical errors that disrupted my reading flow. It does end on one helluva cliffhanger though, so fair warning! An excellent start to the series, and I can't wait to read more. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Larry Eisner (2082 KP) rated The Fifth Estate (2013) in Movies
May 14, 2018
Excellent pacing, great acting.
The factual fiction genre (think this film and The Social Network), is intriguing in that it’s very interesting. Like biography but never intending to be so, teetering on expose but remaining filmic in structure and narrative... anyway, The 5th Estate (or the 5ifth estate...whatever) is about the rise of Wikileaks, its enigmatic founder, Julian Assange (Benedict Cumberbatch) and the line it walks between freedom of information and guerilla journalism.
As such, it’s quite entertaining to watch, and while Cumberbatch’s Assange is more Cumberbatch than Assange (tho props to the makeup team, because he rocks the look!) it’s told in a quite exciting “rise from nobody to someone to dangerous with power” that most of these films take.
The acting is solid. The dialogue is well written and the cinematography is spot-on. Hits the “internet persona” well without too much of the hacker tropes we all expect from Hollywood.
That said, the arc is too linear. It’s too smooth, and too Hollywood to be fully believable as the whole story, and too thin on character to be invested in the Assange character much. His ego is well represented but his depth is not. We don’t get much in terms of motivation, which isn’t sad as there’s a lot to mine that the film barely scratches.
Overall definitely worth a watch. But not one you’ll likely purchase to watch again.
As such, it’s quite entertaining to watch, and while Cumberbatch’s Assange is more Cumberbatch than Assange (tho props to the makeup team, because he rocks the look!) it’s told in a quite exciting “rise from nobody to someone to dangerous with power” that most of these films take.
The acting is solid. The dialogue is well written and the cinematography is spot-on. Hits the “internet persona” well without too much of the hacker tropes we all expect from Hollywood.
That said, the arc is too linear. It’s too smooth, and too Hollywood to be fully believable as the whole story, and too thin on character to be invested in the Assange character much. His ego is well represented but his depth is not. We don’t get much in terms of motivation, which isn’t sad as there’s a lot to mine that the film barely scratches.
Overall definitely worth a watch. But not one you’ll likely purchase to watch again.